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Cerith Wyn Evans (British, 1958)
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Cerith Wyn Evans
"A rhythm of snapshots by the lake...." from 'Push Comes to Love' by Stephen Prina, (1999) 2005
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Cerith Wyn Evans
'Against Nature' by J.K Huysmans (1884), (trans, 1959) 2003
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Cerith Wyn Evans
'Astro-photography' by Siegfried Marx (1987) 2006
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Cerith Wyn Evans
...later on they are in a garden... 2007
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Cerith Wyn Evans
Brasilia 01.09.04 2006
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Cerith Wyn Evans
Faces of Our Time Penetrated, after Yousuf Karsh I 2007
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Biography |
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1958 |
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Born, Wales |
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1980 |
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Graduated, St Martin’s School of Art, London |
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1984 |
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MA, Film and Video, Royal College of Art, London |
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Lives and works in London |
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Exhibitions |
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2008 |
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Leigh Bowery, Kunstverein, Hannover, Germany |
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2008 |
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Everstill, Casa-Museo Federico Garcia Lorca, Granada, Sain |
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2008 |
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This is Not a Void, Galeria Luisa Strina, Sao Paulo, Brazil |
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2008 |
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Always Begins by Degrees, The Common Guild, Glasgow, UK |
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2008 |
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Punk. No One is Innocent, Kunsthalle Wien, Vienna, Austria |
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2008 |
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[SCENE MISSING], Georg Kargl Gallery, Vienna, Austria |
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2008 |
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Martian Museum of Terrestrial Art, Barbican, London, UK |
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2008 |
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In The Beginning, University Art Gallery, UC San Diego, California, USA |
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2008 |
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Voice and Void, The Aldrich Contemporary Art Museum, Ridgefield, USA |
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2008 |
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You Dig The Tunnel - I'll Hide The Soil, White Cube Hoxton Square and Shoreditch Town Hall, London, UK |
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2008 |
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Typed, Sadie Coles HQ, London, UK |
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2008 |
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Voice and Void, Galerie im Taxispalais, Innsbruck, Austria |
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2008 |
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Cerith Wyn Evans, Galpão Fortes Vilaça, Sao Paulo, Brazil (solo) |
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2008 |
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...visibleinvisible, MUSAC, Leon, France (solo) |
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2008 |
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Cerith Wyn Evans, Galerie Neu, Berlin, Germany (solo) |
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2007 |
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Ian Hamilton Finlay & Cerith Wyn Evans, Ingleby Gallery, Edinburgh, UK |
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2007 |
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Sculpture in the Close, Jesus College, Cambridge, UK |
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2007 |
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The Projection Project: Budapest episode, Műcsarnok Kunsthalle, Budapest, Hungary |
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2007 |
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Panic Attack! Art in the Punk Years, Barbican Art Gallery, London, UK |
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2007 |
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Before the advert of radio astronomy, Kunsthaus Bregenz, Bregenz, Austria |
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2007 |
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This is the love of these, Magazin 4, Bregenz, Austria |
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2007 |
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Romantic Conceptualism, Kunsthalle Nürnberg, Nurnberg, Germany; BAWAG Foundation, Vienna, Austria |
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2007 |
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The Secret Public: The Last Days of the British Underground 1978-1988, Institute of Contemporary Art, London, UK |
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2007 |
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Pale Carnage, Arnolfini, Bristol, UK; Dundee Contemporary Arts, Dundee, UK |
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2007 |
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Socle Du Monde, Daniel Buchholz, Cologne, Germany (solo) |
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2007 |
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Remote Viewing, CCA Kitakyushu Project Gallery, Kitakyushu, Japan (solo) |
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2007 |
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Futa Omote (double face), Taka Ishii, Tokyo, Japan (solo) |
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2007 |
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Bubble Peddler, Kunsthaus Graz, Graz, Austria (solo) |
