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Carey Young (American/British, 1970)
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Carey Young
Body Techniques (after Circles, Ulrich Ruckriem, 1971) 2007
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![Carey Young - Body Techniques (after Dance or Exercise on the Perimeter of a Square [Square Dance], Bruce Nauman, 1967-68) (Photographs) h: 48 x w: 56 in / h: 121.9 x w: 142.2 cm](http://images.artnet.com/artwork_images/264/370612t.jpg) |
Carey Young
Body Techniques (after Dance or Exercise on the Perimeter of a Square [Square Dance], Bruce Nauman, 1967-68) 2007
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Carey Young
Body Techniques (after Hartford Wash: Washing, Tracks, Maintenance: Outside, Mierle Laderman Ukeles, 1973) 2007
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Carey Young
Body Techniques (after Parallel Stress, Dennis Oppenheim, 1970) 2007
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Carey Young
Everything You've Heard is Wrong 1999
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Carey Young
I am a Revolutionary 2001
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Biography |
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1970 |
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Born in Lusaka, Zambia |
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1992 |
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BA, (Hons) University of Brighton |
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1997 |
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MA, Photography, Royal College of Art, London |
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1997 |
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Live Art Travel & Research Fund, Arts Council of England |
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2002 |
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Research Fellowship, Henry Moore Institute |
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2003 |
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Artist's residency, BBC |
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2004 |
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IASPIS fellowship, Stockholm |
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2007 |
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Sharjah Biennale residency, United Arab Emirates |
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Exhibitions |
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2009 |
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Pattern Recognition, City Gallery, Leicester, England |
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2009 |
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Commentary, Paula Cooper Gallery, New York, NY |
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2009 |
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Feedforward: The Angel of History, Laboral Art Center, Gijon, curated by Christiane Paul and Steve Deitz |
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2009 |
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The Space of the Work and the Place of the Object Sculpture Center, New York |
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2009 |
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Counter Offer The Power Plant, Toronto, Canada (solo) |
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2009 |
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Speech Acts Contemporary Art Museum Saint Louis, Saint Louis, MO (solo) |
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2008 |
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Mutual Release, Thomas Dane Project Space, London, UK (solo) |
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2008 |
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Speechcraft, Creative Time, New York Bar Association, New York, NY (5/9/08) (performance) (solo) |
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2008 |
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Soft Manipulation, or Who’s Afraid of the New Now? Casino Luxembourg, Luxembourg, curated by Maria Lind, Enrico Lunghi and Zoltan Eric & tour to Stiftelsen 3, 14, Bergen, Norway |
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2008 |
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Objects of Value curated by Rene Morales, Miami Art Museum, Miami, FL |
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2008 |
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Getting Even: Oppositions and Dialogues in Contemporary Art, Lewis Glucksman Gallery, University College Cork, Cork, Ireland |
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2008 |
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Open Video Series #7, curated by Peter Garfield, CRG Gallery, New York |
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2008 |
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Electioneering Fort Worth Contemporary Arts, Fort Worth, Texas |
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2008 |
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Better being a virus than catching a cold Mains d’Oeuvres, Paris, France |
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2008 |
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Business As Usual Museum of Contemporary Art Detroit, Detroit, Michigan |
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2007 |
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The Dotted Line, curated by Colby Chamberlain, BRIC Rotunda Gallery, Brooklyn, New York (11/7-12/21/07) |
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2007 |
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No, Future, Bloomberg Space, London |
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2007 |
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If/Then, Paula Cooper Gallery, New York (solo) |
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2007 |
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Speechcraft, Modern Art Oxford, London, England (performance) (solo) |
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2007 |
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Consideration, Midway Contemporary Art, Minneapolis (solo) |
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2006 |
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Image Transfer, Production as Process, Umea Art Academy (solo) |
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2006 |
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E-flux Video Rental, PiST, Istanbul and tour |
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2006 |
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How to Improve the World, Hayward Gallery, London (exh cat) |
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2005 |
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British Art Show 6, Baltic, Newcastle, Cornerhouse, Manchester, Nottingham Castle, Nottingham, Spike Island at A-Bond Warehouse, Bristol (exh cat) |
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2005 |
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Tirana Biennal, Tirana |
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2005 |
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Consideration, Paula Cooper Gallery, New York (part of Performa05 Biennal curated by RoseLee Goldberg) (solo) |
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2005 |
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Disclaimer, IBID Projects, London (solo) |
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2005 |
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Carey Young, Trafo Gallery, Budapest (solo) |
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2004 |
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Disclaimer, Henry Moore Institute, Leeds (solo) |
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2004 |
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I Believe in You, web and mobile phone project, launched at Tate Britain (solo) |
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2004 |
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Carey Young, Index, Stockholm (solo) |
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2004 |
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I am not a feminist. I am normal., Austrian Cultural Institute, London |
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2004 |
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Black Friday,” Galerie Kamm, Berlin, (exh cat) |
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2003 |
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A Short History of Performance - Part II, Whitechapel Gallery, London (exh cat) |
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2003 |
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Electric Earth, State Russian Museum (St Petersburg) & tour; curated by the British Council (exh. cat.) |
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2003 |
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Carey Young, IBID Projects, Vilnius (solo) |
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2002 |
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Viral Marketing, Kunstverein München,various works created within or in relation to the Kunstverein’s marketing structure (2002-2004) (solo) |
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2002 |
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The Passions of the Good Citizen,” apex art, New York (curated by Heather Felty) |
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2002 |
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Exchange and Transform (Arbeitstitel), Kunstverein Munich |
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2001 |
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Ausgetraumt (Without Dreams), Secession, Vienna (curated by Kathrin Rhomberg) (exh. cat.) |
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2001 |
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Look Out: Artists’ Reactions to Contemporary Social and Political Events, curated by Peter Kennard, Pitshanger Manor, London |
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2001 |
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Business as Usual, John Hansard Gallery, Southampton, Angel Row, Nottingham; Firstsite, Colchester (curated and organised by Film & Video Umbrella) (exh. cat.) (2001-2002) (solo) |
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2001 |
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My Megastore, site-specific works at Virgin Megastore, London (solo) |
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2000 |
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Nothing Ventured, fig-1, London (exh. cat.) (solo) |
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2000 |
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Media Art 2000, Metropolitan Museum of Modern Art, Seoul Biennale, Seoul (curated by Jeremy Millar & Barbara London) (exh. cat.) |
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2000 |
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Continuum001, Centre for Contemporary Art, Glasgow (curated by Rebecca Gordon Nesbitt) |
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1999 |
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EXIT, Art & Cinema at the End of the Century, Chisenhale Gallery, London |
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1999 |
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CRASH!, Institute of Contemporary Art, London (exh. cat.) |
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1997 |
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Zones of Disturbance / Zonen der Ver-Storung, Marieninstitut, Graz, as part of Steirisher Herbst (curated by Silvia Eiblmayr) (exh. cat.) |
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1995 |
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Stream, with Sophy Rickett & Rut Blees Luxemburg, plummet, London |
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