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Ryan Gander (British, 1976)
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Ryan Gander
As it presents itself - Somewhere Vague 2008
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Biography |
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1976 |
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Born in Chester, United Kingdom |
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1996 - 1999 |
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First Class Degree, BA (Hons) Interactive Art - Manchester Metropolitan, University, Manchester, United Kingedom |
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1999 - 2000 |
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Post-Graduate Fine Art Research Participant - Jan van Eyck Akademie, Maastricht, Netherlands |
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2001 - 2002 |
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Post-Graduate Fine Art Participant - Rijksakedemie van beeldende kunsten, Amsterdam, Netherlands |
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2001 - 2003 |
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Arts Council of England International Fellowship, UK (catalogue) |
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2003 |
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Prix De Rome for Sculpture, Netherlands (catalogue) |
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2004 |
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Cocheme Fellowship, Byam Shaw School of Art, London, UK |
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2005 |
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Beck’s Futures Shortlist, ICA, London, UK (catalogue) |
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2006 |
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ABN AMRO Art Price, ABN AMRO head office Amsterdam, Netherlands (catalogue) |
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2006 |
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Baloise Art Statements Prize, Art Basel, Switzerland |
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2007 |
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DENA Foundation Art Award, France (catalogue) |
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2008 |
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Paul Hamlyn Award, UK |
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2009 |
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Nominee for The Times, South Bank Breakthrough Award, UK |
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2009 |
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Zurich Art Prize, Haus Konstruktiv, Switzerland |
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Lives and works in London and Amsterdam |
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Exhibitions |
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2009 |
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Radical Autonomy, Centre D’Art Contemporain, Saint-Nazaire, France |
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2009 |
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Space as Medium, Miami Art Museum, Miami, Florida, USA |
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2009 |
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Pete and Repeat, works from Zabludowicz Collection, London, UK |
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2009 |
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The die is cast, Villa Arson, Nice, France (solo) |
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2009 |
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Eleanor Antin, Marcel Broodthaers, Peter Friedl, Ryan Gander, Erna Hecey Gallery Temporary Space, Cologne, Germany (solo) |
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2009 |
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Forms of Enquiry, Architects Association, London, UK |
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2009 |
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Talk Show, ICA, London, UK |
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2009 |
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The Happy Interval, Tulips & Roses, Vilnius, Lithuania |
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2009 |
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Fax, The Drawing Center, New York, US |
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2009 |
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Natural Wonders, Baibakov Art Projects, Moscow, Russia |
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2009 |
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Lisson presents 4, Lisson Gallery, London, UK |
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2009 |
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Contested Ground, 176 Gallery, London UK |
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2009 |
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Trying to cope with things that aren’t human, David Cunningham Projects, San Francisco, US |
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2009 |
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The Malady of Writing, MACBA, Museu d’Art Contemporani de Barcelona, Barcelona, Spain |
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2009 |
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Younger than Jesus, New Museum, New York, US |
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2009 |
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Mirrors, MARCO, Vigo, Spain |
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2009 |
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Several Silences, The Renaissance Society, Chicago, US |
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2009 |
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British Subjects, Neuberger Museum of Art, New York, US |
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2009 |
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Trying to cope with things that aren’t human, AirSpace Gallery, Stoke on Trent, UK |
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2009 |
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Forms of Enquiry, Architects Association, London, UK |
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2009 |
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Natural Wonders, Baibakov Art Projects, Moscow, Russia |
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2009 |
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Places To Be. New York – Shanghai – Tel Aviv – Texas – Zagreb, video program The Bakery, Annet Gelink Gallery, Amsterdam, Netherlands |
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2009 |
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Desiring Necessities, John Hansard Gallery, Southampton, UK |
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2009 |
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Videotheque, Annet Gelink Gallery |
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2009 |
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The Story Teller, ICI, New York, USA (group) |
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2009 |
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As it presents itself, Picture This, Bristol, UK (group) |
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2009 |
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The Space of Words, MUDAM Grand Duc Jean, Luxembourg (group) |
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2009 |
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Desire Acquire, Galerie Bob van Orsouw gmbh, Zürich, Switzerland (group) |
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2009 |
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The Making of Art, Schirn Kunsthalle, Frankfurt, Germany (group) |
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2009 |
