 |
|
Thomas Scheibitz (German, 1968)
|
 |
Thomas Scheibitz
Boot 2008
|
|
 |
Thomas Scheibitz
Brot & Spiele 2004
|
|
 |
Thomas Scheibitz
Goldbeck 2006
|
|
 |
Thomas Scheibitz
GP 127 2009
|
|
 |
Thomas Scheibitz
GP 133 2009
|
|
 |
Thomas Scheibitz
James Hall 2006
|
|
|
Biography |
|
|
1968 |
|
Born in Radeberg, Germany |
|
|
1995 |
|
Scholarship Studienstiftung des Deutschen Volkes |
|
|
1991 - 1996 |
|
Study at HfBK Dresden, Diploma |
|
|
1996 |
|
Master Student withi Prof. Kerbach, HfBK Dresden |
|
|
1998 |
|
Hegenbarth Scholarship, Projekt TYCOON-TOKIO |
|
|
|
|
Lives and works in Berlin |
|
|
Exhibitions |
|
|
2009 |
|
Missing Link in Delphi, Tanya Bonakdar Gallery, New York, USA (solo) |
|
|
2009 |
|
Wall Rockets: Contemporary Artists and Ed Ruscha, The Flag Art Foundation, New York |
|
|
2008 |
|
Zuordnungsprobleme, Johann König Galerie, Berlin, Germany |
|
|
2008 |
|
Out of Storage 1, Peintures de la Collection, MUDAM, Musée d’Art Moderne Grand-Duc Jean, Luxembourg |
|
|
2008 |
|
Sprüth Magers, Berlin, Germany (solo) |
|
|
2008 |
|
about 90 elements/TOD IM DSCHUNGEL, Camden Arts Centre, London, UK (solo) |
|
|
2008 |
|
about 90 elements/TOD IM DSCHUNGEL, MUDAM, Luxembourg (solo) |
|
|
2007 |
|
about 90 elements/TOD IM DSCHUNGEL, IMMA Irish Museum of Modern Art, Dublin, Ireland (solo) |
|
|
2007 |
|
The Artist’s Dining Room, Tate Modern, London, United Kingdom
Wonderwall – Constructing the Sublime, Tomio Koyama Gallery, Tokio, Japan
Imagination becomes Reality. Werke aus der Sammlung Goetz, ZKM, Karlsruhe, Germany
Return to form, Patricia Low Contemporary, Gstaad, Switzerland
Re-Dis-Play, Kunstverein Heidelberg, Heidelberg, Germany
Perspektive 07, Lenbachhaus München, Munich, Germany
I can only see things when I move. Positionen zeitgenössischer Kunst auf Papier, Staatliche Kunstsammlungen, Dresden, Germany
Rockers Island. Olbricht Collection, Folkwang Museum, Essen, Germany |
|
|
2007 |
|
Less is more - more could be Less, Kerlin Gallery, Ireland |
|
|
2007 |
|
Multiplex: Directions in Art, 1970 to Now, Museum of Modern Art, New York City, USA |
|
|
2007 |
|
Sculptors Drawing, Aspen Art Museum, Aspen, USA |
|
|
2007 |
|
KölnSkulptur 4, bis/until 1. April 2009 im Skulpturenpark Köln, Germany |
|
|
2007 |
|
Wahlverwandschaften, Neues Museum Weimar, Weimar, Germany |
|
|
2006 |
|
Produzentengalerie, Hamburg, Germany (solo)
„Blick über ein bewohntes Tal/View over a populated Valley“, Tanya Bonakdar Gallery, New York, NY (solo)
„Casa Amalia Index“, Galerie Monika Sprüth Philomene Magers, Köln/Cologne, Germany (solo)
"Infinite Painting", Villa Manin Centro d’Arte Contemporanea, Codroipo (Udine), Italy
„Mondi Possibili“, “, Galerie Monika Sprüth Philomene Magers, Köln/Cologne, Germany
„Constructing New Berlin“, Phoenix Art Museum, Phoenix, AZ
Der erste Blick / Sammlung GAG“, Neues Museum Weimar, Weimar, Germany
„Heile Welt. Werke aus der Sammlung Schmidt-Drenhaus, Teil 1“, Staatliche Kunstsammlungen, Dresden, Germany
„The Triumph of Painting“, „The Triumph of Painting“, Leeds, GB
„Von Richter bis Scheibitz“, Kunstmuseum Winterthur, Winterthur, Switzerland |
|
|
2005 |
|
