 |
 |
Christian Marclay (American, 1955)
|
 |
Christian Marclay Echo 1993
|
|
 |
Christian Marclay New York 1999
|
|
 |
Christian Marclay Smoking (from the series "Imaginary Records") 1989
|
|
 |
Biography |
|
 |
1955 |
 |
Born: San Rafael, California |
|
 |
1975 - 1977 |
 |
Geneva, Switzerland, Ecole Supérieure d'Art Visuel. |
|
 |
1978 |
 |
Cooper Union in New York exchange student program. |
|
 |
1977 - 1980 |
 |
Boston Massachusetts College of Art, Bachelor of Fine Arts. |
|
 |
2003 |
 |
Award: Foundation for the Graphic Arts in Switzerland |
|
 |
2008 |
 |
Award: The Kitchen Spring Gala Benefit, Honoring Christian Marclay, New York, NY (5/21/08) |
|
 |
|
 |
Lives and works in New York City |
|
 |
Exhibitions |
|
 |
2008 |
 |
“Voice & Void: 2006 Hall Curatorial Fellowship Exhibition,” curated by Thomas Trummer, The Aldrich Contemporary Art Museum, Ridgefield, CT (9/16/07-2/24/08); Traveling to Galerie im Taxispalais, Innsbruck, Austria (4/19-6/8/08) |
|
 |
2008 |
 |
“Sonic Youth etc..: Sensational Fix,” curated by Roland Groenenboom, LIFE, St. Nazaire, France (6/15-9/7/08); traveling to MUSEION, Bolzano, Italy (10/10/08-1/4/09); and to Kunsthalle Düsseldorf, Germany (1/31/09-4/26/09) |
|
 |
2008 |
 |
“Attention to Detail,” curated by Chuck Close, The Flag Art Foundation, New York, NY |
|
 |
2008 |
 |
“Attention to Detail,” curated by Chuck Close, The Flag Art Foundation, New York, NY |
|
 |
2008 |
 |
“Sympathy for the Devil: Art and Rock and Roll Since 1967,” Museum of Contemporary Art, North Miami, Miami, Florida (5/29-9/7/08) |
|
 |
2008 |
 |
“You Complete Me,” Western Bridge, Seattle, WA (4/24-8/2/08) |
|
 |
2008 |
 |
“Vinyl: Vinyl Records and Covers by Artists,” Museu Serralves, Porto, Portugal (5/9-7/13/08) |
|
 |
2008 |
 |
YOU SAID HE SAID SHE SAID, Seiler + Mosseri-Marlio Galerie, Zurich, (08/29 – 04/10/2008) |
|
 |
2008 |
 |
“Sonic Youth etc..: Sensational Fix,” curated by Roland Groenenboom, LIFE, St. Nazaire, France |
|
 |
2008 |
 |
“You Dig The Tunnel, I’ll Hide The Soil”, White Cube, Hoxton Square and Shoreditch Town |
|
 |
2008 |
 |
“Art Vidéo Suisse des Années 70 et 80: Une Reconstruction,” Kunstmuseum Luzern, Luzern, Switzerland |
|
 |
2008 |
 |
“KRAZY! The Delirious World of Anime + Comics + Video Games + Art, Vancouver Art Gallery, Vancouver, Canada |
|
 |
2008 |
 |
“Rolywholyover Cycle, The Fifth Episode”, Musée d’Art Moderne et Contemporain, Geneva, Switzerland (solo) |
|
 |
2008 |
 |
“Christian Marclay”, Galerie Art and Essai, Rennes, France (solo) |
|
 |
2008 |
 |
“Christain Marclay: Stereo”, Fraenkel Gallery, San Francisco (solo) |
|
 |
2007 |
 |
“Screenplay”,The Wire 25, London (solo) |
|
 |
2007 |
 |
“Christian Marclay”, Michael Benevento, Los Angeles, CA (solo) |
|
 |
2007 |
 |
“Christian Marclay, The Sounds of Christmas”, Musée d’Art Moderne et Contemporain, Geneva, Switzerland (solo) |
|
 |
2007 |
 |
“Up and Out”, ARTPROJX and White Cube, Prince Charles Cinema, London (solo) |
|
 |
2007 |
 |
