 |
 |
Claire Fontaine (French)
|
 |
Claire Fontaine CAPITALISM KILLS 2008
|
|
 |
Claire Fontaine Destroy and Rejuvenate
|
|
 |
Claire Fontaine Passe-Partout (Belgrade)
|
|
 |
Claire Fontaine Paying Hand, Playing Hand, Voting Hand (triptych) 2009
|
|
 |
Claire Fontaine Untitled (Secret Painting) 2009
|
|
|
 |
Exhibitions |
|
 |
2009 |
 |
Reena Spaulings Fine Art, New York (solo) |
|
 |
2009 |
 |
Hayward Gallery, London (solo) |
|
 |
2009 |
 |
T293, Naples (solo) |
|
 |
2008 |
 |
Counterpoison, Komplot/Le Garage, Brussels (solo) |
|
 |
2008 |
 |
Change, Galerie Neu, Berlin (solo) |
|
 |
2008 |
 |
Galerie Chantal Crousel, Paris (solo) |
|
 |
2008 |
 |
DVIR Gallery, Tel Aviv (solo) |
|
 |
2008 |
 |
Maison Descartes, Institut Francais des Pays-Bas, Amsterdam (solo) |
|
 |
2008 |
 |
Counter-Poiso, Komplot, Brussels (solo) |
|
 |
2008 |
 |
Claire Fontaine, Witte de With, Center for Contemporary Art, Rotterdam (solo) |
|
 |
2008 |
 |
Tragitti periferici, Facolta di Architettura di Siracus, Universita degli studi di Catania, Sicily (solo) |
|
 |
2008 |
 |
Instructions for the sharing of private property, project space, The Kitchen, New York (solo) |
|
 |
2008 |
 |
Capitalism is not working, Gaga Galeriea de Arte Contemoraneo, Mexico D.F. (solo) |
|
 |
2008 |
 |
An Unruly History of the Readymade, curated by Jessica Morgan, Fundaciíon Jumex, Mexico City* |
|
 |
2008 |
 |
Artfocus 2008, curated by Ami Barak & Bernardo Blistène, The Jerusalem Foundation, Israel |
|
 |
2008 |
 |
Manifesta 7, curated by Adam Budak, Roverto, Trentino* |
|
 |
2008 |
 |
A Modest Proposal, curated by Alistair Robinson, Northern Gallery of Contemporary Art, Sunderland |
|
 |
2008 |
 |
(title forthcoming), with Josef Strau, Bernadette Corporation and Reena Spaulings, MD72, Berlin |
|
 |
2008 |
 |
(title forthcoming), ‘Live work/presentations’, curated by Anne-Sophie Dinant, South London Gallery, London |
|
 |
2008 |
 |
Perplexed in Public, curated by Elena Crippa, Lisson Gallery, London |
|
 |
2008 |
 |
(title forthcoming), curated by Charlotte Laubard, Musée d’Art Contemporain CAPC, Bordeaux |
|
 |
2008 |
 |
Revolutions- Forms That Turn, curated by Carolyn Christov-Bakargiev, 16th Biennale of Sydney, Australia* |
|
 |
2008 |
 |
The Great Transformation. Kunst und Taktische Magie, curated by Chus Martinez, Frankfurter Kunstverein, Frankfurt |
|
 |
2008 |
 |
L’argent, curated by Elisabeth Lebovivi and Caroline Bourgeouis, Le Plateau, FRAC ile de Paris, Paris |
|
 |
2008 |
 |
Jenseits von Eden – Eine Gartenschau: Lost Paradise – Der Blick des Engels, curated by Juri Steiner, Zentrum Paul Klee, Bern |
|
 |
2008 |
 |
Peripheral Look and Collective Body, Museion, Bolzano* |
|
 |
2008 |
 |
Claire Fontaine and Marcelo Exposito, two-person show, S.A.L.E., Magazzini del Sale, Venezia |
|
 |
2008 |