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I let somebody get under my skin, Annet Gelink Gallery, Amsterdam, Netherlands (solo) |
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2009 |
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It’s a right Heath Robinson affair (a stuttering exhibition in two parts), Kadist Art Foundation and gb Agency, Paris, France (solo) |
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2009 |
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Heralded as the new black / Forward, Museum Boijmans Van Beuningen, Rotterdam, NL (solo) |
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2008 |
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Something Vague, Bonner Kunstverein, Bonn, Germany (solo) |
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2008 |
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Heralded as the new black / Forward, IKON Gallery, Birmingham, UK (solo) |
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2008 |
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Heralded as the new black / Forward, South London Gallery, London, UK (solo) |
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2008 |
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Something Vague, Sankt Gallen Kunstverein, Sankt Gallen, Switzerland (solo) |
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2008 |
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Annet Gelink Gallery, Amsterdam, NL (solo) |
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2008 |
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Tanya Bonakdar Gallery, New York, US (solo) |
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2008 |
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Is this guilt in you too – (Cinema Verso), STORE, London, UK (solo) |
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2008 |
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One of these things is not like other things, Galleria 1/9 unosunove, Rome, Italy |
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2008 |
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The flight of the Dodo, Project Arts Centre, Dublin, Ireland |
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2008 |
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AWOL – Biennale of Young Artists, META Cultural Foundation, Bucharest, Rumania |
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2008 |
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Wouldn’t it be nice, Centre d’Art Contemporain pt 2, Geneva, Switzerland |
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2008 |
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Wouldn’t it be nice, Somerset House, London, UK |
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2008 |
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Inaugural Show, Marz Galleria, Lisbon, Portugal |
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2008 |
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This is not a void, Galeria Luisa Strina, Sao Paolo, Brasil |
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2008 |
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Self Storage, Curatorial Industries, San Francisco, USA |
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2008 |
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I desired what you were, I need what you are, Galleria Maze, Torino, Italy |
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2008 |
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Within the big structure, Berlin-Mitte, Berlin, Germany |
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2008 |
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Life on Mars, Carnegie International, Carnegie Museum of Art, Pittsburg, USA |
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2008 |
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As It Presents Itself – Somewhere Vague, Whitstable Biennale, Whitstable, UK |
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2008 |
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MARCO, Museo Arte Contemporánea de Vigo, Vigo, Spain |
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2008 |
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Somebody’s playing me 1998 – 2008, Taro Nasu Gallery, Tokyo, Japan (solo) |
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2008 |
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And it came to life, Marz Galleria, Lisbon, Portugal (solo) |
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2008 |
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Championed by Rigour, Tanya Bonakdar Gallery, New York, US (solo) |
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2008 |
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Basquiat, Store Gallery, London, UK (solo) |
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2008 |
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Never let the truth get in the way of a good story, Site Gallery, Sheffield, UK (group) |
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2008 |
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Future Landscape, Royal Academy of Arts, London, UK (group) |
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2008 |
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A Recent History of Drawing & Writing, ICA, London, UK (group) |
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2008 |
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Playtime, Betasalon, Paris, France (group) |
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2008 |
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Out of sight, Proyectos Monclova, Mexico (group) |
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2008 |
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Delirious Beijing, PKM Gallery, Beijing, China (group) |
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2008 |
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Revolutions – forms that turn, 16th Biennale of Sydney, Australia (group) |
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2008 |
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Art Now Curate, Tate Modern, London, UK (group) |
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2008 |
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Featuring, Galerie Chez Valentin, Paris, France (group) |
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2007 |
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Performa 07, New York, US (group) |
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2007 |
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Ghostwriter Subtext, Taro Nasu Galley, Tokyo, Japan (solo) |
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2007 |
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More than the weight of your shadow, Diawa Factory, Hiroshima, Japan (solo) |
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2007 |
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Passengers, CCA Wattis Institute for Contemporary Arts, San Francisco, US (solo) |
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2007 |
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Phantom of Appropriation, In the stream of life Betonsalon, Paris, France (solo) |
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2007 |
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Short Cut through the trees, MUMOK, Vienna, Australia (solo) |
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2007 |
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The Last Work, Stedelijk Museum, Amsterdam, Netherlands (solo) |
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2007 |
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Of Any Actual Person, Living or Dead, STORE, London, UK (solo) |
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2007 |
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Mumok, Vienna, Austria (solo) |
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2007 |
