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Biography |
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1966 |
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Born in Lancaster |
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Lives in London |
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Exhibitions |
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2007 |
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Echo Room, Alcalá 31, Madrid |
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2007 |
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Draw, mima, Middlesbrough |
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2006 |
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Sies + Höke Galerie, Düsseldorf (solo) |
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2006 |
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Mead Gallery, Warwick Arts Center, Warwick (solo) |
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2005 |
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Galería Helga de Alvear, Madrid (solo) |
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2005 |
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Stuart Shave / Modern Art, London (solo) |
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2005 |
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Pae White / Ani O’Neill / DJ Simpson, Sue Crockford Gallery, Auckland |
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2005 |
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The Nature of Things, Waterhall Gallery, Birmingham Museum and Art Gallery, Birmingham |
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2003 |
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Sies + Höke Galerie, Düsseldorf (solo) |
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2002 |
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Ausstellungsraum, Münster (solo) |
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2001 |
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Sies + Höke Galerie, Düsseldorf (solo) |
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2001 |
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Beck’s Futures 2, ICA, London; Fruitmarket Gallery, Edingburgh; Bluecoat Gallery, Liverpool |
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2001 |
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New Labour, The Saatchi Gallery, London |
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2000 |
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Entwistle, London (solo) |
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2000 |
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PS, Amsterdam (solo) |
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1999 |
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SITE, Düsseldorf (solo) |
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1999 |
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Morrison Judd, London (solo) |
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1999 |
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Formerly, Jerwood Gallery, London |
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Literature |
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2007 |
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Draw, Conversations around the legacy of drawing, Middlesbrough Institution of Modern Art, 2007 |
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2006 |
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DJ Simpson: Selected Works 2000 — 5, Warwick Arts Center, Coventry, 2006 |
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2006 |
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floating forms, abstract art now, cat., Wilhelm-Hack-Museum, Ludwigshafen, 2006 |
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2005 |
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The Nature of Things, by Birmingham Museums and Art Galleries |
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2005 |
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Zeigen, Audiotour by Karin Sauder through the Collection of Helga de Alvear, CD, 2005 |
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2005 |
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Guía de Madrid, in: ABC, Madrid, p. 55, 9-15 December 2005 |
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2005 |
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Carlota de Alfonso, in: El Punto de las Artes, No. 809, p. 6, 9-15, Madrid, December 2005 |
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2005 |
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Abel H. Pozuelo: El Cultural, El Mundo, Madrid, p. 40, 22 December 2005 |
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2005 |
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Top 5, in: The Guide, The Guardian 14 May 2005 |
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2005 |
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Fisun Güner: Review, in: Metro, April 2005 |
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2005 |
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Laura Cumming: Tales from the Shanty Town, in: Observer, 27 March 2005 |
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2005 |
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Editorial Architecture and Urbanism: Vital Arts, in: Art and Architecture Journal, February 2005 |
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2005 |
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James Parker: The Art of Caring, in: HD Magazine, January 2005 |
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2004 |
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Barrie Evans: Millstone to Milestone, in: The Architects Journal, 11 November 2004 |
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2004 |
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Gareth Gardner: Art for Bart’s Sake, in: Project of the Month, FX Magazine, November 2004 |
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2004 |
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Britannia, Works, cat. Ileana Tounta Contemporary Art Centre, Xippas Gallery, the Breeder, Athen, 2004 |
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2004 |
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Freefall, cat. ACE, 2004 |
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2004 |
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Transmmisions, Print Portfolio (1×25), 2004 |
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2004 |
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Tina Sotirandi: Britannia Works, in: Time Out (Athens), 20-27 May 2004 |
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2004 |
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Barts: Artnotes, in: Art Monthly No. 279, September 2004 |
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2004 |
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Maey Kennedy, in: The Guardian, 27 September 2004 |
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2004 |
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Henrietta Thompson: Bart’s New Art, in: Blueprint No. 224, October 2004 |
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2004 |
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Edgar Schmitz:…und dann immer weiter, in: Kunstforum International No. 171, July/August 2004 |
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2004 |
