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Michael Biberstein (Swiss, 1948)
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Michael Biberstein
Slate Shift 2005
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Biography |
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1948 |
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Born in Solothurn, Switzerland |
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1964 |
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Moved to the U.S. |
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Lives and works in Alentejo, Portugal |
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Exhibitions |
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2009 |
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Résonance du Silence, Galerie Jaeger Bucher, Paris, France (solo) |
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2009 |
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Arte e Natura, Museo Villa dei Cedri, , Bellinzona, Italy |
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2008 |
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Expansion – Résonance, Galerie Jaeger Bucher, Paris, France |
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2008 |
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Von der Kunst, Sträusse zu binden, Kunstmuseum Solothurn |
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2008 |
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Linha de horizonte, Museo de Arte Moderna, São Paulo, Brasil |
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2008 |
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More Statements in the Spirit of Militant Agnosticism, Galerie Cristina Guerra, Lisbon (solo) |
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2008 |
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Kunsthaus Skt. Josef, Solothurn (solo) |
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2007 |
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Galeria Pedro Oliveira, Porto (solo) |
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2007 |
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Galerie Tanit, Munich (solo) |
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2007 |
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Galerie Jamileh Weber, Zurich, Switzerland |
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2007 |
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Homage to Gérard Verdeijk, Centre Mitterrand, Périgueux, France |
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2006 |
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categorias, Galerie Cristina Guerra, Lisbon (solo) |
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2006 |
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Galeria Miguel Marcos, Barcelona (solo) |
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2006 |
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Resonance Membranes, Galeria Pedro Oliveira, Porto (solo) |
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2006 |
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Galerie Staffelbach, Aarau (Switzerland) (solo) |
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2006 |
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Gulbenkian Foundation, Lisbon (solo) |
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2006 |
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La tentation de l’orient, Galerie Jeanne Bucher, Paris |
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2005 |
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New Works, Galerie Tanit, Munich (solo) |
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2004 |
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Homage to Peter Kneubühler – Gut zum Druck, Helmhaus, Zurich |
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2004 |
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Neue Bilder, Galerie Jamileh Weber, Zurich, Switzerland (solo) |
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2004 |
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...so what about marbles, Albert, did he play with those? Évora arte, Évora, Portugal (solo) |
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2004 |
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Sala de estar, Espaço Tabora, Lisbon, Portugal (solo) |
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2004 |
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Teoria da Unificação, Parte I, Cristina Guerra Contemporary Art Gallery, Lisbon, Portugal (solo) |
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2003 |
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Compresores/Aceleradores, Museo Extremeño e Iberoamericano de Arte Contemporáneo (MEIAC), Badajoz, Spain (solo) |
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2003 |
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Exhibition with Hugo Suter. Galerie Staffelbach, Lenzburg, Switzerland (solo) |
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2003 |
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Bernard Lüthi, Jean Mauboulès, Michael Biberstein, Haus der Kunst St. Josef, Solothurn, Switzerland |
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2003 |
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Comment rester Zen, Centre Culturel, Suisse, Paris |
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2002 |
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Argumentos do futuro, Fundacion ICO, Madrid, C.San Fernando, Sevilla |
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2002 |
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Na paisagem, Museu Serralves, Porto, Museu de Arte, Evora |
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2002 |
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...towards silence, Kunsthalle Helmhaus, Zurich, Switzerland (solo) |
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2002 |
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Haus der Kunst St. Josef, Solothurn, Switzerland (solo) |
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2002 |
