 |
Biography |
|
|
1992 |
|
B.F.A. The Maryland Institute College of Art |
|
|
1997 |
|
King County Special Projects, Individual Grant Recipient |
|
|
2000 |
|
Tufts University & The School of the Museum of Fine Arts – MAT |
|
|
2000 |
|
Wackers Kunst Academie, Amsterdam, NL – Summer Studio Arts |
|
|
2002 |
|
Vermont Studio Center, Visual Arts Residency & Full Fellowship |
|
|
2002 |
|
Institute for Cultural Enterprise, Exhibition Grant |
|
|
2003 |
|
M.F.A. The Maryland Institute College of Art |
|
|
2003 |
|
Skowhegan School of Painting and Sculpture |
|
|
2003 |
|
Lower Manhattan Cultural Council, Studio Residency |
|
|
2004 |
|
Henry Street Settlement, Studio Residency |
|
|
2005 |
|
Aljira Center for Contemporary Art, Emerge Fellowship |
|
|
2007 |
|
Headlands Center for the Arts, Residency |
|
|
|
|
Born in Baltimore, Maryland |
|
|
|
|
Lives and works in New York. |
|
|
|
|
COLLECTIONS: The Rubell Family Collection, The Studio Museum in Harlem, The Maryland Institute College of Art |
|
|
Exhibitions |
|
|
2008 |
|
Waste Not, Want Not, curated by Robyn Donohue with Alyson Baker and Marichris Ty, Socrates Sculpture Park, Long Island City, New York |
|
|
2008 |
|
The Stranger, Yvon Lambert, New York |
|
|
2008 |
|
Into the Trees, curated by Lilly Wei and Amy Lipton, The Fields Sculpture Park, Ghent, New York |
|
|
2008 |
|
Torch Songs, Saltworks, Atlanta, Georgia (solo) |
|
|
2008 |
|
The Way That We Rhyme, Yerba Buena Center for the Arts, San Francisco, California |
|
|
2008 |
|
Freeway Balconies, Deutsche Guggenheim, Berlin, Germany |
|
|
2008 |
|
Recognize!, Smithsonian National Portrait Gallery, Washington DC |
|
|
2007 |
|
Shinique Amie Smith, Franklin Artworks, Minneapolis, Minnesota (solo) |
|
|
2007 |
|
All Purpose, Moti Hasson Gallery, New York, NY (solo) |
|
|
2007 |
|
Shinique Smith: Open Strings, Skestos Gabriele Gallery, Chicago, Illinois (solo) |
|
|
2007 |
|
Ready-Made, Yvon Lambert, New York |
|
|
2007 |
|
Shinique Smith: Open Strings, Skestos Gabriele Gallery, Chicago, Illinois (solo) |
|
|
2007 |
|
Unmonumental, curated by Richard Flood, Massimiliano Gioni & Laura Hoptman, The New Museum of Contemporary Art, New York |
|
|
2007 |
|
Primetime: Shinique Smith & Mickalene Thomas, Caren Golden Fine Arts, New York |
|
|
2007 |
|
My Love is a 187: Mark Bradford, Titus Kaphar, Mickalene Thomas & Shinique Smith, The Luggage Store, San Francisco, CA |
|
|
2007 |
|
Beyond the Pale, Moti Hasson, Chelsea, New York |
|
|
2007 |
|
Altered, Stitched & Gathered, PS1 Contemporary Art Center, New York |
|
|
2006 |
|
Paper, Skestos Gabriele Gallery, Chicago |
|
|
2006 |
|
Material Abuse, Caren Golden Fine Arts, New York |
|
|
2006 |
|
25 Bold Moves, House of Campari, NY |
|
|
2006 |
|
Not an Ocean between Us, Diggs Gallery, Winsor-Salem State University, NC |
|
|
2006 |
|
I Feel You, Roebling Hall, Williamsburg, New York |
|
|
2006 |
|
Making the Timeless Now, Broadway Gallery, New York |
|
|
2006 |
|
Do You Think I'm Disco, Longwood Arts Gallery, New York |
|
|
2006 |
|
Shinique Smith: No dust, no stain, curated by Sara Reisman, Cuchifritos Gallery, in the Essex Street Market, New York |
|
|
2005 |
|
Frequency, Studio Museum in Harlem |
|
|
2005 |
|
Neovernacular, Steve Turner Gallery, Los Angeles |
|
|
2005 |
|
d'Afrique, d'Asie, Ethan Cohen Fine Arts, New York |
|
|
2005 |
|
Waterways Istanbul, 9th International Istanbul Biennial |
|
|
2005 |
|
Drawn Out, Gallery 400, Chicago |
|
|
2005 |
|
Desvelar lo Invisible, Museos y Bibliotecas, Madrid, Spain |
|
|
2005 |
|
Recess, Rush Arts Gallery, New York |
|
|
2005 |
|
Shinique Amie Smith and Kate McKinnon, Gallery Imperato, Baltimore |
|
|
2005 |
|
OverStock, The Proposition, New York (solo) |
|
|
2005 |
|
FULL ON, Boulder Museum of Contemporary Art, Boulder, Colorado (solo) |
|
|
2004 |
|
WORD, Bronx River Arts Center, New York |
|
|
2004 |
|
Re: Source, Art in General, New York |
|
|
2004 |
|
The Reality of Things, Triple Candie, Harlem, New York |
|
|
2004 |
|
CONVERSIONS at 149, Longwood Arts Gallery, Bronx, New York |
|
|
2004 |
|
Veni Vidi Video II, The Studio Museum in Harlem, New York |
|
|
2004 |
|
Super Salon, Samson Projects, Boston |
|
|
2003 |
|
James E. Lewis Museum, Morgan State University, Maryland |
|
|
2003 |
|
Black Russians, Galerie Francoise et Ses Freres, Maryland |
|
|
2003 |
|
Rising Voices, DC Arts Center Gallery, Washington, DC |
|
|
2003 |
|
Artscape 2003 Juried Exhibition, Decker Gallery, Baltimore |
|
|
2002 |
|
Crossroads, The Creative Alliance, Baltimore, Maryland (solo) |
|
|
2002 |
|
Manifestations, Scuola dell’Arte dei Tiraoro e Battioro, Venice, Italy (solo) |
|
|
2002 |
|
Upwardly Mobile! Manifesta 4, Museum fur Modern Kunst, Frankfurt |
|
|
2002 |
|
Upwardly Mobile! 2, The Ludwig Museum for Contemporary Art, Budapest |
|
|
2002 |
|
Stories & Personal Dialect, Intercultural Museum Gallery, Baltimore |
|
|
2002 |
|
28, The Whole Gallery, Maryland |
|
|
return to artnet.com
