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Biography |
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1946 |
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Born Charles Arthur Arnoldi in Dayton, OH |
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The following is from the Ro Gallery: |
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Charles Arnoldi has become a popular California artist best known for his brightly-colored, abstract paintings that incorporate the use of wood as an expressive medium, often using tree branches and twigs. He lives in Malibu and has had considerable financial success and celebrity attention. |
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He was born in 1946 in Dayton, Ohio and never imagined himself having a career in art. By the age of eighteen, Arnoldi had turned his back on a destructive and abusive childhood and moved to Los Angeles, California. He arrived in Southern California in 1965 and spent two years at Ventura Junior College before receiving a full scholarship to the Art Center School in Los Angeles. He only lasted two weeks at his new school before becoming frustrated with limitations imposed upon him as an illustrator. He soon enrolled in the Chouinard Art Institute and gained immediate recognition for his skill when he received a Los Angeles County Museum of Art talent award. When the funding for his tuition ran out, Arnoldi was suddenly faced with having to establish himself as an artist outside of an academic environment. |
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He experimented with various painting techniques and struggled to find a solid interpretation of his artistic vision. One day he collected some tree branches with a friend from a nearby area, brought them home and positioned them against the wall inside his studio. He observed the pieces and found that they resembled hand-drawn lines. He began to use branches and twigs to make up the lines within his paintings, "building" a painting with them. His earliest works were almost primitive in their simplicity and shape, resembling woven stick baskets delicately balanced. Arnoldi concentrated on his twig painting for eight years constructing many different forms, freestanding structures, sticks and string, twigs taped together densely or openly. |
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In 1977, he had one of his small stick structures created in bronze. It was his first metal sculpture and he found that the metal gave permanence to his wooden structures. He continued to use sculpt with metal, often collecting scraps from the foundry, and appreciating their natural form. |
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In the 1980's color started to become more important to him and he used bright pigments to give even more definition to his three-dimensional pieces. He also started to paint on canvas, always reflecting the elements of his wood paintings. In 1980 he painted his interpretation of the logjam that occurred as a result of the Mt. St. Helens volcano eruption. He juxtaposed his earth-toned canvas against a similar painting created entirely of sticks, mimicking the image on the painted canvas. |
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He was constantly redefining his artistic approaches, and in the late 1980's started working with large plywood sheets. He glued the layered sheets together, deconstructed the piece using a chainsaw to cut jagged scars into the wood, and then painted it. The work that emerged during this period was fueled by emotional energy that developed from both personal tragedy and personal joy. His mother and brother had both died, but Arnoldi had also experienced the birth of his first child, a son. He was able to direct his intense feelings into his art, often with dynamic results. He was now involved in a new process of building up and tearing down. His ever-evolving style took yet another direction when he started using heavy blocks of wood brightly painted and mounted on the wall. He made a point of preserving the integrity of wood by not sanding away any exposed grain. |
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In the 1990's Arnoldi departed from the rigidity of his wood creations by painting on canvas. His paintings from this period are predominantly black and white and display free-flowing organic shapes like twists and loops with a sense of motion not seen before in his work. Arnoldi's work has been exhibited throughout his career in many solo and group shows. His first one-man show was at the Riko Mizuno Gallery in Los Angeles in 1971 and subsequent solo exhibitions followed at the James Corcoran Gallery in Los Angeles, (1980-1985), and the Arts Club of Chicago, Illinois (1986). His group exhibitions include the Los Angeles County Museum of Art (1983), the Brooklyn Museum (1986) and the Museum of Contemporary Art Los Angeles (1992). Charles Arnoldi resides in Venice, California. |
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Exhibitions |
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2008 |
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Caldwell Snyder Gallery St. Helena |
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2007 |
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The Left Coast, Imago Galleries |
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2000 |
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New Paintings, Skidmore Contemporary Art Malibu, CA |
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2000 |
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Paintings, Ochi Fine Art Ketchum, ID |
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2000 |
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Eckert Fine Art Naples, FL |
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2000 |
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On Paper: Drawings, Paintings, and Collages, Skidmore Contemporary Art Malibu, CA |
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2000 |
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Black, White and Bronze, Larry Bell, Palos Verdes Art Center Rancho Palos Verdes, CA |
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1999 |
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, Charles Cowles Gallery New York, NY |
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1999 |
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The Eclectic Eye: Selections from the Frederick R. Weisman Collections, California Center for the Arts Escondido, CA |
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1999 |
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The California State Senate Contemporary California Art Collection 1998-99, State Capitol Building Sacramento, CA |
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1999 |
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Radical Past: Contemporary Art and Music in Pasadena, 1960-1974, Armory Center for the Arts Pasadena, CA |
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1999 |
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New Works, Chac-Mool Contemporary Fine Art West Hollywood, CA |
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1999 |
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Recent Works, Charles Cowles Gallery New York, NY |
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1999 |
