 |
Biography |
|
|
1955 |
|
Born in Germany, American citizen |
|
|
|
|
Lives and works in England and France |
|
|
Exhibitions |
|
|
2009 |
|
Reisen, Galerie Bugdahn und Kaimer, Düsseldorf / Germany (solo) |
|
|
2009 |
|
Quels seraient les meilleurs moyens de perfectionner l’education des femmes?, Frac Bretagne, CIAC Centre International d’Art Contemporain, Pont-Aven / France (solo) |
|
|
2009 |
|
Time is a Sausage, DomoBaal Contemporary Art, London |
|
|
2008 |
|
Summer Interval 08, Galerie Bugdahn und Kaimer, Düsseldorf / Germany |
|
|
2008 |
|
Parallax, Fieldgate Gallery, London |
|
|
2008 |
|
A Wind of Revolution Blows, the Storm is on the Horizon, Chelsea Art Space, London (solo) |
|
|
2008 |
|
Mon abécédaire, Sleeper, Edinburgh / Scotland (solo) |
|
|
2008 |
|
Natural Education, Bastart Contemporary, Bratislava / Slovakia (solo) |
|
|
2007 |
|
Freud Dreams of Rome, The Freud Museum, London (solo) |
|
|
2007 |
|
Pages, in Special Collections, University Leeds, Leeds / England |
|
|
2007 |
|
Textual Healing, The Embassy, Edinburgh / Scotland |
|
|
2006 |
|
Sitting Room, an exhibition of contemporary artists’ books, curated by Tom Sowden and Lucy May Schofield, Manchester Metropolitan Gallery, Manchester / England |
|
|
2006 |
|
La forme-valeur II, AKAU Inc., Toronto / Canada (solo) |
|
|
2005 |
|
Ma Nana et autres filles, Atelier de Marcel Dinahet, Rennes / France (solo) |
|
|
2005 |
|
Mes fils, DomoBaal Contemporary Art, London (solo) |
|
|
2005 |
|
La forme-valeur, Galerie de Cloître, ERBAR, Rennes / France (solo) |
|
|
2005 |
|
Diderot, Danielle Arnaud Gallery, London |
|
|
2005 |
|
Sommergäste, Galerie Bugdahn und Kaimer, Düsseldorf / Germany |
|
|
2005 |
|
Erratum, SYMPRA, Stuttgart / Germany |
|
|
2005 |
|
Focused Listening, Le Lieu Unique, Nantes / France |
|
|
2005 |
|
Arcadia id est: artists‘ books, nature and the landscape, touring exhibition of artists’ books |
|
|
2004 |
|
Nature and Nation, Hastings Museum and Art Gallery, Hastings / England |
|
|
2004 |
|
Cela aura déjà eu lieu, Centre d’Art Contemporain, Morsang-sur-Orge / France (solo) |
|
|
2004 |
|
Flair, Bartlet School of Architecture, University College, London (solo) |
|
|
2003 |
|
L'autre corps, Galerie Bugdahn und Kaimer, Düsseldorf / Germany (solo) |
|
|
2003 |
|
A Reader, (with Lucy Harrison and Nina Papaconstantinou) DomoBaal Contemporary Art, London |
|
|
2003 |
|
Borders and Boundaries, The Meadow Gallery, Burford / England |
|
|
2003 |
|
Twenty-four hours, The International 3 (aka The Annual Programme), Manchester / England |
|
|
2002 |
|
Le bonheur des femmes, Centre Culturel, Ploufragan / France (solo) |
|
|
2002 |
|
Le bonheur des femmes, Hôtel de Ville, Guingamp / France (solo) |
|
|
2001 |
|
Le bonheur des femmes, Galeria La Centrale, Montreal / Canada (solo) |
|
|
2001 |
|
Le bonheur des femmes, Le Triangle, Rennes / France (solo) |
|
|
2001 |
|
Centième, Editions Filigranes, Salon Paris Photo, Carrousel du Louvre, Paris / France |
|
|
2000 |
|
Loving at Home II, EdviksKonst och Kultur, Stockholm / Sweden |
|
|
2000 |
|
Jeux d'Amour, curated by Hybrid, Battersea Arts Centre and Wigmore Fine Arts, London |
|
|
2000 |
|
Le bonheur des femmes, Portfolio, Edinburgh / Scotland (solo) |
|
|
2000 |
|
Mes Péripatéticiennes, Contemporary Arts Society projects, Economist Building, London (solo) |
|
|
2000 |
|
A View from a Distance" Harwood House, Leeds / England (solo) |
|
|
2000 |
|
The Betrayal of the Image, Casino de Luxembourg, Luxembourg |
|
|
1999 |
|
Loving at Home, Centre for Freudian Research and Analysis, London |
|
|
1999 |
|
Flop, The French Institute, Edinburgh / Scotland |
|
|
1999 |
|
The Equinox, Cairn Gallery, Nailsworth / England |
|
|
1999 |
|
Alliance Française, Lodz / Poland |
|
|
