 |
Biography |
|
 |
1954 |
 |
Born in Krefeld, Germany |
|
 |
1981 |
 |
Studied at Hochschule für Bildende Kunst, Hamburg |
|
 |
2000 |
 |
Professorship in Painting at the Kunstakademie, Düsseldorf |
|
 |
Present |
 |
Lives in Cologne and La Palma, Spain |
|
 |
Exhibitions |
|
 |
2008 |
 |
Thomas Dane Gallery, London (solo) |
|
 |
2007 |
 |
Galerie Bärbel Grässlin, Frankfurt (solo) |
|
 |
2007 |
 |
Klio. Eine kurze Geschichte der Kunst in Euramerika nach 1945, ZKM – Museum für neue Kunst, Karlsruhe, Germany |
|
 |
2007 |
 |
FÖR HITZ OND BRAND, Museum Appenzell, Appenzell, Switzerland |
|
 |
2007 |
 |
Accidental Painting, Perry Rubenstein Gallery, New York |
|
 |
2007 |
 |
Very Abstract and Hyper Figurative, (curated by Jens Hoffmann) Thomas Dane Gallery, London |
|
 |
2007 |
 |
There is never a Stopp and never a finish – Werke aus der Friedrich Christian Flick Collection im Hamburger Bahnhof, Hamburger Bahnhof / Museum für Gegenwart, Berlin |
|
 |
2007 |
 |
20E79 Inaugural Exhibition, Per Skarstedt Gallery, New York |
|
 |
2007 |
 |
Künstlerplakate, Von Picasso bis heute, Seedamm Kulturzentrum, Pfäffikon SZ, Switzerland |
|
 |
2007 |
 |
Käthe Kollwitz Museum Köln, Cologne |
|
 |
2007 |
 |
Leg Show, Patrick Painter Inc., Los Angeles |
|
 |
2007 |
 |
Kommando Friedrich Hölderlin Berlin, Galerie Max Hetzler, Berlin (cat.) |
|
 |
2007 |
 |
Wer hat Angst vor der Hamburger Krankheit?, Galerie Grolitsch, Munich |
|
 |
2006 |
 |
Time 2 Kill, with Darren Almond, Galerie Max Hetzler, Berlin (solo) |
|
 |
2006 |
 |
I Will Always Champion Good Painting, White Chapel Gallery, London, England |
|
 |
2005 |
 |
Sezession, Vienna |
|
 |
2005 |
 |
FRAC Auvergne |
|
 |
2005 |
 |
Domus Artium 2002, Salamanca |
|
 |
2005 |
 |
Albert Oehlen: I Know Whom You Showed Last Summer, Museum of Contemporary Art, North Miami, Miami, FL |
|
 |
2005 |
 |
Albert Oehlen, Thomas Ammann Fine Art AG, Zurich, Switzerland |
|
 |
2004 |
 |
Luhring Augustine Gallery, New York |
|
 |
2004 |
 |
Musée Cantonal des Beaux Arts, Lausanne |
|
 |
2004 |
 |
Galeria Fortes Vilaca, Sao Paulo |
|
 |
2002 |
 |
Galerie Nathalie Obadia, Paris, France |
|
 |
2002 |
 |
Albert Oehlen, Musée d’Art moderne et Contemporain, Strasbourg, France (catalogue) |
|
 |
2002 |
 |
Galerie Max Hetzler, Berlin, Germany (catalogue) |
|
 |
2002 |
 |
Catherine Bastide, Brüssel, Belgium |
|
 |
2002 |
 |
Painting on the Move Kunstmuseum Basel, Museum für Gegenwartskunst Basel, Kunsthalle Basel, Switzerland |
|
 |
2002 |
 |
Offene Haare, Offene Pferde - Amerikanische Kunst 1933-45 Kölnischer Kunstverein, Cologne, Germany (catalogue) |
|
 |
2001 |
 |
