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Biography |
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1962 |
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Beijing, China |
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1978 - 1981 |
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Graduated from Beijing Industrial Arts College, Beijing, China |
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1983 - 1988 |
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Graduated from Sculpture Department, Central Academy of Fine Art, Beijing, China |
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Currently lives and works in Beijing |
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Exhibitions |
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2006 |
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The New Chinese Landscape, Arthur M Sackler Museum, Harvard University, Cambridge, MA |
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2006 |
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Beaufort Sea Triennium, PMK Museum of Modern Art Ostende, Belgium |
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2006 |
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Heyri Asia Project /Chinese Contemporary Art Festival, Seoul, Korea |
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2006 |
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Martell Artists of the Year 2006, National Art Museum of China, Beijing |
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2006 |
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1st Annals Exhibition of Chinese Contemporary Art, Millennium Art Museum, Beijing |
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2006 |
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Exchange Value of Pleasure, Pusan Museum of Modern Art, Korean |
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2006 |
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The Festival of China, The Kennedy Center, Washington D.C |
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2006 |
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‘Electrical Scape’ International New Media Art Exhibition, Zheng Da Art Museum, Shanghai |
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2006 |
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Chinese Avant-garde Sculpture, Museum Beelden aan Zee Holland |
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2006 |
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On the Edge--Visiting Artists Program, Cantor Center for the Visual Arts, USA |
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2006 |
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Hyper Design 6th Shanghai Biennale, Shanghai Art Museum |
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2006 |
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Entry Gate: Chinese Aesthetics of Heterogeneity, MoCA, Shanghai |
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2006 |
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City in Progress/ Live from Zhang Jiang, Zhangjiang, Shanghai |
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2006 |
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Chinese in Indigenous Mode: Contemporary Renaissance in Aesthetic Reconstruction, Today Art Museum, Beijing |
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2006 |
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The New Chinese Landscape, Arthur M Sackler Museum, Harvard University, Cambridge, MA |
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2006 |
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ZHAN WANG Urban Landscape-Beijing, Williams College Museum of Art (solo) |
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2005 |
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Flowers in the Mirror, Han art Gallery, Hong Kong (solo) |
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2005 |
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The Elegance of Silence, Mori Art Museum, Tokyo |
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2005 |
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Universal Experience--Art, Life, and the Tourist’s Eyes, Museum of Contemporary Art, Chicago; Haywood Gallery, London |
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2005 |
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‘The Wall’-- Reshaping Contemporary Chinese Art, Millennium Art Museum, Beijing; UB Art Gallery and Albright Knox Art Gallery, Buffalo, New York |
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2005 |
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ElectroScape, International New Media Art Exhibition, Zhengdai MoMa, Shanghai |
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2005 |
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Xianfeng! Chinese avant-garde sculpure, Museum Beelden aan Zee/Waanders Uitgevers |
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2005 |
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On The Edge Visiting Artists Program, Cantor Center for the Visual Arts, San-, USA |
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2005 |
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The Elegance of Silence, Mori Art Museum, Tokyo |
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2005 |
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Universal Experience- Art, Life, and the Tourist’s Eye, Museum of Contemporary Art, Chicago |
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2004 |
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Mount Everest Project —to the Summit Everest 8853.5m (solo) |
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2004 |
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Chinese Imagination, Paris, Jardin des Tuileries |
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2004 |
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Beyond Boundaries, Shanghai Gallery of Art |
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2004 |
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Between Past and Future : New photography and Video from China, International Center of P hotograph (ICP), NewYork |
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2004 |
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Playing with the Energy, House of Shiseido, Tokyo |
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2003 |
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Dreams and Conflicts-The Dictatorship of the Viewer |
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2003 |
