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Haegue Yang (Korean, 1971)
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Haegue Yang
Mountains of Encounter 2008
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Haegue Yang
Yearning Melancholy Red 2008
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Haegue Yang
5, Rue Saint-Benoît 2008
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Haegue Yang
Dehors 2006
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Haegue Yang
DIN A4 / DIN A3 / DIN A2 Whatever Being 2006
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Haegue Yang
Hippie Dippie Oxnard 2008
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Biography |
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1971 |
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Born in Seoul, Korea |
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1995 |
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B.F.A. Seoul National University, Fine Arts College in Seoul, Korea |
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1997 |
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Exchange program grant, Cooper Union in New York, USA |
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1999 |
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Meisterschüler title with Professor Georg Herold, Staatliche Hochschule für Bildende Künste –Städelschule, Frankfurt/M, Germany |
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2005 |
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Cremer Prize, Stiftung Sammlung Cremer, Münster, Germany |
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2008 |
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Baloise Prize, Kunsthalle, Hamburg, Germany |
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Lives and works in Berlin, Germany and Seoul, Korea |
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Exhibitions |
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2010 |
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Artsonje Center, Seoul, Korea (catalogue) |
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2009 |
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Condensation, Korean Pavilion, Korean Pavilion, 53rd Venice Biennale, Venice, Italy (cat. / solo) |
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2009 |
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NEW SOCIAL PRACTICE, Art Gallery of Greater Victoria, Canada |
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2009 |
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Monument to Transformation, City Gallery Prague, Czech Republic |
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2009 |
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Everything, then, passes between us, Kölnischer Kunstverein, Cologne, Germany |
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2009 |
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Sequelism. Episode 3: Possible, Probable or Preferable Futures, Arnolfini, Bristol, UK |
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2009 |
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Walker Art Center, Minneapolis, USA (catalogue) (solo) |
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2009 |
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Making Worlds, 53rd Venice Biennial, Venice, Italy (cat.) |
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2009 |
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Assume Nothing: New Social Practice, Art Gallery of Greater Victoria, Canada |
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2009 |
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Transparent Layers, Alte Fabrik, Rapperswil, Switzerland |
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2009 |
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YOUR BRIGHT FUTURE: 12 KOREAN ARTISTS, Los Angeles, LACMA, Museum of Fine Arts, Houston, Freer Sackler in Washington, D.C., USA (catalogue) |
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2009 |
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pop up!/meta-pop, Ludwig Forum, Aachen, Germany |
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2008 |
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Der grosse Wurf: Faltungen in der Gegenwartskunst (Falling right into Place: The Fold in Contemporary Art), Museum Haus Lange, Kaiser Wilhelm Museum, Krefeld, Germany |
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2008 |
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Global Eurasia, Art Cologne, Germany |
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2008 |
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Too Early For Vacation, e v+ a, Limerick, Ireland |
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2008 |
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Run Run, Collins Gallery, commissioned by Glasgow International, Glasgow, Scotland |
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2008 |
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On That Which Remains, Nassauischer Kunstverein, Wiesbaden, Germany |
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2008 |
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Interfacing Practices, Galerie Magnus Mueller, Berlin, Germany |
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2008 |
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Freunde und Bekannte (Friends and Acquaintances), Sparwasser HQ, Berlin, Germany |
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2008 |
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Less, Haubrokshows, Berlin, Germany |
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2008 |
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Life On Mars, the 55th Carnegie International, Pittsburgh, USA |
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2008 |
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The Krautcho Club / In and Out of place, Forgotten Bar Project, Berlin, Germany; Project Space 176, London, England |
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2008 |
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Art 39 Basel, Haegue Yang and Jimmie Durham with Gallery Barbara Wien, Basel, Switzerland |
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2008 |
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The 3rd Guangzhou Triennial, Guangzhou, Guangdong, China |
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2008 |
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The Twentyfirst, Silvershed, New York, USA |
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2008 |
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Pontos de Vista, Galeria Mata, Inhotim, Brumadinho, MG, Brasil |
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2008 |
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Gallery at REDCAT, Los Angeles, USA (solo, catalogue) |