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Paintings, Cristina Guerra Contemporary Art Gallery, Lisbon, Portugal (solo) |
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2001 |
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The Compulsive Image, Kunsthalle, Tallinn, Estonia (solo) |
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2001 |
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towards silence, Galerie Rudolfinum, Center for Contemporary Art, Prague, Czech Republic (solo) |
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2001 |
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Argumentos do Futuro, Fundacion ICO, Madrid; Caja San Fernando, Sevilla |
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2001 |
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Peter Kneubühler: Gut zum Druck Helmhaus Zurich |
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2001 |
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Cristina Guerra Gallery, Lisbon |
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2000 |
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Landschaften eines Jahrhunderts, Sammlung Deutsche Bank, Frankfurt, Germany |
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2000 |
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Galerie Pablo Stähli, Zurich, Switzerland (solo) |
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2000 |
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Kunsthalle, Brno, Czech Republic (solo) |
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1999 |
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Galerie Tanit, Munich, Germany (solo) |
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1999 |
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Galeria Pedro Oliveira, Porto, Portugal (solo) |
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1999 |
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Jiri Svestka Gallery, Prague, Czech Republic (solo) |
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1999 |
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Cesar Gallery, Lisbon, Portugal (solo) |
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1999 |
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Kunsthalle, Brno, Czech Republic (solo) |
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1999 |
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Schöpfung, Diözesanmuseum Freising, Munich, Germany |
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1999 |
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Landgang, Galerie Fabian Walter, Basel, Switzerland |
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1999 |
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Paisagens no Singular, Museu Malhoa, Caldas da Rainha, Portugal; Museu Grão Vasco, Viseu, Portugal; Museu de Évora, Évora, Portugal |
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1998 |
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Large Paintings, Pablo Stähli Gallery, Birrwil, Switzerland (solo) |
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1998 |
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Works on Paper, Pablo Stähli Gallery, Zurich, Switzerland (solo) |
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1998 |
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Neue Bilder, with José Carrilho da Graça, Galeria Luís Serpa, Lisbon, Portugal (solo) |
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1998 |
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Longe e perto, Painters Union, Kiew, Ukraine |
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1998 |
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Die Spur des Sublimen, Kunsthalle Kiel, Kiel, Germany; Kunstraum Innsbruck, Innsbruck, Austria; Kunstmuseum Esbjerg, Esbjerg, Denmark |
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1998 |
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Expo ’98, Portuguese Pavilion, Lisbon, Portugal |
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1997 |
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Voglio vedere i miei montagne, Kunsthaus Aarau, Aarau, Switzerland |
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1997 |
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Die Schwerkraft der Berge, Kunsthalle Krems, Krems, Austria |
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1997 |
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Exhibition with Juan Muñoz, Galleria Continua, San Gimignano, Italy (solo) |
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1997 |
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Fundação Julia Mann, Parati, Brasil (solo) |
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1997 |
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Jiri Svestka Gallery, Prague, Czech Republic (solo) |
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1997 |
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Gefärbte Wasser und Horizonte, Institut für Moderne Kunst, Nurnberg, Germany (solo) |
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1997 |
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Exhibition with Christoph Gossweiler, Galerie Staffelbach, Lenzburg, Switzerland (solo) |
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1997 |
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Galerie Haldemann, Bern, Switzerland (solo) |
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1996 |
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Pedro Oliveira Gallery, Porto, Portugal (solo) |
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1996 |
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Galerie Pablo Stähli, Zurich, Switzerland (solo) |
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1996 |
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Galeria Assírio & Alvim, Lisbon, Portugal (solo) |
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1996 |
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Galerie Marianne Grob, Berlin, Germany (solo) |
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1996 |