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New Works, Chac Mool Contemporary Fine Art West Hollywood, CA |
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1998 |
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New Works, Parchman Stremmel Galleries San Antonio, TX |
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1998 |
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Gold, Skidmore Contemporary Art Malibu, CA |
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1998 |
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Forms of Thought, William Turner Gallery Venice, CA |
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1997 |
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New Paintings, Tony Shafrazi Gallery New York, NY |
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1997 |
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New Work, Flanders Contemporary Art Minneapolis, MN |
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1997 |
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Monotypes: A Survey 1987-1996, Flanders Graphics Minneapolis, MN |
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1996 |
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New Monotypes, Charles Cowles Gallery New York, NY |
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1994 |
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, Charles Cowles Gallery New York, NY |
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1994 |
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About Color, Charles Cowles Gallery New York, NY |
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1993 |
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, Charles Cowles Gallery New York, NY |
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1992 |
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Monotypes, Gallery Kuranuki Osaka, Japan |
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1992 |
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, Sun Gallery Seoul, Korea |
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1991 |
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, Gallery Kuranuki Osaka, Japan |
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1991 |
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Charles Arnoldi: Oil Paintings on Canvas, Cast Bronze Sculptures, Fred Hoffman Gallery Santa Monica, CA |
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1991 |
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, Ochi Gallery Ketchum, ID |
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1991 |
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The Unique Print: 70's into 90's, Museum of Fine Arts Boston, MA |
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1991 |
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Small Drawings, Klein Art Works Chicago, IL |
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1991 |
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The Fourth International Shoebox Sculpture Exhibition, University of Hawaii at Manoa Art Gallery Honalulu, HI |
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1991 |
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Soho at Duke: Five Artists from Charles Cowles Gallery, Duke University Museum of Art Durham, NC |
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1991 |
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Visions/Revisions: Selections from the Contemporary Collection, Denver Art Museum Denver, CO |
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1991 |
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Contemporary Abstraction, Klein Art Works Chicago, IL |
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1991 |
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American Narrative Painting and Sculpture: The 1980's, from the Collect, Nassau County Museum of Art Roslyn Harbor, NY |
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1990 |
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New Approaches, Tower Fine Arts Gallery State Univ. of New York College at Brockport, NY |
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1990 |
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Monotypes from the Garner Tullis Workshop, Malmgran Gallery Göteborg, Sweden |
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1990 |
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Artist's Quilts, Transamerica Corporation San Francisco, CA |
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1990 |
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Newer Sculpture, Charles Cowles Gallery New York, NY |
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1990 |
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Selections from the Carnation Company Collection, The Armory Center for the Arts Pasadena, CA |
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1990 |
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Black and White: Works on Paper, Linda Cathcart Gallery Santa Monica, CA |
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1990 |
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Accrochage: 1985-1990, Michael Dunev Gallery San Francisco, CA |
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1990 |
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Color in Art: American Expressions from the Mid-Twentieth Century to the Present, Samuel P. Harn Museum of Art University of Florida, Gainesville, FL |
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1990 |
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Arnoldi/Stabilito, Kass/Merisian, Stabilito, Kass,, Chicago, IL |
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1990 |
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The Painted Monotypes, Michael Dunev Gallery San Francisco, CA |
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1990 |
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, Flanders Contemporary Art Minneapolis, MN |
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1990 |
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, Arthur Roger Gallery New Orleans, LA |
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1990 |
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, Michael Dunev Gallery San Francisco, CA |
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1990 |
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, Malmgran Gallery Göteborg, Sweden |
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1990 |
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, Sena Galleries West Santa Fe, NM |
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1989 |
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, James Corcoran Gallery Santa Monica, CA |
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1989 |
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Charles Arnoldi: Recent Monotypes from the Garner Tullis Workshop, Pamela Auchincloss Gallery New York, NY |
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1989 |
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, Ocho Gallery Sun Valley, ID |
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1989 |
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Art of the 80's from the Collection of Chemical Bank, The Montclair Art Museum Montclair, NJ |
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1989 |