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The Last Show, Stedelijk Museum, Amsterdam, Netherlands (solo) |
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2007 |
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Gallery Cover, Annet Gelink Gallery, Amsterdam, Netherlands (solo) |
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2007 |
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How soon is now?, Fundación Luís Seoane, Coruna, Spain |
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2006 |
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Objet a Part, Centre d’art Contemporain, Noisy le sec, France |
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2006 |
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Cohen and Leslie, New York, USA |
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2006 |
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In touchable, Villa Arson, Nice, France |
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2006 |
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Tate Triennial, Tate Britain, London, United Kingdom |
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2006 |
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Constellations, Tanya Bonakdar, New York, USA |
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2006 |
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Curating the Library, de Singel, Antwerp, Belgium |
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2006 |
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Projection, Museum of Art Lucerne, Switzerland |
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2006 |
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Wrong, Klosterfelde, Berlin, Germany |
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2006 |
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The show will be open when the show will be closed, Store, London, United Kingdom |
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2006 |
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Whitstable Biennale, Whitstable, United Kingdom |
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2006 |
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Le Spectre des Armatures, Glassbox, Paris, France |
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2006 |
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Trial Balloons, Musac, Leon, Spain |
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2006 |
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Don Quijote, Witte de Witte, Rotterdam, Netherlands |
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2006 |
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Nine Projects for the Pavilion de l’Esprit Nouveau, GAM, Bologna, Italy (solo) |
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2006 |
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Art Positions with STORE, Miami Basel, USA (solo) |
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2006 |
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Marc Foxx, Los Angeles, USA (solo) |
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2006 |
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ABN AMRO Kunstprijs, ABN AMRO head quarter, Amsterdam, Netherlands (solo) |
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2006 |
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Templates for… Massimo de Carlo, Milan, Italy (solo) |
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2006 |
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Is this guilt in you too - (Cinema Verso), STORE/Whitechapel East Wing, London, United Kingdom (solo) |
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2006 |
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Spencer Forget About Good Art Basel Unlimited with Annet Gelink Gallery, Basel, Switzerland (solo) |
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2006 |
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The title taken from reading that book (with George Henry Longly), Elisabeth Kaufmann, Zurich, Switzerland (solo) |
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2006 |
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Is this guilt in you too – (The study of a car in a field), MUMOK, Vienna, Austria (solo) |
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2006 |
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Your clumsiness is the next man’s stealth, Annet Gelink Gallery, Amsterdam, Netherlands (solo) |
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2006 |
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Ghostwriter Subtext, Premier container, Art Basel Premier with STORE, Miami Basel, USA (solo) |
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2006 |
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Didactease, Marc Foxx, Los Angeles, USA (solo) |
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2005 |
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But it was all green, Artists Space, New York, USA (solo) |
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2005 |
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Of Any Actual Person, Living or Dead, with Aurélien Froment, Les Laboratoires d'Aubervilliers, Paris, France (solo) |
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2005 |
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Art Basel Statements with Annet Gelink Gallery, Basel, Switzerland (solo) |
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2005 |
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Is This Guilt in You Too – (The Study of a Car in a Field), Annet Gelink Gallery, Amsterdam, Netherlands (solo) |
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2005 |
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Somewhere between 1886 and 2030 (2005), Store, London, United Kingdom (solo) |
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2005 |
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Spectator T, Sheffield, United Kingdom |
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2005 |
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T1 Triennial, Castello di Rivoli Museo d'Arte Contemporanea, Turin, Italy |
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2005 |
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Free Library, M + R Gallery, London, United Kingdom |
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2005 |
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Romance – A Novel, Cristina Guerra Contemporary Art, Lisbon, Portugal |
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2005 |
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Jaybird, Zero... Milan, Italy |
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2005 |
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Post No Bills, White Columns, New York, USA |
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2005 |
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Petites Compositions Entre Amis, GB Agency, Paris, France |
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2005 |
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Invisible Script, W139, Amsterdam, Netherlandds |
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2005 |
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Beck’s Futures, CCA, Glasgow, United Kingdom |
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2005 |
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In This Colony, Kunstfort bij Vijfhuizen, Netherlands |
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2005 |
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Beck’s Futures, ICA, London, United Kingdom |
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2005 |
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A Show Without Works, Project Room, Spazio Lima, Milan, Italy |
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2005 |