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Galerie Medici, Solothurn, Switzerland (solo) |
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1996 |
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In Un Altra Terra, Galleria Continua, San Gimignano, Italy |
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1996 |
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Galerie Tanit, Munich, Germany |
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1996 |
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In Un Altra Terra, Galleria Continua, San Gimignano, Italy |
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1996 |
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Galerie Tanit, Munich, Germany |
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1995 |
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Ernste Spiele - Die Romantik in der Deutschen Kunst, 1790 - 1990, Haus der Kunst, Munich, Germany |
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1995 |
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Wasser und Wein, Kunsthalle Krems, Krems, Austria |
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1995 |
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Margarete Roeder Gallery, New York, New York, USA |
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1995 |
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A Difícil Travessia dos Alpes, Centro de Arte Moderna, Fundação Gulbenkian, Lisbon, Portugal (solo) |
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1995 |
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Der erste Farbsatz und die sieben Großformate, Kunsthalle Winterthur, Winterthur, Switzerland (solo) |
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1995 |
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Paint it Black, with Fernando Calhau, Museu de Arte Contemporânea, Funchal, Portugal (solo) |
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1995 |
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Drawings, Galeria Porta 33, Funchal, Portugal (solo) |
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1995 |
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Galerie Sander & Ebert, Darmstadt, Germany (solo) |
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1995 |
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Ganzfelder, Heilbronner Kunstverein, Heilbronn, Germany (solo) |
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1995 |
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Stirnwände, Kunstverein Freiburg, Freiburg, Germany (solo) |
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1995 |
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Aspects of Landscape, with Ian McKeever, Al Bustan, Beirut, Lebanon (solo) |
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1995 |
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Ernste Spiele - Die Romantik in der Deutschen Kunst, 1790 - 1990, Haus der Kunst, Munich, Germany |
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1995 |
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Wasser und Wein, Kunsthalle Krems, Krems, Austria |
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1995 |
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Margarete Roeder Gallery, New York, New York, USA |
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1994 |
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Fragmentos para um museu imaginário, Museu de Serralves, Porto, Portugal |
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1994 |
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Do sublime, Museu do Chiado, Lisbon, Portugal |
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1994 |
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Galerie Tanit, Munich, Germany (solo) |
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1994 |
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Galerie Pablo Stähli, Zurich, Switzerland (solo) |
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1994 |
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Galerie Gisele Linder, Basel, Switzerland (solo) |
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1994 |
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Galeria Pedro Oliveira, Porto, Portugal (solo) |
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1994 |
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Galerie Tanit, Cologne, Germany (solo) |
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1994 |
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Galeria Medici, Solothurn, Switzerland (solo) |
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1993 |
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Galerie Lüpke, Frankfurt, Germany (solo) |
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1993 |
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Kunstverein Klingentalgraben, Basel, Switzerland (solo) |
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1993 |
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Galeria Cómicos-Serpa, Lisbon, Portugal (solo) |
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1993 |
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In Nebel aufgelöste Wasser des Stromes, Alte Pinakothek, Munich, Germany |
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1993 |
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Biberstein, Mauboulès, Stern, RAM Gallery, Rotterdam, The Netherlands |
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1992 |
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Documenta IX, Kassel, Germany |
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1992 |
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Silence into Light, Watari-Um Museum of Contemporary Art, Tokyo, Japan |
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1992 |
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FLAD, Fundação Gulbenkian, Lisbon, Portugal |
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1992 |
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In Nebel aufgelöste Wasser des Stromes, Museum Morsbroich, Leverkusen, Germany |
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1992 |
