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Biography |
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1974 |
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Born in Copenhagen |
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Lives and works in Copenhagen and Berlin |
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Co-founder of OTTO, a non-commercial exhibition forum in Denmark |
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Exhibitions |
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2007 |
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Tate Modern, London |
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2007 |
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Museum of Modern Art, Honolulu, Hawaii |
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2007 |
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The Curve, Barbican Art Centre, London |
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2007 |
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Masami Shiraishi, Tokyo |
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2006 |
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Base Room, Florence |
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2006 |
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ZERO Gallery, Milano |
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2006 |
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Nicolai Wallner, Copenhagen |
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2006 |
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Sid Ned, Copenhagen |
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2006 |
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Delme Synagogue, Delme, France |
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2006 |
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Præstø Kunstforening, Præstø, Denmark |
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2006 |
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Schirn Kunsthalle, Frankfurt am Main |
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2006 |
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Momentum 2006, Moss, Norway |
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2006 |
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Præstø kunstforening, Denmark |
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2006 |
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Liverpool biennial, Liverpool |
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2006 |
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This exhibition is in some way a contribution to the beauty, the ugliness, the stupidity and the cheerfulness in life, Sies + Höke Galerie, Düsseldorf (solo) |
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2006 |
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X-Rummet, Statens Museum for Kunst, Copenhagen (solo) |
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2006 |
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Kit-o-Parts, CAN Neuchâtel (solo) |
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2006 |
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Play station, Sprengel Museum, Hannover |
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2006 |
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Backdrop, Bloomberg Space, London |
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2006 |
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Le movemont des images, Centre Pompidou, Paris |
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2005 |
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Simplified, Yvon Lambert, Paris (solo) |
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2005 |
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Distance, The Moore Space, Miami (solo) |
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2005 |
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Private Rain, Sculptureparc Bodø, Norway (solo) |
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2005 |
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Neonwall, Art Gallery of New South Wales, Sydney (solo) |
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2005 |
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Invisible Labyrinth, Espace 315, Centre Georges Pompidou, Paris (solo) |
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2005 |
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Roller Coaster, Dunkers Kulturhus, Helsingborg (solo) |
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2005 |
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Minimal Overload, Galerie Johann König, Berlin (solo) |
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2005 |
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New Minimal, La Salle de bains, Lyon (solo) |
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2005 |
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Visionäre Sammlung Vol. 1, Haus Konstruktiv, Zürich |
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2005 |
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The Pantagruel Syndrome, T1 Torino Triennial of Contemporary Art |
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2005 |
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o Black Market Worlds, 9th Baltic Triennial of International Art, CAC Vilnius & ICA Vilnius |
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2005 |
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Ecstasy. In and about altered states, MOCA, Los Angeles |
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2005 |
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Flux, Illuminate Productions, London |
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2005 |
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Kunst findet Stadt, Gesellschaft für aktuelle Kunst, Bremen |
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2005 |
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Wall to be destroyed, FRAC Lorraine, Metz, France |
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2005 |
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Extra Ordinary, Kulturhuset Stockholm |
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2005 |
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Tanz im August, Berlin, Siemens Arts Program |
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2005 |
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Esprits du Lieu, Château du roi René, FRAC , Tarascon, France |
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2005 |
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Sous les ponts, le long de la vallée, Casino Luxembourg |
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2005 |
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Light Lab. In the name of the light, Museion, Bolzano, Italy |
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2005 |
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L’œil moteur, Les musées de Strasbourg, Strasbourg |
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2005 |
