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Reinhard Mucha (German, 1950)
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Reinhard Mucha
Korsisches Aquarell
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Biography |
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1950 |
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Born in Düsseldorf |
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Currently lives in Düsseldorf. |
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Exhibitions |
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2002 |
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“Continuous Play”, Luhring Augustine, New York, NY |
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2002 |
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“The Object of Sculpture”, Henry Moore Institute, Leeds, UK |
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2000 |
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“Mixing Memory and Desire”, New Museum of Art Lucerne, Lucerne, Switzerland |
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1999 |
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“Trace,” The Liverpool Biennial of Contemporary Art |
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1998 |
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“Wounds. Between Democracy and Redemption in Contemporary Art”, Moderna Museet, Stockholm |
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1998 |
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“100 Years of Sculpture: From the Pedestal to the Pixel”, Walker Art Center, Minneapolis |
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1998 |
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“Eller Bahnhof”, Luhring Augustine, New York (solo) |
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1998 |
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“Pearl Paint”, Murray Guy, New York (solo) |
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1997 |
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“September/October”, Anthony d’Offay Gallery, London (solo) |
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1997 |
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“Die Epoche der Moderne. Kunst im 20. Jahrhundert”, Martin-Gropius-Bau, Berlin |
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1997 |
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“On the Edge: Contemporary Art from the Werner and Elaine Dannheiser Collection”, The Museum of Modern Art, New York |
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1996 |
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“Die Unersetzbarkeit des Bildes.” Eine Ausstellung in Erinnerung an Max Imdahl, Westfalischer Kunstverein, Munster |
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1996 |
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“Reinhard Mucha”, Eine Ausstellung des Instituts fur Auslandsbeziehungen, ifa-Galerie, Friedrichstraße, Berlin (solo) |
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1995 |
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“Entr’Acte 3, New Acquisitions for the collection 1994/95”, Stedelijk Van Abbemuseum, Eindhoven |
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1994 |
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“The Epic and the Everyday”, Hayward Gallery, London |
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1993 |
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“Kontext Kunst”, Neue Galerie am Landesmuseum, Johanneum, Graz |
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1993 |
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“Collected – Recollected”, Luhring Augustine, New York “Weight on Drivers”, Anthony d’Offay Gallery, London (solo) |
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1992 |
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“Allegories of Modernism, Contemporary Drawing”, Museum of Modern Art, New York |
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1991 |
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Museum für Moderne Kunst, Frankfurt am Main (solo) |
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1991 |
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“Metropolis”, Martin-Gropius-Bau, Berlin |
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1990 |
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“Culture and Commentary: an Eighties Perspective”, Hirshhorn Museum, Washington D.C. |
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1990 |
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“Kopfdiktate”, Museum Haus Esters, Krefeld (solo) |
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1989 |
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“Mutterseelenallein”, Galerie Lia Rumma, Naples (solo) |
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1989 |
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“Einleuchten”, Deichtorhallen, Hamburg |
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1988 |
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“Zeitlos”, Hamburger Bahnhof, Berlin |
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1987 |
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“23 Ausstellung”, Galerie Graesslin - Ehrhardt, Frankfurt am Main |
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1987 |
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“Nordausgang; Kasse beim Fahrer”, Kunsthalle Basel and Kunsthalle Bern (solo) |
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1986 |
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“Wasserstandsmeldung”, Galerie Konrad Fischer, Düsseldorf (solo) |
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1986 |
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“Gladbeck”, Centre Georges Pompidou, Paris (solo) |
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1986 |
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“Origins, Originality + Beyond”, The Sixth Biennale of Sydney |
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1985 |
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“The European Iceberg”, Art Gallery of Ontario, Toronto |
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1985 |
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“Clair - Obscur”, Galerie Philip Nelson, Lyon (solo) |
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1985 |
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“First go Gerresheim – Glashutte”, Galerie Max Hetzler, Köln (solo) |
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1984 |
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“von hier aus”, Messegelaende Halle 13, Dusseldorf |
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1983 |
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“Konstruierte Orte “, Kunsthalle Bern |
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1983 |
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“Feuer und Leben”, Kabinett für aktuelle Kunst, Bremerhaven (solo) |
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1982 |
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“Wartesaal”, Galerie Max Hetzler, Stuttgart (solo) |
