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Collier Schorr (American, 1963)
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Collier Schorr
Arrangement #2 (Blumen) 2005
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Collier Schorr
Arrangement #4 (Blumen) 2005
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Collier Schorr
Crash 2006
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Biography |
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1963 |
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Born in New York |
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1986 |
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School of Visual Arts, New York |
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Lives and works in New York |
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Exhibitions |
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2008 |
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Villa Romana, Florence (solo) |
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2008 |
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Le Consortium, Dijon, France (solo) |
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2008 |
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Jens F, Museum of Contemporary Art, Denver (solo) |
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2007 |
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There I Was, 303 Gallery, New York (solo) |
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2007 |
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Badischer Kunstverein, Karlsruhe (solo) |
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2007 |
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History Will Repeat Itself: Strategies of Re-enactment in Contemporary Art, Phoenix Hall, Dortmund, travelling to KW Institute of Contemporary Art, Berlin |
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2007 |
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Fit to Print, Gagosian, New York |
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2007 |
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Star Power: Museum as Body Electric, MCA Denver, Colorado |
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2007 |
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Family Pictures, New Acquisitions, Guggenheim Museum, New York |
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2007 |
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Reality Bites: Making Avant-Garde Art in Post-Wall GermaNew York, Sam Fox Art Centre at Washington University, St Louis |
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2007 |
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Memorial to the Iraq War, Institute of Contemporary Arts, London |
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2006 |
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Other Women, Stuart Shave / Modern Art, London (solo) |
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2006 |
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Artist’s Choice: Herzog & de Meuron, Perception Restrained, MoMA, New York |
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2006 |
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Die Jugend Von Heute (Youth of Today), Schim Kunsthalle Frankfurt, Frankfurt |
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2006 |
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People, Museo D’Arte Contemporanea Donna Regina Napoli, Napoli |
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2006 |
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Human Game, curated by Francesco Bonami, Fondazione Pitti, Stazione Leopolda, Florence |
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2005 |
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Seeing Double: Encounters with Warhol, the Andy Warhol Museum, Pittsburgh |
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2005 |
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Sport, Socrates Sculpture Park, Queens, New York |
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2005 |
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The Forest: Politics, Poetics and Practice, Nasher Museum of Art at Duke University, North Carolina, curated by Kathy Goncharov |
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2005 |
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Will Boys Be Boys? Questioning Masculinity in Contemporary Art, curated by Shamim Momin, The Salina Kansas, Museum of Contemporary Art, Denver, Herbert F. Johnson Museum of Art, Ithaca, New York |
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2005 |
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Indianapolis Museum of Art, Indianapolis |
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2005 |
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The Lost Paradise, Stiftung Opelvillen, Frankfurt |
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2005 |
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Jens F. , Roth, New York (solo) |
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2004 |
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Fotogalleriet, Oslo (solo) |
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2004 |
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303 Gallery, New York (solo) |
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2004 |
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Modern Art, London (solo) |
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2004 |
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The Muse, Leslie Tonkonow Artworks + Projects, New York |
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2004 |
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Open House – Working in Brooklyn, Brooklyn Museum of Art, New York |
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2004 |
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Beyond Compare: Women Photographers on Beauty, Toronto, Canada (touring) |
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2004 |
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Opportunity and Regret, Grazer, Kunstverein, Graz |
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2003 |
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Terror Chic, curated by Eva Karecher, Spruth Magers, Munich, Germany |
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2003 |
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Strangers, Triennial of the International Center of Photography, New York |
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2003 |
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Attack! Art and War in Times of the Media, Kunsthalle Wien, Vienna |
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2002 |
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Consorcio Salamanca, Salamanca (solo) |
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2002 |
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Screen Memories, Contemporary Art Center, Art Tower Mito, Japan |
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2002 |
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Biennial, Whitney Museum of American Art, New York |
