 |
Biography |
|
|
1951 |
|
Born in Boulder, Colorado |
|
|
1971/1972 |
|
Studied at University of New Mexico at Quito, Ecuador and Bellas Artes de Mexico, San Miguel de Allende, Mexico |
|
|
1986 |
|
Ferguson Grant, Friends of Photography, Carmel, CA |
|
|
1986 |
|
National Endowment for the Arts, Photography |
|
|
1988 |
|
National Endowment for the Arts, Photography |
|
|
|
|
Living in Corrales, New Mexico |
|
|
|
|
MFA Arizona State University |
|
|
|
|
BA University of New Mexico |
|
|
Exhibitions |
|
|
2008 |
|
Catherine Edelman Gallery, Chicago, IL (solo) |
|
|
2007 |
|
Zane Bennett Gallery, Santa Fe, NM (solo) |
|
|
2006 |
|
Parks Gallery, Taos, NM (solo) |
|
|
2006 |
|
"Miniatures: 2006", Museum of Albuquerque, Albuquerque, NM |
|
|
2005 |
|
“15th Annual Center Awards,” Center for Photographic Art, Carmel, CA |
|
|
2005 |
|
"Small Works Invitational,” Exhibit51, Albuquerque, NM |
|
|
2005 |
|
Etherton Gallery, Tucson, AZ (solo) |
|
|
2005 |
|
“A Cracked Woman,” Harwood Art Center, Albuquerque, NM (solo) |
|
|
2005 |
|
Sara Smith Contemporary, Corrales, NM (solo) |
|
|
2004 |
|
“Creativity: Beyond the Norm,” The Richard M. Ross Art Museum, Ohio Wesleyan University, Delaware, Ohio |
|
|
2004 |
|
Modes and Methods: Diversity in Contemporary Art,” Amarillo Art |
|
|
2004 |
|
“New Works: Holly Roberts & Petas,” Mainsite Contemporary Art, |
|
|
2004 |
|
“What’s Love got to do with This? Perceptions of Relationships and Solitude,” Tucson Museum of Art, Tucson, AZ |
|
|
2003 |
|
“Pentimento,” LewAllen Contmporary, Santa Fe, NM |
|
|
2003 |
|
Parks Gallery, Taos, NM (solo) |
|
|
2003 |
|
The Photography Room, Grand Rapids, MI (solo) |
|
|
2002 |
|
Etherton Gallery, Tucson, AZ (solo) |
|
|
2002 |
|
Mainsite Gallery, Norman, OK (solo) |
|
|
2002 |
|
"Photographs Elsewhere,” Bassetti Fine Art Photographs, New Orleans, LA |
|
|
2002 |
|
“Idea Photographic: After Modernism,” Museum of Fine Arts, Santa Fe, NM |
|
|
2001 |
|
“2 x 2,” Kunsthalle Dominikanerkirche, Osnabruck, Germany |
|
|
2001 |
|
University of West Florida, Pensacola, FL (solo) |
|
|
2001 |
|
Galerie Peter Borchardt, Hamburg, Germany (solo) |
|
|
2001 |
|
Catherine Edelman Gallery, Chicago, IL (solo) |
|
|
2001 |
|
Catherine Edelman Gallery, Chicago, IL (solo) |
|
|
2001 |
|
Soho Photo, New York, NY (solo) |
|
|
2001 |
|
Robert Koch Gallery, San Francisco, CA (solo) |
|
|
2000 |
|
Works 2000, Parks Gallery, Taos, NM (solo) |
|
|
1998 |
|
Introductions: Holly Robert, Mical Aloni, Marc Baseman, The Parks Gallery, Taos, NM |
|
|
1998 |
|
LewAllen Contemporary, Santa Fe, NM (solo) |
|
|
1998 |
|
Walter Gomez Gallery, Baltimore, MD (solo) |
|
|
1998 |
|
Robert Koch Gallery, San Francisco (solo) |
|
|
1997 - 1998 |
|
Developing a Collection: The Ralph M. Parsons Foundation and the Art of Photography, Los Angeles County Museum of Art, Los Angeles, CA |
|
|
1997 |
|
O'Keeffe's New Mexico, Museum of Fine Arts, Santa Fe, NM |
|
|
1997 |
|
The Painted Photograph: Hand-colored Photography, 1839 to the Present, the University of Wyoming Art Musuem, University of Wyoming, Laramie |
|
|
1997 |
|
Defining Eye: Woman Photographers of the Twentieth, St. Louis Museum, St. Louis, MO |
|
|
1997 |
|
Gibson Gallery, Seattle, WA (solo) |
|
|
1997 |
|
Soho Photo Gallery, New York, NY (solo) |
|
|
1997 |
|
Pulliam Deffenbaugh Gallery, Portland, OR (solo) |
|
|
1997 |
|
Etherton Gallery, Tucson, AZ (solo) |
|
|
1997 |
|
Linda Durham Contemporary Art, Galisteo, NM (solo) |
|
|
1996 |
|
Painted and Constructed, Atrium Gallery, School of Fine Arts, University of Connecticut, Storrs, CT |
|
|
1995 |
|
Woman in Photography, Spectrum Gallery, Light Impressions, Rochester, NY |
|
|
1995 |
|
Film and Photography Gallery, Hampshire College, Amherst, MA (solo) |
|
|
1994 |
|
4 x 4: Late Modern; Photography between the Edges, Museum of Fine Arts, Santa Fe, NM |
|
|
1992 |
|
New Acquisitions/New Work/New Directions, Los Angeles County Art Museum, Los Angeles, CA |
|
|
Literature |
|
|
2000 |
|
'Holly Roberts: Works 1989 to 1999', Nazraeli, Tucson, AZ |
|
|
1999 |
|
'Painted Photographs Make Philosophical Statement', Wesley Pulka, Albuquerque Journal |
|
|
1998 |
|
'Taos Exhibit', Hollis Walker, Pasatiempo, Santa Fe, NM |
|
|
1997 |
|
'Defining Eye: Women Photographers of the 20th Century', Olivia Lahs-Gonzales and Lucy Lippard, the Saint Louis Art Museum, MO |
|
|
1994 |
|
'The Body', William A. Ewing, Thames and Hudson |
|
|
return to artnet.com