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1982 |
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“Kunst wird Material”, Nationalgalerie, Berlin |
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1981 |
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“Annemarie-und Will-Grohmann-Stipendium,” Staatliche Kunsthalle, Baden-Baden, Baden-Baden |
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1981 |
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“Erwachet!,” Karl - Anton - Strasse 16, Düsseldorf, (with Jurgen Drescher) (solo) |
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1980 |
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“Kopfdiktate”, Galerie Annelie Brusten, Wuppertal (solo) |
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1979 |
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“Europa ‘79,” Kunstausstellung Gutenbergstrasse 62a e. V, Stuttgart (Kunstforum |
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1978 |
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“Wppt,” Kunst-und Museumsverein, Wuppertal |
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1977 |
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“…sondern stattdessen einen Dreck wie mich.” Verwaltungs- und Wirtschaftsakademie, Studiengebaude Düsseldorf (solo) |
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PRIVATE COLLECTIONS
Rubell Familly Collection, Miami, Florida |
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Literature |
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2005 |
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Monk, Philip. “Reinhard Mucha: Le Silence de la Presentation,” Collection Essais. La Lettre Volee, Parachute Essais Choisis 1985-2000, pp. 79-92 (text in French) |
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2004 |
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“Kunst - Ein Kinderspiel,” Schirn Kunstalle Frankurt, 2004, pp. 332-335 |
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2003 |
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Birnbaum, Daniel. “Ripening on the Rhine; The Cologne Art World of the ‘80s,” ARTFORUM International, March 2003, pp. 217-221. |
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2002 |
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“Man in The Middle”, Sammlung, Deutsche Bank, pp. 186-187 |
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2000 |
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“Mixing Memory and Desire”, New Museum of Art Lucerne, Lucerne, exhibition catalogue |
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1999 |
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Eccles, Tom, Art In America, October, pp. 170 - 171 |
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1999 |
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MacRitchie, Lynn, “Memories are Made of This,” Financial Times (London), October 25 |
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1998 |
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Smith, Roberta, “Making the Very Walls Part of the Sculpture”, The New York Times, Friday, December 18, Page E42 |
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1997 |
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Bochynek, Martin. “KS 170”, catalogue for the exhibition Reinhard Mucha, Institut fur Auslandsbeziehungen, ifa-Galerie FriedrichstraBe, Berlin 1997, pp. 9-13 |
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1994 |
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Moszynska, Anna. “Train Spotting”, Art Monthly, No. 174, March, pp. 7-11 |
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1994 |
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Tietenberg, Annette. “Vykladni skrine vzpominky:Prace Reinharda Muchy”, Vytvarne Umnei (Prague), No. 1/94, pp. 55-61 |
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1993 |
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Gassen, Richard W. “Reinhard Mucha”, catalogue for the exhibition Zeitsprunge. Kunstlerische Positionen der 80er Jahre, Wilhelm-Hack-Museum, Ludwigshafen am Rhein pp. 64-65 |
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1992 |
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Hentschel, Martin. “Reinhard Mucha. Figure and Ground-Picture and Frame/ Figuur en Grond-Schilderij en Lijst”, Forum International, No. 13, May-August 1992, pp. 47-53 |
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1991 |
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Brea, Jose Luis, Las auras frias, Editorial Anagrama, Barecelona |
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1990 |
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Hohmeyer, Jurgen. “Unheimlich nach oben drucken”, Der Spiegel, No. 21, May, pp. 212-215 |
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1989 |
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Tazzi, Pier Luigi. “Reinhard Mucha-Lia Rumma”, Artforum, Vol. 28, No. 4 December, pp.151-152 |
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1988 |
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Oliva, Achille Bonita. “Neo-Eurpoe (West)”, Flash Art, No. 139, March/April, pp.67-71 |
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1987 |
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Hohmeyer, Jurgen. “Stadtebilder im mobilen Wartesaal”, Der Spiegel, No. 6, Feb., pp.184-187. |
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1987 |
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Artist’s Contribution. “The Mausberg Collection”, Artforum, Vol. 26, No. 2, October, pp. 96-99 |
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1986 |
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Van Damme, Leo. “Reinhard Mucha. De bouwer van de aanschouwelijke onzichtbaarheid”, Artefactum, No. 15, September/October, pp. 17-23 |
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1985 |
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Celant, “Stations on a journey. Reinhard Mucha’s migrant sculpture”, Artforum, Volume 24, No. 4, December, pp. 76-79 |
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1983 |
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Zacharopoulos, Denys. “Postures de distance”, Artistes (Paris), No. 16, Summer, pp. 44-56 |
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1982 |
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Inboden, Gudrun, “Wartesaal”, leaflet for the exhibition Reinhard Mucha, Wartesaal, Max-UlrichHetzler GmbH, Stuttgart |
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1981 |
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Annemarie- und Will-Grohmann-Stipendium 1981, Staatliche Kunsthalle Baden-Baden, Baden-Baden, pp. 161-162 |
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1979 |
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“Lieber Max”, Artist’s Contribution, Kunstforum, No. 36, June, pg. 76 |
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1978 |
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“Man in The Middle”, Sammlung, Deutsche Bank, Germany |
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