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2002 |
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Some Options in Realism, Carpenter Center, Harvard University, Cambridge |
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2001 |
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American Tableaux, curated by Joan Rothfuss, Walker Art Center, Minneapolis |
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2001 |
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Chick Clicks, ICA Boston, Boston, MA, also at Fotomuseum in Winterhur, Switzerland |
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2001 |
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Uniform, Order and Disorder, P.S. 1, New York |
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2001 |
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Settings and Players: Theatrical Ambiguity in American Photography, curated by Louise Neri, White Cube, London |
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2001 |
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303 Gallery, New York (solo) |
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2000 |
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Emily Tsingou Gallery, London (solo) |
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2000 |
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Photography Now: An International Survey of Contemporary Photography, curated by David S. Rubin, Contemporary Arts Center, New Orleans |
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2000 |
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Presumed Innocent, capcMusée d’art contemporain de Bordeaux, Bordeaux |
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2000 |
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Innuendo, Dee Glasgoe |
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2000 |
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Prepared, Georg Kargl Gallery, Vienna |
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2000 |
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Lightness, curated by Amy Steigbigel, The Visual Arts Gallery |
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2000 |
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29th International Film Festival, Rotterdam, Rotterdam |
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2000 |
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29th International Film Festival, Rotterdam, Rotterdam |
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1999 |
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Foul Play, Thread Waxing Space, New York |
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1999 |
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303 Gallery, NEW YORK Georg Kargl, Vienna (solo) |
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1999 |
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Neue Soldaten, Partobject Gallery, North Carolina (solo) |
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1998 |
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Archipelago: New Rooms, Stockholm Kultur 98, Stockholm (solo) |
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1998 |
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# Yesterday Begins Tomorrow: Ideals, Dreams, and the Contemporary Awakening, Francesco Bonami, Center for Curatorial Studies, Fall Exhibition, Arkipelag, Kultur 98, Stockholm |
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1998 |
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From the Corner of the Eye, Stedelijk Museum, Amsterdam |
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1998 |
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Bathroom, curated by Wayne Koestenbaum, Thomas Healy Gallery, New York |
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1997 |
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303 Gallery, New York (solo) |
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1997 |
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Galerie Drantmann, Brussels (solo) |
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1996 |
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Inbetweener, Centre for Contemporary Arts, Glasgow |
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1996 |
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Ideal Standard Life, Spiral Wacoal Art Center, Tokyo |
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1996 |
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Persona, Renaissance Society, Chicago |
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1996 |
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Persona, Kunsthalle Basel, Basel |
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1996 |
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Collier Schorr and Larry Clark, Galleri Index, Stockholm |
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1996 |
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Collier Schorr, Martin Honert, and Tom Gidley, curated by James Roberts, Entwistle Gallery, London |
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1996 |
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a/drift: Scenes from a Penetrable Culture, curated by Josh Decter, Bard Center for Curatorial Studies, Annandale-on-Huson, New York |
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1995 |
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Images of Masculinity, Victoria Miro Gallery, London |
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1995 |
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Narcissistic Disturbance, Otis Gallery, Otis College of Art and Design, Los Angeles |
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1995 |
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fag-o-sites, Gallery 400, Chicago |
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1995 |
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La Belle et la Bete, curated by Lynn Gumpert, Musee d’Art de la Ville de Paris, Paris |
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1995 |
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Portraits, Janice Guy Gallery, New York |
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1995 |
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Galerie Drantmann, Brussels (solo) |
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1994 |
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303 Gallery, New York (solo) |
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1994 |
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In The Fields, Margo Leavin Gallery, Los Angeles |
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1994 |
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Bespoke, Margo Leavin Gallery, Los Angeles |
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1994 |
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Stonewall, White Columns, New York |
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1993 |
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303 Gallery, New York (solo) |
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1993 |
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The Subject of Rape, Whitney Museum of Art, New York |
