 |
Biography |
|
 |
1905 |
 |
Born in Sheffield |
|
 |
1923 - 1929 |
 |
Worked in Sheffield as a designer |
|
 |
1927 - 1929 |
 |
Studied at Sheffield School of Art |
|
 |
1930 |
 |
Married Mary Balmford |
|
 |
1929 - 1932 |
 |
Studied at the Royal College of Art, London |
|
 |
1965 |
 |
Gold Medal, President of the Italian Council of Ministers, on the occasion of the International Congress of Artists and Critics at Verucchio |
|
 |
1946 - 1967 |
 |
Visiting teacher at Goldsmiths’ College of Art, London |
|
 |
1971 |
 |
Awarded OBE |
|
 |
1976 |
 |
Honorary Doctorate, Royal College of Art |
|
 |
1976 |
 |
Midsummer Prize, City of London |
|
 |
1984 |
 |
Died in London |
|
 |
Exhibitions |
|
 |
2001 |
 |
Definitions of Chance: Kenneth Martin / François Morellet / Sonja Rijnhout / Zdenek Sykora, Art Affairs, Amsterdam |
|
 |
1999 |
 |
Annely Juda Fine Art, London (solo) |
|
 |
1999 |
 |
Kettle’s Yard, Cambridge (solo) |
|
 |
1999 |
 |
a line in painting, Gallery Fine, London |
|
 |
1997 |
 |
Sherman Galleries, Sydney (solo) |
|
 |
1996 |
 |
Out of Order, Independent Art Space, London and John Hansard Gallery, Southampton |
|
 |
1995 - 1996 |
 |
Drawing on Chance: Selections from the Collection, Museum of Modern Art New York |
|
 |
1995 |
 |
Drawing the Line, South Bank Centre National Touring Exhibition |
|
 |
1995 |
 |
Portfolio 55 Protagonistov Konstruirare Umetuosti, Ljubijana |
|
 |
1994 |
 |
Art Unlimited, Multiples of the 60s and 90s, South Bank Centre National Touring Exhibition |
|
 |
1994 |
 |
1st International Print Triennale, Krakow, Katowice and Torun, Poland |
|
 |
1994 |
 |
Line + Movement, Annely Juda Fine Art, London |
|
 |
1993 |
 |
Partners, Annely Juda Fine Art, London |
|
 |
1993 |
 |
New Beginnings, Postwar British Art from the collection of Ken Powell, Scottish National Gallery of Modern Art, Edinburgh, Sheffield and London |
|
 |
1992 |
 |
Zufall aus Prinzip, Wilhelm-Hack-Museum, Ludwigshafen |
|
 |
1990 |
 |
British - Systematism, Stiftung fuer Konstructive und Konkrete Kunst, Zurich |
|
 |
1990 |
 |
Masterpieces from the Arts Council Collection, organised by South Bank Centre for Ueno Royal Museum, Tokyo |
|
 |
1990 |
 |
Konkret Zehn, Kunsthalle & Kunsthaus, Nuremberg |
|
 |
1990 |
 |
Avant-Garde British Printmaking 1914-60, British Museum, London |
|
 |
1990 |
 |
Camberwell Painters, Austin/Desmond Fine Art, Sunninghill |
|
 |
1990 |
 |
Galerie Renée Ziegler, Zurich (with Mary Martin) (solo) |
|
 |
1989 |
 |
Galerie Lydia Megert, Bern (solo) |
|
 |
1989 |
 |
Quadrat Bottrop (solo) |
|
 |
1989 |
 |
Joseph Albers Museum (with Mary Martin) (solo) |
|
 |
1989 |
 |
Painting the Visible World, Austin Desmond Fine Art, London |
|
 |
1989 |
 |
‘The Experience of Painting’, South Bank Centre and Laing Art Gallery Tour to Newcastle, Sheffield and Stoke |
|
 |
1989 |
 |
From Picasso to Abstraction, Annely Juda Fine Art, London |
|
 |
1989 |
 |
‘Das Quadratische Feur’, Kunsthalle, Darmstadt |
|
 |
1988 - 1989 |
 |
‘The Presence of Painting’. South Bank Centre Tour: Sheffield, Newcastle and Birmingham |
|
 |
1988 - 1989 |
 |
Modern British Sculpture from the Collection, Tate Gallery, Liverpool |
|
 |
1988 |
 |
The Non-Objective World Revisited, Annely Juda Fine Art, London |
|
 |
1988 |
 |
‘Exhibition Road’, Painters at the Royal College of Art, RCA Gulbenkian Hall |
|
 |
1987 |
 |
Annely Juda Fine Art, London (with Mary Martin) (solo) |
|
 |
1986 |
 |
40 Years of Modern Art 1945-85, Tate Gallery, London |
|
 |
1986 |
 |
From Figuration to Abstraction, Annely Juda Fine Art, London |
|
 |
1986 |
 |
Arte e Scienza-Sezione II Colore, 42nd International Art Exhibition, Venice Biennale |
|
 |
1986 |
 |
British Prints, The Post-War Years 1945-60, Redfern Gallery, London |
|
 |
1985 |
 |
Serpentine Gallery, London (solo) |
|
|