51st Venice Biennale, German pavilion, (with Tino Sehgal) (solo)
Etrangement proche / Seltsam Vertraut, Saarland Museum, Saarbrüken, Germany (group)
An Aside, Camden Arts Centre, London (group)
The Triumph of Painting: 20th Anniversary Exhibition, Saatchi Gallery, London (group) |
|
|
2004 |
|
Brot & Spiele, Tanya Bonakdar Gallery, New York (solo)
Galeria Fortes Vilaça, São Paulo (solo))
The stars are so big, the earth is so small... stay as you are (part I), Galerie Schipper und Krome, Berlin (group)
Etrangement proche / Seltsam Vertraut, Saarland Museum, Saarbrücken, Germany (group)
Art contemporain, de 1960 à nos jours, Centre Pompidou, Paris (group) |
|
|
2003 |
|
d i a m o n d p a p e r Editionsheft:Thomas Scheibitz/ DiG Berlin (solo)
Galerie Koch und Kesslau, 7 zeitgenössische Positionen ausgesucht von Thomas Scheibitz, Berlin (solo)
Supernova, Art of the 1990´s, Logan Collection, SFMOMA San Francisco (group)
Silver Convention, Galerie Giti Nourbakhsch, Berlin (group)
Painting on Sculpture, Tanya Bonakdar Gallery, New York (group)
Berlin-Moskau, Martin Gropius Bau, Berlin (group)
4ever Young, Sommer Contemporary Art, Israel (group)
Produzentengalerie, Hamburg (group)
Matisse and Beyond: A Century of Modernism, San Francisco Museum of Modern Art (group)
Rendered, Sara Meltzer Gallery, New York (group)
Pittura/ Painting: From Rauschenberg to Murakami, 1964-2003, Venezia, Museo Correr (group)
Architecture Schmarchitecture, Kerlin Gallery, Dublin (group)
deutschemalereizweitausenddrei (germanpaintingtwothousandthree), Frankfurt Kunstverein (group)
Painting Pictures, Kunstmuseum Wolfsburg (group) |
|
|
2003 |
|
Maus Appetit Dezember, Tanya Bonakdar Gallery, New York (solo)
Produzentengalerie, Hamburg, Germany (solo)
Matrix i95, 1-geometrica B, Art pace, San Antonio, Texas (solo)
German Expressions, Albright-Knox Art Gallery, Buffalo (group)
Artists Imagine Architecture, ICA Boston (group)
New Acquisitions, Kuntsmuseum, Winterthur, Switzerland (group) |
|
|
2001 |
|
Matrix i95, 1-geometrica B, Berkeley Art Museum, University of California, Berkeley (solo)
Bannister Diamond, Stedelijk Museum, Amsterdam (solo)
Ansicht und Plan von Toledo, Kunstmuseum Winterthur (solo)
Museum der Bildenden Künste, Leipzig (solo)
Tanya Bonakdar Gallery, New York (solo)
Thomas Scheibitz, Works on Paper Inc., Los Angeles (solo)
Premio Regione Piemonte, Fondazione Sandretto Re Rebaudengo Per L’Arte, Torino, Italy (group)
Musterkarte: Modelos de Pintura en Alemania 2001, Goethe Institute, Centro Cultural Conde dque, Heinrich Ehrhardt, and Centro Cultural Conde Duque, Madrid (group)
Das gute Leben, Galerie Gebr. Lehmann, Dresden (group)
Berlin-London 01, ICA, London (group)
Preview, Works on Paper Inc., Los Angeles (group)
Elba Benítez Gallery, Madrid (group)
F, Produzentengalerie Hamburg (group)
Painting at the Edge of the World, The Walker Art Center, Minneapolis, MN (group) |
|
|
2000 |
|
"Surrogate", Galerie Gebr. Lehmann, Dresden, Germany (solo)
"Collectors´Choise", Exit Art, New York, NY
"Wahre Wunder, Sammler & Sammlungen im Rheinland", Josef-Haubrich-Kunsthalle, Köln, Germany |
|
|
1999 |
|
"Low Sweetie", ICA, London, England (solo)
