 |
Biography |
|
|
1966 |
|
Born in New York (NY), USA |
|
|
|
|
B.A. Philosophy, Wesleyan University, Middletown (CT), USA |
|
|
|
|
Public Collections |
|
|
|
|
Altoids Curiously Strong Collection - New Museum of Contemporary Art, New York (NY), USA |
|
|
|
|
Centre Georges Pompidou, Paris, France |
|
|
|
|
Frankfurt Museum of Modern Art, Frankfurt, Germany |
|
|
|
|
Migros Museum of Contemporary Art, Zurich, Switzerland |
|
|
|
|
Museum of Contemporary Art, San Diego (CA), USA |
|
|
|
|
Museum of Modern Art, New York (NY), USA |
|
|
|
|
S.M.A.K, Ghent, Belgium |
|
|
|
|
Solo Screenings |
|
|
|
|
2005 L’Entrepot, Paris, presented by Ann Bonnin |
|
|
|
|
2000 Personal Cinema Program, Millennium, New York (NY), USA |
|
|
|
|
Curatorial Projects |
|
|
|
|
2006 Two Friends and So On, curated by Jonathan Horowitz & Rob Pruitt, Andrew Kreps Gallery, New York (NY), USA |
|
|
|
|
2001 Marc Foxx Gallery, Los Angeles (CA), USA |
|
|
|
|
2000 Andrew Kreps Gallery, New York (NY), USA |
|
|
|
|
1996 Howard the Duck, zing magazine, Autumn-Winter |
|
|
Exhibitions |
|
|
2009 |
|
Edition Bewegte Bilder - Sammlung Rheingold, Museum Ludwig, Colonge, Germany |
|
|
2009 |
|
Jonathan Horowtiz: And/Or, P.S. 1 Contemporary Art Center, NY, USA (solo) |
|
|
2008 |
|
Yvon Lambert, Paris, France (solo) |
|
|
2008 |
|
Gavin Brown`s Enterprise, New York (NY), USA (solo) |
|
|
2008 |
|
Rom Report, Badischer Kunstverein, Karlsruhe, Germany |
|
|
2008 |
|
Good News for People who Love Bad News, Studio 495, Swiss Institute, Switzerland |
|
|
2008 |
|
Italia Italie Italien Italy Wlochy, ARCOS Museo d'Arte Contemporanea Annio |
|
|
2008 |
|
Benevento, Italy, curated by Gigiotto Del Vecchio, Alessandro Rabottini, Elena Lydia Scipioni, Andrea Viliani |
|
|
2008 |
|
Good News for People Who Love Bad News, Swiss Institute, New York NY, USA, curated by Gianni Jetzer |
|
|
2008 |
|
Other Than Yourself - An Investigation Between Inner and Outer Space, Thyssen - Bornemisza Art Contemporary, Vienna, Thyssen - Bornemisza Art Contemporary, Vienna, Austria |
|
|
2007 |
|
RAW, Museum of Modern Art, New York (NY), USA |
|
|
2007 |
|
In The Poem About Love You Don't Write The Word Love, Overgarden Institute of Contemporary Art, Copenhagen, Denmark, curated by Tanya Leighton |
|
|
2007 |
|
Lines, Grids, Stains, Words, Museum of Modern Art, New York (NY), USA |
|
|
2007 |
|
New York State of Mind, House of World Cultures, Berlin, Germany |
|
|
2007 |
|
People Like War Movies, Galerie Barbara Weiss, Berlin, Germany (solo) |
|
|
2007 |
|
The Wonderful Fund: Art for the New Millenium 2000-2005, Pallant House Gallery, Chichester, England |
|
|
2007 |
|
Das Kapital – Blue Chips and Masterpieces, Museum for Moderne Kunst, Frankfurt, Germany |
|
|
2007 |
|
Art in America: 300 Years of Innovation, National Art Museum of China, Beijing, China; Shanghai Museum and the Museum of Contemporary Art Shanghai, China, organized by the Solomon R. Guggenheim Foundation and the Terra Foundation for American Art (catalog) |
|
|
2007 |
|
Raw. Among the Ruins, Marres Center for Contemporary Art, Maastricht, The Netherlands (curated by Lisette Smits and Alexis Vaillant) |
|
|
2007 |
|
Playback, ARC/Musee d’Art moderne de la Ville de Paris, France |
|
|
2007 |
|
The Future of Futurism, GAMeC/Museum of Modern and Contemporary Art, Bergamo, Italy |
|
|
2007 |
|
MARTa is silent. Garde le silence, le silence te gardera," MARTa Herford Museum, Herford, Germany |
|
|
2007 |
|
New York: State of Mind, House of World Cultures, Berlin; Queens Museum, New York (NY), USA curated by Shaheen Merali |
|
|
2007 |
|
Love Addiction: Practices in Video Art from ’61 to the Present, Galleria Comunale d'Arte Contemporanea, Monfalcone, Italy (curated by Andrea Bruciati) |
|
|
2006 |
|
Defamation of Character, P.S. 1 Contemporary Art Center, New York (NY), USA (curated by Neville Wakefield) |