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Geteilte Bilder - Das Diptychon in der Modernen Kunst, Folkwangmuseum, Essen, Germany |
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1992 |
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Galerie Montenay, Paris, France (solo) |
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1992 |
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Galerie Pablo Stähli, Zurich, Switzerland (solo) |
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1992 |
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On Sitting and Flying: An overview of Landscape, Kunstmuseum Solothurn, Solothurn, Switzerland (solo) |
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1992 |
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The Great Attractor and the Big Wide, Kunstverein Salzburg, Salzburg, Austria (solo) |
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1992 |
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Galerie Tanit, Munich, Germany (solo) |
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1991 |
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Galería Marga Paz, Madrid, Spain (solo) |
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1991 |
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On Vernet, Landscape, the Sublime & Beautiful, and what Relevance they might still have to Contemporary Art, Museu Nacional de Arte Antiga, Lisbon, Portugal (solo) |
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1991 |
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Galerie Lüpke, Frankfurt, Germany (solo) |
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1991 |
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Galeria Cómicos-Serpa, Lisbon, Portugal (solo) |
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1991 |
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Galerie Xavier Hufkens, Brussels, Belgium (solo) |
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1991 |
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Europalia: Triptico, Museum van Hedendaagse Kunst, Gent, Belgium |
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1990 |
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Arcangelo, Biberstein, McKeever, Galerie Barbaro, Paris, France |
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1990 |
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Works on Paper, Lang & O'Hara Gallery, New York, New York |
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1990 |
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Biberstein, Lanhas, Sanches, Galeria Alda Cortez, Lisbon, Portugal |
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1990 |
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Lang & O'Hara Gallery, New York, New York, USA (solo) |
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1990 |
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Galerie Tanit, Munich, Germany (solo) |
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1989 |
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The Apotheosis of the Human Spirit through the Seeing of Landscape, Kunstverein Rheinlande-Westfalen, Düsseldorf, Germany (solo) |
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1988 |
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Galerie Xavier Hufkens, Brussels, Belgium (solo) |
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1988 |
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Galeria Cómicos, Lisbon, Portugal (solo) |
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1988 |
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Signaturen, Museum van Hedendaagse Kunst, Gent, Belgium |
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1988 |
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Australian Biennale, Sydney and Melbourne, Australia |
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1988 |
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Artists books, Galerie Michelle Zeller, Bern, Switzerland; Galería Marga Paz, Madrid, Spain; Madrid Colección, Madrid, Spain; Museum van Hedendaagse Kunst, Gent, Belgium. |
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1987 |
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Galería Marga Paz, Madrid, Spain (solo) |
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1987 |
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Algumas Imagens de Sintra Moirisca (Photography), Palácio Nacional de Sintra, Sintra, Portugal (solo) |
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1987 |
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Offenes Ende - Junge Schweizer Kunst, Nurnberg, Germany |
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1987 |
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Jack Tilton Gallery, New York, New York, USA |
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1986 |
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Galeria Valentim de Carvalho, Lisbon, Portugal |
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1986 |
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Galerie Lydia Megert, Bern, Switzerland (solo) |
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1983 |
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Galerie Peter Noser, Zurich, Switzerland (solo) |
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1983 |
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Galerie Lydia Megert, Zurich, Switzerland (solo) |
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1983 |
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Das Prinzip Hoffnung, Kunstmuseum Bochum, Bochum, Germany |
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1982 |
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Biberstein, Lüthi, Mauboulès, Kunstverein Solothurn, Solothurn, Switzerland |
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1982 |
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Aspekte Junger Schweizer Kunst, Städtische Galerie Regensburg, Regensburg, Germany |
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1982 |
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Galerie Wittenbrink, Regensburg, Germany (solo) |