 |
La Chute d’eau, L’espace d’art Circuit, Lausanne |
|
 |
2008 |
 |
Valeurs Croisées, Les Ateliers de Rennes – Biennale d’art contemporain, Rennes |
|
 |
2008 |
 |
The Store, curated by Adam Carr, Tulips & Roses, Vilnius |
|
 |
2008 |
 |
Records played backward, curated by Francois Piron, Sheung Wan Civic Centre, Hong Kong |
|
 |
2008 |
 |
Where the lions are, curated by G. del Vecchio, A. Rabottini, E.L. Scipioni, A. Viliani, ARCOS Museo d’arte Contemporanea Sannio, Benevento* |
|
 |
2008 |
 |
Contrapolis; or, Creativity and Enclosure in the Cities, Nai Rotterdam |
|
 |
2008 |
 |
Pret-à-porter, curated by KunstBüroBerlin for The Kasseler Kunstverein, Fridericianum, Kassel* |
|
 |
2008 |
 |
Porte-Parole, Theatre Universitaire de Natnes Batiments Censive et Tertre Pole Étudiant, Nantes |
|
 |
2008 |
 |
Unfair fair, curated by Cecilia Canziani and Vincent Honoré, Loto Arte, Rome* |
|
 |
2008 |
 |
Fate Presto, Chiesa dell’Addolorata, Salerno* |
|
 |
2008 |
 |
Ghost in the Machine, Kunstnernes Hus, Oslo* |
|
 |
2008 |
 |
The Artist’s Library, Le Centre international d’art et du Paysage de L’ile de Vassivière |
|
 |
2008 |
 |
Bad Moon Rising, curated by Jan Van Woensel, Silverman Gallery, San Francisco |
|
 |
2008 |
 |
The object is the mirror, curated by Max Henry, Wilkinson Gallery, London |
|
 |
2008 |
 |
Trouble Makers, curated by Marco Baravalle, S.A.L.E, Magazzini del Sale, Venezia |
|
 |
2008 |
 |
After Spinoza, how to enter the machine, two-person show with Renaud-Auguste Dormeuil, Lumen Travo Gallery, Amsterdam |
|
 |
2007 |
 |
Equivaleces, Le Centre d’Art Villa Arson, Nice (solo) |
|
 |
2007 |
 |
The 00’s, The history of a decade that has not yet been named, Biennale d’art Contemporain de Lyon, 2007, curated by Stéphanie Moisdan and Hans-Ulrich Obrist, Institut d’Art Contemporaine, Villeurbanne, Lyon* (solo) |
|
 |
2007 |
 |
Utlendinger Overalt, curated by Will Bradley, The White Tube, Oslo (solo) |
|
 |
2007 |
 |
Get Lost, Module, Palais de Tokyo, Paris (solo) |
|
 |
2007 |
 |
How to?, Kunsthalle Zurich, Zurich* (solo) |
|
 |
2007 |
 |
Taccucini Di Guerra Incivile, T293, Naples (solo) |
|
 |
2007 |
 |
Téléphone Arabe, Air de Paris, Paris (solo) |
|
 |
2007 |
 |
Footnotes on the state of exception, Reena Spaulings Fine Art, New York (solo) |
|
 |
2006 |
 |
Siamo tutti singolarità qualunque, Il piccolo Museion, progetto Garutti, Museion, Bolzano (solo) |
|
 |
2006 |
 |
Couvrir Les Feux, Zoo Galerie, Nantes (solo) |
|
 |
2005 |
 |
Foreigners Everywhere, Reena Spaulings Fine Art, New York (solo) |
|
 |
2005 |
 |
Requiem for Jean-Charles de Menezes, Tratari, Graz (solo) |
|
 |
2005 |
 |
Etrangers Partout, 21 Rue Ste Marthe, Paris (solo) |
|
 |
2005 |
 |
Claire Fontaine, Galerie Meerrettich im Glaspavillon an der Volksbühne, Berlin (solo) |
|
|
|
|
|
|