Vom Eindruck zum Ausdruck Grösslin Collection, Deichtorhallen Hamburg, Germany (catalogue) |
|
 |
2001 |
 |
Abbild recent portraiture and depiction Steirischer Herbst, Landesmuseum Joanneum, Graz, Austria (catalogue) |
|
 |
2001 |
 |
Works on paper, Kerlin Gallery, Dublin, Ireland |
|
 |
2001 |
 |
Salons de musique, Musées de Strasbourg, France |
|
 |
2001 |
 |
Musterkarte - Modelos de pintura en Alemania 2001 |
|
 |
2001 |
 |
Galeria Heinrich Ehrhardt/ Goethe Institute/ Centro Conde Duque/ Galeria Elba Benito, Madrid, Spain (catalogue) |
|
 |
2001 |
 |
Illingworth Kerr Gallery, Calgary, Canada |
|
 |
2001 |
 |
Luhring Augustine Gallery, New York |
|
 |
2001 |
 |
Self Portraits, Skarstedt Fine Art, New York (catalogue) |
|
 |
2001 |
 |
Checkers Galerie Bärbel Grässlin, Frankfurt/Main, Germany (catalogue) |
|
 |
2001 |
 |
Kerlin Gallery, Dublin, Ireland |
|
 |
2000 |
 |
Höre auf zu arbeiten, die Erregung nimmt Dir die Kraft Galerie Gisela Capitain, Cologne, Germany |
|
 |
2000 |
 |
Das Privileg Galerie Max Hetzler, Berlin, Germany |
|
 |
2000 |
 |
Patrick Painter, Santa Monica, USA |
|
 |
2000 |
 |
Der Ritt der sieben Nutten - das war mein Jahrhundert (with Markus Oehlen) Städtisches Museum Abteiberg, Mönchengladbach, Germany (catalogue) |
|
 |
2000 |
 |
Galerie Nathalie Obadia, FIAC, Paris, France |
|
 |
2000 |
 |
Hände weg von der Liebe Galerie Ascan Crone, Hamburg, Germany |
|
 |
2000 |
 |
In Between Expo 2000 Hannover, Germany (catalogue) |
|
 |
2000 |
 |
It May Be a Year of Thirteen Moons But it's Still the Year of Culture, organised by Charisma, Transmission Gallery, Glasgow, Scotland |
|
 |
2000 |
 |
Glee: Painting Now, The Aldrich Museum of Contemporary Art; Palm Beach Institute of Contemporary Art, USA |
|
 |
2000 |
 |
Salon Delfina, London, England |
|
 |
1999 |
 |
Lithographies, Hostrup-Predersen & Johansen Valby, Denmark |
|
 |
1999 |
 |
Refuse, Light, & a Joke Invented in Drukeness, Luhring Augustine Gallery NY |
|
 |
1998 |
 |
Galerie Nathalie Obadia, Paris |
|
 |
1998 |
 |
AT, Galerie Margo Leavin, Los Angeles |
|
 |
1998 |
 |
Recollection, Kunstverein Graz |
|
 |
1998 |
 |
Fast Forward - Image, Kunstverein Hambourg |
|
 |
1997 |
 |
Display, Charlottenborg Exhibition Hall, Copenhague |
|
 |
1997 |
 |
Achenbach Kunstausstellungen, Düsseldorf |
|
 |
1996 |
 |
Gakerie Juana de Aizpuru, Madrid |
|
 |
1996 |
 |
Provins - Legende I, Museet for Samtidskunst Roskilde |
|
 |
1995 |
 |
Dancende Meisjes - Dancing Girls, Stedelijk Museum Amsterdam |
|
 |
1995 |
 |
Galerie Friedrich Petzel NY |
|
 |
1994 |
 |
Herbert Brandl, Albert Oehlen, Christopher Wool, Museum of Modern Art Prague |
|
 |
1993 |
 |