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2008 |
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WESSEN GESCHICHTE, Hamburger Kunstverein, Germany (group) |
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2008 |
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BRAVE NEW WORLDS, La Coleccion Jumex, Mexico City, Mexico (group) |
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2008 |
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EURASIA, Geographic cross-overs in art, Mart Rovereto, Rovereto (Trento), Italy (group) |
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2008 |
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50 MOONS OF SATURN, 2nd Turin Triennial, Turin, Italy (group) |
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2008 |
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IF WE CAN¹T GET IT TOGETHER, The Power Plant, Toronto, Canada (group) |
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2008 |
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LETHAL LOVE, Cubitt gallery, London, England (solo) |
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2008 |
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ASYMMETRIC EQUALITY, Redcat, Los Angeles, USA (solo) (catalogue) |
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2008 |
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SYMMMETRIC INEQUALITY, Sala Recalde, Bilbao, Spain (catalogue) |
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2008 |
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Siblings and twins, Portikus, Frankfurt/Main, Germany (solo) |
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2007 |
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Basel Statement with Gallery Barbara Wien, Basel, Switzerland (solo) |
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2007 |
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Foxed in the Forest, Gallery Dépendance, Brussels, Belgium |
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2007 |
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MADE IN GERMANY, Sprengel Museum, Kestnergesellschaft, Kunstverein, Hannover, Germany |
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2007 |
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IMAGINE ACTION, Lisson Gallery, London, England |
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2007 |
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BRAVE NEW WORLDS, Walker Art Center, Minneapolis, USA (catalogue) |
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2007 |
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APAP; Anyang Public Art Project, Anyang, Korea (catalogue) |
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2007 |
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FLASH CUBE, Leeum, Seoul, Korea (catalogue) |
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2007 |
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PRAGUE BIENNALE, Prague, Czech (catalogue) |
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2007 |
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SOMETHING Mr. C CAN”T HAVE, KIAF 2007, COEX hall, Seoul, Korea |
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2007 |
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BRENNSCHLUSS, Galerie Andreas Huber, Vienna, Austria |
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2007 |
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HAUBROKSHOWS-STORAGE PIECE, Sammlung Haubrok, Berlin, Germany (solo) |
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2007 |
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REMOTE ROOM, Gallery Barbara Wien, Berlin, Germany (solo) |
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2007 |
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MODELS FOR TOMORROW: COLOGNE, Europäische Kunsthalle, Cologne, Germany |
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2007 |
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KUNSTPREIS BOETTCHERSTRASSE 2007, Kunsthalle, Bremen, Germany (catalogue) |
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2007 |
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dépendance at Galerie Neu, Galerie Neu, Germany |
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2007 |
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StadtanSichten: Seoul, IFA Gallery, Stuttgart, Germany (catalogue) |
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2007 |
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UNPACKING STORAGE PIECE, Haubrokshows, Berlin, Germany (catalogue) (solo) |
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2007 |
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re-dis-play | Nicht-Kunst-Sammlungen von Künstlern und Kuratoren, Kunstverein, Heidelberg, Germany |
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2007 |
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Mandla Reuter, Haegue Yang, Flaca, London, Great Britain |
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2007 |
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Tomorrow, Artsonje Center & Kumho Museum, Seoul, Korea |
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2007 |
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Micro-Narratives, 48th October Salon, Belgrade, Serbia |
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2007 |
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Virtuoso Interpretor – Formalismus als Formalismuskritik, Cluster, Berlin, Germany |
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2007 |
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If I can’t dance, I don’t want to be part of your Revolution, Episode IV: Feminist Legacies and Potentials in Contemporary Practice, Museum van Hedendaagse Kunst Antwerpen (MuHKA), Belgium |
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2007 |
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Dépendance at Galerie Neu, Galerie Neu, Berlin, Germany |
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2007 |
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Seven Basel Lights, Basel Statement with Galerie Barbara Wien, Basel, Switzerland (solo) |
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2006 |
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BAK, Unevenly, basis voor actuele kunst, Utrecht, Holland (solo) |
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2006 |
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Personal Affairs – New Forms of Intimacy, Museum Morsbroich, Leverkusen, Germany |
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2006 |
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If I can’t dance, I don’t want to be part of your Revolution, Episode II: Feminist Legacies and Potentials in Contemporary Practice, de Appel, Amsterdam, Netherlands |