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50th Venice Biennale: Synthi-Scapes: Chinese Pavilion |
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2002 |
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From Sweden to Taibei, Taibei-Taizhong (solo) |
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2002 |
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Sham Nature--Zhan Wang’s Artificial ‘Jia Shan Shi’, Han art Gallery, Hong Kong (solo) |
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2002 |
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In & out --Floating Rock on Sweden, Gothenburg, Sweden (solo) |
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2001 |
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Inlay Great Wall, Remnant Great wall of Badaling, Beijing (solo) |
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2001 |
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Sham Nature : Zhan Wang’s Artificial Jiashanshi, Hanart Gallery, Hongkong |
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2001 |
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Insaid out: Floating Rock on Sweden, Gothenbog, Sweden |
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2000 |
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Beyond Twelve Nautical Miles: Floating Rock Drifts On The Open Sea, Lingshan Island Jiaonan City, Shandong Provence |
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1999 |
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Volume and Form, Singapore International Sculpture, Singapore |
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1999 |
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Transience: Chinese Experimental Art at the End of the Twentieth Century, The Smart Museum of Art, Chicago, Illinois, USA |
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1999 |
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Chinese Contemporary Art, LIMN Gallery, San Francisco, California, USA |
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1998 |
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Annual Exhibition of Contemporary Sculpture, He Xiang Ning Museum, Shenzhen, China |
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1998 |
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Building Blocks, Courtyard Gallery, Beijing, China |
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1998 |
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A Revelation of 20 Years of Contemporary Chinese Art, Worker’s Cultural Palace, Beijing, China |
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1998 |
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Commemorating Life, Jinshan, Taiwan |
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1998 |
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Half a Century of Footprints, Central Academy of Fine Arts Gallery, Beijing, China |
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1998 |
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Autonomous Action, Art Space Gallery, Auckland, New Zealand |
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1998 |
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Signs of Life: Group Exhibition of Modern Chinese Art, Modern Art Studio, Beijing, China |
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1997 |
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Continue, Central Academy of Fine Arts Gallery, Beijing, China |
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1997 |
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The First Sculpture Activities in Guilin Dayanggu Art Palace, Guilin, China |
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1997 |
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Dream of China 1997: Chinese Contemporary Art, Yan Huang Art Museum, Beijing, China |
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1997 |
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Chinese Contemporary Art Exhibition, Watari-UM, Tokyo, Japan |
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1997 |
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Forever Return 1997: Nanshan Sculpture Exhibition, Nanshun Sculpture Institute, Shenzhen, China |
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1996 |
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The First Exhibition in Mountain-Forest Sculpture Park, Huar Rou, Beijing, China |
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1996 |
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International Sculpture Wild: Open Show, Fukouka Seaside Park, Fukouka, Japan |
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1996 |
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The First Academic Exhibition of Chinese Contemporary Artists, Hong Kong Art Center, Hong Kong |
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1996 |
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Reality, Present and Future, International Art Place, Beijing, China |
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1995 |
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Woman’s Her: The Second Triplicate Studio Exhibition, Contemporary Art Gallery, Beijing, China |
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1995 |
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Open Your Mouth, Close Your Eyes, Beijing–Berlin Art Exchange, Beijing, China |
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1994 |
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Agree to 11/26 as a Reason: Postcard Exchange, Hangzhou, Shanghai, and Beijing |
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1994 |
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Kong Ling Kong Seduction Series: Works of Zhan Wang, Central Academy of Fine Arts Gallery, Beijing, China |
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1994 |
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‘Vacant Empty- Seduction Series’-- Works of Zhan Wang, CAFA Gallery, Beijing (solo) |
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1993 |
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Taiwan–Beijing Two Sides of Straits: Sculpture Exchange, Gao Xiaong Art Gallery, Taiwan and Beijing, China |
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Literature |
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2007 |
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China Art Book. Uta Grosenick / Caspar Schübbe (Ed.), 680 pages, approx. 850 images, trilingual: Engl./Ger./Chin., Dumont Buchverlag, Cologne 2007. www.chinaartbook.de |
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