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Reed Anderson (American, 1969)
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Reed Anderson
The Kids are Alright 2006
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Reed Anderson
Where Are You Moriarty? 2006
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Biography |
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1969 |
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Born in NYC |
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1993 |
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San Francisco Art Institute, B.F.A. Printmaking / Painting |
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1994 |
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Skowhegan School of Painting and Sculpture, Skowhegan, Maine |
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Exhibitions |
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2006 |
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Material Abuse, Caren Golden Fine Art, NY |
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2006 |
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Animal Pile, Pierogi gallery, Brooklyn, NY (solo) |
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2006 |
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Love, Salvatore Feragamo, New York, NY (solo) |
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2005 |
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Carry On, Feigen Contemporary, New York, NY |
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2005 |
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Reconfigure, Pierogi, Brooklyn, NY |
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2005 |
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Mock Optic: Reed Anderson, Bjorn Copeland, John Perrot, Mixture Contemporary, Houston, TX |
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2004 |
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The Altoids Curiously Strong Collection, Collected Works, Seattle, WA |
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2004 |
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On A Wave, Jessica Murray Projects, Brooklyn, NY |
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2004 |
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Drawing the Line, Gallery W 52, New York, NY |
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2004 |
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Vacation Nation, Pierogi Gallery, Brooklyn, NY |
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2004 |
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Grotto 2, Jessica Murray Projects, Brooklyn, NY |
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2004 |
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Beautiful Grotesque, Riva Gallery, New York, NY |
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2004 |
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Crystal Horizon, Pierogi Gallery, Brooklyn, NY (solo) |
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2004 |
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International Invitational, Art Chicago, presented by Mixture Contemporary Art, Chicago, Illinois |
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2003 |
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New Art Dealers Alliance Fair, presented by Mixture Contemporary Art, Miami, Floriida |
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2003 |
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In Heat, Perogi, Brooklyn, New York |
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2003 |
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Perforations, McKenzie Fine Art, New York City |
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2003 |
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Online, Feigen Contemporary, curated by Charlie Finch, George Negroponte and Robert Storr, New York City |
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2003 |
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Never Odd or Even, Mixture Contemporary Art, Houston, Texas (solo) |
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2003 |
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Foreground Makes The Picture Healthy, Galeria Leyendecker, Santa Cruz de Tenerife, Canary Islands (solo) |
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2003 |
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Never Odd or Even, Mixture Contemporary Art, Houston, Texas (solo) |
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2003 |
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Clementine Gallery, New York, NY (solo) |
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2003 |
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Sweet Tooth, Mixture Contemporary, Houston, Texas |
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2003 |
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Bad Touch, Ukrainian Institute of Modern Art, Chicago, Illinois |
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2003 |
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Comic Release: Negotiating Identity for a New Generation, Carnegie Mellon University Gallery, Pittsburgh, Pennsylvania (traveling exhibition) |
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2003 |
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Action at a Distance, Galerie der bezirksgemeinschaft ueberetsch-unterland Neumarkt, Italy |
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2003 |
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Flipping the Bird, Vox Populi, Philadelphia, Pennsylvania |
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2003 |
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Action at a Distance, Dogenhaus Galerie, Leipzig, Germany |
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2002 |
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Five by Five: Contemporary Artists on Contemporary Art, The Whitney Museum of American Art at Philip Morris, New York, New York |
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2002 |
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Drawings 2002, New Jersey Center for the Arts, Summit, New Jersey |
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2002 |
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Bad Touch, Space 1026, Philadelphia, Pennsylvania |
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2002 |
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Mixer, Monique Meloche Gallery, Chicago, Illinois |
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2002 |
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Galeria Leyendecker, Santa Cruz de Tenerife, Canary Islands (solo) |
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2001 |
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Clementine Gallery, New York, NY (solo) |
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2001 |
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My Mother, My Self; Young Men Connecting with Older Women, Pierogi, (in collaboration with Jef Scharf), Brooklyn, New York (solo) |
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2001 |
