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Biography |
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1972 |
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Born in Southampton |
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1991 - 1994 |
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BA, Bath College of Art, Bath |
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1997 - 1999 |
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MA, Goldsmith’s College, London |
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lives and works in London |
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Collections |
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Albright-Knox Art Gallery, Buffalo |
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Dakis Joannou Collection Foundation, Athens |
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The Ophiuchus Collection, Geneva |
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British Council, London |
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Honart Museum, Tehran Colección |
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VAC (Valencia Arte Contemporáneo), Valencia |
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Arken Museum of Modern Art, Denmark |
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Arts Council Collection, London |
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Exhibitions |
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2009 - 2010 |
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The Dark Monarch: Magic and Modernity in British Art, Tate St. Ives, Cornwall, GB |
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2009 |
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Monuments with a horizon line II (Sean Dawson, Zaha Hadid, Markus Miessen & Bettina Pousttchi, Karen Mirza & Brad Butler, Sergio Prego, Joel Sternfeld, Jorinde Voigt, Lawrence Weiner, Clare Woods), Buchmann Galerie, Berlin |
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2009 |
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Watercolours, Buchmann Box, Berlin (solo) |
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2008 |
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The Prospect The New Art Centre Salisbury, England (solo) |
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2008 |
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Monster Field, Stuart Shave/Modern Art, London (solo) |
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2008 |
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The Dancing Mania, André Buchmann Gallery, Berlin (solo) |
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2008 |
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Monuments With A Horizon Line II, Buchmann Galerie, Berlin |
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2008 |
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Fringes of Abstraction, Galerie Akinci, Amsterdam |
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2008 |
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M25: Around London, curated by Barry Schwabsky, CCA Andratx, Mallorca |
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2008 |
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Superstratum, Galerie Koraalberg, Antwerp |
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2007 |
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Jiri Svestka Gallery, Prague (solo) |
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2007 |
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Rebecca Chami, Athens (solo) |
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2007 |
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Karyn Lovegrove, Los Angeles (solo) |
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2007 |
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Art Unlimited, Art 38 Basel - Stuart Shave / Modern Art (solo) |
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2007 |
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Wood for the Trees and the Falling Leaves, Gimpel Fils Gallery, London |
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2006 |
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The Chisenhale Gallery, London (solo) |
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2006 |
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Pilar Parra Galeria de Arte, Madrid (solo) |
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2006 |
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John Moores 24, Walker Art Gallery, Liverpool |
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2006 |
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Esencias 11, Fundacion Municipal de Cultura, Vallaloid, Spain |
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2005 |
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Chambres à Part, Sezz Hotel, Paris. Curator: Laurence Dreyfus |
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2005 |
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Extreme Abstraction, Albright Knox Art Gallery, NY |
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2004 |
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Stay Positive, Marella Arte Contemporanea, Milan |
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2004 |
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Painting Identities, La Galeria De Arte Pilar Parra, Madrid, Spain |
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2004 |
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New British Painting, John Hansard Painting, Southampton, England |
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2004 |
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Forest, Wolverhampton Art Gallery, Touring Show |
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2004 |
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Modern Art, London (solo) |
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2004 |
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Karyn Lovegrove Gallery, Los Angeles (solo) |
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2003 |
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The Walls Have Eyes, Modern Art, London |
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2003 |
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Forever Young, Sommer Contemporary Art, Israel |
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2002 |
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Cohan, Leslie and Browne, New York City (solo) |
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2002 |
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Group Painting Show, Cohan, Leslie and Browne, NYC |
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2002 |
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Painting as a Foreign Language, Centro Britanica Brasilliero, Sao Paulo, Brazil |
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2001 |
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Tailsliding (curated by Stephen Hepworth) British Council Touring Show |
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2001 |
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London Underground, Sungkok Art Museum, Seoul, Korea |
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2001 |
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Group Show (curated by Pauline Karpidas & Sadie Coles) The Hydra Workshop, Hydra, Greece |
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2001 |
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Beck’s Futures, ICA London (travelling) |
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2001 |
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Beyond, Dundee Contemporary Arts, Scotland |
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2000 |
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Modern Art, London (solo) |