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2006 |
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Cerith Wyn Evans, Kunstbau Lenbachhaus, Munich, Germany (solo) |
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2006 |
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Take my eyes and through them see you, Institute of Contemporary Arts, London, UK (solo) |
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2006 |
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…in which something happens all over again for the very first time, Musée d’Art Moderne de la Ville de Paris/ARC, Paris, France (solo) |
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2006 |
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The Curves of the Needle, White Cube, London, UK (solo) |
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2006 |
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All Hawaii entr�es / Lunar Reggae, Irish Museum of Modern Art, Dublin, Ireland |
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2006 |
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How To Improve The World, Hayward Gallery, London, UK |
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2006 |
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'Nach Rokytnik', Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, Austria |
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2006 |
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Thank you for the music (London Beat), Sprüth Magers Lee, London, UK |
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2006 |
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The Expanded Eye, Kunsthaus Zürich, Zurich, Switzerland |
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2006 |
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Stage of Life-Rhetorics of Emotion, Lenbachhaus, Munich, Germany |
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2006 |
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Tate Triennial 2006: New British Art, Tate Britain, London, UK |
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2005 |
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The Sky is Thin As Paper Here, Kunsthaus Graz - BIX Media Façade, Graz, Austria (solo) |
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2005 |
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Eaux d’artifice (after K.A.), The Conservatory, Barbican Centre, London, UK (solo) |
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2005 |
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Once a Noun, Now a Verbï ..., Galerie Neu, Berlin, Germany (solo) |
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2005 |
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299792458m/s, BAWAG Foundation, Vienna, Austria (solo) |
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2005 |
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Flourish, Moravian Gallery, Brno, Czech Republic |
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2005 |
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Thank you for the music, Spr�th Magers Project, Munich, Germany |
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2005 |
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Light Art from Artificial Light, ZKM, Karlsruhe, Germany |
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2005 |
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Pasolini E Roma, Museo di Roma, Trastevere, Italy |
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2005 |
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9th International Istanbul Biennial, Istanbul Foundation for Culture and Arts, Istanbul, Turkey |
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2005 |
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Seoul Film Festival, Seoul, North Corea |
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2005 |
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London in Six Easy Steps, ICA, London, UK |
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2005 |
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The Vanity of Allegory, Deutsche Guggenheim, Berlin, Germany |
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2005 |
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I Really Should..., Lisson Gallery, London, UK |
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2005 |
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Summer Exhibition 2005, Royal Academy, London, UK |
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2005 |
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Bidibidobidiboo: La Collezione Sandretto Re Rebaudengo, Palazzo Re Rebaudengo, Piazza del Municipio, Guarene d’Alba. Fondazione Sandretto Re Rebaudengo, Turin. Cavallerizza Chiablese e Salone delle Guardie, Turin, Italy |
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2005 |
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Light Lab, MUSEION, Bolzano, Italy |
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2005 |
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Can Buildings Curate, AA School of Architecture, London, UK |
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2005 |
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Ice Storm, Kunstverein München, Munich, Germany |
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2005 |
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I’d Rather Jack, National Galleries of Scotland, Edinburgh, UK |
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2005 |
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E-Flux Video Rental Store, KW Institute for Contemporary Art, Berlin, Germany |
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2005 |
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Ellen Cantor, Cerith Wyn Evans, Prince Charles Cinema, London, UK |
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2004 |
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Thoughts unsaid, now forgotten, MIT Visual Arts Center, Boston, USA (solo) |
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2004 |
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Cerith Wyn Evans, Museum of Fine Arts, Boston, USA (solo) |
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2004 |
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Cerith Wyn Evans, Centre Georges Pompidou, Paris, France (solo) |
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2004 |
