 |
Biography |
|
 |
1977 |
 |
Born in Tel Aviv, Israel |
|
 |
1997 - 1998 |
 |
Art studies, Avni institute, Tel Aviv |
|
 |
1999 |
 |
Art studies with Aram Gershuni |
|
 |
1999 |
 |
Art studies with Jacob Mishori |
|
 |
2002 - 2004 |
 |
De Ateliers stichting 63, Amsterdam |
|
 |
2006 |
 |
Winner Baloise Art Price, Art27, Basel |
|
 |
2009 |
 |
Shortlisted for the Preis der Nationalgalerie für junge Kunst 2009 (The Nationalgalerie Prize for Young Art), Berlin |
|
 |
|
 |
Lives and works in Berlin and Amsterdam |
|
 |
Exhibitions |
|
 |
2009 |
 |
Keren Cytter: Les Ruissellements du Diable, Thierry Goldberg Projects, New York – USA (solo) |
|
 |
2008 |
 |
Keren Cytter, Centro Huarte de Arte Contemporáneo, Huarte - ES(solo) |
|
 |
2008 |
 |
Keren Cytter, Lüttgenmeijer, Berlin – DE(solo) |
|
 |
2008 |
 |
Pilar Corrias, London - UK(solo) |
|
 |
2008 |
 |
The Leisure Suite, The LeRoy Neiman Gallery, Columbia University, New York, NY |
|
 |
2008 |
 |
Work from the Video & Film collection of Jean-Conrad & Isabelle Lemaitre, Kunsthalle zu Kiel der Christian-Albrecht-Universität, Kiel, Germany |
|
 |
2008 |
 |
Berlin International Film Festival, Expended Forum, Berlin, Germany |
|
 |
2008 |
 |
Konzepte der Liebe, Kölnischer Kunstverein, Cologne, Germany |
|
 |
2008 |
 |
Manifesta 7, Trento, Italy |
|
 |
2008 |
 |
Yokohama triennale, Yokohama, Japan |
|
 |
2008 |
 |
Television Delivers People, The Whitney Museum of American Art, New York, NY |
|
 |
2008 |
 |
Repulsion, Dreamtalk y Mfpig, Centro Huarte de Arte Contemporáneo, Huarte Centro, Spain (solo) |
|
 |
2008 |
 |
Les Ruissellements du diable, Luettgenmeijer, Berlin (solo) |
|
 |
2008 |
 |
Depiction Perversion Repulsion Obsession, Witte de With, Rotterdam (solo) |
|
 |
2008 |
 |
Notorious: Recent Frac Ile-de-France Acquistions, Frac Il-de-France/Il Plateau, Paris - FR |
|
 |
2008 |
 |
Television Delivers People, The Whitney Museum of American Art, New York - USA |
|
 |
2007 |
 |
The Floating Feather, Daniel Buchholz Gallery, Cologne, Germany |
|
 |
2007 |
 |
2nd Moscow Biennale, Russia |
|
 |
2007 |
 |
CCA/MAP Magazine/Glasgow film festival, Glasgow, UK |
|
 |
2007 |
 |
Fake Movement, Bologna, Italy |
|
 |
2007 |
 |
I could be you, de Appel, Amsterdam, The Netherlands |
|
 |
2007 |
 |
Keren Cytter, Stuk Kunstcentrum, Leuven, Belgium (solo) |
|
 |
2007 |
 |
Dreamtalk, Thierry Goldberg Projects, New York, NY (solo) |
|
 |
2007 |
 |
Something Happened, CUBITT Artists, London, UK (solo) |
|
 |
2007 |
 |
Collective Gallery, Edinburgh (solo) |
|
 |
2007 |
 |
House Trip, Art Forum Berlin, Ellen de Bruijne Projects, Berlin |
|
 |
2007 |
 |
Cut, Thierry Goldberg Projects, New York, NY |
|
 |
2007 |
 |
BoundLES, The Henry Street Settlement, New York, NY |
|
 |
2007 |
 |
If water crystal, crystal water…, Ingalls & Associates, Miami, FL |
|
 |
2007 |
 |
Pawnshop, e-flux, New York, NY |
|
 |
2007 |
 |
The first Hertzelia Biennial, Hertzelia, Israel |
|
 |
2007 |
 |
Self fashion show, Extra City – Center for Contemporary Art, Antwerp, Belguim |
|
 |
2007 |
 |
On the Marriage Broker Joke, Office Baroque Gallery, Antwerp, Belgium |
|
 |
2007 |
 |
There have to be many and they do(n’t) need to be reconciled with one another, Kunstverein Braunschweig e.V., Brunswick, Germany |
|
 |
2007 |
 |
The Shadow Cabinet: Distorted Fabric, de Appel, Amsterdam, the Netherlands |
|
 |
2007 |
 |
Berlin International Film Festival, Expended Forum, BueroFriedrich, Berlin, Germany |
|
 |
2007 |
 |
Zwischenbilanz II, Baloise Art Forum, Basel, Switzerland |
|
 |
2007 |