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Monoprints, Persons and Lindell Gallery Helsinki, Finland |
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1989 |
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Selected Works from the Frederick R. Weisman Foundation, Traveled through, Wight Art Gallery University of California at Los Angeles, CA |
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1989 |
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Three American Artists, The Works Gallery Long Beach, CA |
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1989 |
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Contemporary Prints, Ochi Gallery Sun Valley, ID |
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1989 |
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Visions of the Volcano, Volcano Art Center; Contemporary Museum Honolulu, HI |
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1988 |
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Art in Public Buildings, Phebe Conley Gallery California State University at Fresno, CA |
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1988 |
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Collaborations in Monotypes: Garner Tullis Workshop, University Art Museum University of California, Santa Barbara, CA |
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1988 |
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Contemporary Masters, Richard Green Gallery Los Angeles, CA |
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1988 |
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Contemporary Masters, Diane Nelson Gallery Laguna Beach, CA |
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1988 |
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An Eclectic Eye: Selections from the Frederick R. Weisman Art Foundation, Traveled through, Bridge Center for Contemporary Art El Paso, TX |
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1988 |
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40th Annual Purchase Exhibition, American Academy and Institute of Arts and Letters New York, NY |
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1988 |
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Imprimatur, Greenville County Museum of Art Raleigh, NC |
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1988 |
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Molten Metal, Gallery at the Plaza (Sec. Pac. Nat. Bank) Los Angeles, CA |
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1988 |
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The 1980's: A New Generation, The Metropolitan Museum of Art New York, NY |
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1988 |
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Professors' Choice III, Montgomery Gallery; Lang Gallery Pomona College; Scripps College, Claremont, CA |
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1988 |
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Sculpture: Works on Bronze, Carl Schlosberg Fine Arts Sherman Oaks, CA |
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1988 |
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West Coast Contemporary, Stremmel Galleries Reno, NV |
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1988 |
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, Klein Gallery Chicago, IL |
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1988 |
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, Richard Green Gallery Los Angeles, CA |
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1988 |
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Charles Arnoldi: Painting and Sculpture, 1971-1988, Museo ItaloAmericano San Francisco, CA |
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1987 |
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, Fuller Goldeen Gallery San Francisco, CA |
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1987 |
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, James Corcoran Gallery Santa Monica, CA |
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1987 |
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, Ochi Gallery Boise, ID |
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1987 |
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, Texas Gallery Houston, TX |
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1987 |
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Arnoldi: Just Bronze, University Art Museum, California State University Long Beach, CA |
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1987 |
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, Charles Cowles Gallery New York, NY |
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1987 |
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The Anderson Collection: Two Decades of American Graphics 1967-1987, Stanford University Museum of Art Stanford, CA |
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1987 |
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Cast in Bronze, U. of Missouri - Kansas City Gallery of Art Kansas City, MO |
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1987 |
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Contemporary Masters, Richard Green Gallery Los Angeles, CA |
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1987 |
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The Early Show: California Art from the Sixties and Seventies, James Corcoran Gallery Santa Monica, CA |
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1987 |
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15th Anniversary, 1972-1987, Flanders Contemporary Art Minneapolis, MO |
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1987 |
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The Frederick R. Weisman Collection: An International Survey, San Antonio, TX |
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1987 |
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Los Angeles Artists: Modern Masters, The Ruthven Gallery Lancaster, OH |
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1987 |
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New Works, Charles Cowles Gallery New York, NY |
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1987 |
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Prints by Los Angeles Artists, Asahi Shimbun Gallery Tokyo, Japan |
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1987 |
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Recent Works: Charles Arnoldi, Ron Cooper, Laddie John Dill, Ron Cooper, Ladd, Sena Galleries West Santa Fe, NM |
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1987 |
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39th Annual Purchase Exhibition, American Academy and Institute of Arts and Letters New York, NY |
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1986 |
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Garner Tullis Workshop: Monotypes, Galerie au Poisson Rouge Vully, Switzerland |
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1986 |
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Recent Graphics from American Print Shops, The Mitchell Museum Mt. Vernon, IL |
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1986 |
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ARCO Sculpture Garden Installation, The American Film Institute Los Angeles, CA |