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Cerith Wyn Evans, Kunstverein Frankfurt, Frankfurt, Germany (solo) |
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2004 |
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The Sky is Thin as Paper Here, Galerie Daniel Buchholz, Cologne, Germany (solo) |
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2004 |
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Meanwhile Across Town, Centre Point, London, UK (solo) |
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2004 |
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Rabbit's Moon, Camden Arts Centre, London, UK (solo) |
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2004 |
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Eclipse: Towards the Edge of the Visible, White Cube, London, UK |
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2004 |
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Black Friday: Exercises in Hermetics, Revolver, Frankfurt, Germany |
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2004 |
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The Ten Commandments, Deutsches Hygiene-Museum, Dresden, Germany |
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2004 |
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Drunken Masters, Galeria Fortes Vila'a, Sao Paulo, Brazil |
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2004 |
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Making Visible, Galleri Faurschou, Copenhagen, Denmark |
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2004 |
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Marc Camille Chaimowicz, Angel Row Gallery, Nottingham, UK |
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2004 |
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Doubtiful Dans Les Plis Du Reel, Galerie Art & Essai, Rennes, France |
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2004 |
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Hidden Histories, New Art Gallery Walsall, Walsall, UK |
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2004 |
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Ulysses, Galerie Belvedere, Vienna, Austria |
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2004 |
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Sans Soleil, Galerie Neu, Berlin, Germany |
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2004 |
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Bazar de Ver�o, Galeria Fortes Vila'a, Sao Paulo, Brazil |
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2004 |
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Modus Operandi, Thyssen-Bornemisza Art Contemporary, Vienna, Austria |
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2004 |
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Curating the Library, DE Singel, Antwerp, Belgium |
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2004 |
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Schöner Wohnen (Living Nicely), Platform voor Actuele Kunst, Waregem, Belgium |
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2004 |
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Utopia Station, Haus der Kunst, Munich, Germany |
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2004 |
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Uses of the Image: Photography, Film and Video In The Jumex Collection, Malba, Buenos Aires, Argentinia |
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2004 |
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Quodlibet, Galerie Daniel Buchholz, Cologne, Germany |
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2004 |
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Traffic d�influences: Art & Design, Tri Postal, Lille, France |
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2004 |
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The Future Has A Silver Lining: Genealogies of Glamour, Migros Museum for Contemporary Art, Zurich, Switzerland |
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2004 |
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Einleuchten, Museum der Moderne, Salzburg, Austria |
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2003 |
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Take a Bowery: The Art and (larger than) Life of Leigh Bowery, MCA Sydney, Sydney, Australia |
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2003 |
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Wittgenstein Family Likenesses, Institute of Visual Culture, Cambridge, UK |
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2003 |
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Heiliger Sebastian: A Splendid Readiness For Death, Kunsthalle Vienna, Vienna, Austria |
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2003 |
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Further: Artists from Wales, 50th International Venice Biennale, Venice, Italy; Aberystweth Arts Centre, Aberystweth; Glynn Vivian Art Gallery, Swansea and National Museum & Gallery of Wales, Cardiff, UK |
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2003 |
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Utopia Station, 50th International Venice Biennale, Venice, Italy |
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2003 |
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Adorno, Frankfurter Kunstverein, Frankfurt, Gemany |
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2003 |
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Galleria Lorcan O'Neill, Rome, Italy |
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2003 |
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Independence, South London Gallery, London, UK |
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2003 |
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Addiction, 15 Micawber Street, London, UK |
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2003 |
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Light Works, Taka Ishii Gallery, Tokyo, Japan |
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2003 |
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Someone to Share My Life With, The Approach, London, UK |
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2003 |
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The Straight or the Crooked Way, Royal College of Art Galleries, London, UK |
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2003 |
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Cardinales, MARCO, Vigo, Spain |
