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Dana Schutz (American, 1976)
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Dana Schutz
Man with a Video Camera 2006
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Dana Schutz
Untitled 2004
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Biography |
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1976 |
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Born in Livonia MI |
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2002 |
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Rema Hort Foundation Grant, New York |
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2003 |
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Louis Comfort Tiffany Foundation Award, New York |
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MFA, Columbia University New York |
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BFA, Cleveland Institute of Art, Cleveland, OH |
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Skowhegan School of Painting and Sculpture, Skowhegan, ME |
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Norwich School of Art and Design, Norwich, England |
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Lives and works in New York |
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Exhibitions |
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2007 |
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Stand by Earth Man, Zach Feuer Gallery, New York (solo) |
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2007 |
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Douglas Hyde Gallery, Dublin (solo) |
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2007 |
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Poets on Paintings, Ulrich Museum, Wichita |
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2006 |
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USA Today, Royal Academy of Arts, London |
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2006 |
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Le Printemps de septembre à Toulouse, Musee les Abattoirs, Toulouse |
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2006 |
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Imagination Become Reality, Sammlung Goetz, Munich |
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2006 |
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Full House – Gesichter einer Sammlung, Kunsthalle Mannheim, Mannheim |
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2006 |
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Cleveland Museum of Art (solo) |
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2006 |
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Dana Schutz. Paintings 2002-2005, The Rose Art Museum, Waltham (solo) |
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2005 |
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Teeth Dreams and Other Supposed Truths, Contemporary Fine Arts, Berlin (solo) |
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2005 |
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The Triumph of Painting. Part II, The Saatchi Gallery, London |
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2005 |
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Greater New York 2005, P.S. 1 Contemporary Art Center, New York |
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2004 |
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Direct Painting, Kunsthalle Mannheim |
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2004 |
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Dana Schutz, Amy Sillman, Kara Walker, Brent Sikkema, New York |
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2004 |
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Group Show, Portland Institute of Contemporary Art, Portland |
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2004 |
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Now Is A Good Time, Andrea Rosen Gallery, New York |
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2004 |
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Painting 2004, Victoria Miro Gallery, London |
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2004 |
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The Dreamland Artist Club, Creative Time / Coney Island, New York |
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2004 |
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It’s a Wonderful Life: Psychodrama in Contemporary Painting, Spaces Gallery, Cleveland |
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2004 |
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When I Think About You I Touch Myself, New York Academy of Art, New York |
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2004 |
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Eye of the Needle, Roberts & Tilton, Los Angeles |
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2004 |
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JCCC/Nerman Museum of Contemporary Art, Overland Park, KS (solo) |
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2004 |
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LFL Gallery, New York (solo) |
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2004 |
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Galerie Emmanuel Perrotin, Paris (solo) |
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2004 |
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Mario Diacono Gallery, Boston (solo) |
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2003 |
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Marc Foxx, Los Angeles |
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2003 |
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Material Eyes, LFL Gallery, New York |
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2003 |
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Clandestine, Venice Biennale, Venice |
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2003 |
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Lazarus Effect, Prague Biennale, Prague |
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2003 |
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Drawings, Metro Pictures, New York |
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2002 |
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Cut, Pulled Colored & Burnt, Hyde Park Art Center, Chicago |
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2002 |
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Young, Free and Single, Zinc Gallery, Stockholm |
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2002 |
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Loaded, Midway Contemporary Art, St. Paul, MN |
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2002 |
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Dana Schutz/Holly Coulis, LFL Gallery, New York |
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2002 |
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Frank From Observation, LFL Gallery, New York (solo) |
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2001 |
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Portraits, PS. 1 / MOMA, New York |
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Literature |
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2007 |
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Cotter, Holland, Leaving her mark, sometimes with tape, The New York Times online, 17. Mai 2007. |
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2007 |
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Stern, Steven, Image Search, frieze, issue 106, April 2007, S. 136-141 |
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2007 |
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USA Today Review, Art Review, London, Januar 2007, S. 140-141. |
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2007 |
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Imagination becomes Reality - Eine Ausstellung zum erweiterten Malereibegriff. Werke aus der Sammlung Goetz, Ingvild Goetz, Gregor Jansen und Stephan Urbaschek (Hrsg.),Karlsruhe, 2007. |
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2007 |
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Rockers Island - Olbricht Collection, Thomas Olbricht (Hrsg.), Göttingen 2007. |
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2007 |
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Werneburg, Brigitte, Marc Jacobs’ Muse, die tageszeitung, 20. Juni 2007, S. 15. |
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2006 |
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Wittneven, Katrin, Dana Schutz, Marie-Thérèse Perrin (Hrsg.), Printemps de septembre à Toulouse, Vol. 3. |
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2006 |
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Dana Schutz: Paintings 2002-2005, The Rose Art Museum, Waltham |
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2006 |
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Bodin, Claudia, Das Paradies der Monster, ART - Das Kunstmagazin, 2006, S. 21-27. |
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2006 |
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Lapp, Axel , Once upon a Time in the West - Part One, Artreview, Vol. 04, October 2006, S. 160-161. |
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2006 |
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They draw portrait, Vogue girl (Korea), Nr. 53, Juli 2006, S. 144-151. |
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2006 |
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Wittneven, Katrin, Willkommen in Neverland / Welcome to Neverland; Jan Avgikos, „Monster Mash / Monsterparade”; Brian Sholis, „Under Close Observation / Unter strenger Beobachtung”. In: Parkett, Zürich, Januar 2006, S. 26-64. |
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2006 |
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Fineman, Mia, With bold strokes, absurdist takes art world by storm, International Herald Tribune, 14./15. Januar 2006, S. 9. |
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2005 |
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Reski, Gunter, Neuigkeiten aus dem eskalierten Körperkabinett. Über Dana Schutz bei Contemporary Fine Arts, Texte zur Kunst, 15. Jhrg., Dez. 2004, S. 226-228. |
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2005 |
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Lange, Christy, Dana Schutz: Tooth Dreams and Other Supposed Truths, Modern Painters, Nov. 2005, S. 105-106. |
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2005 |
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Teeth Dreams and Other Supposed Truths, Contemporary Fine Arts, Berlin. |
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2005 |
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The Triumph of Painting, Hrsg. Saatchi Gallery, London. |
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2005 |
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Pollack, Barbara, The Details, Time Out New York, Nr. 486, 20-26. Januar 2005, S. 20. |
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2004 |
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Bembnister, Theresa, Mmm, Tasty, The Pitch, 10.-16. Juni 2004, S. 31. |
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2004 |
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Carlson, Benjamin, The Dreamland Artist Club, Time Out New York, 5.-12. August 2004, S. 51. |
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2004 |
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Dailey, Meghan, Laying it on Thick, Artforum, April 2004, S. 138-141. |
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2004 |
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Gallery Spotlight, The Plain Dealer, 19. März 2004 |
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2004 |
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Halley, Peter, Dana Schutz, Index Magazine, Februar/März 2004, S. 30-35. |
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2004 |
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Hubbard, Sue, Painting 2004 at Victoria Miro, The Independent, 6. April 2004. |
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2004 |
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Horodner, Stuart, Dana Schutz, Bomb, Frühling 2004, S. 16. |
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2004 |
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Johnson, Ken, The Cyclone, Cotton Candy and (Wink) Sly Signs, The New York Times, 20. August 2004. |
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2002 |
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Cattelan, Maurizio; Gioni, Massimo; Subotnick, Ali, Charley 02, Les Presses du Réel, Dijon. |
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