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Suitable Gallery, Chicago, Illinois (solo) |
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2001 |
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Bad Touch, Space 1026, Philiadelphia, Pennsylvania |
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2001 |
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Mixed Pickle, Galeria Leyendecker, Santa Cruz de Tenerife, Canary Islands |
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2001 |
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Boxy, Dee/Glasoe, New York, NY |
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2001 |
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Bad Touch, Lump Gallery, Raleigh, CA |
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2000 |
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Anos Luz, curated by Angel Luis de la Cruz, Gallerie Leyendecker, Canary Islands |
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2000 |
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Miracle Whip, Clementine Gallery, New York, NY |
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2000 |
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The Pierogi Flat Files, Yerba Beuna Center, San Francisco, CA |
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2000 |
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Haulin' Ass, Post Gallery, Los Angeles, CA |
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2000 |
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The Pierogi Flat Files, Bock Artspace, Kansas City, MO |
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2000 |
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Zeichnungen, Galerie Martin Kudelek, Cologne, Germany |
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2000 |
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New Trips: Drawings By Reed Anderson, Lump - Raleigh, NC (solo) |
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2000 |
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Lump, Raleigh, North Carolina (solo) |
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2000 |
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Space 1026, Philadelphia, Pennsylvania (solo) |
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2000 |
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Galeria Leyendecker, Santa Cruz de Tenerife, Canary Islands (solo) |
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1999 |
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Clementine Gallery, New York, New York (solo) |
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1999 |
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The Cheap and the Sacred, Plan B, Center for Contemporary Art, Santa Fe, New Mexico (solo) |
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1999 |
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Size Matters, curated by Mike Weiss, Gale Gates et al, Brooklyn, NY |
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1999 |
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Whippersnapper, Vedanta Gallery, Chicago, IL |
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1999 |
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Parallel Lines: Mix and Match, curated by Barbara Toll, Karen McCready Fine Arts, New York, NY |
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1999 |
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Ragnorak, curated by Afredo Martinez, 330 W38th., New York, NY |
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1999 |
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Figuratively Speaking, curated by Mellisa Chaney, Painting Center, New York, NY |
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1999 |
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Compliments, curated by Julie Ryan, Jewish Educational Alliance, New York, NY |
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1998 |
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20 Years of Spaces, Cleveland, OH |
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1998 |
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Big Orbit Gallery, Buffalo, New York (solo) |
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Literature |
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2004 |
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NEO2, Feb-March issue, aticle on ARCO '04, pgs. 56-57 |
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2003 |
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Drawings-Reed Anderson, Cabinet magazine, Issue B, Fall |
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2003 |
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Bischoff, Dan. At First Glance, The Star-Ledger (NJ), October 11-17 |
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2003 |
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Joe Hill, Online' at Feigen Contemporary, Contemporary magazine, no. 56 |
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2002 |
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Comic Release, Negotiating Identity for a New Generation, show catalogue, DAP, NY, 2003 |
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2002 |
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Donald Baechler catalogue. April-May exhibition, Galeria Leyendecker, Santa Cruz de Tenerife, Canary Islands. A Contemporary Dialogue, Reed Anderson in discussion with John Newsom |
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2001 |
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Mahoney, Robert. Reed Anderson, Time Out New York, June 14-21 |
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2001 |
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Johnson, Ken. Reed Anderson, The New York Times, June |
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2000 |
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Levin, Kim. Reed Anderson, The Village Voice, January 11 |
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2000 |
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Natale, Michele. Devilish Details, Spectator, March 29-April 4 |
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2000 |
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Pedros, Luisa. Acusar a Scholte de plagio en el cartel del Carnaval ha sido una barbaridad |
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2000 |
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Diario de Avisos, November 15 |
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2000 |
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Fernan-Perez, Crishtina. Reed Anderson busca en sus montajes el valor intrinseco de los objetos, La Opinion De Ternerife, November 2, 2000 |
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1999 |
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Wilson-Powell, Malin. Street-Savvy Artist's Work Is Skillfully Awkward, Journal North, Santa Fe, NM, April 22, 1999 |
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1999 |
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Barragan, Paco. Con los Jasp-a, El Periodico Del Arte, August/September 1999 |
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