 |
Biography |
|
 |
1971 |
 |
Born in Mainz |
|
 |
1990 - 1992 |
 |
Art studies at the Université Paris St. Denis |
|
 |
1992 - 1997 |
 |
Studies in philosophy, art and film history, Universities of Cologne and Bochum |
|
 |
1995 - 1999 |
 |
Kunstakademie Düsseldorf (with Gerhard Merz and Rosemarie Trockel) |
|
 |
1999 - 2000 |
 |
Whitney Museum of American Art, Independent Study Program, New York City |
|
 |
|
 |
Lives and works in Berlin |
|
 |
Exhibitions |
|
 |
2009 |
 |
Echo, Temporäre Kunsthalle Berlin (solo) |
|
 |
2009 |
 |
Monuments with a horizon line II (Sean Dawson, Zaha Hadid, Markus Miessen & Bettina Pousttchi, Karen Mirza & Brad Butler, Sergio Prego, Joel Sternfeld, Jorinde Voigt, Lawrence Weiner, Clare Woods), Buchmann Galerie, Berlin |
|
 |
2009 |
 |
HeartQuake, Museum on the Seam, Jerusalem |
|
 |
2009 |
 |
Immortality, TENT.Rotterdam Center for Visual Arts, Rotterdam, The Netherlands |
|
 |
2009 |
 |
No hay tal lugar. Territorios de lo invisible/ No such place. Castillo de Santa Bárbara, Alicante, Spain |
|
 |
2009 |
 |
Oppositions & Dialogues, Kunstverein Hannover, Germany |
|
 |
2009 |
 |
Born to Be Wild, Hommage to Steven Parrino, Kunstmuseum St. Gallen, Switzerland |
|
 |
2009 |
 |
53. Biennale di Venezia / Glasstress - Palazzo Cavalli Franchetti, Venice |
|
 |
2009 |
 |
Km 500 #2, cur. by Justus Jonas, Kunsthalle Mainz, Germany |
|
 |
2009 |
 |
Images recalled, 3. Fotofestival Mannheim-Ludwighafen-Heidelberg, Kunsthalle Mannheim |
|
 |
2009 |
 |
Pièces de résistance: Formen von Widerstand in der zeitgenössischen Kunst, cur. by Helen Hirsch, Kunstmuseum Thun |
|
 |
2008 |
 |
Heartquake, Museum od the Seam, Jerusalem |
|
 |
2008 |
 |
Three Colors: Red, Fraternity, Rohkunstbau, Villa Kellermann, Potsdam, Germany |
|
 |
2008 |
 |
The Hetley Suite, Triangle Space, Chelsea University, London |
|
 |
2008 |
 |
Zeitblick, Martin-Gropius-Bau, Berlin |
|
 |
2008 |
 |
The Krautcho Club, Forgotten Bar Project, Berlin; Project Space 176, London |
|
 |
2008 |
 |
Zehn Jahre, Verein Junge Kunst, Wolfsburg (cat.) |
|
 |
2008 |
 |
Tomorrow was yesterday, Buchmann Box, Berlin |
|
 |
2008 |
 |
Von der Heydt Museum Wuppertal, Kunsthalle Barmen (solo) (cat.) |
|
 |
2007 |
 |
Schere, Stein, Papier, Buchmann Galerie, Berlin |
|
 |
2007 |
 |
20 Jahre, Kunstverein Schwerte, Schwerte |
|
 |
2007 |
 |
BBAX, Centro Cultural Recoleta, Buenos Aires |
|
 |
2007 |
 |
Transparency, Middlebury College Museum of Art, Middlebury |
|
 |
2007 |
 |
Buchmann Galerie, Berlin (solo) |
|
 |
2007 |
 |
Passion for Art - 35 Collection Essl, Klosterneuburg/Vienna (cat.) |
|
 |
2007 |
 |
Idylle - Traum und Trugschluss, Domus Artium 2002, Salamanca, National Gallery, Prague |
|
 |
2007 |
 |
Von-der-Heydt-Museum, Wuppertal (solo) |
|
 |
2006 |
 |
Idylle - Traum und Trugschluss, Sammlung Falckenberg, Hamburg |
|
 |
2006 |
 |
Anstoss Berlin – Kunst macht Welt, Haus am Waldsee, Berlin (cat.) |
|
 |
2006 |
 |
Transparency, The Corridor Gallery, Reykjavik |
|
 |
2006 |
 |
Auswahl 4 – Wohin fahren wir eigentlich?, Ludwig Forum für internationale Kunst, Aachen |
|
 |
2006 |
 |
Arena der Abstraktion, Museum Morsbroich, Leverkusen |
|
 |
2006 |
 |
Monuments with a horizon line, Buchmann Galerie, Berlin |