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1981 |
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Arta, Lisbon, Portugal (solo) |
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1981 |
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Centro de Artes Plásticas, Coimbra, Portugal (solo) |
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1981 |
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Galerie Tanit, Munich, Germany (solo) |
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1980 |
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Galerie Erika + Otto Friedrich, Bern, Switzerland (solo) |
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1980 |
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Biberstein, Renz, Stäuble, Art Gallery of Greater Victoria, Victoria, British Columbia, Canada |
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1980 |
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22 Artistas Suíços, Galeria Nacional de Arte Moderna, Lisbon, Portugal |
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1980 |
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Biberstein, Frenzel, Mauboulès, Galerie Buchmann, St. Gallen, Switzerland |
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1979 |
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Baak’scher Kunstraum, Cologne, Germany (solo) |
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1979 |
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Galeria Módulo, Porto & Lisbon, Portugal (solo) |
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1979 |
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Pozarek, Nyffenegger, Mattes, Ingold, Frenzel, Brand, Biberstein, Berger, Kunsthalle Bern, Bern, Switzerland |
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1979 |
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Europa '79, Hetzler, Müller, Galerie Schurr, Stuttgart, Germany |
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1979 |
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Biberstein, Frenzel, Mauboulès, Kunstmuseum Olten, Olten, Switzerland |
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1979 |
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Lis '79, Galeria Nacional de Arte Moderna, Lisbon, Portugal |
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1978 |
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Galerie Lydia Megert, Bern, Switzerland (solo) |
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1978 |
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Galerie Erika & Otto Friedrich, Bern, Switzerland (solo) |
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1976 |
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Aspekte aus neueren Solothurner Sammlungen, Kunstmuseum Solothurn, Solothurn, Switzerland |
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1974 |
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Galerie Medici, Solothurn, Switzerland (solo) |
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Literature |
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2003 |
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Arte dos Artistas ; Culturgest, Lisbon. Portugal |
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2003 |
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SCHIERZ, Kai Uwe, OPITZ, Silke, Unaussprechlich schön. Das mystische Paradoxon in der Kunst des 20. Jahrhunderts ; Kunsthalle Erfurt, Erfurt, Germany |
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2002 |
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NEDOMA, P., NEUMAIER, O., Towards Silence, Galerie Rudolfinum, Prague, Czech Republic |
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2002 |
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Towards Silence, Helmhaus Zurique, Switzerland |
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2001 |
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Mysli si Krajinu Do ticha / Galerie Rudolfinum, Prague, Czech Republic |
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2000 |
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LICHTIN, Christoph; SCHILD, Roswitha, Gegenwartskunst in Solothurn, Austellungen – Projekte – Protagonisten, Edition Fink, Zürich, Switzerland |
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2000 |
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Schöpfung, Diozösanmuseum Freising, Munich, Germany |
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2000 |
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Paisagens no Singular, Museu Malhoa,Caldas da Rainha ; Museu Grão Vasco , Viseu; Museu de Évora, Évora, Portugal |
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1998 |
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Die Spur des Sublimen, Kunsthalle Kiel, Germany, Kunstraum Innsbruck, Austria, Kunstmuseum Esbjerg,Denmark |
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1997 |
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Voglio vedere i miei montagne, Aargauer Kunsthaus, Aarau, Switzerland.Die Schwerkraft der Berge, Aargauer Kunsthaus, Aarau, Switzerland, Kunsthalle Krems, Austria |
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1996 |
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'Michael Biberstein' Galeria Marianne Grob, Berlim |
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1996 |
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'Ganzfelder und Stirnwände' Kunstvereine Heilbronn und Freiburg i.B. |
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1996 |
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'In un Altra Terra' Galeria Continua, San Giminiano |
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1996 |
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Biberstein, Frenzel, Mauboulès, Kunstverein Olten, Olten, Switzerland |
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1995 |
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Paint it Black (mit Fernando Calhau), Museu de Arte Contemporanea, Funchal, Portugal |
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1995 |
