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Biography |
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1960 |
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Born in Los Angeles |
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1978 - 1979 |
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Parsons School of Design, New York |
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1978 - 1979 |
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New School for Social Research, New York |
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1982 - 1985 |
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Otis Art Institute, Los Angeles |
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1986 |
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Parsons School of Design, Paris |
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Lives and works in Los Angeles |
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Exhibitions |
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2004 |
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Claudia Gian Ferrari Arte Contemporanea, Milan (solo) |
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2004 |
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Kunst im Palais am Lenbachplatz, Munich (group) |
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2003 |
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Super Nature, Overtones, Los Angeles (group) |
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2003 |
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International Unplugged, LA International, Los Angeles (group) |
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2003 |
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Wet Paint, Brea Gallery, Los Angeles (group) |
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2003 |
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Sequel, domestic setting, Los Angeles (group) |
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2003 |
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L.A Hot, Barbara Davis Gallery, Houston (group) |
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2003 |
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Roberts/Tilton Project Room, Los Angeles (solo) |
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2002 |
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Garner Tullis, New York (group) |
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2002 |
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Utopian Grids, Coagula Gallery, Los Angeles (group) |
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2001 |
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Florimbi/Gipe Projects, Santa Barbara (solo) |
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2000 |
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08 - 30 - 00, Gallery 138, Kent State University, Ohio (group) |
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2000 |
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Urban Hymns, Luckman Gallery, Cal State Los Angeles (group) |
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2000 |
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Summertime, Tricia Collins Contemporary Art, New York (group) |
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1999 |
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Stretching the Intimate, Motta Gallery, London (group) |
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1999 |
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Mod, Tricia Collins Contemporary Art, New York (group) |
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1999 |
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Selected Works, Atelier Richard Tullis, Santa Barbara (group) |
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1999 |
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Tricia Collins Contemporary Art, New York (solo) |
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1998 |
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Over the Mantle, Over the Couch, Tricia Collins, New York (group) |
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1998 |
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Cine Sur, La Paz, Bolivia (group) |
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1998 |
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Viktoria Reveals Secrets, Hanover (group) |
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1998 |
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Griffin Contemporary Exhibitions, Los Angeles (solo) |
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1997 |
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George's Gallery, Los Angeles (with Gary Matteson) |
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1997 |
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Duremos, Let's Last, Art and Idea, Mexico City (group) |
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1997 |
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Prima Vera Video, Universidad Buenos Aires, Argentina (group) |
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1997 |
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Viktoria Reveals Secrets, Gallery 242, New York (group) |
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1997 |
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Domestic Setting, Post, Los Angeles (group) |
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1997 |
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Cereijido Summer Video Festival, Tricia Collins Contemporary Art, New York (group) |
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1997 |
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Conversion, Tricia Collins - Grand Salon, New York (group) |
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1996 |
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Hodgepodge Lodge East, Hovel, New York (group) |
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1996 |
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Group Show, Tricia Collins - Grand Salon, New York (group) |
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1996 |
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Green, Factory Place Gallery, Los Angeles (group) |
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1996 |
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Tricia Collins - Grand Salon, New York (catalogue) (solo) |
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1995 |
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Bennett Roberts Fine Art, Los Angeles (solo) |
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1995 |
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Painting Beyond the Idea, Manny Silverman Gallery, Los Angeles (catalogue) (group) |
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1995 |
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Cover to Cover, The Work Space, New York (group) |
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1995 |
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Pink and Innocent, Tricia Collins - Grand Salon, New York (group) |
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1995 |
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Group Exhibition, Domestic Setting, Los Angeles (group) |
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1995 |
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The Spirit of the Matter, Tricia Collins - Grand Salon, New York (group) |
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1995 |
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A Working Title, E-space, Los Angeles (group) |
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1994 |
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L.A. Mail, Jose Friere Gallery, New York (group) |
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1994 |
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a perhaps hand, Thomas Solomon's Garage, Los Angeles (group) |
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1993 |
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Return of the Cadavre Exquis, The Drawing Center, New York (group) |
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1992 |
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Sammons Center For the Arts, Dallas (group) |
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Literature |
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Mario Cutujar, "Painting Beyond the Idea", Art Scene, Sept. 1995, pgs. 14-15 |
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David Pagel, Los Angeles Times, October 12, 1995, p. 4 |
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David DiMichele, "Painting Beyong the Idea..." Artweek, November 1995, p. 23 |
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Peter Frank,"Art Pick of the Week", L.A. Weekly, November 24, p.132 |
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Kristine Newhouse, "Sequel" at Domestic Setting, Artnet, April, 2003 |
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Eve Wood, "Implied Narratives", Artnet, February, 2003 |
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Peter Frank, "Art Pick of the Week", LA Weekly, February, 2003 |
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Charlene Roth, "Urban Hymns at the Luckman", Artweek, 2000 |
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Helga Fitzbar, "Mod", zingmagazine, Volume 3, Winter 2000, pgs. 239-240 |
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Leonard Bravo, "Lucas Reiner: Griffin Contemporary", zingmagazine, Vol. 2, Fall 1998, pgs. 236-237 |
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Mat Gleason, "Lucas Reiner: Poetry in Motion", bleach magazine, June 1998, pgs. 1 - 6. |
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Steve Mumford, "Lucas Reiner: milk, piss, blood, rust, dirt" zingmagazine, winter/spring 1997 |
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Tobey Crockett, "Lucas Reiner at Bennett Roberts", Art in America, May 1996, p. 116 |
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Julie Hormel, "Eco-Transcendence", Visions Arts Quarterly, Fall 1993, p. 37 |
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