|
 |
2006 |
 |
Tableau – Palais des Arts, Palais im Großen Garten, Dresden |
|
 |
2006 |
 |
The Youth of Today, Schirn Kunsthalle, Frankfurt on the Main |
|
 |
2006 |
 |
Whitney Biennale 2006: Day for Night, Peace Tower- a project by Mark di Suvero and Rirkrit Tiravanija, Whitney Museum of American Art, New York City |
|
 |
2006 |
 |
Landing, Buchmann Galerie, Berlin (solo) |
|
 |
2005 |
 |
AUSSICHT 2 - A new space for the museum, Leopold Hösch Museum, Düren (solo) |
|
 |
2005 |
 |
Buchmann Galerie, Cologne (solo) |
|
 |
2005 |
 |
Dreams, Buchmann Galerie, Cologne |
|
 |
2005 |
 |
Limits. Soziale Erkundungen I, Dortmunder Kunstverein (solo) |
|
 |
2005 |
 |
take off, Buchmann Galerie, Cologne (solo) |
|
 |
2004 |
 |
starker Staat // Stato forte, Galleria Next Door, Rome (solo) |
|
 |
2004 |
 |
CineRoma, public city project, Rome (solo) |
|
 |
2004 |
 |
rheinschau. art cologne projects, Rheinforum, Cologne |
|
 |
2004 |
 |
Utopia Station, Haus der Kunst, Munich (with Thea Djordjadze and Rosemarie Trockel) |
|
 |
2004 |
 |
Träum weiter, Kunstgruppe Cologne |
|
 |
2004 |
 |
You`ll never walk alone, Künstlerverein Malkasten, Dusseldorf |
|
 |
2004 |
 |
Incursione vesuviana, Mostre d`Oltremare, Naples |
|
 |
2004 |
 |
VIP 2- Die Neuen, Museum Morsbroich Leverkusen |
|
 |
2003 |
 |
Utopia Station Poster Project, Haus der Kunst, Munich (with Thea Djordjadze and Rosemarie Trockel) |
|
 |
2003 |
 |
Utopia Station Poster Project, Kunst + Projekte, Sindelfingen (with Thea Djordjadze and Rosemarie Trockel) |
|
 |
2003 |
 |
Biennale di Venezia, Utopia Station Poster Project, Venice (cat.) (with Thea Djordjadze and Rosemarie Trockel) |
|
 |
2003 |
 |
Biennale di Venezia, Absolut Generations, Palazzo Zenobio, Venice (cat.) (with Thea Djordjadze and Rosemarie Trockel) |
|
 |
2003 |
 |
poème/ image, Kunsthaus Schloss Wendlinghausen |
|
 |
2003 |
 |
Suite Voices #5, Vous etes ici, Amsterdam |
|
 |
2003 |
 |
Württembergischer Kunstverein Stuttgart (cat.) (solo) |
|
 |
2002 |
 |
Vous etes ici, Amsterdam (solo) |
|
 |
2002 |
 |
Chelsea Kunstraum, Cologne (solo) |
|
 |
2002 |
 |
Das Letzte, das Allerletzte, Kunstgruppe Cologne |
|
 |
2002 |
 |
Gibt`s nicht - Geht nicht, Universität Bonn |
|
 |
2002 |
 |
Villa Romana 2003, Museum Morsbroich, Leverkusen |
|
 |
2002 |
 |
Slow Motion, Ludwig Forum für internationale Kunst, Aachen (cat.) |
|
 |
2002 |
 |
Camere con Vista, Il Filatoio, Caraglio, Turin (cat.) |
|
 |
2002 |
 |
Very important pieces 1, Museum Morsbroich Leverkusen |
|
 |
2001 |
 |
In and out of control, Holden Gallery, Manchester |
|
 |
2001 |
 |
German Leitkultur, Kunsthalle Friedericianum, Kassel (cat.) |
|
 |
2001 |
 |
Museum Morsbroich, Leverkusen (cat.) (solo) |
|
 |
2001 |
 |
Verein Junge Kunst, Wolfsburg (cat.) (solo) |
|
 |
2001 |
 |
Videofilme von Künstlern, Kunsthalle Recklinghausen (cat.) |
|
 |
2000 |
 |
Suite Voices #3, Vous etes ici, Amsterdam |
|
 |
2000 |
 |
Utopische Räume, Buchmann Galerie, Cologne |
|
 |
2000 |
 |
Here we change, Städtische Galerie Gladbeck |
|
 |
2000 |
 |
Schnitt 2000, Kunstverein für die Rheinlande und Westfalen, Düsseldorf (cat.) |
|
 |
2000 |
 |
Daydreams, Sies + Höke Galerie Düsseldorf |
|
 |
2000 |
 |
