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Biography |
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1992 |
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BA Fine Art, University of Auckland, New Zealand |
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1995 |
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Post Graduate Diploma, University of Western Sydney, Australia |
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1999 |
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Masters in Visual Arts, Sydney College of Art, University of Western Sydney, Australia |
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1999 |
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Certificate in Information Technology, Sydney TAFE, Sydney, Australia |
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2006 |
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PhD, University of Auckland, New Zealand |
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Exhibitions |
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2008 |
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Gow Langsford Gallery. Auckland, New Zealand |
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2007 |
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A Better Plan. Group exhibition. Gow Langsford Gallery, Auckland, New Zealand |
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2007 |
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Four Times Painting. Curated by Tina Barton. Adam Art Gallery, Victoria University of Wellington |
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2007 |
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The Secret Life of Painting. Curated by Justin Paton, Dunedin Public Art Gallery |
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2007 |
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Dunedin, New Zealand.University of Wellington, Wellington, New Zealand |
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2007 |
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Pacific Street. Julian Dashper, Matthew Deleget, Simon Ingram, Rossana Martínez. Rm103, Auckland, New Zealand |
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2007 |
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Julian Dashper, Billy Gruner, Simon Ingram, John Nixon. Curated by Sydney Non Objective (SNO), Sydney, Australia |
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2007 |
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A Purposeless Production/A Neccessary Praxis. Curated by Leonhard Emmerling. St Paul St Gallery, Auckland University of Technology, Auckland, New Zealand |
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2006 |
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Just Painting. Curated by Natasha Conland, curator Contemporary Art, Auckland Art Gallery, Auckland, New Zealand |
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2006 |
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Satellite. Curated by John Di Stefano. Shanghai, China |
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2006 |
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The Future of Painting. Curated by Ben Curnow. Canary Gallery, Auckland |
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2006 |
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Matter Thinks. SnowWhite Gallery, Unitec, Auckland, New Zealand |
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2006 |
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Reading Room - Jackson Mac Low Interview With a Painting. Rm103, Auckland, New Zealand |
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2005 |
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Painting as Machine. George Fraser Gallery. The University of Auckland. Auckland, New Zealand |
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2005 |
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Drawing Machine. Clubs Project Space. Melbourne, Australia |
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2005 |
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Drawing Machine. Canary Gallery. Auckland, New Zealand |
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2005 |
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Garden. Vavasour Godkin Gallery. Auckland, New Zealand |
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2004 |
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Painting as Machine. Auckland, Te Tuhi - The Mark. Curated by Rhoda Fowler. Auckland, New Zealand |
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2004 |
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Towards a Painting That Thinks. MOP Projects. Curated by Billy Gruner, Ron and George Adams. Sydney, Australia |
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2003 |
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Dialogical Paintings. Rm103. Curated by Nick Spratt. Auckland, New Zealand |
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