"Final Gold", Tanya Bonakdar Gallery, New York, NY (solo) |
|
|
1998 |
|
"Thomas Scheibitz", Tanya Bonakdar Gallery, New York, NY (solo)
"Trickstern", Galerie Gebr. Lehmann, Dresden, Germany (solo)
"DOUBLE", loop-raum für aktuelle kunst, Berlin, Germany (solo)
"Der Blender im Garten" (with/ mit Peter Stauss), Kunsthalle Luckenwalde, Luckenwalde, Germany (solo)
"Malery", Galerie Aurel Scheibler, Köln, Germany |
|
|
1997 |
|
temporäre Dependance, Berlin-Mitte, Germany (solo)
"Abstecher III", Galerie Gebr. Lehmann, Dresden, Germany (solo)
"Digitalin", Galerie Gebr. Lehmann, Dresden, Germany (solo) |
|
|
1995 |
|
"WÄRME" (mit E. Havekost), Galerie Gebr. Lehmann, Dresden, Germany (solo) |
|
|
Literature |
|
|
2003 |
|
Groulound Melissa, New York Reviews "Thomas Scheibitz" [p./S.124], Art News, Januar |
|
|
2003 |
|
David Galloway "The eternal reinvention of painting", International Herald Tribune, Januar |
|
|
2003 |
|
Jens Asthoff "Thomas Scheibitz:Venus - Hannibal ad portas" [p./S.191-192], Kunstforum, Januar - Februar |
|
|
2002 |
|
McClister, Nell "Thomas Scheibitz:Tanya Bonakdar Gallery" [p./S.141], Artforum, Dezember |
|
|
2001 |
|
Marcia E.Vetrocq, "Painting at het Present, Tense" [p./S.118-121], Art in America, Jg.88, Nr. 3 (März 2000) |
|
|
2001 |
|
Sibylle Omlin, "Gemalter Frost" [p./S.40], Neue Züricher Zeitung, 17.1.2001 |
|
|
2001 |
|
Oliver Kielmayer, „Drei Streifen kann auch Adidas bedeuten", Kunst-Bulletin, Juni, p./S.16-23 |
|
|
2001 |
|
Peter Guth, „Mit Rauhreif gegen das Pathos“ [p./S.56], FAZ, 12.6. 2001 |
|
|
2001 |
|
Boris Hohmeyer, "Brillanz und Schlamperei" [p./S.30], Die Welt, 26.6.2001 |
|
|
2001 |
|
Interview Patricia Ellis- Thomas Scheibitz, Flash Art, October |
|
|
2001 |
|
"Thomas Scheibitz: Ansicht und Plan von Toledo" (Texts by/ von Dieter Schwarz und Hans-Werner Schmidt), Winterthur: Kunstmuseum Winterthur/ Leipzig: Museum der Bildenden Künste |
|
|
2001 |
|
"Musterkarte- Modelos de Pintura en Alemania", Madrid: Goethe-Institut und Centro Cultural Conde Duque |
|
|
2000 |
|
"Eberhard Havekost: Goldener; Frank Nitsche: Der Springer; Thomas Scheibitz: Das kalte Herz" (Text by/ von Anna Moszynska), London:White Cube2 |
|
|
2000 |
|
Roberta Smith, "Thomas Scheibitz: Final Gold", the New York Times, 7.1.2000 |
|
|
1999 |
|
"Examining Pictures: Exhibition Paintings" (Texts by/ von Francesco Bonami und Judith Nesbitt), London:Whitechapel Art Gallery/ Chicago: Museum of Contemporary Art |
|
|
1999 |
|
"Thomas Scheibitz: Low Sweetie" (Text by/ von Emma Dexter), London: Institute of Contemporary Arts |
|
|
1999 |
|
"In Augenhöhe: Eberhard Havekost, Frank Nitsche,Thomas Scheibitz" (Texts by/ von Alexander Tolnay, Christoph Tannert, Mika Hanulla, Gerrit Gohlke, Barry Schwabsky), Berlin: Neuer Berliner Kunstverein (Ortsbegehung 5) |
|
|
1999 |
|
"Pictures of Pictures" (text by/ von Lynda Morris), Bristol: Arnofini/ Norwich: Norwich Gallery |
|
|
1997 |
|
"Thomas Scheibitz: Digitalin" (Text by/ von Christoph Tannert), Dresden: Galerie Gebr. Lehmann |
|
|
1995 |
|
"Thomas Scheibitz/ Eberhard Havekost: WÄRME" (Text by/ von Marc Auge´), Galerie Gebr. Lehmann, Dresden |
|
|
|
|
return to artnet.com