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Brian Fridge (American, 1969)
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Brian Fridge
Untitled 2006
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Brian Fridge
Untitled 2006
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Brian Fridge
Vault Sequence #10 2000
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Biography |
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1969 |
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Born in Fort Worth, TX |
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1994 |
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B.F.A. University of North Texas, Denton, TX |
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1996 |
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Dallas Museum of Art, Kimbrough Fund |
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2003 |
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International Artist in Residence, ArtPace, A Foundation for Contemporary Art, San Antonio, Texas |
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Collections American Airlines, Dallas, Texas
Modern Art Museum of Fort Worth, Texas
Museum of Fine Arts, Houston, Texas
Seattle Art Museum, Washington
Whitney Museum of American Art, New York |
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Exhibitions |
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2007 |
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P.R.I.N.T. - Looking Back, Pressing Forward, University of North Texas Art Gallery, Denton, Texas |
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2006 |
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Fridge: Photographs, Dunn and Brown Contemporary, Dallas, TX (solo) |
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2005 |
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Video Installations: Nic Nicosia, Brian Fridge, Bill Viola, Sheldon Memorial Art Gallery, Lincoln, NE
Art Show Here, Janette Kennedy Gallery, Dallas, Texas
Works on Water, Environment Education Science and Technology Building, University of North Texas, Denton, TX |
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2004 |
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5th Anniversary Exhibition, Dunn and Brown Contemporary, Dallas, Texas
New Prints, International Print Center New York, NY |
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2003 |
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Brian Fridge, ArtPace, San Antonio, TX -solo
Brian Fridge, Dunn and Brown Contemporary, Dallas, TX -solo
Untitled, Bower Living Gallery, The Bower, San Antonio, TX
Flip, Dunn and Brown Contemporary, Dallas, TX |
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2002 |
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Slide, University of Dallas, Haggerty Gallery, Irving, TX
Surface: Works on Walls, Tarrant County College, The Art Corridor II, Arlington, TX
Next, Dunn and Brown Contemporary, Dallas, TX
Graphite/Graphite, NRH Gallery, North Richland Hills, TX |
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2001 |
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Composition in Black, Dunn and Brown Contemporary, Dallas, TX -solo
Alternative Currents, The McKinney Avenue Contemporary, Dallas, TX
Phoenix Triennial 2001, Phoenix Art Museum, Phoenix, AZ
Blue Skies, Arlington Museum of Art, Arlington, TX |
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2000 |
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Vault Sequence: Video Projections by Brian Fridge, Art on Site, Inc., Four Walls, Displays Unlimited, Fort Worth, TX -solo
2000 Biennial Exhibition, Whitney Museum of American Art, New York, NY Catalogue, text by Michael Auping, Valerie Cassel, Hugh M. Davies, Jane Farver, Andrea Miller-Keller, and Lawrence R. Rinder.
Out of the Ordinary: New Art from Texas, Contemporary Arts Museum, Houston, TX. Catalogue, text by Lyn Herbert and Paola Morsiani.
Crossing State Lines, Museum of Fine Arts, Houston, TX
Houston Sculpture, Art League Houston, Houston, TX
Texas in the Biennial, Arthur Roger Gallery, New Orleans, LA
The Texas Fine Arts Association, The Jones Center for Contemporary Art, Austin, TX (traveled to Galveston Art Center, Galveston, TX). Catalogue, text by Suzanne Weaver and Charles Wylie.
Positexan…the show with the right attitude, PROJECT, Wichita, KS |
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1999 |
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Toy Models of Space, Conduit Gallery Annex, Dallas, TX -solo |
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1998 |
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Slag Channeling, Good/Bad Art Collective, Denton, TX -solo |
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1995 |
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Anti-Gravity and Artificial Snow, Good/Bad Art Collective, Denton, TX -solo
Frozen, Cora Stafford Gallery, University of North Texas, Denton, TX -solo
Brian Fridge, Union Gallery, University of North Texas, Denton, TX -solo |
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Literature |
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2007 |
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Terranova, Charissa. “Brian Fridge: Photographs,” Artlies, Spring 2007: 110. |
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2003 |
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Robinson, Gail. “Wehn Fridge Defrosts...,” Forth Worth Star-Telegram, July. |
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2003 |
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Kutner, Janet. “Images, Uncut,” The Dallas Morning News, July. |
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2003 |
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Anthony, Elis. “Top Dallas -Fort Worth Artists,” Dallas Home Design, June: 39. |
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2001 |
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McCabe, Bret. “The Iceman Cometh,” Dallas Observer, June 28-July 4: 65. |
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2001 |
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Mitchell, Charles D. “What Goes on Behind Closed Freezer Doors,” Dallas Morning News, July 11: 12C. |
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2001 |
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Robertson, Johnny. “Brian Fridge,” ArtLies, Winter 2000 - 2001: 66. |
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2000 |
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Ennis, Michael. “Northern Exposure,” Texas Monthly, February: 130. |
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2000 |
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Kimmelman, Michael. “A Whitney Team Makes Its Biennial Pitch,” New York Times, March 24: E31. |
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2000 |
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Kutner, Janet. “Art Outlet,” Dallas Morning News, July 8: 1C +. |
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2000 |
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Long, Andrew. “Artistic Centers in Texas Dallas/Fort Worth, Texas Fine Art Association,” Artlies, Summer: 50. |
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