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Biography |
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1991 - 1994 |
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B.A. (hons) Fine Art Central St. Martin’s |
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2004 - 2006 |
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Residency at Delfina studios |
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Collections: Arad Collection, London, UK; Arts Council, UK; Birmingham Museum and Art Gallery, Birmingham, UK; The British Council, UK; British Airways Collection, London, UK; Contemporary Arts Society, London, UK; James Moores Collection, Liverpool, UK; Kadist Art Foundation, Paris, France; Museum of Old and New Art, Tasmania, Australia; The Saatchi Gallery, London, UK; Tate Gallery, London, UK; The West Collection, S.E.I, Philadelphia, USA; Walsall New Art Gallery, Walsall, UK |
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Exhibitions |
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2009 - 2010 |
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Galerie Max Hetzler, Berlin (solo) |
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2008 |
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Hamsterwheel, initiated by Franz West, Malmö Konsthall, Malmö, Sweden |
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2007 |
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Hamster Wheel, Festival Printemps de Septembre, Toulouse, France |
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2007 |
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Yorkshire Sculpture Park, Wakefield |
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2007 |
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Hamster Wheel, Tesa della Nuovissima, Arsenale of Venice, Italy |
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2007 |
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How to Improve the World, Gas Hall, Birmingham Museum and Art Gallery, AL |
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2007 |
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Recent Abstraction, British Art Display 1500 – 2007, Tate Britain, London |
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2006 |
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Out of Place, The New Art Gallery, Wallsall |
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2006 |
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Everybody Knows This Is Nowhere, Asbæk, Copenhagen, Denmark |
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2006 |
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Simon Lee Gallery, London |
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2006 |
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Archipenture: painters build architecture, Camden Arts Centre, London |
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2006 |
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Archipenture: artists build architecture, Le Plateau - FRAC d’Ile de France, Paris, France |
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2005 |
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The Future Lasts a Long Time, Le Consortium, Dijon, France |
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2005 |
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Ordering the Ordinary, Timothy Taylor Gallery, London |
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2005 |
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Supernova, Bunkier Sztuki Gallery Of Contemporary Art Poland, Krakow (catalogue) Traveling to: Kunstihoone, Tallinn, Estonia, Centre Of Contemporary Art, Vilnius, Lithuania, City Art Gallery, Prague, Czech Republic |
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2005 |
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Enter Desire, Chisenhale Gallery (solo) |
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2004 |
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Kingdom, The Market, Glasgow, UK |
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2004 |
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Contrapop, Vamiali's, Athens (catalogue) |
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2004 |
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Expander, Royal Academy of Arts, London (catalogue) |
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2004 |
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John Moores 23, The Walker, Liverpool, UK |
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2004 |
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The Future Lasts a Long Time, Tal Esther Gallery, Tel Aviv, Tel Aviv Israel |
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2004 |
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Collection 1, Isabella Brancolini Arte Contemporanea, Florence, Italy |
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2003 |
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Art Kliasma 2003, Moscow |
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2003 |
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EAST international, Norwich Gallery, Norwich, UK (catalogue) |
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2003 |
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Civilia, Bluecoat Gallery, Liverpool |
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2003 |
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Creek, Cell project space, London |
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2002 |
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Project with Christopher Landoni and Oliver Michaels, King of Norway’s house, Piccadilly, London |
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2002 |
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Hypnotising Chickens, One in the Other, London |
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2001 |
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Sages, Scientists and Madmen, One in the Other, London |
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Literature |
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2006 |
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The Independent – April 3, 2006 |
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2006 |
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‘Unknown artist’s exhibition illustrates the enduring influence of Charles Saatchi’ by Terry Kirby |
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2005 |
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Modern Painters – March 2005. ’Emerging Artists – Pattern Recognition’ feature by Sally o Reilly pp 48 – 49 |
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2005 |
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Art Monthly – March 2005. Review by Morgan Falconer pp 34 – 35 |
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2005 |
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Art Review – February 2005. ‘Now You See It, Now You Don’t’ Feature by Patrick Coffey pp 27 |
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2005 |
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Dazed and Confused – January 2005. Interview with Nick Hackworth pp 172 |
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2005 |
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Supernova, British Council, cat. |
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2004 |
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Contrapop, Vamiali's gallery, Athens, cat. |
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2004 |
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Expander, Mustafa Hulusi, London, cat. |
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2004 |
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OM The Observer Magazine - 31st October 2004. Best Of British’ (British Council Collection) pp 22 – 31 |
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2004 |
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Art Review September 2004. ‘A Pattern for Life’ pp 73 |
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2004 |
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Contemporary Magazine – issue 56. Review by Cedar Lewisohn pp 68 – 69 |
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2003 |
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AN Magazine – September 2003. ‘Going It Alone” Cover and pp 24 – 25 |
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2003 |
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EAST International, Norwich gallery, Norwich, cat. |
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2002 |
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Dazed and Confused – September 2002. ‘Charged Canvas’ Feature by Cedar Lewisohn pp 51 - 53 |
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