“Up and Out”, Anthology Film Archives, New York (solo) |
|
 |
2007 |
 |
“Christian Marclay”, Woodruff Art Center and The High Museum of Art, Atlanta, GA (solo) |
|
 |
2007 |
 |
“Video Quartet”, Western Bridge, Seattle, WA (solo) |
|
 |
2007 |
 |
“Replay’’, Cité de la Musique, Paris, France (solo) |
|
 |
2007 |
 |
“’Crossfire’’, White Cube, Hoxton Square, London (solo) |
|
 |
2007 |
 |
“Death Becomes Her”, Yvon Lambert Temporary Space, Miami, United States |
|
 |
2007 |
 |
“Exhibitionism: An Exhibition of Exhibitions of Works from the Marieluise Hessel Collection”, Hessel Museum of Art, New York, United States |
|
 |
2007 |
 |
“Stop, Look. Listen.”, Herbert F. Johnson Museum of Art, Cornell University, New York, United States |
|
 |
2007 |
 |
“Intensities: Noncomformity, Impropriety and Rebellion Between Art and the Music Scene”, Torre Muntades Art Centre, Barcelona, Spain |
|
 |
2007 |
 |
“J’embrasse Pas”, Collection Lambert, Avignon, France |
|
 |
2007 |
 |
“Contemporary+Cutting Edge: Pleasures of Collecting, Part III”, Bruce Museum, Greenwich, United States |
|
 |
2007 |
 |
“Voice & Void: 2006 Hall Curatorial Fellowship Exhibition”, The Aldrich Contemporary Art Museum, Ridgefield, United States |
|
 |
2007 |
 |
“Sympathy for the Devil: Art and Rock and Roll Since 1967”, Museum of Contemporary Art, Chicago, United States |
|
 |
2007 |
 |
“Reflection”, Pinchuk Art Centre, Kyiv, Ukraine |
|
 |
2007 |
 |
“Listening Awry – Kimsooja, Christian Marclay, Santiago Sierra, Su-Mei Tse”, McMaster University Museum of Art, Ontario, United States |
|
 |
2007 |
 |
“The Freak Show,” Musée d’Art Contemporain de Lyon, Lyon, France |
|
 |
2007 |
 |
“RISS/LUCKE/SCHARNIER A – RIFT/GAP/HINGE A," Galerie Nächst St. Stephan/Rosemarie Schwarzwälder, Vienna, Austria |
|
 |
2007 |
 |
"Music Is a Better Noise," PS1 Contemporary Art Center, New York, United States |
|
 |
2007 |
 |
“All About Laughter,” Mori Art Museum, Tokyo, Japan |
|
 |
2007 |
 |
"Merce Cunningham: Dancing on the Cutting Edge", Museum of Contemporary Art, North Miami |
|
 |
2006 |
 |
“The Bell and the Glass,” Moderna Museet, Stockholm, Sweden (solo) |
|
 |
2006 |
 |
“Christian Marclay”, Paula Cooper Gallery, New York (solo) |
|
 |
2006 |
 |
“Hypervision,” curated by Denise Markonish, Westport Art Center, Westport (solo) |
|
 |
2006 |
 |
“Mixed Reviews,” MIT List Visual Art Center, Cambridge, MA (solo) |
|
 |
2006 |
 |
“Art, Life & Confusion,” organized by René Block, October Art Salon, Belgrade, Republic of Serbia |
|
 |
2006 |
 |
“Without a Camera: The Photogram,” curated by Toni Stooss, Museum der Moderne, Salzburg, Austria |
|
 |
2006 |
 |
"New York, New York," curated by Lisa Dennison, Germano Celant and Melissa Harris, Grimaldi Forum, Monaco |
|
 |
2006 |
 |
“Thank You for the Music (London Beat),” Sprüth Magers, Munich, Germany; Sprüth Magers Lee, London, England |
|
 |
2006 |
 |
“Case Studies: Art in a Valise,” curated by Suzanne Ramljak, Katonah Museum of Art, Katonah, New York |