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2003 |
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Edïton, La Coleccion Jumex, Mexico City, Mexico |
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2003 |
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Look at that picture. How does it appear to you now? Does it seem to be Persisting?, White Cube, London, UK (solo) |
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2003 |
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Take your desires for reality, Cerith Wyn Evans/MATRIX 201c, UC Berkeley Art Museum and Pacific Film Archive, Berkeley, USA (solo) |
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2003 |
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Cerith Wyn Evans, Galerie Neu, Berlin, Germany (solo) |
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2003 |
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Take your desires for reality, Cerith Wyn Evans/MATRIX 201c, UC Berkeley Art Museum and Pacific Film Archive, Berkeley (solo) |
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2002 |
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Cerith Wyn Evans Screening, Galerie Daniel Buchholz, Cologne, Germany (solo) |
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2002 |
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Documenta11, Kulturbahnhof, Museum Fridericianum, Documenta-Halle, Orangerie/Karlsaue and Binding-Brauerei, Kassel, Germany |
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2002 |
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Mirror: Its Only Words, London College of Printing, The London Institute, London, UK |
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2002 |
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Shine, The Lowry Centre, Manchester, UK |
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2002 |
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My Head is on Fire but My Heart is Full of Love, Charlottenborg Museum, Copenhagen, Denmarl |
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2002 |
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Lost Past/2002-1914, Merghelynck Museum, Ypres, France |
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2002 |
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Screen Memories, Contemporary Art Centre, Art Tower Mito, Ibaraki, Japan |
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2002 |
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Iconoclash. Image Wars in Science, Religion and Art, Center for Art and Media, Karlsruhe, Germany |
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2002 |
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Void Archive, Centre for Contemporary Art, Kitakyushu, Japan |
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2002 |
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It's Only Words, Mirror Gallery, The London Institute, London, UK |
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2002 |
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ForwArt, Palais des Beaux-Arts, Brussels, Belgium |
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2002 |
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In the Freud Museum, Freud Museum, London, UK |
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2001 |
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Wales: Unauthorized versions, part of Welsh days festival, Extended Media Gallery and House of the Croatians Artists, Zagreb, Croatia |
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2001 |
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Yokohama 2001: International Triennale of Contemporary Art, Yamashita Pier, Yokohama, Japan |
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2001 |
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There is something you should know: Die EVN Sammlung im Belvedere, Öterreichische Galerie Belvedere, Vienna, Austria |
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2001 |
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Gymnasion, Bregenzer Kunstverein, Bregenz, Austria |
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2001 |
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My Generation 24 Hours of Video Art, Atlantis Gallery, Londonm, UK |
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2001 |
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Wir, Comawoche. Film Screening, Metropolis Cinema, Hamburg, Germany |
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2001 |
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How do you change, Institute of Visual Culture, Cambridge, UK |
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2001 |
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Bridge the Gap, Industrial Club of the West of Japan/Centre for Contemporary Art, Kitakyushu, Japan |
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2001 |
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Dedalic Convention, Museum für angewandte Kunst, Vienna, Austria |
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2001 |
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Zusammenhänge in Biotop Kunst, Kunsthaus Muerz, Muerzzuschlag, Austria |
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2001 |
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Video Screening, Anthony Wilkinson Gallery, London, UK |
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2001 |
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The Stunt/The Queel, London Institute, RAMC, London, UK |
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2001 |
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What's Wrong?, Trade Apartment, London, UK |
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2001 |
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Diesseits und jenseits des Traums, Sigmund Freud Museum, Vienna, Austria |
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2001 |
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Cerith Wyn Evans, Galerie Daniel Buchholz, Cologne, Germany (solo) |
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2001 |
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Cerith Wyn Evans, Kunsthaus Glarus, Glarus, Switzerland (solo) |
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2001 |
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Cerith Wyn Evans, Georg Kargl Gallery, Vienna, Austria (solo) |