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1986 |
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'70's in '80's: Printmaking Now, Museum of Fine Arts Boston, MA |
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1986 |
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A Southern California Collection, Cirrus Los Angeles, CA |
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1986 |
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Collector's Choice Exhibition, Center for the Arts Vero Beach, FL |
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1986 |
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Asian, Israeli and European Tours, Frederick R. Weisman Foundation of Art |
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1986 |
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, New City Editions Venice, CA |
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1986 |
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, Charles Cowles Gallery New York, NY |
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1986 |
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, Pamela Auchincloss Gallery Santa Barbara, CA |
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1986 |
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, Janie Beggs Gallery Aspen, CO |
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1986 |
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Arnoldi: Recent Paintings, University of Missouri, Kansas City Gallery of Art Kansas City, Missouri |
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1986 |
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Public and Private: American Prints Today, The Brooklyn Museum Brooklyn, NY |
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1986 |
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Foundry/Process, St. John's College; North Dakota Museum of Art Santa Fe, NM; Grand Forks, ND |
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1986 |
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Contemporary Art from Southern California, Art in Embassies Program Helsinki, Finland |
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1986 |
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First Impressions: Recent Monotypes by 15 Artists, Allan Frumkin Gallery New York, NY |
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1985 |
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Abstract Relationships, Charles Cowles Gallery New York, NY |
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1985 |
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Basically Boxes, Klein Gallery Chicago, IL |
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1985 |
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Basically Wood, Thomas Segal Gallery Boston, MA |
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1985 |
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Contemporary Monotypes, The Gallery at the Plaza Los Angeles, CA |
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1985 |
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Paint and Print, Herbert Palmer Gallery Los Angeles, CA |
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1985 |
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Sculptors and Their Prints, Herbert Palmer Gallery Los Angeles, CA |
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1985 |
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Selected Works/ The Frederick R. Weisman Foundation of Art, Art Center College of Design Pasadena, CA |
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1985 |
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, Fuller Goldeen Gallery San Francisco, CA |
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1985 |
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, Thomas Babeor Gallery La Jolla, CA |
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1985 |
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, Charles Cowles Gallery New York, NY |
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1985 |
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, James Corcoran Gallery Los Angeles, CA |
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1984 |
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Charles Arnoldi: Unique Prints, Los Angeles County Museum of Art Los Angeles, CA |
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1984 |
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, James Corcoran Gallery Los Angeles, CA |
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1984 |
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American Art for the Frederick R. Weisman Foundation Collections, San Francisco Art Institute Sna Francisco, CA |
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1984 |
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Art and the Familiar Object, The Gallery at the Plaza Los Angeles, CA |
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1984 |
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Art of the States: Works from a Santa Barbara Collection, Santa Barbara Museum of Art Santa Barbara, CA |
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1984 |
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A Broad Spectrum: Contemporary Los Angeles Painters and Sculptors '84, Design Center of Los Angeles Los Angeles, CA |
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1984 |
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California Sculptures Show, Fisher Gallery, University of Southern California, Los Angeles, CA |
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1984 |
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Contemporary American Wood Sculpture, Crocker Art Museum Sacramento, CA |
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1984 |
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Current Expressions: Painting and Drawings, Fuller Goldeen Gallery San Francisco, CA |
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1984 |
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Fifty Artists, Fifty States, Fuller Goldeen Gallery San Francisco, CA |
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1984 |
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Out of Square: View Point '84, Cranbrook Academy of Art Museum Detroit, MI |
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1984 |
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Sculpture at Art Center, Art Center of Design Pasadena, CA |
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1984 |
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Stars, Fuller Goldeen Gallery San Francisco, CA |
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1983 |
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Painted Object Painted, Herbert Palmer Gallery Los Angeles, CA |
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1983 |
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Recent Work/ Recent Gifts, Santa Barbara Museum of Art Santa Barbara, CA |
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1983 |
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Sculpture, Pamela Auchincloss Gallery Santa Barbara, CA |
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1983 |
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Selected Works, Thomas Babeor Gallery La Jolla, CA |