|
 |
2006 |
 |
“Upsetting the Balance,” Zentrum Paul Klee, Bern, Switzerland |
|
 |
2006 |
 |
“From the Audible to the Visible,” Galerie Frank Elbaz, Paris, France |
|
 |
2006 |
 |
“Une Vision du Monde,” the video collection of Isabelle and Jean-Conrad Lemaître at La Maison Rouge, Paris, France |
|
 |
2006 |
 |
“AUDIO,” curated by Francis Baudevin, Geneva, Switzerland |
|
 |
2006 |
 |
“Hypervision,” curated by Denise Markonish, Westport Arts Center, Westport, CN |
|
 |
2006 |
 |
“Do You Think I’m Disco,” Longwood Arts Project, Bronx, NY |
|
 |
2006 |
 |
“Deaf,” Galerie Frank Elbaz, Paris, France |
|
 |
2006 |
 |
“Kill Your Timid Notion,” Dundee Contemporary Arts Music Festival, Scotland, UK |
|
 |
2006 |
 |
“CUT/ Film as Found Object in Contemporary Video,” Philbrook Museum of Art, Tulsa, OK |
|
 |
2006 |
 |
“The Downtown Show: The New York Art Scene 1974-1984,” Grey Art Gallery, New York |
|
 |
2006 |
 |
“Do You Think I’m Disco?” Longwood Art Gallery, Bronx, NY |
|
 |
2005 |
 |
“Shake, Rattle and Roll (Fluxmix),” Paula Cooper Gallery, New York, NY (solo) |
|
 |
2005 |
 |
“Christian Marclay,” Galerie Yvon Lambert, Paris, France (solo) |
|
 |
2005 |
 |
“Video Score,” Eyebeam, New York, NY (solo) |
|
 |
2005 |
 |
“Works on Paper – 2005,” Schmidt Contemporary Art, St. Louis, MO (solo) |
|
 |
2005 |
 |
“Thank You for the Music,” curated by Johannes Fricke Waldthausen, Spruth Magers Projekte |
|
 |
2005 |
 |
“Radio Kills The Video Stars/ Side A,” FRAC Champagne-Ardenne, Reims, France |
|
 |
2005 |
 |
“Empreinte Moi: Une Exposition de Philippe Segalot,” Galerie Emmanuel Perrotin, Paris, France |
|
 |
2005 |
 |
“Suspended Narratives,” Curated by Maureen Mahoney, Lora Reynolds Gallery, Austin, TX |
|
 |
2005 |
 |
“New Acquisition,” FRAC Champagne-Ardenne, Reims, France |
|
 |
2005 |
 |
“AudioFiles,” Contemporary Art Museum: Institute for Research in Art, University of South Florida, Tampa, FL |
|
 |
2005 |
 |
“Collection Lambert en Avignon,” Musée d’Art Contemporain, Avignon, France |
|
 |
2005 |
 |
“Girls on Film,” curated by Kristine Bell, Zwirner & Wirth, New York, NY |
|
 |
2005 |
 |
“Vídeo música,” Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain |
|
 |
2005 |
 |
“CUT/Film as Found Object,” Milwaukee Art Museum, Milwaukee, WI |
|
 |
2005 |
 |
“Le génie du lieu [The Genius of the Place],” F.R.A.C. Bourgogne, France |
|
 |
2005 |
 |
“Variations on a Silence: Project for a Recycling Plant,” Re-Tem Tokyo Plant, Tokyo, Japan |
|
 |
2005 |
 |
“Aural Cultures,” Walter Phillips Gallery, Banff, Alberta |
|
 |
2005 |
 |
“Material Matters,” Herbert F. Johnson Museum of Art at Cornell University, Ithaca, NY |
|
 |
2004 |
 |
“Shake, Rattle and Roll: Christian Marclay,” Franklin Art Works in collaboration with the Walker Art Center, Minneapolis, MN (solo) |
|
 |
2004 |
 |
“The Listening Eyes with Christian Marclay,” Telecom Italia Future Centre, Venice, Italy (solo) |
|
 |
2004 |
 |
