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Biography |
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1996 |
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Diploma in Painting awarded by the Painter Stainers, 1996 |
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1997 - 2000 |
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Byam Shaw School of Art - BA Fine Art |
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2001 |
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The David Murray Prize for Landscape Painters, 2001 |
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2002 |
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The Edna Weiss Prize for Painting, 2002 |
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2000 - 2003 |
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Royal Academy Schools - Fine Art Postgraduate Studies |
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2003 |
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The Gordon Luton Prize for Painting, 2003 |
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2004 |
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Nominated for Beck’s Futures, 2004 |
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2006 |
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Finalist, Celeste Art Prize, 2006 (winner yet to be announced) |
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Her paintings use the landscape to trigger memories and associations. They aim to celebrate her concern and love for the landscape. For her, placing modernist architecture in the landscape becomes a way of re-inventing the Landscape Tradition, infusing it with a new momentum, re-claiming what has been discarded. She is also interested in impossible views, in exploring perspective through the use of changing viewpoints. The result of this play in perspective is an image which at first seems real and believable, and then throws the viewer into a giddy confusion causing them to question the impossible views they see before them that has been invaded by the straight edges of modernist buildings which contrast strongly with the era of landscape they are set within |
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Exhibitions |
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2006 |
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Gallery 10G, solo show, September |
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2006 |
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Eleven Fine Art, gallery directed by Charlie Philips, solo show, June |
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2006 |
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Celeste Art Prize finalists at the Truman Brewery |
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2006 |
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Coventry Cathedral exhibition |
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2006 |
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Kew Gardens exhibition with artists including Peter Blake and David Mach, Spring |
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2006 |
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The Chambers Gallery, joint show with Peter Harrap, March |
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2006 |
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“Another Produc”t part of The British Art Show 6 at Corner House Manchester organized by The Arts Council and the British Council, January |
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2005 |
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ART futures (organized by the Contemporary Art Society) at the Bloomberg Space October Club auction |
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2005 |
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“Figuring Painting’, Group Show, catalogue by Nick Hackworth, art critic for The Evening Standard |
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2005 |
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“RAdical Art: New Painting from the Royal Academy Schools”, Jerwood Space |
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2003 |
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“Stranger Than Fiction”, Laura Parker-Bowles’ SPACE gallery, Pimlico, curated by Charlie Phillips, director of Haunch of Venison |
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2003 |
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RA Schools Graduates at Harwood House, Leeds |
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2003 |
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Final Show at the Royal Academy Schools |
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2002 |
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“Premiums”, The Sackler Gallery, The Royal Academy of Art |
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2001 |
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“Network Art”, The Albermarle Gallery |
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2000 |
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“New Landscape to New England”, Sara Pierce Fine Art, Old Bond Street |
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1999 |
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Artist residency in Martha’s Vineyard with Anderson Stewart Fine Art |
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Literature |
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2006 |
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Galleries Magazine review by Corrina Lotz, March 2006 |
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2006 |
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The Times magazine 3 page interview, March 2006 |
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2006 |
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ES magazine interview march 2006 |
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2006 |
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Kew Quarterly interview with photographs, Spring 2006 |
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2006 |
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Artists and Illustrators 2 page interview, May 2006 |
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2006 |
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Aesthetica magazine, double spread feature including pull out poster of a painting |
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2006 |
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Catalogue by Roy Strong, previous director of the V & A for the Kew Gardens show, Spring 2006. To be distributed to every British embassy world-wide. |
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2006 |
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The Independent, 21st February 2006, Article on Linda Moss |
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2005 |
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Write up on ‘RAdical Art’ by Louise Jury, Independent, Jan 29th, 2005 |
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2005 |
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Telegraph Magazine 4 page feature by Colin Gleadell, Sat 5th Feb, 2005 |
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2005 |
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Critic’s Choice by Rachel Campbell Johnston, The Times, Feb 2005 |
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2005 |
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Interview and photographs in “The London Art and Artists Guide”, Heather Waddell, 2005 |
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2005 |
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“The Dictionary of Artists in Britain since 1945”, David Buckman, published by Art Dictionaries, Bristol in two volumes |
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2005 |
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The Jackdaw, ‘Easel Words’, April 2005 |
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2005 |
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Column by Colin Gleadell in the Telegraph, September 26th, 2005 |
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2005 |
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Column by Tim Forester in Mayfair Life. October 2005 |
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2005 |
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Hertfordshire Life article, October 2005 |
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2005 |
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Exhibition at Eleven Fine Art written up in the Evening Standard, 6th October 2005, Daily Candy 6th October and also in the Daily Mirror and the Sun, 7th October 2005 and pg 3 in ES magazine, ‘Urban Fox’ 14th October |
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2005 |
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The Rising Stars of Contemporary Art article in Harpers and Queen, November 2005 |
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2004 |
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“Back to Back”, 4 page spread in Soloarte magazine, Spring 2004 |
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2004 |
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“Wind Blown Cloud”, Alec Finlay, published by Rizzoli, New York , published images of artists that use clouds in their work, 2004 |
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2003 |
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“Shopping With Saatchi”, Evening Standard, June 10th, 2003 |
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2003 |
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City News, Daily Telegraph, June 2003 |
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2002 |
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“Collectable views of the countryside”, Country Living, magasine feature article, August 2002 |
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2001 |
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“Profile - Natasha Kissell, The Sterling Scholar”, The Associates of the Royal Academy in America, magasine feature article, January 2001 |
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2000 |
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“British landscape artist arrives to paint the island”, Vineyard Gazette, newspaper feature article, November 2000 |
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