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Biography |
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1995 |
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Hokin Gallery Honor Award Columbia College Chicago |
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1992 - 1996 |
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Skowhegan School of Painting and Sculpture, Skowhegan Maine |
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1995 - 1996 |
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Independent Study with artist McArthur Binion |
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1996 |
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Skowhegan School of Painting and Sculpture, Skowhegan Maine |
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1996 |
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Skowhegan School of Painting and Sculpture Fellowship |
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1997 - 1999 |
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Tyler School of Art, Elkins Park, PA MFA in Painting |
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1999 |
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Tyler School Of Art Project Completion Grant |
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2001 |
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LEF Foundation Sponsorship (ART OMI FOUNDATION) |
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2002 |
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Rema Hort Mann Grant |
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2002 - 2003 |
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Studio Museum in Harlem (Stipend Award One Year) |
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2003 |
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Tides Lambent Foundation Grant 2003 |
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2004 |
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Nimoy Foundation Grant (Leonard and Susan Nimoy) for HCA Artists |
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2007 |
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Lower East Side Print Project with Master Printers Doug Bennett and Jamie Miller |
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Exhibitions |
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2007 |
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Intelligent Design, Momenta Art, Brooklyn, NY |
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2007 |
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M*A*S*H*, Amory Group Exhibition |
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2007 |
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Emergency Room Show, P.S.1 Contemporary Art Center, M.O.M.A. Affiliate |
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2007 |
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Getting Blood Out of Bed Sheets, Steve Turner Contemporary, Los Angeles, CA (solo) |
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2007 |
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By the Skin of Our Teeth, Dunn and Brown Contemporary, Dallas, Texas (solo) |
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2007 |
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a gin cure, (Selected Works) Steve Turner Contemporary, Los Angeles, CA (solo) |
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2007 |
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Welcome To My World, Alexandre Pollazzon Ltd, London, United Kingdom |
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2007 |
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Group Art Show Works, Branch Gallery, North Carolina SPAM Art Fair, Barcelona, Spain |
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2007 |
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Arte Povera Now and Then, Esso Gallery and Books, New York, New York |
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2007 |
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Taking Possession, University of Arkansas, Little Rock, AR |
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2006 |
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a gin cure, Roebling Hall, New York, New York (solo) |
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2006 |
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Two Person Exhibition A GIN CURE series, Steve Turner Gallery, Beverly Hills, California |
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2006 |
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FINE PRINT, curated by Isolde Brielmaier for the Berrie Art Center Ramapo College of New Jersey |
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2005 |
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Co-Dependent The Living Room, curated by Isolde Brielmaier Design District Miami, Florida |
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2005 |
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Relics and Remnants, Jamaica Center for the Arts, Jamaica, New York |
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2005 |
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Ballroom Marfa Exhibition, curated by Fairfax Dorn, Marfa, Texas (October 2005) |
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2005 |
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Propeller, curated by Trevor Schoomaker, Steve Turner Gallery, Beverly Hills, California |
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2005 |
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Greater New York, P.S.1 Contemporary Art Center M.O.M.A. Affiliate |
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2005 |
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Out Door Facade The Check Is In The Mail, by Deborah Grant, Triple Candie, New York |
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2005 |
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Propeller, curated by Trevor Schoomaker, Steve Turner Gallery, Beverly Hills, California |
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2005 |
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Greater New York, P.S.1 Contemporary Art Center M.O.M.A. Affiliate |
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2005 |
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Out Door Facade The Check Is In The Mail, by Deborah Grant, Triple Candie, New York |
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2004 |
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Creating Their Own Image, curated by Lisa E. Farrington, Parsons School of Design, Aronson Galleries New York, New York |
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2004 |
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Word, Curated by Renne Riccardo and Paul Laster Bronx River Art Center, Bronx, New York |
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2004 |
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Notorious Improprieties, curated by Franklin Sirmans for Samson Projects, Boston, Massachusetts |
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2004 |
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Bush League, Roebling Hall, Brooklyn, New York |
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2004 |
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Seeds and Roots, Permanent Collection of Studio Museum in Harlem, curated by Thelma Golden, New York, New York |
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2004 |
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Bush League, Roebling Hall Gallery, Brooklyn, New York |