“Christian Marclay,” Seattle Art Museum; Kunstmuseum Thun, Switzerland; Collection Lambert, Avignon (solo) |
|
 |
2004 |
 |
“The Sounds of Christmas” Tate Modern, London, England (solo) |
|
 |
2004 |
 |
“None of the above,” curated by Cesar Marzetti, Museum of New Art, Detroit, MI |
|
 |
2004 |
 |
“Realm of the Senses,” James Cohan Gallery, New York, NY |
|
 |
2004 |
 |
“None of the above,” curated by John Armleder, Swiss Institute, New York, NY |
|
 |
2004 |
 |
“Cut: Film as Found Object,” Museum of Contemporary Art, North Miami, FL. Travelled to Milwaukee Art Museum, Milwaukee, WI, Philbrook Museum of Art, Tulsa |
|
 |
2004 |
 |
Thinking Out Loud,” presented as a part of Melbourne International Arts Festival, Heide Museum of Modern Art, Victoria, Australia |
|
 |
2004 |
 |
“Audioframes 3,” Centre d’arts Limelight, Kortrijk, Belgium |
|
 |
2004 |
 |
“In Extremis; Printemps de septembre in Toulouse Festival of contemporary images,” Les Abattoirs, Toulouse, France |
|
 |
2004 |
 |
“Festival d’Automne à Paris 2004,” Espace Topographie de l’Art, Paris, France |
|
 |
2004 |
 |
“Sons & Lumiéres,” Centre Georges Pompidou, Paris, France |
|
 |
2004 |
 |
“Reactivity -unpredictable past,” ICC/InterCommunication Center, Tokyo, Japan |
|
 |
2004 |
 |
“The Fifth International Biennial Exhibition, Disparities and Deformations: Our Grotesque,” curated by Robert Storr, SITE Santa Fe, New Mexico |
|
 |
2004 |
 |
“Transmit+Transform,” Santa Fe Art Institute, New Mexico |
|
 |
2004 |
 |
“Genesis Sculpture, Experience Pommery #1” Domaine Pommery, Reims, France |
|
 |
2004 |
 |
“Collage,” Bloomberg Space, London, England |
|
 |
2004 |
 |
“ipeg_bild.on.maschine,” Künstlerhaus Bethanien, Berlin, Germany |
|
 |
2004 |
 |
“I, Assassin,” curated by Slater Bradely, Wallspace, New York |
|
 |
2004 |
 |
“Playlist,” Palais de Tokyo, Paris, France |
|
 |
2004 |
 |
“Ouroboros: Music of the Spheres” CCA Glasgow, Scotland |
|
 |
2004 |
 |
“Sample This: The Art of Collage,” University of Virginia Art Museum, Charlottesville, VA |
|
 |
2003 |
 |
“Christian Marclay: Telephones,” Sprengel Museum Hannover (solo) |
|
 |
2003 |
 |
“Christian Marclay,” UCLA Hammer Museum, Los Angeles; Travelling to The Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, NY; The Seattle Art Museum, WA; Kunstmuseum Thun, Switzerland; Collection Lambert, Avignon; Barbican Art Gallery, London, UK (solo) |
|
 |
2003 |
 |
“Christian Marclay: The Bell and the Glass,” Philadelphia Museum of Art, Philadelphia (solo) |
|
 |
2003 |
 |
“Christian Marclay: Video Quartet,” Kunsthalle Fridericianum, Kassel, Germany (solo) |
|
 |
2003 |
 |
“Christian Marclay: Video Quartet,” White Cube, London, England (solo) |
|
 |
2003 |
 |
“Pop Rock!,” Caren Golden Fine Art, New York |
|
 |
2003 |
 |
“fast forward. Media Art Sammlung Goetz,” Zentrym für Kunst und Medientechnologie, Karlsruhe, Germany |
|
 |
2003 |
 |
Night Moves,” San Jose Institute of Contemporary Art, San Jose, CA |
|
 |
2003 |
 |
“PLUNDER: culture as material,” Dundee Contemporary Arts, Dundee, Scotland |
