 |
|
Liza Ryan (American, 1965)
|
 |
Liza Ryan
Something tells me she didn’t look back 2006
|
|
 |
Liza Ryan
Still from “Daylight is too shallow” 2007
|
|
 |
Liza Ryan
Still from “You have seen the wind” 2007
|
|
 |
Liza Ryan
Untitled 2008
|
|
 |
Liza Ryan
Untitled (triptych) 2006
|
|
|
|
Biography |
|
|
1987 |
|
Bachelor of Fine Arts, Dartmouth College, New Hampshire |
|
|
1994 |
|
Master of Fine Arts, California State University at Fullerton |
|
|
|
|
Born in 1965. |
|
|
Exhibitions |
|
|
2007 |
|
"Motion Pictures", GRIFFIN, Santa Monica, CA |
|
|
2006 |
|
G-C Arts, Las Vegas, NV (solo) |
|
|
2006 |
|
Biennale of Sydney, “Zones of Contact,” Australia |
|
|
2006 |
|
GRIFFIN, “New Work,” Santa Monica, California |
|
|
2005 |
|
"Weather", GRIFFIN, Santa Monica, CA |
|
|
2004 |
|
Griffin Contemporary, Santa Monica, CA (solo) |
|
|
2004 |
|
Birdspace: A Post-Audobon Artists Aviary, Contemporary Arts Center, New Orleans, LA. Traveling to Norton Museum of Art, West Palm Beach, Florida and McDonough Museum of Art, Youngstown, Ohio. |
|
|
2004 |
|
Looking Backward, Moving Forward: Women Photographers in the Hood's Collection, Hood Museum of Art, Hanover, NH |
|
|
2003 |
|
Griffin Contemporary, Venice, CA (solo) |
|
|
2003 |
|
Contemporary Photography from The Manfred Heiting Collection, The Museum of Fine Arts, Houston, TX |
|
|
2003 |
|
Soft Machines, The Brewery, Los Angeles, CA |
|
|
2002 |
|
New Acquisitions/New Work/New Directions 3: Contemporary Selections, Los Angeles County Museum of Art, Los Angeles, CA |
|
|
2002 |
|
The NSM Vie Foundation and the MEP: Supporting Young Photography, Soobin Art Gallery, Singapore |
|
|
2002 |
|
Amerika-Europa, Ein kunslerischer Dialog, Von der Heydt-Museum, Wuppertal, Germany |
|
|
2001 |
|
Portretten & Stillevens: Rijksmuseum, Amsterdam, The Netherlands |
|
|
2001 |
|
Double Visions: Photographs from the Strauss Collection, University Art Museum, Cal State University, Long Beach, CA |
|
|
2001 |
|
Inhabiting, Galerie Lelong, New York, NY |
|
|
2001 |
|
University of Massachusetts Fine Arts Center, Herter Gallery, Amherst, MA (solo) |
|
|
2001 |
|
Rena Bransten Gallery, San Francisco, CA (solo) |
|
|
2000 |
|
TCM at 12: Recent Acquisitions, The Contemporary Museum, Honolulu, Hawaii |
|
|
2000 |
|
Summer Group Exhibition, Galerie Lelong, New York, NY |
|
|
2000 |
|
Self/Developed, Eyre/Moore Gallery, Seattle, WA |
|
|
2000 |
|
California Invitational, Ansel Adams Center for Photography, San Francisco, California; University Art Museum, CSU, Long Beach |
|
|
1999 |
|
Domestic Pleasures, Galerie Lelong, New York, NY |
|
|
1999 |
|
Threshold and Domestic Space, Kohler Arts Center, Sheboygan, WI; Contemporary Art Center of Virginia, Virginia Beach, VA |
|
|
1999 |
|
Body/Language, SF Camerawork, San Francisco, CA |
|
|
1999 |
|
Sigalert, Arizona State University Art Museum, Tempe, AZ |
|
|
1999 |
|
Rena Bransten Gallery, San Francisco, CA (solo) |
|
|
1999 |
|
Griffin Contemporary, Venice, CA (solo) |
|
|
1998 |
|
Rhona Hoffman Gallery, Chicago, IL (solo) |
|
|
1998 |
|
Griffin Contemporary,Venice, CA (solo) |
|
|
1998 |
|
Hollins University Art Gallery, Roanoke, VA (solo) |
|
|
1998 |
|
Degrees of Stillness: Images from the Manfred Heiting Collection, SSK Foundation - August Sander Archive, Cologne,Germany |
|
|
1998 |
|
Personal Visions, Miami Art Museum, Miami, FL |
|
|
1998 |
|
Lightscapes, Nevada Institute for Contemporary Art, Las Vegas, NV |
|
|
1998 |
|
Spread, Rena Bransten Gallery, San Francisco, CA |
|
|
1997 |
|
Luminous Code:, Texas Fine Arts, Austin, TX, curated by Jennifer Blessing; Curator, Guggenheim Museum, New York |
|
|
1996 |
|
Current Fictions: Work by Emerging Artists, Museum of Photographic Arts, San Diego, CA |
|
|
1996 |
|
Documenta, Huntington Beach Art Center, Huntington Beach, CA |
|
|
1996 |
|
Pursuing the Undocumentable, Los Angeles, CA, curated by Sue Spaid |
|
|
1995 |
|
P.L.A.N: Photography Los Angeles Now, Los Angeles County Museum of Art, Los Angeles, CA |
|
|
Literature |
|
|
2006 |
|
“LIZA RYAN,” Hardcover, 84 pages |
|
|
1999 |
|
“Liza Ryan,” softcover, 104 pages |
|
|
|
|
return to artnet.com