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A Whiter Shade Of Pale – Kunst aus den nordischen Ländern, Kunstverein Kehdingen |
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2005 |
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Moving parts, Museum Tinguely, Basel |
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2005 |
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Universal experience. art, life, the tourist eye, Museum of Contemporary Art, Chicago |
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2005 |
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Parklandschaften, Lüdenscheid |
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2004 |
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Anziehung/Abstoßung, Galerie für Zeitgenössische Kunst, Leipzig (solo) |
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2004 |
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Appearing Rooms, Villa Manin, Passariano, Italy (solo) |
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2004 |
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Intervention Impact, Sprengel Museum, Hannover (solo) |
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2004 |
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Distance, Ludwig Forum für Internationale Kunst, Aachen (solo) |
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2004 |
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Flying Cube, P.S.1 / MOMA, New York (solo) |
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2004 |
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Moving Parts, Kunsthalle Graz |
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2004 |
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Connected Presence, Union Gallery, with Johannes Wohnseifer, London |
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2004 |
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Intervention Impact, Galerie für zeitgenössische Kunst, Leipzig |
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2004 |
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Tra Monti 04, Rome |
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2004 |
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Reflecting the Mirror, Marian Goodman Gallery New York |
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2004 |
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Gegen den Strich, Kunsthalle Baden-Baden |
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2004 |
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Rum I Rum, Vendsyssel Kunstmuseum, Hjørring, Denmark |
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2004 |
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A Secret History of Clay: From Gauguin to Gormley, Tate Liverpool, Liverpool |
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2004 |
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Quicksand, De Appel, Amsterdam |
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2004 |
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Gallery Jan Mot, Brussels |
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2003 |
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Bear the Consequences, Gallery Brandström & Stene, Stockholm (solo) |
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2003 |
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Continuity Reflecting Space, Foundation La Caixa, Barcelona (solo) |
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2003 |
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Presenting/Representing, Gallery Nicolai Wallner, Copenhagen (solo) |
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2003 |
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Take a Walk in the Forest at Sunlight, Kunstverein Heilbronn (solo) |
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2003 |
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Jeppe Hein, ROR ProjectRoom. Helsinki |
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2003 |
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Western, Charlottenborg, Autumn Show, Denmark |
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2003 |
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2nd Biennial of Ceramic in Contemporary Art, Albisola |
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2003 |
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Ten years Gallery Nicolai Wallner, Gallery Nicolai Wallner, Copenhagen |
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2003 |
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Skulpturenpark, Graz 2003 Kulturhauptstadt Europas |
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2003 |
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Auf eigene Gefahr, Schirn Kunsthalle, Frankfurt am Main |
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2003 |
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Interludes, Biennale di Venezia |
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2003 |
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Das lebendige Museum, MMK, Museum für Moderne Kunst, Frankfurt am Main |
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2003 |
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Ludwig Forum für Internationale Kunst, Aachen, aufgeschraubt & abgestaubt |
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2003 |
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The Straight or Crooked Way, Royal College of Art, London |
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2003 |
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Schnittprojekte, Schnittraum, Cologne |
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2002 |
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Ingrepp, Uppsala Kunstmuseum, Uppsala |
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2002 |
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I promise it is political, Museum Ludwig, Cologne |
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2002 |
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Fuzzy, Galerie Minini, Brescia |
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2002 |
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Take a Walk in the Forest at Moonlight, CAPC Musee d`art Contemporain, Bordeaux (solo) |
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2002 |
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360° Presence, Galerie Johann König, Berlin (solo) |
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2002 |
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Space in Action / Action in Space, Lenbachhaus & Kunstbau, München (solo) |
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2002 |
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Art Statements, Art Basel, Galerie Michael Neff (solo) |
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2002 |
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Sving, Galerie Michael Neff, Frankfurt am Main (solo) |
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2002 |
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Inside/ Outside, Galerie für zeitgenössische Kunst, Leipzig |