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2001 |
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Cerith Wyn Evans The Art Newspaper project: Venice Biennale, Venice, italy (solo) |
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2000 |
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Cleave 00. Art Now, Tate Britain, London, UK (solo) |
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2000 |
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Cerith Wyn Evans, fig-1, London, UK (solo) |
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2000 |
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Has the film already started?, Galerie Neu, Berlin, Germany (solo) |
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2000 |
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Sensitive, Printemps de Cahors, Saint-Cloud, Farnce |
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2000 |
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Rumours, Arc en Reve Centre d'Architecture, Bordeaux, France |
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2000 |
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La Ville, le Jardin, la Memoire 1998-2000, The French Academy at Rome, Villa Medici, Rome, italy |
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2000 |
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Ever get the feeling you've been, A22 Projects, London, UK |
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2000 |
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There is something you should know, Die EVN Sammlung im Belvedere, Vienna, Austria |
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2000 |
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Out There, White Cube, London, UK |
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2000 |
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The British Art Show 5, The Scottish National gallery of Modern Art, Edinburgh, UK |
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2000 |
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The Greenhouse Effect, Serpentine Gallery in collaboration with The Natural History Museum, London, UK |
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2000 |
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Lost, Ikon Gallery, Birmingham, UK |
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1999 |
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Group exhibition, Re Rebaudengo Collection, Re Rebaudengo Gallery, Turin, Italy |
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1999 |
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54x54, Financial Times Building, London, UK |
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1999 |
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Group exhibition, Galerie Neu, Berlin |
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1999 |
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Retrace your steps: Remember Tomorrow, Sir John Soane’s Museum, London, UK |
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1999 |
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La Memoire, The French Academy in Rome, Rome, Italy |
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1999 |
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Fourth Wall, Public Art Development Trust, Royal National Theatre, London, UK |
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1999 |
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Essential Things, Robert Prime, London, UK |
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1997 - 1999 |
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Sensation, Royal Academy of Arts, London and Hamburger Bahnhof, Berlin, Germany |
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1998 |
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How will we behave?, Robert Prime, London, UK |
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1998 |
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From the Corner of the Eye, Stedelijk Museum, Amsterdam, the Netherlands |
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1998 |
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View Four, Mary Boone Gallery, New York, USA |
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1998 |
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Ray Rapp, Tz’Art & Co., New York, USA |
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1998 |
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Close Echos: Public Body and Artificial Space, City Art Gallery, Prague and Kunsthalle, Krems, Austria |
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1997 |
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7th International Video Week, Geneva, Switzerland |
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1997 |
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A Print Portfolio from London, Atle Gerhardsen, Oslo, Norway |
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1997 |
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Gothic, ICA Boston, Boston, USA |
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1997 |
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False Impressions, The British School at Rome, Rome, Italy |
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1997 |
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Material Culture, Hayward Gallery, London, UK |
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1996 |
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Life/Live, Musée d’Art Moderne de la Ville de Paris, Paris, France and Centro de Exposições do Centro Cultural de Belém, Lisbon, Protugal |
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1996 |
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Against, Anthony d’Offay, London, UK |
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1996 |
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Some Drawings From London, 20 Princelet Street, London, UK |
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1996 |
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British Artists in Rome, Studio Casagrande, Rome, Italy |
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1996 |
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Kiss This, Focal Point Gallery, Southend, UK |
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1995 |
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Sick, 152 Brick Lane, London, UK |
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1995 |