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1983 |
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Selections 1, Fuller Goldeen Gallery San Francisco, CA |
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1983 |
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Summer Group Show, James Corcoran Gallery Los Angeles, CA |
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1983 |
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The 38th Corcoran Biennial Exhibition of American Painting: Second Western States Exhibition, Corcoran Gallery of Art Washington, D.C. |
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1983 |
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States Exhibition, Corcoran Gallery of Art Washington, D.C. |
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1983 |
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Young Talent Awards: 1963-1983, Los Angeles County Museum of Art Los Angeles, CA |
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1983 |
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The American Artist as Printmaker, The Brooklyn Museum Brooklyn, NY |
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1983 |
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The Bay Area Collects, San Francisco Museum of Modern Art San Francisco, CA |
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1983 |
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Charles Arnoldi and Laddie John Dill, Laddie John Dill, Art Gallery California State University at Fullerton, CA |
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1983 |
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Group Show, Mizuno Gallery Los Angeles, CA |
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1983 |
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, Texas Gallery Houston, TX |
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1983 |
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, James Corcoran Gallery Los Angeles, CA |
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1982 |
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, James Corcoran Gallery Los Angeles, CA |
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1982 |
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Casting: A Survey of Cast Metal Sculpture in the '80's, Fuller Goldeen Gallery San Francisco, CA |
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1982 |
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A Century of Modern Sculpture 1882-1982, Museum of Fine Arts Houston, TX |
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1982 |
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Forgotten Dimensions: Survey of Small Sculpture in California Now, Fresno Arts Center Fresno, CA |
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1982 |
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Group Show, Texas Gallery Houston, TX |
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1982 |
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L.A. Art: An Exhibition of Contemporary Paingints, Nagoya City Museum Nagoya, Japan |
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1982 |
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Painted Sculpture, Los Angeles Municipal Art Gallery Los Angeles, CA |
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1982 |
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A Private Vision: Contemporary Art from the Graham Gund Collection, Museum of Fine Arts Boston, MA |
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1982 |
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Summer Group Show, Robert Elkon Gallery New York, NY |
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1982 |
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Works from the Collection of Security Pacific, Los Angeles Municipal Art Gallery Los Angeles, CA |
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1982 |
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Works on Wood, Margo Leavin Gallery Los Angeles, CA |
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1981 |
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The Americans/ The Landscape, Contemporary Arts Museum Houston, TX |
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1981 |
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Artists Quilts, La Jolla Museum of Contemporary ARt La Jolla, CA |
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1981 |
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Decade: Los Angeles Painting in the Seventies, Art Center College of Design Los Angeles, CA |
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1981 |
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, Hanson-Fuller-Goldeen Gallery San Francisco, CA |
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1981 |
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, Texas Gallery Houston, TX |
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1981 |
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, James Corcoran Gallery Los Angeles, CA |
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1980 |
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, James Corcoran Gallery Los Angeles, CA |
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1980 |
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Group Show, Robert Elkon Gallery New York, NY |
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1980 |
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Group Show, University of Hartford Hartford, CT |
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1980 |
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Painted Sculpture, Palo Alto Cultural Center Palo Alto, CA |
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1980 |
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Summer Group Show, James Corcoran Gallery Los Angeles, CA |
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1979 |
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Aspects of Abstract, Crocker Museum Sacramento, CA |
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1979 |
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The Dootson Collection, Seattle Museum of Art Seattle, WA |
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1979 |
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Gallery Artists, Dobrick Gallery Chicago, IL |
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1979 |
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Group Show, Texas Gallery Houston, TX |
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1979 |
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, Texas Gallery Houston, TX |
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1979 |
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, Nicholas Wilder Gallery Los Angele, CA |
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1979 |
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, Dobrick Gallery Chicago, IL |
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1979 |
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, Robert Elkin Gallery New York, NY |
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1978 |
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, Nicholas Wilder Gallery Los Angeles, CA |
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1978 |
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, Robert Elkon Gallery New York, NY |