Der Zerbrochene Spiegel, Kunsthalle, Wein / Deichtorhallen Hambourg |
|
 |
1993 |
 |
Galerie Samia Saouma Paris |
|
 |
1992 |
 |
Felix Gonzalez-Torres, Albert Oehlen, Christopher Williams, Galerie Margo Leavin, Los Angeles |
|
 |
1991 |
 |
Metropolis, Martin-Gropius-Bau, Berlin |
|
 |
1990 |
 |
Prints & Multiples, Luhring Augustine Hetzler, Santa Monica |
|
 |
1990 |
 |
Galerie Isy Brachot Brussels |
|
 |
1987 |
 |
Galerie Grässlin - Ehrhardt Frankfurt |
|
 |
1982 |
 |
Galerie Max Hetzler Stuttgart |
|
 |
Literature |
|
 |
2006 |
 |
Danel,Thomas. “Albert Oehlen”, Modern Painters: International Arts and Culture December 2005/ January 2006: 125. |
|
 |
2005 |
 |
Asthoff, Jens. “Albert Oehlen”, ART Now Volume 2, Tashen Publishing 2005: pg: 352 - 355. |
|
 |
2005 |
 |
Leffingwell, Albert. “Albert Oehlen at Skarstedt,” Art in America, Issue No 6, June/July 2005: 187-188. |
|
 |
2005 |
 |
Clearwater, Bonnie. Albert Oehlen: I Know Whom You Showed Last Summer, Museum of Contemporary Art, Miami, Florida 2005 (catalogue) |
|
 |
2004 |
 |
Albert Oehlen: Peintures/ Malerei 1980-2004, Musée cantonal des Beaux-Arts de Lausanne,Lausanne, Switzerland, 2004 (catalogue) |
|
 |
2004 |
 |
Vincent, Steven. “Albert Oehlen,” Art Review, V2N7, July/August 2004: 95. |
|
 |
2003 |
 |
Banks, Eric. Albert Oehlen talks to Eric Banks, Artforum, XLI No.8, April 2003: 182, 183, 244, 245. |
|
 |
2002 |
 |
Alber Oehlen Musee d'Art Moderne et Contemporain, Strasbourg 2002 |
|
 |
2002 |
 |
Offene Haare, offene Pferde - Amerikanische Kunst 1933-45 Kölnischer Kunstverein, Cologne 2002 |
|
 |
2002 |
 |
Albert Oehlen: Gemälde / Paintings 1980 – 1982 Galerie Max Hetzler / Holzwarth Publications, Berlin 2002 |
|
 |
2001 |
 |
Terminale Erfrischung: Computercollagen und Malerei Galerie Max Hetzler, 2001 |
|
 |
2001 |
 |
Albert Oehlen: Free Logo Galerie Bärbel Grässlin, Frankfurt 2001 |
|
 |
2001 |
 |
Vom Eindruck zum Ausdruck Grässlin Collection, Deichtorhallen Hamburg, 2001 |
|
 |
2001 |
 |
Self Portraits Skarstedt Fine Art, New York, 2001 |
|
 |
2000 |
 |
Der Ritt der sieben Nutten - das war mein Jahrhundert (with Markus Oehlen) Städtisches Museum Abteiberg, Mönchengladbach, 2000 |
|
 |
2000 |
 |
Albert Oehlen. Malerei Kunsthalle Vierseithof, Luckenwalde, 2000 |
|
 |
1997 |
 |
"Albert vs. History", Kunsthalle Bâle, 1997 |
|
 |
1996 |
 |
"Albert Oehlen", IVAM Centre del Carme, Valence, 1996 |
|
 |
1995 |
 |
"Albert Oehlen", Benedikt Taschen Verlag, Cologne, 1995 |
|
 |
1994 |
 |
"Albert Oehlen - Malerei", Deichtorhallen Hamburg, Hambourg, 1994 |
|
 |
1992 |
 |
"Albert Oehln - Gemaelde II", Galerie Max Hetzler, Köln / Luhring Augustine, New York, Cologne, 1992 |
|
|