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Wasser und Wein, Kunsthalle Krems, Austria |
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1995 |
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Offene Natur, in NOËMA-art journal n.39 Interview with Celia Montolió |
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1995 |
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'A Difícil Travessia dos Alpes' Centro de Arte Moderna, Fundação Gulbenkian, Lisboa |
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1995 |
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'Incidentes' Casa da Parra, Santiago de Compostela |
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1995 |
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'Der erste Farbsatz und die sieben Grossformate' Kunsthalle Winterthur |
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1995 |
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'Ernste Spiele - die Romantik in der Deutschen Kunst 1790-1990' Haus der Kunst, Munique |
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1994 |
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Pernes, Fernando 'fragmentos para um museu imaginário' Fundação Serralves, Porto, Portugal |
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1994 |
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I.Carlos 'Do sublime' Museu do Chiado, Lisboa |
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1994 |
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C. Montolío 'El paisaje como forma de expresión permanente' in Lapiz, Madrid (Nr.107,Dec.) |
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1994 |
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Biberstein 'Über Vernet, Landschaft und Utopie' C.Montolío, Landschafte des Möglichen; Biberstein, O.Neumaier, A.Pühringer, Das Grosse Anziehende und die Unendliche Weite (discussion), all in Medusa , Noëma Press, Salzburg (Nr.1,Winter 94/95) |
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1994 |
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CARLOS, Isabel, Do sublime, Museu do Chiado, Lisbon, Portugal |
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1994 |
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PINTO DE ALMEIDA, Bernardo, Pintura Portuguesa no século XX, Lello & Irmão, Porto, Portugal |
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1993 |
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CASTRO-CALDAS, M. ; GUSMÃO A., et al., Silence into Light, Watari-Um, Tokyo, Japan |
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1993 |
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REUST, H. R., Michael Biberstein, in Artforum, New York (May) |
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1993 |
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DURAND, R., Michael Biberstein, Art Press, Paris (Nr.176, January) |
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1993 |
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in Nebel aufgelöste Wasser des Stromes, Alte Pinakothek, Munique, Germany |
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1993 |
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CALHAU, Fernando; SARDO, Delfim; VEIGA, Margarida; Cerco / Bienal Internacional de Óbidos, Portugal |
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1992 |
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HOET, J., et al., Documenta IX, Kassel, Kassel, Germany |
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1992 |
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Documenta IX view by Christian VOGT, Basler Magazin der Basler Zeitung (19.9) |
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1992 |
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KAMBER, A., MOGIL, L., BIBERSTEIN,M.; The Great Attractor and the Big Wide, Kunstverein Salzburg, Austria and Kunstmuseum Solothurn, Switzerland |
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1992 |
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SARDO, D., Blinder, O Romantismo de Michael Biberstein, in Artes & Leilões, Lisbon, Portugal (Nr. 16) |
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1992 |
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MELO, A., There is a Minute of a Fleeting World, Casa Serralves, Porto, Portugal |
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1992 |
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Finkh, Geteilte Bilder - das Diptychon in der Modernen Kunst, Folkwangmuseum, Essen, Germany |
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1992 |
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CASTRO CALDAS, M., FLAD, Fundação Gulbenkian, Lisbon, Portugal |
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1992 |
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Vom Sitzen und vom Fliegen - eine Landschaftsübersicht, Kunstmuseum Solothurn, Switzerland |
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1992 |
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Das Grosse Anziehende und die Unendliche Weite, Kunstverein Salzburg, Austria |
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1992 |
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Silence into Light, Watari-Um Museum of Contemporary Art, Tokyo, Japan |
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1992 |
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in Nebel aufgelöste Wasser des Stromes, Museum Moisbach, Leverkusen, Germany |
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1991 |
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PORFÍRIO, José Luís; BIBERSTEIN, M., On Vernet, Landscape, the Sublime, the Beautiful and what relevance they might still have to Contemporary Art, Museu Nacional de Arte Antiga, Lisbon, Portugal |
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1991 |
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SVESTKA, J., MELO, A., CASTRO CALDAS, M. , HOET, J. et al., Triptico, Museum van Hedendaagse Kunst, Gent, Belgium |
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1991 |
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GUALDONI, Arcangelo, Biberstein, Näher, Editione Mazzochi, Parma, Italy |