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Stoppage, FRAC Tours, Tours, France |
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1995 |
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General Release: Young British Artists, Scuola di San Pasquale, Venice, Italy |
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1995 |
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Faction Video, Royal Danish Academy of Fine Arts, Copenhagen, Denmark |
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1995 |
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Future Anterior, Eigen + Art’s/IIAS - Young British Artists, London, UK |
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1994 |
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Potato, IAS, London, UK |
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1994 |
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Olive Tree Installation, The Orangery, Holland Park, London, UK |
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1994 |
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Superstore Boutique, Laure Genillard Gallery, London, UK |
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1994 |
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People Must Bed God to Stop..., Performance at Fete Worse than Death, London , UK |
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1994 |
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Flux, Minema Cinema, London , UK |
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1994 |
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Liar, Hoxton Square, London, UK |
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1994 |
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5th Oriel Mostyn Open Exhibition, Oriel Mostyn, Llandudno, UK |
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1993 |
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Modern Medicine, Installation/event at the Barley Mow with Angus Fairhurst and Leigh Bowery in association with Factual Nonsense Gallery, London, UK |
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1993 |
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Speaking of Sofas, Tate Gallery, London, UK and Gavin Brown’s Enterprise, New York, USA |
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1992 |
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240 Minutes, Galerie Esther Schipper, Cologne, Germany |
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1992 |
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Cerith Wyn Evans and Gaylen Gerber, Wooster Gardens Gallery, New York, USA |
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1990 |
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Sign of the Times, MOMA, Oxford, UK |
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1990 |
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Image and Object in Current British Art, Centre Georges Pompidou, Paris, France |
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1988 |
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Degrees of Blindness, Edinburgh Film Festival, Edinburgh, UK |
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1988 |
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The Melancholy Imaginary, In collaboration with Jean Mathee, London Film Makers Co-op, London, UK |
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1987 |
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The Elusive Sign, Tate Gallery, London, UK |
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1985 |
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Syncronisation of the Senses, ICA, London, UK |
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1985 |
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The New Pluralism, Tate Gallery, London, UK |
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1984 |
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The Salon of 1984, ICA, London, UK |
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1984 |
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Artist as Film Maker, National Film Theatre, London |
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1983 |
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The New Art, Tate Gallery, London, UK |
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Literature |
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2007 |
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Seifermann and Jörg Heiser (Eds.). Romantic Conceptualism, Bielefeld/Leipzig: Kerber Verlag, 2007 |
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2007 |
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Schafhausen, Nicolaus and Max Hollein (Eds.). Kunst/Art: Lufthansa Aviation Center, Frankfurt: Revolver, 2007 |
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2007 |
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Mair, Robert and Rod Mengham. Sculpture in the Close, Cambridge: Jesus College, 2007 |
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2007 |
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Bracewell, Michael and Tom Trevor. Pale Carnage, Arnolfini, Bristol, 2007 |
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2007 |
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König, Walther. Bubble Peddler, Cologne: Kunsthaus Graz, 2007 |
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2006 |
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…in which something happens all over again for the very first time, Paris: Musée D’Art de la Ville de Paris/ARC, 2006 |
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2006 |
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Rugoff, Ralph, Michael Archer, Marjorie Allthorpe-Guyton and Roger Malbert. How to Improve the World: 60 Years of British Art, London: Hayward Gallery, 2006 |
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2006 |
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Thomas, Rachael. All Hawaii Entrées/ Lunar Reggae, Irish Museum of Modern Art (IMMA), Dublin, 2006 |
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2006 |
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Curiger, Bice, Ina Blom, Diedrich Diederichsen, Kurt W. Forster, Al Rees and Rüdiger Wehner. The Expanded Eye: Sehen – entgrenzt und verflüssigt, Ostfildern: Kunsthaus Zürich: Hatje Cantz Verlag, 2006 |
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2006 |