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1997 |
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New Paintings, Southampton City Art Gallery, Southampton (solo) |
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1997 |
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Recent Paintings, Habitat, Kings Road, London (solo) |
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Literature |
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2007 |
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Colección VAC (Valencia Arte Contemporáneo), Catalogue of works, Valencia |
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2006 |
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Sherwin, Skye. Review: Chisenhale Gallery, Something Wicked This Way Comes: Clare Woods, Art Review, Issue 03, September |
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2006 |
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Sumpler, Helen. Review: Chisenhale Gallery, Time Out London, 13 September |
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2006 |
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Hogg, Clare Dwyer, Review: Chisenhale Gallery, Living Colour, Independent Newspaper, 9 September, p. 47-48 |
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2006 |
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Coomer, Martin. Review: Deaf Man’s House at Chisenhale Gallery, Art Review, Issue 05, November |
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2006 |
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Williams, Gilda. Review: Deaf Man’s House at Chisenhale Gallery, Artforum, Issue XLV, No. 4, December, p. 325-326 |
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2006 |
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Townsend, Chris. New Art from London, Thames and Hudson |
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2006 |
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ESENCIAS 11, exhibition catalogue, Coleccion Ernesto Verntos, Arte Internacional |
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2006 |
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Schwabsky, Barry. Deaf Man’s House, Koenig Books |
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2006 |
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# Wright, Karen. Review, Modern Painters, February # Review, Neo 2, February |
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2006 |
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Modern Painters, February, p. 120 |
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2005 |
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Shuttleworth, Extreme Abstraction, “Make 2’ ” exhibition catalogue, Albright-Knox Art Gallery |
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2005 |
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Herbert, Martin. Feature, Ambient Landscapes, Tate etc, Summer 2005 |
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2004 |
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Monument to Now, exhibition catalogue, Deste Foundation of Contemporary Art |
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2004 |
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# Tufnell, Rob and Saskia Bos. Printed Project, letters from five continents # Forest, exhibition catalogue, Wolverhampton Art Gallery |
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2004 |
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Failed Back, exhibition catalogue, Modern Art |
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2004 |
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Stay Positive, exhibition catalogue, Marella Arte Cantemporanea, Italy |
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2004 |
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New British Painting, exhibition catalogue, John Hansard Gallery |
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2004 |
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Herbert, Martin. Review, Time Out, London, March 17-24, p. 47 |
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2003 |
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Ogilvie, Jen. Review, Time Out, 12 August – 20 August |
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2003 |
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Review, Art Review, July – August |
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2003 |
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40 Views of and Icon, Comme des Garcons |
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2002 |
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Painting as a Foreign Language, exhibition catalogue, Edificio Cultura Inglesa |
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2002 |
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Hill, Joe. Review. New York: Cohan, Leslie & Browne, Contemporary, December p. 90-91 |
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2002 |
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Smith, Roberta. Review. The New York Times, October 25, p. E37 |
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2001 |
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Greece, Hydra. The Hydra Workshop, exhibition catalogue |
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2001 |
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Tail Sliding, touring exhibition catalogue, The British Council |
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2001 |
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London Underground, exhibition catalogue, Sungkok Art Museum, Korea |
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2001 |
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Beck’s Futures, exhibition catalogue, ICA |
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2001 |
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McFarland, Dale. Review, Frieze, issue 58 |
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2001 |
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Ratnam, Niru. Review, Painting is Dead, Long Live Painting, The Face, April |
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2001 |
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Masters at Work, Review. I-D Magazine – The Aesthetic Issue, May. |
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2000 |
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British Art Paintings II, exhibition catalogue, Diehl Vorderwuelbecke, Berlin |
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2000 |
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The Art Newspaper, Review, no. 108, November |
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2000 |
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Review. Art, Clare Woods, Evening Standard, 26 October |
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2000 |
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Allfree, Claire. Review. Art, Clare Woods, Metro Life, Metro, 27 October |
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2000 |
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Gleadell, Colin. Review. The Power of Paint, Telegraph Magazine, 16 September, p.37 |
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2000 |
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Review. And if There Were No Stories, Evening Standard, 8 March |
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2000 |
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Review. Cluster Bomb at Morrison Judd, Flash Art, January – February |
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2000 |
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* Bolton, Wil. Review: Modern Art, Clare Woods, What’s On, January, p. 7 * i-D, The Aesthetic issue, no. 197, May |
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