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The World, Abridged, Kettles Yard, Cambridge, United Kingdom |
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2005 |
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Timeline, The Store & Window 32, Paris, France |
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2004 |
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An Incomplete History of Ideas, Cornerhouse, Manchester, United Kingdom (solo) |
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2004 |
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But it was all green, Annet Gelink Gallery, Amsterdam, Netherlands (solo) |
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2004 |
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La Galerie dans ma Poche, Leeds and London, United Kingdom (solo) |
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2004 |
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Romantic Detachment, PS1, New York, USA |
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2004 |
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Romantic Detachment, Chapter Arts, Cardiff, United Kingdom |
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2004 |
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Romantic Detachment, Q Arts, Derby, United Kingdom |
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2004 |
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Romantic Detachment, Folly Gallery, Lancaster, United Kingdom |
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2004 |
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Making Public, CBK, Dordrecht, Netherlands |
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2004 |
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Summer Pursuits, STORE, London, United Kingdom |
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2004 |
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Loose Associations, Centre Pompidou, Beaubourg, Paris, France |
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2004 |
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Loose Associations, Foksal Gallery, Warsaw, Poland |
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2004 |
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Artist House, The Round Foundry, Leeds, United Kingdom |
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2003 |
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But it was all green, Store, London, United Kngdom (solo) |
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2003 |
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The Death of Abbé Faria, Stedelijk Museum Bureau, Amsterdam, Netherlands (solo) |
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2003 |
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Catch Me, Onufri, National Gallery of Albania, Albania |
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2003 |
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Tourette's, W139, Amsterdam, Netherlands |
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2003 |
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RDV, Résonance, Galerie des Terreaux, Lyon Biennale, Lyon, France |
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2003 |
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Prix de Rome Winner, Gem, Museum voor Actuele Kunst, Den Haag, Netherlands |
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2003 |
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Grizedale Artist in Residence, Cumbria, United Kingdom |
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2002 |
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Unloaded, (Disused Military Bunkers), Oberschan, Switzerland |
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2002 |
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Marie Aurore Sorry, The International 3, Manchester, United Kingdom (solo) |
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2002 |
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In Return, with Shahryar Nashat, Centre Pasquart, Bienne, Switzerland (solo) |
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2001 |
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Record Collection, Forde Gallery, Geneva, Switzerland |
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2001 |
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In a language…, Project ruimte zuid en oost, Amsterdam, Netherlands |
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2001 |
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Year of the Artist Residency, The Lowry, Manchester, United Kingdom |
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2000 |
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The Oriel Mostyn Open, Llandudno, United Kingdom |
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2000 |
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Square City, Holden Gallery, Manchester, United Kingdom |
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2000 |
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Goethe’s Oak Has Woodworm, Static Gallery, Liverpool, United Kingdom |
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2000 |
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Unfortunately Last Sunday, Museum Het Domain, Sittard, Netherlands |
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2000 |
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Free Space, Nieuw Internationaal Cultureel Centrum, Antwerpen, Belgium |
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Literature |
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2008 |
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Heralded as the new black, artist book published on the occasion of the exhibition at the Ikon gallery, Birmingham, South London gallery, London, and the Museum Boijmans Van Beuningen, Rotterdam |
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2008 |
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The Viewing Room, Daiwa Press Co. Ltd (with Taro Nasu) |
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2007 |
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Intellectual Colours, book published on the ocassion of the presentation the Dena Foundation Art Award 2006, Dena Foundation of Contemporary Art and Silvana Editoriale |
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2007 |
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Parallel Cards, a project by Ryan Gander (with Mia Frostner, Robert Sollis, Paul Tisdell, Rasmus Troelsen), ISBN 978-3-902490-31-5 |
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2007 |
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Loose Associations and other Lectures, One Star Press, Paris |
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2007 |
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Appendix Appendix, Christoph Keller Editions/JRP Ringier (with Stuart Bailey) |
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2006 |
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Pure Associations, ABN AMRO, Amsterdam |
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2005 |
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From The Alpinist, Fort Vijfhuizen / Artimo, 90-8546-042-5 |
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2005 |
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It’s Like the Spoilt Brat of the Dictionary... STORE, 0-9550142-0-4 (with Alice Fisher) |
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2004 |
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The Boy that always looked up, Cornerhouse, 0-948797-44-4 (with Sara De Bondt) |
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2003 |
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Appendix, Artimo, 90-75380-60-7 (with Stuart Bailey) |
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2002 |
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In a language, i3, 0-9542058-1-2 (with Sara De Bondt) |
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