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Rebentisch, Juliane. Stage of Life – Rhetorics of Emotion, Köln: Lenbachhaus München: Verlag der Buchhandlung Walther König, 2006 |
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2006 |
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Ruf, Beatrix, Clarrie Wallis, Jan Verwoert, Gair Boase, Siobhan McCracken, Emily Pethick, Katherine Stout, Catherine Wood. Tate Triennial 2006: New British Art, London: Tate Britain: Tate Publishing, 2006 |
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2005 |
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The Curves of the Needle, Wien : BAWAG Foundation, 2005 |
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2004 |
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Spiegl, Andreas, Jan Verwoert, Juliane Rebentisch and Manfred Hermes. Cerith Wyn Evans, Frankfurt: Frankfurter Kunstverein and New York: Lukas & Sternberg, 2004 |
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2004 |
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Arning, Bill. Thoughts unsaid, now forgotten…, Boston: MIT List Visual Art Center, 2004 |
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2004 |
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Higgie, Jennifer. Cerith Wyn Evans, London: Camden Arts Centre, 2004 |
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2004 |
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Biesenbach, Klaus, Frank Crusemann, Roger N. Lancaster, Ulf Poschardt, Christian Höller, Jan Verwoert, Hartmut Krauss, Navid Kermani, Alexander Meschnig, Genevieve Hesse, Desmond Morris, Ilona Ostner, Susan Sontag, Dietmar Mieth, Dennis Altman, Linda Singer, Kevin Bales, Christiane Grefe, Christiane Leidinger, Gabriele Cleve, Isabelle Graw and Niklas Maak. Diezehngebote, Dresden: Deutsches Hygiene Museum and Ostfildern-Ruit: Hatje Cantz, 2004 |
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2004 |
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Bonami, Francesco and Gigiotto Del Vecchio. Sensi Contemporanei in Campana, Venice: La Biennale di Venezia, 2004 |
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2004 |
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Holert, Tom, Heike Munder, Ian Penman and Terre Thaemlitz. The Future Has A Silver Lining, Zurich: Migros Museum für Gegenwartskunst Zurich and JRP/Ringier 2004 |
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2004 |
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Van Winkel, Camiel and Moritz Küng. Schöner Wohnen (Living Nicely), Waregem: Platform voor actuele kunst, 2004 |
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2004 |
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Shani, Annushka. Eclipse: Towards The Edge of the Visible, London: Jay Jopling/White Cube, 2004 |
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2004 |
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Trummer, Thomas. Ulysses, Vienna: Galerie Belvedere, 2004 |
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2004 |
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Petry, Michael. Hidden Histories: Twentieth Century Male Same Sex Lovers In The Visual Arts, London: Artmedia Press, 2004 |
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2004 |
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Mavridorakis, Valérie, Elvan Zabunyan and David Perreau. Doubtiful dans les plis du reel, Rennes: Art & Essai, University of Rennes, 2004 |
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2004 |
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Zyman, Daniela. ein-leuchten, Vienna: Museum der Modern Salzburg, 2004 |
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2003 |
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Shani, Annushka. Look at that picture… How does it appear to you now? Does it seem to be Persisting?, London: Jay Jopling/White Cube, 2003 |
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2003 |
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A. Kaye, Richard, Carlo Santoli, Germaine Greer and Gerald Matt. Heiliger Sebastian: A Splendid Readiness for Death, Vienna: Kunsthalle Wien and Bielefeld: Kerber Verlag, 2003 |
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2003 |
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Manacorda, Francesco. The Straight or Crooked Way, London: Royal College of Art, 2003 |
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2003 |
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Graw, Isabelle and Georg Schöllhammer. Adorno: The Possibility of the Impossible Vol II, Frankfurt: Frankfurter Kunstverein and New York: Lukas & Sternberg, 2003 |
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2003 |
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Hirsch, Michael, Vanessa Joan Müller and Nicolaus Schaufhausen (Eds.). Adorno: The Possibility of the Impossible Vol I, Frankfurt: Frankfurter Kunstverein and New York: Lukas & Sternberg, 2003 |
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2003 |
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Fleming, Patricia, Julia Heynen, Kris Cohen, Sarah Cook, Caoimhín Mac Giolla Léith, Jan Verwoert and Will Bradley. Further: Artists from Wales at the 50th International Art Exhibition, Venice, Cardiff: Wales Art International, 2003 |
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2002 |
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Enwezor, Okwui. Documenta 11_Platform 5: Exhibition, Kassel: Museum Friedericianum Veranstaltungs-GmbH and Ostfildern-Ruit: Hatje Cantz, 2002 |
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2002 |
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Bezzan, Cécilia. ForwArt, Brussels: Palais des Beaux-Arts, 2002 |
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2002 |
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Iida, Takayo. Screen Memories, Ibaraki: Contemporary Art Center, Art Tower Mito, 2002 |
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2002 |
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Bradley, Will, Henriette Bretton-Meyer and Toby Webster. My Head is on Fire but my Heart is Full of Love, Copenhagen: Charlottenborg Museum, 2002 |
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2002 |
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Anderson, Emma and Alistair Robinson. Shine, Balford: Lowry Press, 2002 |
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2001 |
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Fig.1: the commemorative book. London: Spafax Publishing and Tate Publishing, 2001 |