|
 |
2003 |
 |
“Go Johnny Go!,” Kunsthalle Wien, Vienna, Austria |
|
 |
2003 |
 |
“The Sound of Video – Voice and Rhythm in Audiovisual Art,” LAB, Copenhagen |
|
 |
2003 |
 |
“Incommunicado” (organized by Hayward Gallery, London for Arts Council England), Sainsbury Centre for Visual Arts, Norwich. Travelled to City Art Centre, Edinburgh; Cornerhouse, Manchester |
|
 |
2003 |
 |
“Living with Duchamp,” The Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY |
|
 |
2003 |
 |
“Now Playing,” Bluecoat Gallery, Liverpool, UK |
|
 |
2003 |
 |
“Not Exactly Photographs,” Fraenkel Gallery, San Francisco |
|
 |
2003 |
 |
“Formed to Function,” John Michael Kohler Arts Center, WI |
|
 |
2003 |
 |
“Extended Play,” Govett-Brewster Art Gallery, New Zealand |
|
 |
2003 |
 |
“Pantalla suiza,” Museo Nacional Centro de Arte Reina Sofia, Madrid (organized by ARCO 2003) |
|
 |
2003 |
 |
“Harlem Postcards II,” The Studio Museum in Harlem, New York |
|
 |
2003 |
 |
“Air Guitar,” Angel Row Gallery, Nottingham, UK |
|
 |
2002 |
 |
“Christian Marclay: Video Quartet”, Paula Cooper Gallery, NY (solo) |
|
 |
2002 |
 |
“Christian Marclay: Three Compositions”, Contemporary Arts Center, New Orleans (solo) |
|
 |
2002 |
 |
“Look at the Music/SeeSound: Christian Marclay,” Ystad Art Museum, Sweden (solo) |
|
 |
2002 |
 |
“Graffiti Composition,” Neue Nationalgalerie, Berlin, Germany (solo) |
|
 |
2002 |
 |
“Sampling/Christian Marclay,” San Francisco Museum of Modern Art, San Francisco, CA (solo) |
|
 |
2002 |
 |
“Christian Marclay,” November Music 2002, S-Hertogenbosch, The Netherlands (solo) |
|
 |
2002 |
 |
“The Sounds of Christmas,” Museum of Contemporary Art, Miami (solo) |
|
 |
2002 |
 |
“Telephones,” Anthony Wilkinson Gallery, London, UK |
|
 |
2002 |
 |
“Stutter, Stutter” Shaheen Gallery, Cleveland, OH |
|
 |
2002 |
 |
“…Message sent…,” City Art Center, Edinburgh, Scotland |
|
 |
2002 |
 |
“Mirror Image,” UCLA Hammer Museum, CA |
|
 |
2002 |
 |
“Shoot the Singer: Music on Video,” Institute of Contemporary Art, Philadelphia, PA |
|
 |
2002 |
 |
“Whitney Biennial,” Whitney Museum of American Art, New York, NY |
|
 |
2002 |
 |
“Rock My World,” California College of Arts and Crafts, Oakland, CA |
|
 |
2002 |
 |
“Media Field: Old New Technologies,” Wiilliams College Museum of Art, Williamstown, MA |
|
 |
2002 |
 |
“40 Years of Fluxus events,” Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain |
|
 |
2002 |
 |
“do it (home version),” online project at www.e-flux.com opening 5/2/02, curated by Hans Ulrich Obrist |
|
 |
2002 |
 |
“The Second Phase: Interpretations of the Photographic Portrait,” Deutsches Museum, München, Germany |
|
 |
2002 |
 |
“Expo 2002,” Yverdon-les-Bains, Switzerland |
|
 |
2002 |
 |
“Air Guitar: Art Reconsidering Rock Music,” Milton Keynes Gallery; travelling to Turnpike Gallery, Leigh (9/21 – 11/9/02); Angel Row Gallery, Nottingham; Tullie House, Carlisle |
|
 |
2002 |
 |
“Art Downtown;New Photography,” Wall Street Risini, NY |
