 |
Biography |
|
|
1959 |
|
Born Derry, N. Ireland |
|
|
1977 - 1978 |
|
Foundation Course, Ulster Polytechnic, Jordanstown |
|
|
1978 - 1981 |
|
BA Hons. Degree Sculpture, Ulster Polytechnic, York Street |
|
|
|
|
Awards and Residencies |
|
|
|
|
1995 Irish Museum of Modern Art Glen Dimplex Artists Award |
|
|
|
|
1999 DAAD Fellowship, Berlin |
|
|
Exhibitions |
|
|
2009 |
|
“Ready the City”, Limerick City Gallery of Art, Limerick, cur. Angelika Nollert – Yilmaz Dziewior, March 14 – May 24 |
|
|
2009 |
|
“Pequena historia da Fotografia”, CGAC, Santiago de Compostela, March 12 – May 3 |
|
|
2009 |
|
“Requisite Distance”, Dallas Museum of Art, Dallas, cur. Charlas Wylie, May. 23 – Aug. 16 (solo) |
|
|
2009 |
|
The Fruitmarket, Edinburgh, April 25 – July 12 (solo) |
|
|
2009 |
|
“Three Potential Endings”, Galerie Peter Kilchmann, Zurich, Jan. 17 – Feb. 21 (solo) |
|
|
2008 |
|
The Third Space, Belfast, Oct. 17 – Nov. 14 (solo) |
|
|
2008 |
|
“Replays: Selected video works 1994-2007”, Matt’s Gallery, London, Jan. 20 – March 16 (solo) |
|
|
2008 |
|
Douglas Hyde Gallery, Dublin (solo) |
|
|
2008 |
|
‘Venice at Farmleigh’, Farmleigh Gallery, Dublin (solo) |
|
|
2008 |
|
Ghost Story, Prince Charles Cinema, London (solo) |
|
|
2008 |
|
Venice at Farmleigh, Farmleigh, Dublin |
|
|
2008 |
|
On The Margins, Mildred Lane Kemper Art Museum, St. Louis, USA |
|
|
2007 |
|
3rd Auckland Triennial, Auckland, New Zealand |
|
|
2007 |
|
Northern Ireland Pavillion, 52nd Venice Biennale (solo) |
|
|
2007 |
|
Lenbachhaus, München (solo) |
|
|
2007 |
|
Kunstverein, Hamburg (solo) |
|
|
2007 |
|
Willie Doherty, Alexander and Bonin, New York (solo) |
|
|
2006 |
|
EMPTY, Kerlin Gallery, Dublin and Galerie Peter Kilchmann, Zürich (solo) |
|
|
2006 |
|
Out of Position, Laboratorio Arte Alameda, Mexico City (solo) |
|
|
2006 |
|
RE: LOCATION, Alexander and Bonin, New York |
|
|
2006 |
|
Reprocessing Reality, P.S.1 Center for Contemporary Art, long Island City, NY |
|
|
2005 |
|
La actualidad revisada, Banque de Neuflize, Paris |
|
|
2005 |
|
The Experience of Art, Italian Pavilion, 51st Venice Biennial, Venice |
|
|
2005 |
|
The Shadow, Vestsjællands Kunstmuseum, Sorø, Denmark |
|
|
2005 |
|
Slideshow, Baltimore Museum of Art; Contemporary Arts Center, Cincinnati; Brooklyn Museum of Art |
|
|
2005 |
|
APPARATUS, Galerie Nordenhake, Berlin (solo) |
|
|
2005 |
|
APPARATUS, Galeria Pepe Cobo, Madrid (solo) |
|
|
2005 |
|
Willie Doherty: NON-SPECIFIC THREAT, Salon of the Museum of Contemporary Art, Belgrade (solo) |
|
|
2004 |
|
Willie Doherty: NON-SPECIFIC THREAT, Alexander and Bonin, New York (solo) |
|
|
2004 |
|
Willie Doherty: non-specific threat, Galerie Peter Kilchmann, Zurich (solo) |
|
|
2004 |
|
Faces in the Crowd: The Modern Figure and Avant-Garde Realism, Whitechapel |
|
|
2004 |
|
Gallery, London; Castello di Rivoli, Museo d’arte Contemporanea, Turin |
|
|
2004 |
|
Dwellan, Charlottenborg Exhibition Hall, Copenhagen |
|
|
2004 |
|
GLOCAL: APUNTES PARA VIDEOREPRESENTACIONES DE LO GLOBAL Y LO LOCAL, Galeria Moisés Pérez de Albéniz, Pamplona |
|
|
2004 |
|
3rd Berlin Biennial for Contemporary Art |
|
|
2003 |
|
Willie Doherty, De Appel, Amsterdam (solo) |
|
|
2003 |
|
Turner Prize 2003, Tate Britain, London |
|
|
2003 |
|
8th International Istanbul Biennial |
|
|
2002 |
|
Willie Doherty: False Memory, Irish Museum of Modern Art, Dublin (solo) |
|
|
2002 |
|
Unknown Male Subject, Kerlin Gallery, Dublin (solo) |
|
|
2002 |
|
Willie Doherty: Retraces, Matt’s Gallery (solo) |
|
|
2002 |
|
Willie Doherty, Paul Etienne Lincoln, Rita McBride, Alexander and Bonin, New York |
|
|
2002 |
|
RE-RUN, XXV Bienal de São Paulo, São Paulo, Brazil |
|
|
2001 |
|
Double Vision, Galerie für Zeitgenössische Kunst, Leipzig |