Gestalten der Wahrnehmung, Galleria Civica di Arte Contemporanea, Trento (cat.) |
|
 |
2000 |
 |
Wuckenhof, Kunstverein Schwerte (cat.) |
|
 |
2000 |
 |
Video Purgatory, Bona Fide Gallery, Chicago |
|
 |
1999 |
 |
Natural Reality, Ludwig Forum für Internationale Kunst, Aachen (cat.) |
|
 |
1998 |
 |
Synthetik, Buchmann Galerie, Cologne |
|
 |
1997 |
 |
Wer schützt uns vor Hansi?, Kunstwerk, Cologne |
|
 |
Literature |
|
 |
2007 |
 |
Bettina Pousttchi: Reality Reset, Von der Heydt Museum Wuppertal, Verlag der Buchhandlung Walther König, Cologne |
|
 |
2007 |
 |
Bettina Pousttchi: Departure, Verlag der Buchhandlung Walther König, Cologne |
|
 |
2006 |
 |
Becker, Ilka, “Zeitbaustellen – Bettina Pousttchi in der Buchmann Galerie, Köln und Berlin, dem Dortmunder Kunstverein und im Leopold-Hoesch-Museum, Düren”, in: Texte zur Kunst, March 2006, Heft 61, pp. 157-159 |
|
 |
2006 |
 |
Lebowitz. Cathy, “Bettina Pousttchi at Buchmann Galerie ”, in: Art in Amerika, Jne/Juli 2006, p. 202 |
|
 |
2006 |
 |
Werneburg, Brigitte, “Kunstrundgang” in: taz Berlin lokal from 05.04.2006, p. 27 |
|
 |
2005 |
 |
Braun, Susanne, “Bettina Pousttchi: Take Off”, Stadtrevue 12/2005, Cologne |
|
 |
2005 |
 |
Christofori, Ralf, “ Bettina Pousttchi in der Buchmann Galerie Köln”, in Kunstbulletin 12/2005, Zurich |
|
 |
2005 |
 |
“Nine to Five”, Monopol Magazine, No. 1/2005, Feb./ March, pp.80-83 |
|
 |
2005 |
 |
Pieroni, Augusto, “Bettina Pousttchi”, in: Around Photography, 4/2005, p.58/59 |
|
 |
2004 |
 |
Cresci, Simona, “Bettina Pousttchi. NextDoor Roma”, in: Flash Art, No. 249, Dec. 2004, p.127 |
|
 |
2004 |
 |
Holert, Tom/ Jahn, Andrea/ Christofori, Ralf, “Bettina Pousttchi, Screen Settings”, Hg./Ed. Andrea Jahn), Württembergischer Kunstverein Stuttgart, January 2004 |
|
 |
2004 |
 |
Löffler, Petra, “Bettina Pousttchi Screen Settings”, in: Springerin 01/2004, pp.67-68 |
|
 |
2004 |
 |
Marotta, Ilaria, “Bettina Pousttchi”, in: Exibart on Paper, No. 19, Dec. 2004, p.43 |
|
 |
2004 |
 |
“Reality Reset- Bettina Pousttchi”, in: Segno, No.198 Sept. 2004, pp.56-57 |
|
 |
2003 |
 |
‘When Pousttchi met Trockel’, TIME Magazine, 7.April 2003, 68/69 |
|
 |
2003 |
 |
Forstbauer, Nikolai B.`Reise in das Zentrum tosender Ruhe`, Stuttgarter Nachrichten, Nr. 287, Dec. 12, 2003 |
|
 |
2003 |
 |
Impressionen aus der Fankurve, Elle, Dec. 2003, p. 268 |
|
 |
2003 |
 |
Forstbauer, Nikolai B.`Verlorene Weite aud sturmumtoster Brücke`, Stuttgarter Nachrichten, Nr. 287, Nov. 17, 2003 |
|
 |
2003 |
 |
Hoffmans, Christiane, ‘Kunst im Doku-Clip’, Welt am Sonntag, April 20, 2003, 77 |
|
 |
2003 |
 |
Koegel, Alice, ‘Venedig sehen und werben’, Stadtrevue Köln, August 2003 |
|
 |
2003 |
 |
Kaufmann, Susanne, `Bettina Pousttchi im Kunstverein´, Kunstzeitung Nr.89, p.10 |
|
 |
2003 |
 |
Bettina Pousttchi: Screen Settings, Württembergischer Kunstverein, Hatje Cantz Verlag, Ostfildern-Ruit |
|
 |
2002 |
 |
Thiel, Wolf-Günther / Christochowitz, Dunja, ‘The Return of the Surreal’, Flashart International, Nr. 224, 109 / 110 |
|
 |
2002 |
 |
Koch, Thorsten / Weber, Andreas, ‘Das Ich als Installation’, Merian Köln, March 2002, 68 / 69 |
|
 |
2001 |
 |
Bettina Pousttchi: Die Katharina-Show, Museum Morsbroich Leverkusen, Leverkusen |
|
|