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2006 |
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Como Viver Junto (How to Live Together), São Paulo Biennale, Brazil |
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2006 |
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Pigment Piano Marble, Maipú, Buenos Aires, Argentina |
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2006 |
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Political Design, Design of Politics, Zero One Design Centre, Seoul, Korea |
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2006 |
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SADONG 30, Incheon, Korea (catalogue) (solo) |
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2005 |
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Lichtkunst aus Kunstlicht, ZKM, Karlsruhe, Germany |
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2005 |
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PUNKT UND LINIE, FLÄCHE UND RAUM, ZEICHNUNG HEUTE, Overbeck-Gesellschaft, Lübeck, Germany |
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2005 |
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WESTFÄLISCHES LANDESMUSEUM, Münster, Germany (solo) |
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2005 |
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Schnur im Nebel, Doppelzimmer, Giessen, Germany |
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2004 |
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A Grain of Dust a Drop of water, 5th Gwangju Biennale, Gwangju, Korea |
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2004 |
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This is not a Love Letter, Maronnier Museum, Seoul, Korea |
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2004 |
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Black friday: Exercises in Hermetics, Galerie Kamm, Berlin, Germany |
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2004 |
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Document, Seoul Metropolitan Museum of Arts, Seoul, Korea |
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2004 |
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Steaming away from the Places, Sangmyung University Museum, Seoul, Korea |
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2004 |
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KASSE, SHOP, KINO UND WEITERES, Hessisches Landesmuseum, Darmstadt, Germany (solo) |
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2004 |
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UNFOLDING, Dépendance, Bruxelles, Belgium (solo) |
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2004 |
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STORAGE PIECE, Gallery Lawrence O’Hana, London, England (solo) |
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2004 |
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Chasm, 3rd BUSAN BIENNALE, Busan, Korea |
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2004 |
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XS, Fa Projects, London, England |
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2004 |
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MIX MAX, Artsonje Center, Seoul, Korea |
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2004 |
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UNFOLDING PLACES, Gallery Barbara Wien, Berlin, Germany (solo) |
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2003 |
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UNREALISTIC TO GENERALIZE, Public, Paris, France (solo) |
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2003 |
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Hermès Korea Missulsang for Contemporary Korean Art, Artsonje Center, Seoul, Korea |
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2003 |
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DEMIRRORED ZONE, De Appel Foundation, Amsterdam, Netherlands |
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2003 |
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Facing: Korean Contemporary Art 2003, de Appel, Amsterdam, Netherlands |
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2003 |
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From Dusk to Dusk: International Exhibition of Contemporary Art, Kunsthal Charlottenborg, Copenhagen, Denmark |
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2003 |
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Tower of Babylon, Landesmuseum Mainz, Germany |
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2002 |
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The Fall, Galleri Christina Wilson, Copenhagen |
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2002 |
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We ‘re not going to give you pleasure, G29, Cardiff, England |
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2002 |
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Kunst und Technik, Kunstverein, Mannheim, Germany |
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2002 |
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Cité des Ondes, Cienquième Manifestation internationale vidéo et art èlectronique, Champ Libre, Montreal, Canada |
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2002 |
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P_A_U_S_E, 4th Gwangju Biennale, Korea* |
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2002 |
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Blink, Artsonje Center, Seoul, Korea |
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2002 |
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New tendencies in korean Art: Paradise Among Us, Arts Council Korea ( formerly: Korean Culture & Arts Foundation), Seoul, Korea |
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2002 |
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Subtiles elegances, La Galerie, Centre d’art contemporain, Noisy-le-Sec, France |
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2002 |
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Ssamzie Studio 3, Ssamzie Space, Seoul, Korea |
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2002 |
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THE FALL, Galleri Christina Wilson, Copenhagen, Denmark |
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2002 |
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40 YEARS: FLUXUS AND THE CONSEQUENCES, Wiesbaden, Germany |
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2002 |
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MANIFESTA 4, European Biennial of Contemporary Art, Frankfurt am Main, Germany |
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2002 |
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AIR AND WATER, Dresdener Bank, Frankfurt/M, Germany (solo) |