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Robert Garnett: Dat Meen Je Niet (You Can’t Be Serious): On The Ethics & Politics of Humor In Contemporary Art, in: Metropolis M (Amsterdam) No. 3, Juni/Juli 2004 |
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2003 |
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Transmmisions, Artist’s in Conversation, Book, 2003 |
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2003 |
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New Abstract Painting—Painting Abstract Now, Abstraktion in der neuen Malerei, Museum Morsbroich, Leverkusen, 2003 |
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2003 |
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Sammlung Melitta, cat. Minden, 2003 |
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2003 |
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Sally O’Reilly: 15/1, in: Art Monthly No. 269, 2003 |
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2003 |
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Mick Finch: The Nightshift, in: Contemporary, No. 58, 2003 |
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2003 |
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Nicholas Chambers: review of Sample Scatter Synthesis (Amplified), in: Broadsheet, 2003 |
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2003 |
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Anne Loxley: review of Sample Scatter Synthesis (Amplified), in: Sydney Morning Herald, 2003 |
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2003 |
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Sotiris Kyriacou: New Abstract Painting. Previews, in: Contemporary No. 52, 2003 |
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2003 |
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Kultur Szene Lev, Abstraktion in der neuen Kunst, in: Rheinische Post, 2003 |
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2003 |
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Neue abstrakte Malerei in Leverkusen, in: Welt am Sonntag July 20th 2003 |
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2003 |
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Claudia Posca: Doch, ach die Bilder blieben, in: NRZ 24 June 2003 |
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2003 |
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Matthias Weiss: Verletzte Bild-Haut, in: Westfälischer Anzeiger August 7th 2003 |
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2002 |
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Dj Simpson, ExCentric Abstraction, cat. Positionen zur Malerei XIV im Ausstellungsraum Münster, 2002 |
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2002 |
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Painting as a Foreign Language, Edificio Cultura Inglesa/Centro Brasileiro Britânico, 2002 |
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2002 |
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Site 6, Haus Am Meer, Limited Edition (1×25), 2002 |
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2002 |
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Een Collectie/A Collection, cat. 2002 |
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2002 |
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Shine, cat. The Lowry, Salford, 2002 |
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2002 |
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Lisa Lefeuvre: The W-hole Story—on Gordon Matta-Clark, in: Art Monthly No. 255, 2002 |
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2002 |
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Suhail Malik: Painting As Contemporary Art, in: Painting as a Foreign Language, Edificio Cultura |
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2002 |
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Inglesa/Centro Brasileiro Britânico, 2002 |
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2002 |
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Phil Griffin: Hang The DJ, in: City Life, September 2002 |
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2002 |
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Robert Garnett: ExCentric Abstraction, in: Dj Simpson, ExCentric Abstraction, cat. Positionen zur Malerei |
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2002 |
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XIV im Ausstellungsraum Münster, 2002 |
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2002 |
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Gail B. Kirkpatrick: Malerei Pur, in: Dj Simpson, ExCentric Abstraction, cat. Positionen zur Malerei XIV im |
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2002 |
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Ausstellungsraum Münster, 2002 |
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2002 |
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Tineke Rijenders: Routerman_, in: kM (Amsterdam), Najaar No. 43, 2002 |
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2001 |
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de Cruz, Gemma / Ellis, Patricia: Aperto London, in: Flash Art, October 2001 |
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2001 |
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Kent, Sarah: Review New Labour, in: Time Out, London May 8th 2001 |
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2001 |
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Louisa Buck: Moving Targets 2, 2001 |
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2001 |
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Alex Coles: review, in Artext No. 75, January 2001 |
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2001 |
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Bergens Tidende: Tailsliding, in: Sissel Dagsland, October 12th 2001 |
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2001 |
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Jonathan Jones: If I Had a Hammer…..New Labour Show, in: The Guardian, May 5th 2001 |
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2001 |
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Richard Dorment: New Labour, in: The Art Newspaper, May 2001 |
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2001 |
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Patricia Ellis: New Labour, cat. Saatchi Gallery, London, 2001 |
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2001 |
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Matt Collings: Beck’s Futures_, cat. ICA Institute of Contemporary Arts London, 2001 |
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2001 |
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Matt Collings: Art Crazy Nation, No. 21, 2001 |
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2001 |
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Beech, David / Chilver, John: Becks Futures, cat., ICA Institute of Contemporary Arts London, 2001 |
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2001 |
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James Hyde: Review, in: Art in America, USA, February 2001 |
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2001 |
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Niru Ratnam: The Face, London, March 2001 |
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2001 |
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Lucy Spriggs,: Beck’s Futures, in: Art Review, London, April 2001 |
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2001 |
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Profile, Beck’s Futures, in: Dazed & Confused, London, April 2001 |