|
|
2001 |
|
The Inner State, (the image of man in the video art of the 1990s), Kunstmuseum Liechtenstein, Vaduz |
|
|
2001 |
|
Trauma, Dundee Contemporary Arts, Hayward Gallery, London, Firstsite, Colchester, Museum of Modern Art, Oxford, Museum of Modern Art, Nottingham |
|
|
2001 |
|
The Uncertain (Eija-Liisa Ahtila, Willie Doherty, Guillermo Kuitca, Taro Sinoda), Galería Pepe Cobo, Seville |
|
|
2001 |
|
Bloody Sunday, (Willie Doherty, Locky Morris, Philip Napier), Orchard Gallery, Derry |
|
|
2001 |
|
Gisela Bullacher /Willie Doherty, Produzentengalerie, Hamburg |
|
|
2001 |
|
Willie Doherty: How It Was/Double Take, Ormeau Baths Gallery, Belfast (solo) |
|
|
2001 |
|
Extracts from a file, Alexander and Bonin, New York (solo) |
|
|
2000 |
|
Extracts from a File, Gesellschaft für Aktuelle Kunst, Bremen (solo) |
|
|
2000 |
|
Extracts from a file, Galerie Peter Kilchmann, Zurich (solo) |
|
|
2000 |
|
Extracts from a file, DAAD Galerie, Berlin (solo) |
|
|
2000 |
|
Extracts from a file, Kerlin Gallery, Dublin (solo) |
|
|
2000 |
|
Blackspot: New Acquisitions, Vancouver Art Gallery |
|
|
2000 |
|
Hitchcock and Art: Fatal Coincidences, Musée des Beaux-Arts de Montréal, Montreal |
|
|
2000 |
|
Shifting Ground; Selected Works of Irish Art 1950 – 2000, Irish Museum of Modern Art, Dublin |
|
|
Literature |
|
|
2007 |
|
'Ghost Story', Fondazione La Biennale di Venezia, Venice |
|
|
2007 |
|
'Willie Doherty', Yilmaz Dziewior, Matthais Mühling, Kunstverein, Hamburg |
|
|
2006 |
|
'Willie Doherty: Out of Position', Marina munguia, Laboratorio Arte Alameda, Mexico City |
|
|
2002 |
|
Christov-Barkargiev, Carolyn and Caoimhin Mac Giolla Léith.' Willie Doherty: False Memory'. London: Merrell Publishers Ltd. And Dublin: Irish Museum Of Modern Art |
|
|
2002 |
|
Mac Giolla Léith, Caoimhín,' Willie Doherty: True Nature'. Chicago: The Renaissance Society |
|
|
2002 |
|
Merewether, Charles, ‘Willie Doherty, RE-RUN’, 25 Bienal de São Paulo. exhib. broch. SãoPaulo: The British Council |
|
|
2001 |
|
Jewesbury, Daniel, ‘Willie Doherty: How it Was’. Belfast: Ormeau Baths. |
|
|
2000 |
|
‘Willie Doherty: extracts from a file’. (essays by Meschede, Friedrich, Eva Schmidt, Hans-Joachim Neubauer) DAAD, Berlin |
|
|
1999 |
|
‘Willie Doherty: Dark Stains’. (essays by Lorés, Maite, and Martin McLoone) San Sebastian: Koldo Mitxelena |
|
|
1998 |
|
‘Somewhere Else’. (essay by Hunt, Ian) Liverpool: Tate Gallery, in association with the Foundation for Art and Creative Technology (FACT) |
|
|
1998 |
|
‘Willie Doherty: Extracts From a File’, daadgalerie, Berlin |
|
|
1997 |
|
‘Willie Doherty: Same Old Story’. (essays by McLoone, Martin and Jeffrey Kastner) London: Matt's Gallery |
|
|
1996 |
|
‘Willie Doherty’. (essay by Zahm, Olivier) Paris: Musee d'Art Moderne de la Ville de Paris |
|
|
1996 |
|
‘Willie Doherty: In the Dark. Projected Works’. (essays by Christov-Bakargiev, Carolyn, and Ulrich Loock) Bern: Kunsthalle Bern |
|
|
1996 |
|
‘Willie Doherty: The Only Good one is a Dead One’. (essay by Fisher, Jean) Edmonton: The Edmonton Art Gallery, Mendel Art Gallery |
|
|
1996 |
|
‘No Smoke Without Fire’. (text by Doherty, Willie) London: Matt's Gallery, (52 pages, 25 colorplates, and excerpts from video installation soundtracks) |
|
|
1996 |
|
'The Only Good one is a Dead One'. Lisbon: Fundacao Calouste Gulbenkian |
|
|
1994 |
|
‘At the End of the Day’. (essay by Christov-Bakargiev, Carolyn) exhib. broch. Rome: British School at Rome |
|
|
1993 |
|
‘Willie Doherty: Partial View’. (essay by Cameron, Dan) Dublin: The Douglas Hyde Gallery in association with the Grey Art Gallery and Study Center, New York University and Matt's Gallery, London |
|
|
return to artnet.com