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2001 |
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Farquharson, Alex. ‘Wales’: Unauthorized versions, Zagreb: Croatian Association of Artists, 2001 |
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2001 |
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Lee, Jane, David Beech, Peter Lewis and Victor Burgin. Gymnasion, Bregenz: Bregenzer Kunstverein, 2001 |
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2000 |
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Meredith, Rachel. Cerith Wyn Evans. Art Now, London: Tate Publishing, 2000 |
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2000 |
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Rugoff, Ralph, Lisa Corrin, Simon Morley and Mark Dion. The Greenhouse Effect, London: Serpentine Gallery, 2000 |
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2000 |
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Kovats, Tania. Lost, Ikon Gallery, Birmingham, 2000 |
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2000 |
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Macel, Christine, Pascal Beausse, Marie-Frédérique Hallin and François Piron. Sensitive, Saint-Cloud: Printemps de Cahors, 2000 |
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2000 |
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Watkins, Jonathan, Tania Kovats and Irit Rogoff. Lost, Birmingham: Ikon Gallery, 2000 |
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1999 |
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Bonami, Francesco and Hans-Ulrich Obrist. Dreams, Turin: Fondazione Sandretto Re Rebaudengo, 1999 |
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1999 |
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Die EVN Sammlung im Belvedere Ankäufe 1997-99, Vienna: EVN AG, 1999 |
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1998 |
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Close Echos: Public Body and Artificial Space, Prague: City Art Gallery and Krems: Kunsthalle Krems, 1998 |
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1998 |
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Aydemir, Murat, Leontine Coelewij, Rudi Fuchs, Martijn van Nieuwenhuyzen and Hripsimé Visser. From the Corner of the Eye, Amsterdam: Stedelijk Museum, 1998 |
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1998 |
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Adams, Brooks, Lisa Jardine, Martin Maloney, Norman Rosenthal and Richard Shone. Sensation. Young British Artists From The Saatchi Collection, Berlin: Hamburger Bahnhof, 1998 |
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1998 |
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Wyn Evans, Cerith. Cerith Wyn Evans. In Girum Imus Nocte et Consumimur Igni, Kyoto: Centre for Contemporary Art Kitakyushu and Korinsha Press, 1998 |
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1997 |
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Jacques, Alison. False Impressions, Rome: The British School at Rome, 1997 |
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1997 |
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Lapa, Pedro, Laurence Bossé and Guy Brett. Life/Live, Musee d’Art Moderne de la Ville de Paris, Paris 1997 |
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1997 |
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Archer, Michael and Greg Hilty. Material Culture, London: Hayward Gallery, 1997 |
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1997 |
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Adams, Brooks, Lisa Jardine, Martin Maloney, Norman Rosenthal and Richard Shone. Sensation. Young British Artists From The Saatchi Collection, London: Royal Academy of Arts, 1997 |
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1996 |
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Life/Live, Paris: Musée d’Art Moderne de la Ville de Paris and Lisbon: Centro de Exposições do Centro Cultural de Belém, 1996 |
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1996 |
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British Artists in Rome, Rome: Studio Case Grande, 1996 |
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1995 |
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Faction Video, Copenhagen: Royal Danish Academy of Fine Arts, 1995 |
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1995 |
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General Release: Young British Artists, Venice: Scuola di San Pasquale, 1995 |
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1994 |
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Potato, London: IAS, 1994 |
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1993 |
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5th Oriel Mostyn Open Exhibition, Llandudno: Oriel Mostyn, 1993 |
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1992 |
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240 Minutes, Cologne: Galerie Esther Schipper, 1992 |
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1990 |
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Sense and Influence, The Hague: Kijkhuis, 1990 |
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1990 |
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Sign of the Times, Oxford: Modern Art Oxford, 1990 |
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1989 |
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Solo Exhibition 79-89, London: ICA Cinematheque, 1989 |
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1989 |
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A Certain Sensibility, London: ICA Cinematheque, 1989 |
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1987 |
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O’Pray, Michael, Catherine Lacey and Tamara Krokorian. The Elusive Sign. British Avant-Garde Film & Video 1977-1987, London: Arts Council of Great Britain and The British Council, 1987 |
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1985 |
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Syncronisation of the Senses, London: ICA Cinematheque, 1985 |
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1985 |
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O’Pray, Michael. British Film & Video 1980-1985. The New Pluralism, London: Tate Publishing, 1985 |
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