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2001 |
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Adrian Searle: Review, Beck’s Futures, in: The Guardian, 3 April, London, 2001 |
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2001 |
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Martin Coomer: Preview, Beck’s Futures, in: Time Out, London, March 28th—April 4th 2001 |
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2001 |
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Laura Cumming: Review, Beck’s Futures, in: The Observer, London April 1st 2001 |
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2001 |
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Richard Dorment: Review, Beck’s Futures, in: The Daily Telegraph, London April 4th 2001 |
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2001 |
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Nick Hackworth: Review, Beck’s Futures, in: Evening Standard, London April 5th 2001 |
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2001 |
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Tailsliding, cat. Contemporary Art Center, Vilnius, 2001 |
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2001 |
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Open Plan, cat. Alpha delta Gallery, Artio Gallery, Athens, 2001 |
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2001 |
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Eyestorm, Edition (5×25), 2001 |
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2001 |
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New Labour, cat. Saatchi Gallery London, 2001 |
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2001 |
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Beck’s Futures 2, cat. ICA – Institute of Contemporary Arts London, 2001 |
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2000 |
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British Art Pt 2, cat. 2000 |
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2000 |
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Everything Magazine, No. 3.3, Artist Project, 2000 |
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2000 |
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Sarah Kent: DJ Simpson, Review, in: Time Out, London, February 9th—17th 2000 |
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2000 |
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Hellen Sumpter: Shortlist – Big Issue, London, 14-20 February 2000 |
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2000 |
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Fisun Güner: Review, in: What’s On, London, 16-23 February 2000 |
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2000 |
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Niru Ratnam: Tool Intentions, in: The Face, London, March 2000 |
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2000 |
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Louisa Buck: Simpson’s boundaries, in: Art Newspaper, London, February 2000 |
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2000 |
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Jonathan Jones: Exhibitions, in: The Guardian Guide, London, 3 February 2000 |
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2000 |
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Angela Lubrano: Last Chance—Evening, in: Standard, London, 28 February 2000 |
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2000 |
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David Burrows: Abstract Art, in: Art Monthly, London, March 2000 |
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2000 |
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JJ Charlesworth: Review, The Raft, in: Art Monthly, London, March 2000 |
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2000 |
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Michael Archer: Review, in: Artforum, New York, March 2000 |
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2000 |
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Mark Godfrey: Review, in: Contemporary Visual Arts, London, March 2000 |
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2000 |
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Stuart Shave in: I-D, London, May 2000 |
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1999 |
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Martin Herbert: Formerly, in: Jerwood Gallery, London 1999 |
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1999 |
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Thomas Trevor: Elastic Abstract, Spacex Gallery, Exeter, 1999 |
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1999 |
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Martin Coomber: Wild Life, Review, in: Time Out, London, October 6th—13th 1999 |
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1999 |
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Stuart Shave: Formerly, Review, in: I-D, London, No.188, 1999 |
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1999 |
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Shahin Afrassiabi: DJ Simpson, Review, in: Flash Art, Milan, No. 206, 1999 |
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1999 |
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John Tozer: Cluster Bomb, Review, in: Art Monthly, London, No. 224, 1999 |
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1999 |
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Mark Currah: Formerly, Review, in: Time Out, June 30th—July 7th 1999 |
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1999 |
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Michael Archer: Heart and Soul, Review, in: Artforum, New York November 1999 |
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1999 |
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Louisa Buck: Elastic Abstract, in: Art Newspaper, London, June 1999 |
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1999 |
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Hannah Wingrave: Elastic Abstract, in: Flash Art, Vol XXXII, No. 208, October 1999 |
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1999 |
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Formerly, cat. Jerwood Gallery, London, 1999 |
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1999 |
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Elastic Abstract, Spacex Gallery, Exeter, 1999 |
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1999 |
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New Contemporaries, cat. Liverpool Biennial, Beaconsfield, London, 1999 |
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1999 |
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Zauberhaft, (with David Burrows), cat. Büro für Kunst, Brose Eiermann, Dresden, 1999 |
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1999 |
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Richard Reynolds: Elastic Abstract, in: Exeter Flying Post, No. 241, October 1999 |
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1999 |
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Deborah Robinson: Elastic Abstract, in: Artist Newsletter, November 1999 |
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1998 |
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cat. Proposition Gallery, New York, 1998 |
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1998 |
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Unit, cat. 1998 |
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