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2002 |
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Gangurinn The Corridor Gallery, Reikjavik |
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2002 |
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Hell, Galerie neugerriemschneider, Berlin |
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2002 |
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No Return. Positions from the Collection Haubrok, Museum Abteiberg, Mönchengladbach |
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2001 |
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Onepercent artspace, Video Lounge design, Stockholm Art Fair (solo) |
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2001 |
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Meglepetes 2 / Surprise 2, Budapest |
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2001 |
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F20 P01. Frankfurter Positionen 2001, Städelschule Frankfurt am Main |
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2001 |
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Changes possible, Kunsthalle zu Kiel, Kiel |
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2001 |
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Stage. Design of meeting point for interviews and discussions, In connection with the IASPIS, Venice |
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2001 |
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Neue Welt, Frankfurter Kunstverein, Frankfurt am Main |
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2001 |
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Arbeit, Essen, Angst, Kokerei Zollverein, Essen |
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2001 |
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Strategies against Architecture II, Pisa |
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2001 |
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Take off 20:01, Aarhus Kunstmuseum, Aarhus |
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2000 |
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Festival Junger Talente, Frankfurt am Main |
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2000 |
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Dynamo Eintracht, Hauptzollamt, Städelschule, Frankfurt am Main / Hochschule für Bildende Künste, Dresden |
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2000 |
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Charlottenborg, Autumn Show |
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2000 |
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Mandelbaums Wunderöl, Cologne / Berlin |
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1999 |
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On Paper, Stalke Gallery, Copenhagen |
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1999 |
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Anarchitecture, De Appel, Amsterdam, In collaboration with Frans Jacobi and Lars Bent Petersen |
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1998 |
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Summer, OTTO, Copenhagen |
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Literature |
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2006 |
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Jeppe Hein Until Now, Jeppe Hein (Ed.), Koenig Books London |
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2005 |
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The Pantagruel Syndrom, Exhibition Catalogue, T1 Torino Triennale Tremusei, 2005, p. 284—287 |
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2005 |
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ART NOW Vol 2, Uta Grosenick (Ed.), Taschen, Köln 2005, p. 192—195 |
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2005 |
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Frog, No. 1, Spring/Summer 2005, Michel Gauthier, Jeppe Hein, 360° Presence, p. 80 |
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2005 |
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Artforum International, March 2005, Tomas Saraceno, Top Ten, p. 100 |
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2005 |
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Artpress, July/August 2005, p. 30ff. |
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2005 |
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Weekendadvisen, July 22nd—28th 2005, Henrik Wivel, Mange bolde i luften, p. 11 |
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2005 |
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Cover, June/July 2005, p. 68 |
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2005 |
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KunstbaZaren, May 2005 |
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2005 |
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Les Inrockuptibles, May 10th 2005 |
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2005 |
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Der Tagesspiegel,May 7th 2005, Katrin Wittneven, Jeppe Hein, p. 26 |
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2005 |
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Le Progrès, April 28th 2005, Exposition Minimaliste |
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2005 |
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Dagens Nyheter, April 7th 2005, Sanna Björling, Mer nordiskt på mässan supplement Kultur, p. 2 |
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2005 |
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Göteborgs-posten, April 7th 2005, Berit Bergendahl, Speglar människan I konsten, p. 88 f. |
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2005 |
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Svenska Dagbladet, April 7th 2005, Clemens Poellinger, Jeppe Heins verk vår saker att hända, supplement “Kultur”, p. 7 |
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2005 |
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Artpress, September 2005, Michel Gauthier, attention à la boule et gare au cube / Minimalism with a Vengeance, p. 30 |
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2005 |
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02, Summer 2005, No. 34, Elisabeth Wetterwald, Dossier Jeppe Hein. La tête au carré. |
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2005 |
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Eyemazing, Issue 8, Fall 2005, Anna Sansom, Jeppe Hein, Virtual Labyrinth |
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2005 |
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Muze, September 2005, Anne Laure Gannac, L’art renouvelé |
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2005 |
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Arte Italy, September 2005, Giacomo Turolla, Nel labirinto dove artista e pubblico sono complici |
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2005 |
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Pol Oxygen, Issue 14, 2005 |
