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Eleonore Austerer Fine Art Home Artists Inventory Gallery Info

Roberto Lauro    (Swiss, 1932)

 Roberto Lauro - Butterfly (Sculptures) h: 21 x w: 23 x d: 12 in / h: 53.3 x w: 58.4 x d: 30.5 cm
Roberto Lauro
Butterfly 2002
 
 Roberto Lauro - In Motion (Sculptures)
Roberto Lauro
In Motion 1998
 
 Roberto Lauro - Parting of the Soul (Sculptures) h: 20 x w: 21 x d: 5 in / h: 50.8 x w: 53.3 x d: 12.7 cm
Roberto Lauro
Parting of the Soul 1990
 
 Roberto Lauro - The Mirror (Sculptures) h: 33 x w: 23 x d: 11 in / h: 83.8 x w: 58.4 x d: 27.9 cm
Roberto Lauro
The Mirror 2002
 
  

Biography
1932 Born Isle of Jersey, UK
1940 Moved to Switzerland with his family
1948 Studied in Amsterdam, Bern, and Zurich
1958 Began working independently as a painter and industrial graphic designer
1989 Launches a new technique combining glass and steel in a unique style
1992 Publishes a catalogue raisonne, Eine Retrospektive, covering a 45 year career
1993 Creates A Retrospective, a unique sculpture in a table top form that contains his catalogue raisonne and an original lithograph
1993 - 1995 Begins work on a number of large scale public outdoor commissions, including Light Columns for a Bank building, and a commission of a sculpture-fountain in Oetwil am See.
2001 Creates a wall sculpture entitled "Color Poems of the Yearly Cycle. A linen bound book enclosed in a unique plexi display with a one - of a - kind metal and glass sculpture,containing 12 linocuts each printed in colors and signed.
Roberto Lauro's sculpural work work is spontaneous and loaded with energy. The furrows, rifts, cracks and scars in the metal allow light to enter; it is then reflected back by the glass (which he likes to refer to as Athe soul@). His work is a clear statement of our times, uniting the intellect and the heart in search of the spiritual. Like the interplay of light and shadow, his sculpture combines fragile, transparent glass with solid, heavy iron. These colorful and luminous sculptures convey a powerful presence and emit vibrant positive energy.

While playing with a torn napkin many years ago, the artist suddenly realized that three-dimensional space was created with light. After experimenting with sheet metal and an axe to mimic the torn napkin, the result was his first three-dimensional picture. He then proceeded to learn to work with metal by utilizing the exposed Ascar-like@ welded seam as a compositional element. In his search to add Alife@ or Asoul@ to his creations, Lauro became concerned with the structural behavior of metal and glass. Well aware of the crucial importance of light, he knew the addition of glass would bring more light into his sculptures. This technique was not without challenges and had never been previously mastered.

With their jagged exteriors and translucent cores, the spectacular sculptures created by the synergy of metal and glass are powerful - yet fragile. Lauro has created and mastered his own idiom and proven that through the artist sheer will and vision, seemingly incompatible materials such as iron and glass can indeed be combined.

1988 - present Exclusive U.S. Representation: Eleonore Austerer Gallery, San Francisco, CA

Exhibitions
2004 Eleonore Austerer Gallery, Palm Desert
2004 ART IN THE FRAME FOUNDATION: The Harbour Gallery, Isle of Jersey
2003 Galerie fur Gegenwartskunst,, Bonstetten, Switzerland
2003 Galerie Annamarie Anderson, Zurich, Switzerland 2003
2002 “Color and Light,” Austerer-Crider Gallery, Palm Springs, CA, USA
2002 “Color and Light: the art of Roberto Lauro,” Eleonore Austerer Gallery, San Francisco, CA, USA
2002 “Flower Power,” with Ed Baynard, Roberto Azank, Siegward Sprotte, and Daniel Phil, Austerer-Crider Gallery, Palm Springs, CA, USA
2001 Austerer-Crider Gallery, Palm Springs, CA, USA
1998 Skulpturen und Bilder, Galerie am Opernring Vienna, Austria
1997 Work of 18 Swiss Artists, Pentimenti Gallery Philadelphia, PA
1997 Kunst zu Gast, Lehnkering AG Frankfurt, Germany
1996,98 Eleonore Austerer Gallery San Francisco, CA
1996 Tan Gallery Zurich, Switzerland
1995 Cultural Forum Urdorf, Switzerland
1995 Schloss Haiding (Castle) Austria
1994 Galerie fur Gegenwartskunst Bonstetten, Germany
1992 Villa Sassa, Galleria Poltera Lugano/Switzerland
1992 Tan Gallery Zurich, Switzerland
1991 Ann Jacob Gallery Atlanta, GA
1990,93 Eleonore Austerer Gallery San Francisco, CA
FYI the Ciba-Geigy Corporate Collection Basel, Switzerland
1986 Semaine Suisse, Rouen, France
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