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Megan Cump
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Megan Cump
Curse 2004
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Megan Cump
Untitled (Avalanche) 2002
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Biography |
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1995 |
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Macalester College, St. Paul MN, Bachelor of Arts Cum Laude |
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1997 |
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School of the Art Institute of Chicago, Chicago IL, Master of Fine Arts |
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2000 |
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Skowhegan School of Painting and Sculpture, Skowhegan ME |
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Exhibitions |
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2006 |
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Young Video Art from NY, Kunsthalle Bonn, Berlin Germany |
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2006 |
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A Distant Mirror, M.Y. Art Prospects, New York, NY |
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2006 |
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Stilled Life, curated by Daria Brit Shapiro, Islip Art Museum, Islip NY |
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2006 |
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Panoramica, Tamayo Museum, Mexico City Mexico |
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2006 |
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Emotional Landscape, Rotunda Gallery, Brooklyn NY |
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2005 |
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In Process: Megan Cump, Dennis Leder, Jeffrey Price, Carriage House, Islip Art Museum, Islip NY |
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2005 |
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Undercover, James Company Contemporary Art Projects @Miranda Fine Arts, Port Chester NY |
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2005 |
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video_dumbo, curated by Caspar Strake and Gabriela Monroy, d.u.m.b.o. art center, Brooklyn NY |
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2005 |
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Hey, Hot Shot! Fall showcase, Jen Bekman Gallery, New York NY |
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2005 |
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Dark Nature, Station Independent Projects, Brooklyn NY |
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2005 |
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Me, Myself, and I: Video Remix, The Living Room, Miami FL |
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2005 |
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New Photography, Newspace Center for Photography, Portland OR |
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2004 |
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Dark Matter (solo), White Room Exhibition, White Columns, New York NY |
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2004 |
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Me, Myself, and I, Florida Atlantic University Gallery, Boca Raton FL |
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2004 |
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There Is a Light that Never Goes Out (concerning the spiritual in art), d.u.m.b.o. art center, Brooklyn NY |
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2004 |
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Orchard, curated by Renee Ricardo, Big Apple Fest, Midtown Orchard Silverstein Properties, New York NY |
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2004 |
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Colony, Hudson Clearing, New York NY |
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2003 |
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Scapes, Berlin Kunst Projekt, Berlin Germany |
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2003 |
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AIM 23, Bronx Museum of Art, Bronx NY |
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2003 |
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Phelanges, 50 Broadway Gallery, New York NY |
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2003 |
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My Mother’s An Artist, curated by Sheila Pepe, Ernest Rubenstein Gallery, New York NY |
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2002 |
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Scratch, Arena Gallery, New York NY |
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2002 |
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Regarding Beauty, Texas Women’s University, Denton TX |
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2002 |
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Residual Images, Studio Z, San Francisco CA |
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2001 |
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Emerge, San Francisco Art Institute, San Francisco CA |
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2001 |
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Viva la Video, Works Gallery, San Jose CA |
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2001 |
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Think Again, Southern Exposure, San Francisco CA |
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2001 |
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Lifeline, The Artery, New Port KY |
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2000 |
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Libidinal, TBA Exhibition Space, Chicago IL |
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2000 |
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Fuzzy Logic, Southern Exposure, San Francisco CA |
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2000 |
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Hot Sauce (traveling), Diverse Works, Houston TX and Soil Gallery, Seattle WA |
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2000 |
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Law Office, TBA Exhibition Space, Chicago IL |
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1999 |
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…And Everything Nice, Rockford Art Museum, Rockford IL |
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1999 |
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Homely, No Name Exhibitions @ The Soap Factory, Minneapolis MN |
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1999 |
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All Girls, All Live!, Bodybuilder and Sportsman Gallery, Chicago IL |
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1999 |
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Disco Snowball, Dispensing with Formalities, Copenhagen Denmark |
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1999 |
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Secondary Spaces, Noyes Cultural Arts Center, Evanston IL |
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1998 |
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Alix Lambert, Scott Hug, Lori Daniels, Megan Cump, Chicago Project Room, Chicago IL |
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1998 |
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Paper Resources, Katherine E. Nash Gallery, Minneapolis MN |
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1998 |
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Sculpture in Chicago: The Next Generation, Gallery 400, University of Illinois at Chicago, IL |
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1997 |
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Sweet and Nasty, RX Gallery, Chicago IL |
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1997 |
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PETS, 1717 S. Federal, Chicago IL |
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1997 |
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MFA Thesis Exhibition, School of the Art Institute of Chicago, Chicago |
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Literature |
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2005 |
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Harrison, Helen, “Art in Review: In Process,” The New York Times, Long Island Edition, May 1, 2005, p.10 |
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2004 |
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Residency, 1997-2001. Lower Manhattan Cultural Council, 2004 pp.40-47. |
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2004 |
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Bethencourt, Carmen, “Little Things,” NYartsmagazine.com, January 2004 |
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2004 |
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Smith, Roberta, “Art in Review: Colony,” The New York Times, April 9, 2004, Section E, p. 37 |
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2004 |
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Weinberg, Michelle, “It’s All About Me,” Miami New Times, November 25, 2004 |
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2004 |
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Laster, Paul and Riccardo, Renee: Me, Myself, and I, Florida Atlantic University, Boca Raton FL, 2004 exhibition essay |
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2003 |
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Yee, Lydia and Rosenblum Martin, Amy; AIM 23, Bronx Museum of Art, 2003, catalog |
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2003 |
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Rosenberg, Karen, "Market Share," The Village Voice, August 22, 2003 |
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2003 |
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Budick, Ariellla, “Apprentices, Curators Of Their Mother’s Art,’” Newsday, May 9, 2003, p.50 |
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2003 |
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Johnson, Ken, "A Mix of Works in the Bronx," The New York Times, August 15, 2003, Section E, p.30 |
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2000 |
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Senseman, Susan, “Libidinal Zone,” Libidinal, TBA Exhibitions, Chicago IL, 2000, catalog |
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2000 |
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Erikson, Karl, “Chicago Five,” Artnet.com, September 2000 |
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1999 |
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Morgan, Cynthia, New Art Examiner, June 1999, pp.50-51 |
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1999 |
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Marofsky, Eve, “Home Installation,” MN Daily, August 1999, p.30 |
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1999 |
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Klefstad, Ann, “On View: Minnesota,” New Art Examiner, September 1999, pp.40-41 |
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1999 |
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Hawkins, Margaret, Dialogue, May/June 1999, pp.50-51 |
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1999 |
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Estep, Jan, “CPR takes off: a conversation with Michael Hall and Dan Hug,” New Art Examiner, May 1999, pp.28-30 |
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1999 |
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Bramson, Phyllis, “…And Everything Nice,” ...And Everything Nice, Rockford Museum of Art,1999, catalog |
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Donnelly, Erin, “Critical Distance,” Site Matters, The Lower Manhattan Cultural Council’s World Trade Center Artists |
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