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2004 |
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Paper Chase, Curated by Renne Ricardo Axel Raben Gallery, New York, New York |
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2004 |
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Creating Their Own Image, curated by Lisa E. Farrington, Parsons School of Design, Aronson Galleries New York, New York |
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2004 |
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Word, Curated by Renne Riccardo and Paul Laster Bronx River Art Center, Bronx, New York |
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2004 |
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Notorious Improprieties, curated by Franklin Sirmans for Samson Projects, Boston, Massachusetts |
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2004 |
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Bush League, Roebling Hall, Brooklyn, New York |
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2004 |
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Seeds and Roots, Permanent Collection of Studio Museum in Harlem, curated by Thelma Golden, New York, New York |
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2004 |
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Bush League, Roebling Hall Gallery, Brooklyn, New York |
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2004 |
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Paper Chase, Curated by Renne Ricardo Axel Raben Gallery, New York, New York |
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2004 |
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Like a Witch's Teat, SATELLITE, a division of Roebling Hall, New York, New York (solo) |
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2003 |
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Seeing Red, Arena Gallery, New York, New York |
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2003 |
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Hands On Hands Down, (Curator: Christine Y. Kim) The Studio Museum in Harlem |
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2003 |
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"Lean to Exhibition", (Curator: Eungie Joo) Real Art Ways Hartford, Connecticut |
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2003 |
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Comic Release: Negotiating Identity for a New Generation, Carnegie Mellon's Regina Gouger Miller Gallery Pittsburgh, Pennsylvania |
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2003 |
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University of North Texas in Denton, Texas |
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2003 |
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Western Washington University in Bellingham, Washington |
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2003 |
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7 Walls, 8 Views, Arena Gallery, New York, New York |
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2002 |
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AIM 22 Show, Bronx Museum, Bronx, New York |
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2002 |
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Afflicted, Roebling Hall, Brooklyn, New York |
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2002 |
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Random Select Drawings and Paintings, Deborah Grant, The Scene Gallery New York, New York |
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2002 |
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Random Select Drawings and Paintings by Deborah Grant, The Scene Gallery, New York, New York (solo) |
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2001 |
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Rumors of War, Triple Candie Gallery, New York, NY |
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2001 |
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Invoking Marcus Garvey, curated by Thelma Golden, The Studio Museum in Harlem, New York |
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2001 |
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FreeStyle, Santa Monica Museum, Santa Monica California |
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2001 |
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Freestyle, curated by Thelma Golden, The Studio Museum in Harlem, New York |
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2000 |
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Travelling Show, Kansas City, Los Angeles, San Francisco, Pierogi 2000 Traveling Flatfiles |
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1996 |
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Open Air, Group show Enid Okla Homa Gallery, Chicago, IL director: Celeste Sotola |
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Literature |
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2006 |
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Who Cares, Rockefeller Brothers Fund/ Creative Time, 2006 |
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2006 |
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Who Cares, Rockefeller Brothers Fund/ Creative Time, 2006 |
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2005 |
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Propeller at Steve Turner Gallery, (Los Angeles Times) April 22,2005 |
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2004 |
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Choire Sicha, ARTFORUM (International) Top Ten, September 2004 |
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2003 |
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Benjamin Genocchio, The New York Times, March 30,2003 "Lean To" brings a hip urbanity to Hartford |
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2002 |
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Sarah Bayliss, The New York Times, December 8, 2002 "Where Art Can Be Made As Well as Hung" |
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2002 |
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Holland Cotter, The New York Times, January 4,2002 " Rumors Of War A Contemporary Exhibition Inspired By The Art Of Jacob Lawrence" |
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2001 |
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Holland Cotter, The New York Times,, August 24,2001 " Invoking Marcus Garvey While Looking Ahead" |
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2001 |
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Christian Viveros-Faune', New York Press, May 30, 2001 "Freestyle" |
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2001 |
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Holland Cotter, The New York Times, May 11,2001 "A FULL STUDIO MUSEUM SHOW STARTS WITH 28 YOUNG ARTIST AND A SHOEHORN" |
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2001 |
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Franklyn Sirmans, (curator/critic) catalogue for Freestyle STUDIO MUSEUM IN HARLEM April 29,2001 |
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Matthew Guy Nichols, Art In America, Hands On, Hands Down" at the Studio Museum in Harlem |
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Franklin Sirmans, TK Deborah Grant a gin cure solo |
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James Bae, ARTLies (Fall Edition #48) You Are Here (Ballroom Marfa Group Exhibition) |
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