|
 |
2002 |
 |
“Jack, Cinch & XLR: Amplified Images,” Le Crestet Centre d’Art, Crestet, France |
|
 |
2002 |
 |
“The LP Show,” Andy Warhol Museum, Pittsburgh, PA (travelling exhibition, see 2001) |
|
 |
2002 |
 |
“Something/Anything,” Matthew Marks Gallery, New York (7/2 – 8/15/02). Curated by Nayland Blake |
|
 |
2002 |
 |
“Air Guitar: Art Reconsidering Rock Music,” Milton Keynes Gallery, Milton Keynes, England (travelling exhibition) |
|
 |
2002 |
 |
“Fluxus und die Folgen,” Kunstsommer Wiesbaden, Germany |
|
 |
2002 |
 |
“Guitar Drag,” Post-Fluxus Exhibition, Wiesbaden |
|
 |
2002 |
 |
“The Passing,” Galeria Helga de Alvear, Madrid, Spain |
|
 |
2002 |
 |
“Unexpected Selections from the Martin Z. Margulies Collection: Art from 1985 to the present,” The Art Museum at Florida International University, Miami, FL |
|
 |
2002 |
 |
“Some Assembly Required: Collage Culture in Post-War America,” Everson Museum of Art, Syracuse, NY |
|
 |
2002 |
 |
“The Body in Music,” Cité de la Musique, Paris, France |
|
 |
2002 |
 |
“Mirror Mirror,” Mass MOCA, North Adams, MA |
|
 |
2002 |
 |
“Electric Body: le corps en scéne,” Cité de la musique – Musée de la musique, France |
|
 |
2002 |
 |
“Audible Imagery: Sound and Photography,” The Museum of Contemporary Photography, Columbia College, Chicago |
|
 |
2002 |
 |
"Remapping the City, New Ears Festival,” Kortrijk/Begium, Lille/France |
|
 |
2002 |
 |
“Re:Direct,” Kuenstlerhaus Stuttgart/Germany |
|
 |
2002 |
 |
“Zero Visibility,” Vilnius, Ljublijana and Genazzano/Rome |
|
 |
2001 |
 |
“New Works,” Paula Cooper Gallery, New York, NY (solo) |
|
 |
2001 |
 |
“Guitar Drag,” Gallery Koyanagi, Tokyo, Japan (solo) |
|
 |
2001 |
 |
“Currents: Christian Marclay,” Saint Louis Art Museum, St. Louis, Missouri; Museum of Contemporary Art, Chicago, Illinois (solo) |
|
 |
2001 |
 |
“Telephones,” Delaware Center for Contemporary Art, Wilmington, DE (solo) |
|
 |
2001 |
 |
“Audible Imagery,” Museum of Contemporary Photography, Chicago (solo) |
|
 |
2001 |
 |
“Video Café: E/Motion Studies,” Queens Museum of Art, Long Island City, NY (solo) |
|
 |
2001 |
 |
“Feature, Art, Life and Cinema,” Govett-Brewster Art Gallery, New Plymouth, New Zealand (solo) |
|
 |
2001 |
 |
"Now Playing: Audio in Art," Susan Inglett Gallery, New York |
|
 |
2001 |
 |
“art>music”, Museum of Contemporary Art, Sydney, Australia |
|
 |
2001 |
 |
“In Sync, Cinema and Sound in the Work of Julie Becker and Christian Marclay,” Whitney Museum of American Art, New York |
|
 |
2001 |
 |
“The LP Show,” Exit Art, New York |
|
 |
2001 |
 |
“Body & Sin,” Valencia Biennial, Valencia, Spain |
|
 |
2001 |
 |
“Looking at You,” Kunsthalle Fridericianum, Kassel, Germany |
|
 |
2001 |
 |
“Video Streets” Downtown Arts Festival, New York. Screening of “Mixed Reviews” |
|
 |
2001 |
 |
“Recasting the Past: Beneath the Hollywood Tinsel,” Main Art Gallery, California State University “Recasting the Past: Beneath the Hollywood Tinsel,” Main Art Gallery, California State University “Recasting the Past: Beneath the Hollywood Tinsel,” Main Art Gallery, California State University Fullerton, CA |