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1991 |
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T. Kneubühler, B. Wismer, M. Biberstein, et al., In Nebel aufgelöste Wasser des Stromes, Hommage à Caspar Wolf, Aargauer Kunsthaus, Aarau, Switzerland |
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1991 |
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CAUQUELIN A., Le paysage tracé de la mémoire, Edition Barbaro, Paris, France |
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1990 |
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NEUFERT A., Munich, in Contemporanea, Torino + New York (September) |
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1990 |
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AVGIKOS J., Michael Biberstein, in Artforum, New York, USA (December) |
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1989 |
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STAHEL, U., Aber man darf Malen, in Kunst-Bulletin, Zürich, Switzerland (January) |
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1989 |
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GUSMÃO, A.; PINHARANDA, J.; STAHEL U. ; SVESTKA, J., Michael Biberstein / On the Apotheosis of the Human Spirit through the Seeing of Landscape, Kunstverein der Rheinlande und Westfalen, Düsseldorf, Germany |
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1989 |
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MELO, A., Michael Biberstein, in Artforum, New York, USA (June) |
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1989 |
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CERVEIRA PINTO, A., Michael Biberstein: Between Abstraction and Meaning, em Balcon 3, Madrid, Spain |
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1989 |
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COMI, E., GUSMÃO, A., RATATAZZI, C., Michael Biberstein, em Spazio Humano, (January), Milan, Italy |
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1989 |
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Arcangelo, Biberstein, McKeever, Galerie Barbaro, Paris, France |
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1989 |
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Biberstein, Lanhas, Sanches, Galeria Alda Cortez, Lisbon , Portugal |
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1988 |
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HOET, J.; VAN DAMME, C., Signaturen, Museum van Hedendaagse Kunst, Gent, Belgium. M. Biberstein, N. Waterlow, et al., The Biennale of Sydney and The Australian Broadcasting Company, Sydney, Australia |
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1987 |
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STAHEL, U., Offenes Ende - Junge Schweizer Kunst, Institut für Moderne Kunst, Nürnberg, Germany |
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1987 |
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M. Biberstein, Prospect- / Refuge - Images, Duero Productions, Madrid, Spain |
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1983 |
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CAPC, 54 exposições, Círculo de Artes Plásticas, Coimbra, Portugal |
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1983 |
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SPIELMANN, P; SVETSKA, J., Das Prinzip Hoffnung, Kunstmuseum Bochum, Bochum, Germany |
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1982 |
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KILLER, P. , Biberstein, Lüthi, Mauboulès, Kunstmuseum Solothurn, Solothurn, Switzerland |
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1981 |
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AMMANN, J.C.; LOERS, V. Aspekte junger schweizer Kunst, Städtische Galeria, Regensburg Fri Art, Fribourg, Germany |
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1981 |
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FUCHS, R. et al. Lis '81., Galeria Nacional de Arte Moderna, Lisbon, Portugal |
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1981 |
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Centro de Artes Plásticas, Coimbra, Portugal |
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1980 |
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W. Holms, Biberstein, Renz, Stäuble, Art Gallery of Greater Victoria, British Columbia, Canada |
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1980 |
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22 Artistas Suiços, Galeria Nacional de Arte Moderna, Lisbon, Portugal |
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1979 |
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A. Baak; M.Biberstein, et al. Künstlerische Raumprogramme, Baak'scher Kunstraum, Cologne, Germany |
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1979 |
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J. Gachnang, M. Biberstein, et al., Pozarek, Nyffenegger, Mattes, Ingold, Frenzel, Brand, J. Gachnang, Biberstein, Frenzel, Mauboulès, Kunstmuseum Olten, Switzerland. Lis '79, Galeria Nacional de Arte Moderna, Lisbon, Portugal |
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1979 |
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Europa '79. Kunstforum International, Nr.35, Cologne, Germany |
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1979 |
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Europa '79, Galerien Hetzler, Müller, Schurr, Stuttgart, Germany |
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1978 |
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Michael Biberstein, Galeria Erika + Otto Friedrich, Bern, Switzerland |
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1978 |
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Biberstein, Gossweiler, Immoos, Mattes, Stäuble, Zäch, Galeria Lydia Megert, Bern, Switzerland |
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1976 |
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Aspekte aus Neueren Solothurner Sammlungen, Kunstmuseum Solothurn, Solothurn, Switzerland |
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