1999 |
|
Passion, Gasworks, London |
|
|
1999 |
|
Wigmore Fine Art, London (solo) |
|
|
1999 |
|
La valeur d'échange, Centre d'Art Contemporain, Rueil-Malmaison / France (solo) |
|
|
1998 |
|
The School for Lovers Site Gallery, Sheffield and Bonington Gallery, Nottingham / England (solo) |
|
|
1998 |
|
Mes Folies, Galerie Behemot, Prag / Czech Republic (solo) |
|
|
1998 |
|
Mes Tendresses, Gallery TPW, Toronto / Canada (solo) |
|
|
1998 |
|
Forest, The Bull and Last, London |
|
|
1998 |
|
Body and Photography, curated by Martina Pachmanova |
|
|
1998 |
|
The Prague House of Photography, Prague / Czech Republic |
|
|
1998 |
|
Evil: Critical Interventions, John Hansard Gallery, Southampton / England |
|
|
1997 |
|
Cocktail, Raum für neue Kunst, Zürich / Switzerland |
|
|
1997 |
|
Rapport Sexuel, Installation of video at Gender and Sexuation Conference, organized by the European School of Psychoanalysis, Brunei Gallery, University of London (solo) |
|
|
1997 |
|
Des femmes et de la propriété, Site Départementale de Dourven, Bretagne / France (solo) |
|
|
1996 |
|
Je sais bien mais quand même, Musée des Beaux-Arts, Reims / France (solo) |
|
|
1996 |
|
Letters of the Blind, Gallery 101, Ottawa / Canada (solo) |
|
|
1996 |
|
En Morceaux, Raum für Neue Kunst, Zürich / Switzerland (solo) |
|
|
1994 |
|
Cent Femmes, Gallery JNJ, Prague / Czech Republic (solo) |
|
|
1994 |
|
J'appelle un chat un chat, The Library, Bookworks, London (solo) |
|
|
1994 |
|
Aphonia, CAPC, St. Fons / France (solo) |
|
|
1994 |
|
Mais quand même, Stadtausstellungshalle von Hawerkampf, Münster / Germany (solo) |
|
|
1994 |
|
J'appelle un chat un chat, YYZ, Toronto / Canada (solo) |
|
|
1994 |
|
Je sais bien, Hales Gallery, London (solo) |
|
|
1993 |
|
Jeu d'esprit, Apollohuis, Eindhoven / The Netherlands (solo) |
|
|
1992 |
|
A Bout de Souffle, Dazibao, Montreal / Canada (solo) |
|
|
1992 |
|
Coup de Foudre, Credac, Ivry-sur-Seine / France (solo) |
|
|
1992 |
|
L'attente...l'oubli, New Loom House, London (solo) |
|
|
1991 |
|
L'une sans l'autre, Les Ateliers Nadar, Marseille / France (solo) |
|
|
1991 |
|
Chimera, Aspex Gallery, Portsmouth / England (solo) |
|
|
1991 |
|
The Fire of Tongues, Ikon Gallery, Birmingham / England (solo) |
|
|
1990 |
|
The Blind Daughter, The Showroom, London (solo) |
|
|
1990 |
|
Je me souviens, Lebel Gallery, Windsor / Canada (solo) |
|
|
1990 |
|
Crossing with silver, Whitechapel Art Gallery, London (solo) |
|
|
1990 |
|
In place of the heart, Athens Biennale of Photography, Athen / Greece (solo) |
|
|
1988 |
|
Purgo et Ornat, Academy of Fine Art, Den Haag / The Netherlands (solo) |
|
|
1988 |
|
The Conversion of Pleasure into Sickness, Usher Art Gallery, Lincoln / England (solo) |
|
|
1987 |
|
Houses and Paths of Dreams, MOMA Museum of Modern Art, Oxford / England (solo) |
|
|
1987 |
|
A Trouble Shared, Riverside Studios, London (solo) |
|
|
1987 |
|
"The Conversion of Pleasure into Sickness, Chapter Arts Centre, Cardiff and Kettle’s Yard, Cambridge / England (solo) |
|
|
1986 |
|
Washing Lines, Mile End Automatic Laundry, London (solo) |
|
|
1986 |
|
Tired and Thirsty, Photogaleriet, Oslo / Norway (solo) |
|
|
1986 |
|
The vessel/held, Spitalfields Health Centre, organized by Whitechapel Art Gallery, London (solo) |
|
|
1984 |
|
Atelier de jeune creation" Centre Georges Pompidou, Paris / France (solo) |
|
|
1980 |
|
Anthony Stokes Gallery, London (solo) |
|
|
1979 |
|
Anthony Stokes Gallery, London (solo) |
|
|
1978 |
|
AIR Gallery, London (solo) |
|
|
|
|
Public Collections:
The Arts Council of Great Britain
The British Council
The Contemporary Arts Society
The Creasey Collection
London Borough of Camden
The Usher Art Gallery, Lincoln
Kettle’s Yard, Cambridge |
|
|
return to artnet.com