|
 |
2001 |
 |
“Best of the Season,” The Aldrich Museum of Contemporary Art, Ridgefield, CT |
|
 |
2001 |
 |
“Wiederaufnahme (Retake),” NAK Neuer Aachener Kunstverein, Frankfurt, Germany |
|
 |
2001 |
 |
“Translated Acts: Performance and Body Art from East Asia 1990-2001,” Queens Museum of Art, New York |
|
 |
2001 |
 |
“Record All-Over,” 9th Biennial of Moving Images, Centre pour l’image Contemporaine, Saint-Gervais Geneva |
|
 |
2001 |
 |
“Feature: Art, Life & Cinema,” Govett-Brewster Art Gallery, New Plymouth, New Zealand |
|
 |
2000 |
 |
“Christian Marclay: Video & Photography,” Museet for Samtidskunst, Roskilde, Denmark (solo) |
|
 |
2000 |
 |
“Christian Marclay: Cinema,” Oakville Galleries, Oakville, Ontario, Canada (solo) |
|
 |
2000 |
 |
“Christian Marclay: The Sounds of Christmas,” The New Museum of Contemporary Art / Media Z Lounge (solo) |
|
 |
2000 |
 |
“Le temps, vite!” Centre Georges Pompidou, Paris, France |
|
 |
2000 |
 |
Group exhibition at Teachers Insurance and Annuity Association College Retirement Equities Fund organized by Viart |
|
 |
2000 |
 |
“Group Video Exhibition,” Galerie Barbara Thumm, Berlin, Germany; traveled to The Badischer Kunstverein, Karlsruhe, Germany; Gallery for Contemporary Art Bunkier Sztuki, Krakow, Poland; House of Contemporary Arts Trafo, Budapest, Hungary |
|
 |
2000 |
 |
“Human Gender and Being,” Kwangju Biennale, Kwangju, Korea |
|
 |
2000 |
 |
“Sonic Boom: The Art of Sound,” Hayward Gallery, London, England |
|
 |
2000 |
 |
“Making Sense: Ellen Gallagher, Christian Marclay and Liliana Porter,” Contemporary Museum, Baltimore, MD |
|
 |
2000 |
 |
“Umedalen Skulptur 2000,” Galleri Stefan Andersson, Umea, Sweden |
|
 |
2000 |
 |
Group Show, Paula Cooper Gallery, New York, New York |
|
 |
2000 |
 |
Group Show, Paula Cooper Gallery, New York, New York |
|
 |
2000 |
 |
Presentation House Gallery, Vancouver, British Columbia, Vancouver |
|
 |
2000 |
 |
“Internationales Videoprogramm,” Badischer KunstVerein, Karlsruhe, Germany |
|
 |
2000 |
 |
“La Biennale de Montreal,” Centre International D’Art Contemporain de Montreal, Montreal, Canada |
|
 |
2000 |
 |
“Off the Record: Music in Art,” Center Gallery, Bucknell University, Lewisburg, PA |
|
 |
2000 |
 |
“Berlin Open,” Trafo Galeria, Budapest, Hungary |
|
 |
2000 |
 |
“Print Publishers’ Spotlight,” Barbara Krakow Gallery, Boston, MA |
|
 |
2000 |
 |
“S.O.S.: Scenes of Sound,” Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, New York |
|
 |
2000 |
 |
“To Infinity and Beyond: Editions for the Year 2000,” Brooke Alexander Gallery, New York |
|
 |
2000 |
 |
“Hard Pressed: 600 Years of Prints and Process,” AXA Gallery, 787 Seventh Avenue, New York NY |
|
 |
2000 |
 |
“Wanted! International Video Program,” Bunkier Sztuki |
|
 |
2000 |
 |
“Art on Paper,” Weatherspoon Art Gallery, Greensboro, NC |
|
|
|
|