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1993 |
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Uber Leben, Bonner Kunstverein, Bonn, Germany |
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1993 |
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Fall from Fashion, The Aldrich Museum of Contemporary Art, Ridgefield |
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1993 |
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Everyday Life, curated by Simon Watson, Kim Light Gallery, Los Angeles |
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1993 |
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10 year anniversary exhibition, Monika Spruth, Koln |
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1992 |
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Boys & Girls Together/ Recent Photography, Beaver College Art Gallery, Galerie Rizzo, Paris |
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1992 |
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The Edge of Childhood, Heckscher Museum, New York |
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1992 |
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Works on Paper, Stuart Regen Gallery, Los Angeles |
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1992 |
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How It Is, curated by Jonathan Seliger, Tony Shafrazi Gallery, New York |
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1992 |
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One Leading to Another, 303 Gallery, New York |
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1992 |
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Songs of Innocence, Songs of Experience, Whitney Museum at the Equitable Center, New York |
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1992 |
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MOCArt Auction ‘92, Museum of Contemporary Art, Los Angeles |
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1992 |
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Benefit Auction, New Museum of Contemporary Art, New York |
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1991 |
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303 Gallery, New York (solo) |
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1991 |
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Something Pithier and More Psychological, Simon Watson Gallery, New York |
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1991 |
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New Work by Gallery Artists, 303 Gallery, New York |
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1991 |
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Gulliver’s Travels, Galerie Sophia Ungers, Cologne |
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1991 |
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From Desire… A Queer Diary, curated by Nan Goldin, St. Lawrence College, New York |
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1991 |
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Someone, Somebody, Meyers Bloom Gallery, Los Angeles, curated by Simon Watson |
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1991 |
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The Subversive Stitch, Simon Watson Gallery, New York |
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1991 |
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When Objects Dream And Talk In Their Sleep, Jack Tilton Gallery, New York |
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1991 |
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Liz Larner, Karen Kilimnik, Collier Schorr, Anne Walsh, Richard Kuhlenschmidt Gallery, Santa Monica |
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1991 |
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Childs Play, Steven Beyer, James Croak, Kate Moran, Collier Schorr, curated by Catherine Liu, Lawrence Oliver Gallery, Philadelphia |
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1991 |
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All Grown Up, curated by Liz Dalton & Cindy Smith at CUNY, The Graduate Center in collaboration with Catherine Clarke, New York |
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1990 |
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Standard Graphik, Cologne (solo) |
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1990 |
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303 Gallery, New York (solo) |
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1990 |
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Commitment, The Power Plant, Toronto |
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1990 |
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All But the Obvious, Los Angeles Contemporary Exhibitions, Los Angeles |
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1990 |
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In the Beginning, Cleveland Center for Contemporary Art, Cleveland |
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1989 |
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After the Gold Rush, Milford Gallery, New York, curated by Howard Halle |
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1989 |
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Erotophobia, Simon Watson Gallery, New York |
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1989 |
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New Langton Arts, San Francisco |
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1988 |
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Cable Gallery, New York (solo) |
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1988 |
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A Drawing Show, Cable Gallery, New York, curated by Jerry Saltz |
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1988 |
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Collier Schorr, Brenda Miller, Svetlana Kapanskaya, Cable Gallery, New York |
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1987 |
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303 Gallery, New York |
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1987 |
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Galerie Hufkens, Brussels, Belgium |
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Literature |
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2008 |
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Diaz, Eva. Collier Schorr: 303 Gallery, Modern Painters, December 2007/January 2008, p. 91-92 |
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2008 |
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Churner, Rachel. Collier Schorr: 303 Gallery, Artforum, December, p. 352 |
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2008 |
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Forever Paradise, Tokion, Vol. 2 No. 5, p. 82-87 |
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2008 |
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Forest and Fields, Volume 2, Blumen, Steidl |
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2008 |
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There I Was, Steidl |
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2007 |