 |
TALKING PICTURES, K21 Kunstsammlung im Ständehaus, Düsseldorf |
|
 |
2007 |
 |
9. Biennale de Lyon, Lyon |
|
 |
2007 |
 |
MUMOK, Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria (solo) |
|
 |
2007 |
 |
Something Happened, Elisabeth Kaufmann, Zurich (solo) |
|
 |
2006 |
 |
Artis, Den Bosch, The Netherlands (solo) |
|
 |
2006 |
 |
REPULSION, Noga Gallery, Tel Aviv, Israel (solo) |
|
 |
2006 |
 |
Contemporary Neuromythological stories, Ellen de Bruijne Project, Amsterdam, The Netherlands (solo) |
|
 |
2006 |
 |
I was the good and he was the bad and the ugly, KW Institute for Cont Art, Berlin, Germany (solo) |
|
 |
2006 |
 |
The Victim, ART 37 Basel, statement with Elisabeth Kaufmann, Zurich, Switzerland (solo) |
|
 |
2006 |
 |
Eldorado: Keren Cytter, Atmosphere GAMeC, Gall d’Arte Mod e Contemp di Bergamo (solo) |
|
 |
2006 |
 |
Continuity, Elisabeth Kaufmann, Zurich, Switzerland (solo) |
|
 |
2006 |
 |
The Floating Feather, Chantal Crousel Gallery, Curated by Willem de Rooij, Paris, France |
|
 |
2006 |
 |
All Hawaii Entrees/Lunar Reggea, IMMA, Irish museum of Modern Art, Dublin, Ireland |
|
 |
2006 |
 |
City Lab, Artforum, Berlin, Germany |
|
 |
2006 |
 |
Open Space, Art Cologne, Cologne, Germany |
|
 |
2006 |
 |
The world state, Erik Steen Gallery, Oslo, Norway |
|
 |
2006 |
 |
Experiments in Pop, Sommer Akademie, Paul Klee Zentrum, Bern, Switzerland |
|
 |
2006 |
 |
Atmosphere GAMeC, Galleria D’arte Moderna e Contemporanea di Bergamo, Bergamo, Italy (solo) |
|
 |
2005 |
 |
Short circuit, Motive Gallery, Amsterdam, The Netherlands |
|
 |
2005 |
 |
Filmblik program, Filmhuis Den Haag, The Netherlands |
|
 |
2005 |
 |
Kunsthalle Zürich, Zurich, Switzerland (solo) |
|
 |
2005 |
 |
Frankfurter Kunstverein, Frankfurt am Main, Germany (solo) |
|
 |
2004 |
 |
My brain is in the wall, Stedelijk Museum Bureau, Amsterdam, The Netherlands (solo) |
|
 |
2004 |
 |
A4 - 5 Overtoom 301, Amsterdam, The Netherlands |
|
 |
2004 |
 |
Interior painting after Richard Hamilton, Kav 16, Tel Aviv, Israel |
|
 |
2003 |
 |
Videos, Rozenfeld Gallery, Tel Aviv, Isreal (solo) |
|
 |
2003 |
 |
Horse Hospital, London, UK |
|
 |
2002 |
 |
Wall painting, Yanko dada museum, Ein Hod, Israel |
|
 |
2002 |
 |
Drawings, Rozenfeld Gallery, Tel Aviv, Israel (solo) |
|
 |
2001 |
 |
Shoes, Left side, Tel Aviv, Isreal |
|
 |
1998 |
 |
Nice plant, Gross Gallery, Tel Aviv, Isreal |
|
 |
Literature |
|
 |
2006 |
 |
On Keren Cytter; Barry Schwabsky, ARTFORUM international, New York, October |
|
 |
2006 |
 |
Keren Cytter, I was the good and he was the bad and the ugly, texts by Diedrich Diederichsen and Avi Pitchon; Hila Peleg (Ed), KW Institute for Contemporary Art Berlin u. Revolver |
|
 |
2006 |
 |
GAMeC Bergamo, The Da Vinci Dog, among Keren Cytter, Hila Peleg and Alessandro Rabottini |
|
 |
2006 |
 |
Dialog for exhibition catalog of Willem Oorebeek, S.M.A.K, Ghent |
|
 |
2005 |
 |
The Man Who Climbed Up the of Life and Found Out They Were Cinema Seats, Keren Cytter, Epilog by Beatrix Ruf, Kunsthalle Zürich, and Nicolaus Schafhausen, Frankfurter Kunstverein (Eds.); Lukas & Sternberg, Frankfurt a. M. |
|
 |
2003 |
 |
Yesterdays sunset, Keren Cytter, Shadurian, Tel-Aviv |
|
 |
2001 - 2002 |
 |
Published and edited - Alexia - A3 about sex and Art |
|
 |
2001 - 2002 |
 |
Art critics in Maariv - Daily newspaper |
|
 |
2001 - 2002 |
 |
Art critics in Studio - Art Magazine |
|
 |
2001 - 2002 |
 |
Journalist in Globs - Daily financial newspaper |
|
 |
2001 - 2002 |
 |
Articles in 42 degrees - Fashion Magazine |
|
|