 |
Biography |
|
 |
1891 |
 |
Born Helmut Herzfelde in Berlin |
|
 |
1905 - 1906 |
 |
Served an apprenticeship as a bookseller in Wiesbaden |
|
 |
1908 - 1911 |
 |
Studied at the Kunstgewerbeschule in Munich |
|
 |
1914 |
 |
Studied at the Kunst- und Handwerkerschule |
|
 |
1915 - 1916 |
 |
Inducted for active service into the German armed forces |
|
 |
1916 |
 |
Protested the anti-British feeling in Germany by changing his name to John Heartfield, using this pseudonym for the rest of his career |
|
 |
1916 |
 |
John Heartfield and his brother founded the Malik Verlag publishing house in Berlin |
|
 |
1917 |
 |
Became a follower of the Dada movement in Berlin and that same year he joined the German Communist Party (KPD) |
|
 |
1920 |
 |
Designed his first stage sets for Erwin Piscator and Max Reinhardt |
|
 |
1929 |
 |
Contributed photomontages to Kurt Tucholsky's "Deutschland, Deutschland über alles" |
|
 |
1924 - 1933 |
 |
Designed illustrations for the "Arbeiter Illustrierte Zeitung", the Communist Party mouthpiece |
|
 |
1933 |
 |
Went into exile in Prague |
|
 |
1938 |
 |
Reached London, where among other things he designed book covers for Penguin Books |
|
 |
1950 |
 |
Returned to Germany and designed stage sets, working for Bertold Brecht and other directors |
|
 |
1968 |
 |
Died in Berlin |
|
 |
Exhibitions |
|
 |
2009 |
 |
John Heartfield - Zeitausschnitte - Berlinische Galerie, Berlin |
|
 |
2009 |
 |
Darwin - Schirn Kunsthalle, Frankfurt/Main |
|
 |
2008 |
 |
John Heartfield vs. Nazi Germany - Akron Art Museum, Akron, OH (solo) |
|
 |
2008 |
 |
We Have Never Met Before [...] - Standard (Oslo), Oslo |
|
 |
2008 |
 |
Cut & Pastec - European Photomontage 1920-1945 - Estorick Collection of Modern Italian Art, London (England) |
|
 |
2008 |
 |
Hitler blind und Stalin lahm. Marinus und Heartfield - Politische Fotomontagen der 1930er Jahre - Museum Ludwig, Cologne |
|
 |
2008 |
 |
Anna Kournikova Deleted By Memeright Trusted System. Kunst im Zeitalter des Geistigen Eigentums - HMKV - Hartware MedienKunstVerein, Dortmund |
|
 |
2008 |
 |
Foto: Modernity in Central europe 1918-1945 - Dean Gallery, Edinburgh (Scotland) |
|
 |
2008 |
 |
Peripheral vision and collective body - MUSEION - Museum für moderne und zeitgenössische Kunst , Bolzano |
|
 |
2008 |
 |
Foto: Modernity In Central Europe, 1918–1945 - Milwaukee Art Museum, Milwaukee, WI |
|
 |
2008 |
 |
Paul McCarthy´s Low Life Slow Life: Part 1 - CCA Wattis Institute for Contemporary Arts, San Francisco, CA |
|
 |
2007 |
 |
Apocalypse Now: The Theater of War - CCA Wattis Institute for Contemporary Arts, San Francisco, CA |
|
 |
2007 |
 |
Raum - Orte der Kunst - AdK - AKADEMIE DER KÜNSTE, Berlin |
|
 |
2006 |
 |
John Heartfield - Photomontages Politiques 1930-1938 - Musée d'Art Moderne et Contemporain (MAMCS), Strasbourg (solo) |
|
 |
2006 |
 |
Agitated images. John Heartfield and German photomontage - The J. Paul Getty Museum, Los Angeles, CA (solo) |
|
 |
2005 |
 |
War is over - 1945 - 2005 la libertá dell'arte da Picasso a Warhol a Cattelan - GAMeC - Galleria d´Arte Moderna e Contemporanea di Bergamo, Bergamo |
|
 |
2005 |
 |
Mimesis. Realismos Modernos 1918-1945 - Museo Thyssen-Bornemisza, Madrid |
|
 |
2005 |
 |
Avant Garde Graphics - 1918-34 - Kettle's Yard, Cambridge, Cambridgeshire (England) |
|
 |
2005 |
 |
Making Things Public - Atmosphären der Demokratie - ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe |
|
 |
2005 |
 |
Just do it! - Die Subversion der Zeichen von Marcel Duchamp bis Prada Meinhof - Lentos Kunstmuseum Linz, Linz |
|
 |
2004 |
 |
Variaciones en España - Fotografía y Arte 1900 - 1980 - Centro Atlántico de Arte Moderno (CAAM), Las Palmas de Gran Canaria |
|
 |
2004 |
 |
Pieced Together: Photomontage from the Collection - The Art Institute of Chicago, Chicago, IL |
|
 |
2003 |
 |
Geografie del mistero. Metafisica, dada, surrealismo - Il Narciso Galleria d´arte contemporanea, Rome |
|
 |
2003 |
 |
Grotesk! - 130 Jahre Kunst der Frechheit - HDK - Haus der Kunst - München, Munich |
|
 |
2001 |
 |
VOX 2001 - Kent Gallery, New York City, NY |
|
 |
1999 |
 |
Graphic Design in the Mechanical Age: Selections from the Merrill C. Berman Coll - Cooper-Hewitt, National Design Museum, New York City, NY |
|
 |
1999 |
 |
Zeit/Los - Zur Kunstgeschichte der Zeit - Kunsthalle Krems, Krems |
|
 |
1998 |
 |
Signaturen des Sichtbaren - Kunsthalle Erfurt, Erfurt |
|
 |
1993 |
 |
John Heartfield: Photomontages - MoMA - Museum of Modern Art, New York City, NY (solo) |
|
 |
1991 |
 |
John Heartfield - Kent Gallery, New York City, NY (solo) |
|
 |
1978 |
 |
Grosz, Heartfield, Höch, Uhlmann - Quadrat Bottrop - Josef Albers Museum, Bottrop |
|
 |
|
 |
Public Collections Queensland Art Gallery / Gallery of Modern Art, Brisbane, QLD, Australia National Gallery of Canada - Musée des beaux-arts du Canada, Ottawa, ON, Canada Musée d'Art Moderne et Contemporain (MAMCS), Strasbourg, France Museum für Gestaltung Zürich, Zurich, Switzerland The Art Institute of Chicago, Chicago, IL, USA MFAH - Museum of Fine Arts Houston, Houston, TX, USA The Museum of Photographic Arts, San Diego, CA, USA |
|
|