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Collier Schorr: Metropolitan Museum of Art, Artforum, December, p 132 |
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2007 |
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Herman, Nicholas. Collier Schorr, Interview Magazine, October, p. 100 |
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2007 |
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Valesco, David. Collier Schorr: 303 Gallery, Artforum.com, September |
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2007 |
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Griffin, Tim. ArtForum, February, p. 268-277 |
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2007 |
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Stange, Raimar. Neighbors, Modern Painters, February, p. 105 |
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2007 |
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_There I Was: Portfolio by Collier Schorr, Artforum, February, p. 269-276 |
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2007 |
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Griffin, Tim. Tim Griffin on Collier Schorr_, Artforum, February, p. 277 |
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2007 |
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Eichler, Dominic. Distant Relations, Frieze, March, p. 140-147 |
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2006 |
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Forest and Fields, Volume 1, Neighbors, Steidl |
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2006 |
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Human Game, Winners and Losers, Fondazione Pitti Discovery, Charta, Italy, pg. 234-235 |
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2006 |
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Curtin, Brian. ‘Signs Taken as Signs’, Contemporary, Issue 88, 2006, p. 52-53 |
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2006 |
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Hatherill, Chris. ‘Neighbourhood Watch’, Tank Magazine, Volume 4, Issue 7, p. 32-33 |
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2006 |
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Sumpter, Helen. Exhibition Review, Time Out Magazine London, October 4-11, p. 45 |
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2006 |
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Needham, Alex. ‘The Eye of the Beholder’, i-D Magazine, Issue 268, p.15-159 |
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2006 |
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Hicklin, Aaron. ‘Portrait of a Lady’, Blackbook, May 2006, p. 144-145 |
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2005 |
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Jens F, Steidl, edition of 1,000, Germany |
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2004 |
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Beyond Compare: Women Photographers on Beauty, Unilever Canada, Inc. |
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2004 |
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Strangers: The First ICP Triennial of Photography and Video, International Center of Photography, NY, and Steidl, Gottingen |
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2004 |
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art:21, Harry N. Abrams, Inc., New York |
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2004 |
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Attack, (exhibition catalogue), Kunsthalle Wein, Vienna |
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2004 |
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Conquistadores, Centro de Arte de Salamanca, Spain |
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2004 |
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Antonides, John. (ed.) open (ex. cat.) Brooklyn Museum, Brooklyn |
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2004 |
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Pollack, Barbara. Review, ARTnews, May, p. 151-152 |
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2004 |
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Halle, Howard. ‘Local Color’, Bklyn, Spring 2004, p. 28 – 30 |
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2004 |
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Woodward, Richard R. ‘Home Team Advantage: On Gallery Walls, the Art Kids Are Finally Taking on the Jocks’, The New York Times, Sunday, February 15, p. 17 |
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2004 |
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Review’, Exit Express, February, No.1, p. 30 |
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2004 |
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Avigikos, Jan. Review, Artforum, March, XLIII, No.7, p. 182 |
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2004 |
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Honigman, Ana Finel. ‘Inspired’, artnet.com |
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2004 |
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Aletti, Vince. ‘Falling in Love with Love, and Other Critical Dilemmas’, The Village Voice, February 13 |
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2004 |
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Harris, Jane. Time Out, NY, January 22-29, Issue No.434, p. 55 |
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2004 |
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Garrett, Craig. ‘Collier Schorr: Personal Best’, Flash Art, January-February, Vol. XXXVII, No. 234, p. 80-83 |
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2004 |
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‘Preview’, Art & Auction, January, p. 107 |
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2004 |
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‘Preview’, ArtReview: International Edition, V2N1, p. 28 |
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2003 |
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‘Focus Photography’, Flash Art, Vol.XXXVI, No. 233, November-December, p. 89 |
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2003 |
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Kimmelman, Michael. ‘The Gaze Turns Outward and Sees Estrangement’, The New York Times, September 19 |
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2003 |
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Pollack, Barbara. ‘Everyone Has an Ennial; Now It’s Photography’s Turn’, The New York Times, September 7 |
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2002 |
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Molesworth, Helen. ‘The Clothes Make the Man’, IMAGO 2002, Spain, p. 49-54 |
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2002 |
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‘Like Time Has Never Hit; Phonetalk with Collier Schorr’, interview with Jessica Gysel, KUTT, summer, No. 2, p. 8-20 |
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2002 |
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Green, Alison. ‘Overnight to Many Cities’, review, Art Monthly, London, June, No. 257, p. 26-8 |
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2002 |