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1978 |
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Elkon in Boston, Sunne Savage Gallery Boston, MA |
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1978 |
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Group Show, Stephen Wirtz Gallery San Francisco, CA |
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1978 |
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Painting and Sculpture Today 1978, Indianapolis Museum of Art Indianapolis, IN |
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1978 |
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Selections from the Frederick R. Weisman Company Collection of California Art, University Arrt Museum California State University, Long Beach, CA |
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1977 |
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, Nicholas Wilder Gallery Los Angeles, CA |
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1977 |
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, Texas Gallery Houston, TX |
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1976 |
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, Seattle Museum of Art Seattle, WA |
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1976 |
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Group Show, Texas Gallery Houston, TX |
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1976 |
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Group Show, Georgia State University GA |
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1976 |
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Painting and Sculpture in California: The Modern Era, San Francisco Museum of Modern Art San Francisco, CA |
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1976 |
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Painting and Sculpture Today 1976, Indianapolis Museum of Art Indianapolis, IN |
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1975 |
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Drawings, Margo Leavin Gallery Los Angeles, CA |
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1975 |
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Hecho en Mexico, Otis Art Institute Los Angeles, CA |
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1975 |
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Exhibition by Nicholas Wilder, University of Nevada at Las Vegas Las Vegas, Nevada |
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1975 |
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Selections from the R.A. Rowan Collection, Mount St. Mary's College Los Angeles, CA |
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1975 |
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Works on Paper, Robert Elkon Gallery New York, NY |
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1975 |
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, Nicholas Wilder Gallery Los Angeles, CA |
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1974 |
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Fifteen Abstract Artists, Santa Barbara Museum of Art Santa Barbara, CA |
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1974 |
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Group Show, Museum of Modern Art New York, NY |
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1974 |
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Group Show, Texas Gallery Houston, TX |
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1974 |
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The Sculptor as Draftsman, JRL Fine Arts London, England |
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1974 |
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, Nicholas Wilder Gallery Los Angeles, CA |
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1973 |
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Drawings, Margo Leavin Gallery Los Angeles, CA |
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1973 |
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Group Show, Courtney Sale Gallery Dallas, TX |
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1973 |
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Market Street Program, San Francisco Museum of Art San Francisco, CA |
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1973 |
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New Works, Barbara Okum Gallery St. Louis, MO |
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1973 |
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Ten Years of Contemporary Arts Council Acquisitions, Los Angeles County Museum of Art Los Angeles, CA |
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1973 |
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The Wall Object, La Jolla Museum of Contemporary Art La Jolla, CA |
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1973 |
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8e Biennale de Paris, 8e Biennale de Paris Paris, France |
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1972 |
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Fifteen Los Angeles Artists, Pasadena Art Museum Pasadena, CA |
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1972 |
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The Power Survey of Contemporary Art 1972, Power Institute of Fine Arts, University of Sydney Sydney, Australia |
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1972 |
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Arnoldi/Cooper/McCollum/Wudl, Cooper, McCollum, Art Gallery California State University, Fullerton, CA |
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1972 |
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Dokumenta 5, Dokumenta 5 Kassel, Germany |
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1972 |
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Drawings: Arnoldi, Cooper, Dill, Cooper, Dill, Betty Gold Gallery Fullerton, CA |
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1972 |
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L.A. '72, Sidney Janis Gallery New York, NY |
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1972 |
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Seventieth American Exhibition, The Art Institute of Chicago Chicago, IL |
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1972 |
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Working in California, Albright-Knox Gallery Buffalo, NY |
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1972 |
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, Texas Gallery Houston, TX |
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1971 |
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, Riko Mizuno Gallery Los Angeles, CA |
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1971 |
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Nine Artists, University of California at Irvine Irvine, CA |
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1970 |
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Permutations: Light and Color, Museum of Contemporary Art Chicago, IL |
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1970 |
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A Decade of California Color, Pace Gallery New York, NY |
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