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2001 |
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SONDERFARBEN, Komunale Galerie, Darmstadt, Germany (solo) |
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2001 |
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Richard-Meier-Avenue, KunstPraxis, Siemens Arts Program, Munich, Germany |
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2001 |
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We ‘re not going to give you pleasure, rraum 02, Frankfurt/M., Germany; Galerie Art & Essai, Rennes, France; Protoacademy, Edinburgh, Scotland |
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2001 |
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VIP Union, VIP Lounge, 6th Art Forum Berlin, Germany |
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2001 |
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Tirana Biennale 1: Escape, Tirana, Albania |
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2001 |
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1 Site - 2 Places, project room, Galerie der Stadt Sindelfingen, Germany |
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2001 |
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Zu Gast (Being A Guest), Bellevue Saal, Wiesbaden, Germany |
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2001 |
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Frankfurter Kreuz: Transformationen des Alltäglichen in der zeitgenössischen Kunst, Schirn Kunsthalle, Frankfurt/M., Germany |
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2001 |
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Invisible Touch, Artsonje Center, Seoul, Korea |
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2001 |
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Lunchtime of necktie Force, Posco Museum, Seoul, Korea |
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2000 |
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Blue Meadow – Colourful Language, Künstlerhaus Mousonturm, Frankfurt/M., Germany (solo) |
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2000 |
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Bejahung und Verneinung (Affirmation and Negation), Galerie Kolster, Frankfurt/M., Germany |
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2000 |
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Frankfurter Schule 2000, Glasgow, Scotland |
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2000 |
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Anno Zero, Cittadellarte – Fondazione Pistoletto, Biella, Italy |
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2000 |
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Kunstraum München, Munich, Germany |
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2000 |
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Art or Design, Seoul Arts Center, Korea |
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2000 |
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Lacquer Paintings 2000, Gallery Barbara Wien, Berlin, Germany (solo) |
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1999 |
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Support on Paper, Galerie Kolster, Frankfurt/M., Germany |
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1999 |
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Hamburgefonstiv, 1822 Forum der Frankfurter Sparkasse, Frankfurt/M., Germany (solo) |
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1999 |
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rraum, Frankfurt/M., Germany (solo) |
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1998 |
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Seoul in Media: Food, Clothing, Shelter, Seoul Metropolitan Museum of Arts, Seoul, Korea * |
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1998 |
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Stuttgart, 17.7.1956 – Salem (Wis.)/USA, 3.3.1977, Portikus, Frankfurt/M., Germany |
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1998 |
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Where I Am, Lisbon World Exposition, Galeria Municipal da Mitra, Lisbon, Portugal |
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1995 |
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RRAUM, Frankfurt/M., Germany (solo) |
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Literature |
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Haegue Yang: Condensation. Kat. (Engl./Koreanisch) zur 53. Biennale Venedig, Hrsg. von Eungie Joo, 320 S., 170 farb. & 35 s/w Abb., 17,5x24,5, brosch, Seoul, Berlin 2009 |
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Haegue Yang: Asymmetric Equality. Kat. (Dt./Engl.). Anläßlich der Ausstellung in REDCAT, Los Angeles & Sala Rekalde, Bilbao, 216 S., ca. 250 teils farb.Abb., 25x20, brosch.. Los Angeles, Bilbao 2008 |
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Unpacking Storage Piece. Kat. (Dt./Engl.). Interview mit Axel Haubrok und Haegue Yang, Text von Raimar Stange, Buchdesign: Manuel Raeder. 48 S.,A 5, schräg gefaltet, Drahtheftg., 38 Abb., Aufl. 800 Exx.. Berlin 2007 |
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Yang, Haegue. Community of Absence. Kat. (Engl.). Hrsg. v. BAK, Basis voor actuele kunst, Utrecht. Texte v. Maria Hlavajova, Lars Bang Larsen, Binna Choi u.a.. 92 S., zahlr. farb. & s/w Abb., 29,5x21, Fadenheftg.. Frankfurt/Main 2007 |
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Community of Absence. Limited Edition Posters. Hrsg. v. BAK, Basis voor actuele kunst, Utrecht. Aufl. 100 Exx.. 92 S., 6 Plakate (à 59x42), 29,5x21, gefaltet & starker Pappe stabilisiert. Frankfurt/Main 2007 |
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Sa-dong 30. Kat. (Koreanisch/Engl.). Texte by Hyunjin Kim. Berlin / Seoul |
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Industrie und Technik, Dielmann Verlag, Frankfurt, 2002, Text by Anja Casser, Design: Ade Hauser Lacour, Frankfurt am Main, German and English, 48 pages |
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Luft und Wasser, Dresdner Bank, Frankfurt am Main, 2002, Text by Isabel Podeschwa, Design: Wolfgang Breuer and Achim Reichert, 16 pages, German and English |
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Sonderfarben, Katalog 1998-2001, Wiens Verlag, Berlin 2001, Text by Meike Behm, Martin Pesch, Jochen Volz and Peter Lütje, Design: Ade Hauser Lacour, Frankfurt am Main, German and English, 72 pages, ISBN 3-9806837-2-9 |
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Blink, Artsonje Center, Seoul, 2002, Text by Sungwon Kim, Design: Hyunjin Paik, Korean and English, 44 pages |
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Grid Block, cover design: Achim Reichert, 13 pages, offset, 500 copies, DIN A 4, 2000 |
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