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Gioni, Massimiliano. ‘The Whitney Biennial: All the Small Things’, Flash Art, May-June, p. 65, 71 |
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2002 |
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Heartney, Eleanor. Review, Art in America, April, No. 4, p. 148 |
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2002 |
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Pitman, Joanna. ‘Home Truths, roving eyes’, The Times, London, U.K., April 10, p. 8 |
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2002 |
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Kent, Sarah. Review, Time Out London, May 29-June 5, No. 1658 |
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2002 |
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‘RCJ’s best London Show’, The Times, London, April 13 |
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2002 |
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Lack, Jessica. Review, The Guardian, London, U.K., April 6 |
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2002 |
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Haider, Arwa. ‘The World Through A Lens’, The Guardian, London, June |
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2001 |
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Jackson, Sarah. Review, Ameateru Photographer, London, April 6 |
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2001 |
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Sumpter, Helen. Review, The Big Issue, London, March 25-31 |
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2001 |
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Freedman, Cheryl. Review, What’s On In London, London, May 1 |
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2001 |
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‘It’s A Wide World’, Sleazenation, London, May |
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2001 |
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Cotter, Holland. ‘Spiritual America, From Ecstatic to Transcendent’, The New York Times, Friday, March 8, p. 35 |
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2001 |
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Chick Clicks, (exh.cat), ICA, Boston |
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2001 |
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Uslip, Jeffrey. Review, Flash Art, Jan-Feb, Vol. XXXIV, No. 222, p. 93 |
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2001 |
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Halle, Howard. ‘All quieton the western front’, Time Out NY, December 13-17, Is. 324/325, p. 109 |
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2001 |
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‘Photography out of the past’, New York Magazine, December 3 |
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2001 |
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Aletti, Vince. ‘In the Army Now? Boy’s Life’, The Village Voice, December 4 |
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2001 |
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Smith, Roberta. ‘Coloring the Troops: Uniforms Become Cultural Touchstones’, The New York Times, June 8, p. E29 |
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2001 |
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Smith, Roberta. ‘Photography Review; Quick as a Shutter, Group Shows Shatter Conventional Wisdom’, The New York Times, July 6 |
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2001 |
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‘Art and Feminism’, edited by Helena Reckitt, text by Peggy Phelan, London, Phaidon Press, 2001, 257. 264. 174 |
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2001 |
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photo shoot, Vogue Hommes International, Fall-Winter 01-02 |
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2001 |
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photo shoot, Spin, August,Vol. 7, No.8, p. 120-5 |
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2001 |
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‘Settings and Players: Theatrical Ambiguity in American Photography’, curated by Louise Neri, White Cube, London |
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2001 |
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V Magazine, No. 11, May-June, p. 40 |
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2001 |
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Coomer, Martin. Time Out, London, 4-11 April, p. 53 |
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2001 |
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Denes, Melissa. ‘American caught off-balance’, The Sunday Telelegraph Magazine, February 25, p. 38-40 |
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2001 |
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Visionaire, Man, spring, No. 35 |
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2000 |
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Johnson, Ken. Review, ‘Innuendo’, The New York Times, July 7 |
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2000 |
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Review, ‘Innuendo’, The New Yorker, July 3 |
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2000 |
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Bollen, Christopher. ‘Innuendo” (review), Time Out New York, June 29, Issue 249 |
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2000 |
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Documents, issue 19, cover & p. 63 |
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2000 |
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catalogue, 29th International Film Festival, Rotterdam, Holland, p. 220 |
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2000 |
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Valdez, Sarah. Review, Art in America, Vol. 88, No. 2, February, p. 127 |
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2000 |
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‘UNIFORM: Order and Disorder’, edited by: Francesco Bonami, Maria Luisa Frisa, Stefano Tonchi, Edizioni Charta, Milan, 2000, p. 17 |
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2000 |
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‘Photography Now: An International Survey of Contemporary Photography’, curated by David S. Rubin, Contemporary Arts Center, New Orleans, (exh.cat), p. 52 |
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2000 |
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‘Presumed Innocent’, curated by Marie-Laure Bernadac and Stéphanie Moisdon, capcMusée d’art contemporain de Bordeaux, Bordeaux, France, (exh. cat), p. 86, 91 |
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2000 |
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Becker, Ilka. ‘Einblendung: Korper, Atmospharik, und kunstlerische Fotografie’, IMAGINEERING, German, Jahresring 47, p. 185 |
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2000 |
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photo shoot, ‘style 3’, Libération, June, France |
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return to artnet.com