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2005 |
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20 Minutes, September 19th 2005, Se perdre dans un espace vide |
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2005 |
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DS Magazine, September 2005, Save the Date |
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2005 |
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Têtu, Pierre-Emmanuel Nyeborg, Labyrinthe et Unrestored |
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2005 |
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Les Inrockuptibles, Dans le labyrinth de Jeppe Hein |
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2005 |
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Kunstportalen, September 30th 2005, Anmeldelse: Jeppe Hein på Centre Pompidou |
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2005 |
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Berlingske Tidende, September 22th 2005, Torben Weirup, Den usynlige udstilling, p. 6 |
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2005 |
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Zitty, September 29th 2005, FÜNF FRAGEN an Jeppe Hein, p. 35 |
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2005 |
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Télérama, September 28th 2005, Olivier Cena, Le sensuel et le non-sens |
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2005 |
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Qantas, September 2005, Jeppe Hein: Neonwall, p. 152 |
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2005 |
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The Sydney Morning Herald, Smile, you’re on candid art |
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2005 |
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Art21, October/November 2005, Emilie Villez, Jeppe Hein, p. 75 |
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2005 |
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Artinvestor, Nr. 03/2005, p. 94 |
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2005 |
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Télérama. October 26th, J’ai testé... le labyrinthe invisible, p. 18 |
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2005 |
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Vsd, October 2005, Labyrinthe invisible, Juste une illusion |
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2005 |
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Zurban, October 5th 2005, Yasmine Youssi, Mémoire et trajectoire, Jeppe Hein |
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2005 |
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Citizen K, autumn 2005, Yoann Gourmel, Œuvre à vivre |
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2005 |
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MOOD, October 2005, Il labirinto invisibile di Jeppe Hein a Parigi |
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2005 |
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PARISart, October 2005, Muriel Denet, Jeppe Hein, Labyrinthe Invisible |
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2005 |
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An.no, October 28th 2005, Hans Trygve Holm, En mann og en benk |
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2005 |
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Les Cahiers du MNAM, Autumn 2005 |
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2005 |
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L’Œil, November 2005, Jeppe Hein: zigzags postminimalistes Politiken, November 5th 2005, Labyrnitleg, p. 8 |
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2005 |
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Culture.fr, Jeppe Hein, labyrinthe invisible, artnet Magazine, 21.10.2005, Hunter Drohojowska-Philp, The Art Trip |
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2005 |
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FAZ, December 22nd 2005, Niklas Maak, Das Ausstellungswunder von Berlin |
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2005 |
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Der Tagesspiegel, December 21st 2005, Die letzte Lampe |
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2005 |
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The Art Newspaper, Art Basel/Miami Beach Edition, Saturday December 3 2005, Jeppe Hein: pinball wizard |
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2005 |
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Kunstforum International, , Bd. 178zwischen dem Betrachter, den Räumen und den Kunstobjekten, p. 147–155 |
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2005 |
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PÀP, February/March, Killer Balls, p. 26/27 |
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2005 |
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Kunstzeitung, March 2006, Nr. 115, p. 27 |
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2005 |
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Morgenavisen / Kulturweekend, February 3rd 2006, Lars Ole Knippel, Den Globale Pendler, p. 12/13 |
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2004 |
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I promise it`s political, Museum Ludwig Köln, Catalogue, 2002 |
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2004 |
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No Return, Collection Axel Haubrok, Catalogue, 2002 |
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2004 |
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Jeppe Hein, Frankfurter Positionen 2001, Catalogue |
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2004 |
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Arbeit, Essen, Angst, Kokerei Zollverein Essen, Catalogue, 2001 |
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2004 |
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49. Venice Biennial, Catalogue (IASPIS), 2001 |
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2004 |
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Neue Welt, Frankfurter Kunstverein, Catalogue, 2001 |
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2004 |
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TAKE OFF, Arhus Kunstmuseum, Catalogue, 2001 |
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2004 |
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REAL OTTO, Borgen Copenhagen, Catalogue, 2001 |
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2004 |
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Festival Junger Talente, Jesper N. Jorgensen, Catalogue, 2001 |
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2004 |
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Perfomative Installation, 2003/04, Siemens Arts Program, Galerie für zeitgenössische Kunst Leipzig |
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2004 |
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Albisola Ceramic Biennale , 2003 |
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2004 |
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Zurück in die Kunst, 2003, Raimar Stange |
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2004 |
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Straight or Crooked Way, Royal Collage of Art. 2003 |
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2004 |
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Take A Walk In The Forest At Sunlight, Jeppe Hein, Kunstverein Heilbronn, Catalogue 2003 |
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2004 |
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At your own risk , Schirn Kunsthalle Frankfurt, Catalogue 2003 |
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2004 |
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Exempla 2003 – Werkstätten der Gartengestaltung, Edition Handwerk, München, 2003, p. 40/41 |
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2004 |
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Uppsala Kunstmuseum, Catalogue, 2002 |
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2004 |
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Flash Art, Vol. XXXVII, No. 238, October 2004, p. 106—109 |
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2004 |
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Zéro Deux No 31, Autumn 2004, Vincent Pécoil, Jeppe Hein, p. 40 |
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2004 |
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Art, July 2004, p. 14 & 93 |
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2004 |
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Monopol, June 2004, Top Ten |
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2004 |
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Frankfurter Allgemeine Zeitung, June 13th 2004, Catrin Lorch, Diese da ist meine!, p. 36 |
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2004 |
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Süddeutsche Zeitung, June 12th 2004, Jutta Göricke, Dänen lügen nicht, p. 12 |
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2004 |
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NY Artsmagazine, 19 May 2004, James Westcott |
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2004 |
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Kunstforum International, Renate Puvogel, p. 354 |
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2004 |
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Frieze Issue 81, March 2004, Kirsty Bell, In the line of fire, p. 88—91 |
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2004 |
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Il Piccolo, March 30th 2004, Aberto Rochira, Villa manin apre al contemporaneo |
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2004 |
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Bibliotheca Alexandrina’s First International Biennale, Catalogue, 2004 |
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2004 |
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Jeppe Hein, Appearing Rooms, Villa Manin, 2004 |
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2004 |
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Gegen den Strich, Staatliche Kunsthalle Baden-Baden, Siemens Arts Program, 2004 |
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2003 |
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The Vital Coincidence, Jeppe Hein, Finn Janning (Ed.), Cologne |
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2003 |
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Most Wanted – The Olbricht Collection, Verlag der Buchhandlung Walther König, 2005 |
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2003 |
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Jeppe Hein, Editions du Centre Pompidou, Catalogue, Paris, 2005 |
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2003 |
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Sous les ponts, le long de la rivière II, Casino Luxembourg, Catalogue, 2005 |
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2003 |
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Evn Sammlung 95—05, EVN AG, Catalogue, 2005 |
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2003 |
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A Whiter Shade of Pale – Kunst aus den nordischen Ländern an der Unterelbe, Kunstverein Kehdingen/ Landschaftsverband Stade, Catalogue, 2005 |
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2003 |
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Art in Culture, Vol. No 4, December 2003, Nu-E magazine Issue #1, September 24th 2003 |
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2003 |
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Flash Art, Vol. XXXVI, No. 231, July 2003, Vincent Pécoil |
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2003 |
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Frieze. Issue 73, 2003, Dominic Eichler, Jeppe Hein, Johann König, Berlin, p. 92–93 |
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2003 |
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Art – Das Kunstmagazin, Nr. 2, Februar 2003, Kira Van Lil, Immer in einem anderen Licht |
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2002 |
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FAZ, December 29th 2002, Niklas Maak, Kunst: Die Rache des Minimalismus, p. 19 |
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2002 |
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Kunstbulletin 11 / 2002, Raimar Stange, Like a Rolling Stone? Zur künstlerischen Strategie von Jeppe Hein |
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2002 |
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Artforum 11 / 2002, Text Luca Cerizza |
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2002 |
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Der Tagesspiegel, 19.10.2002, Raimar Stange |
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2002 |
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Zitty, October 17th—30th 2002 |
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2002 |
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Süddeutsche Zeitung, 17.06.2002, Thomas Münster |
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2002 |
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Süddeutsche Zeitung, June 29th 2002, Anne Erfle **TZ (Munich), June 29th 2002, Alexander Altmann |
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2002 |
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Münchner Merkur, June 29th 2002, Simone Dattenberger |
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2002 |
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KulturSPIEGEL, Heft 7 / July 2002, Ingeborg Wiensowski |
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2001 |
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Artist Kunstmagazin, No. 51, 2001, Raimar Stange |
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2001 |
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NU: Art Magazin, TAKE OFF 2001 |
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