|
|
2006 |
|
Rome, Sadie Coles HQ, London, UK (solo) |
|
|
2006 |
|
Repeat Redux, Screening and Performance Series, Whitney Museum of American Art at Altria, New York (NY), USA |
|
|
2006 |
|
Figures de l’acteur: Le Paradoxe du comedien, Collection Lambert, Avignon, France (catalog) |
|
|
2006 |
|
The Wonderful Fund: Art for the New Millenium 2000 – 2005, Pallant House Gallery, Chichester, UK. |
|
|
2006 |
|
The Eighth Square: Gender, Life, and Desire in the Visual Arts Since 1960, Museum Ludwig, Cologne, Germany (curated by Kasper Konig and Frank Wagner) |
|
|
2006 |
|
Into Me / Out of Me, P.S.1 Contemporary Art Center, Long Island City, NY; Kunstwerk, Berlin, Germany (curated by Klaus Biesenbach) |
|
|
2006 |
|
Down by Law, Whitney Museum of American Art, New York (NY), USA (curated by Maurizio Cattelan, Massimiliano Gioni, and Ali Subotnick) |
|
|
2006 |
|
Modern Times, Museo d'Arte Provincia di Nuoro, Nuoro, Italy (curated by Maria Rosa Sossai) |
|
|
2006 |
|
The name of the Show is Not Gay Art Now, Paul Kasmin Gallery, New York (NY), USA (curated by Jack Pierson) |
|
|
2006 |
|
Object of Desire / The Kate Moss Show, Museum of Photography, Amsterdam, The Netherlands |
|
|
2006 |
|
Survivor, Bortolami Dayan Gallery, New York, (curated by David Rimanelli) |
|
|
2006 |
|
Take One, Glassell School of Art, Museum of Fine Arts, Houston (TX), USA (curated by Domenick Ammirati) |
|
|
2006 |
|
The Kate Show, Foam Fotografiemuseum Amsterdam, Amsterdam, The Netherlands (curated by Rita Ackermann and Olivier Zahm) |
|
|
2006 |
|
The Fact, Abstract, Dorsky Gallery Curatorial Programs, Long Island City, NY, USA (curated by Claire Barliant) |
|
|
2005 |
|
Realit;-)t. 30 Video Works from the Goetz Collection in Munich. From Olaf Breuning to Sam Taylor-Wood, Seedamm Kulturzentrum, Pfaffikon, Switzerland |
|
|
2005 |
|
Jump Cut Nights, SK Stiftung Kultur, Cologne, Germany |
|
|
2005 |
|
Museumsnacht, SK Stiftung Kultur, Cologne, Germany |
|
|
2005 |
|
What’s New Pussycat? Museum fur Modern Kunst, Frankfurt am Main, Germany |
|
|
2005 |
|
5 ans, Collection Lambert en Avignon, Avignon, France |
|
|
2005 |
|
The Wonderful Fund Collection, La Musée de Marrakech, Morocco |
|
|
2005 |
|
Log Cabin, Artists Space, New York (NY), USA (curated by Jeffrey Uslip) |
|
|
2005 |
|
The New Communism, Gavin Brown’s Enterprise, New York(NY), USA (solo) |
|
|
2005 |
|
Silent Movie, Yvon Lambert Gallery, New York (NY), USA (solo) |
|
|
2005 |
|
Theorema. Une Collection Privee en Italie, la Collection d'Enea Righi, Collection Lambert, Avignon, France |
|
|
2005 |
|
Superstars: From Warhol to Madonna, Kunsthalle Wien and Kunstforum Wien, Austria |
|
|
2004 |
|
100 Artists See God, ICA, London, UK |
|
|
2004 |
|
Genealogies of Glamour: The Future has a Silver Lining, Migros Museum, fur Gegenwartskunst, Zurich, Switzerland |
|
|
2004 |
|
The Ten Commandments, Deutsches Hygiene-Museum, Dresden, Germany (curated by Klaus Biesenbach) |
|
|
2004 |
|
Drunk vs. Stoned, Gavin Brown's Enterprise at Passerby, New York (NY), USA (organised by The General Store) |
|
|
2004 |
|
A Fripon, Fripon et Demi- A School for Truants, Collection Lambert, Avignon, France |
|
|
2004 |
|
Aus acktuellem Anlass, Johann Konig, Berlin, Germany |
|
|
2004 |
|
Let the Bullshit Run a Marathon, Nicole Klagsbrun, New York (NY), USA (curated by Nate Lowman) |
|
|
2004 |
|
Marilyn, Sean Kelly Gallery, New York (NY), USA |
|
|
2004 |
|
Galerie Barbara Weiss, Berlin, Germany (solo) |
|
|
2003 |
|
Jonathan Horowitz/Silent Movie/MATRIX 151, Wadsworth Atheneum (solo) |
|
|
2003 |
|
Museum of Art, Hartford (CT), USA (solo) |
|
|
2003 |
|
Galerie Yvon Lambert, Paris, France (solo) |
|
|
2003 |
|
Surreal Estate, Gavin Brown’s Enterprise, New York (NY), USA (with Rob Pruitt) (solo) |
|
|
2003 |
|
Buero Friedrich, Berlin, Germany (solo) |
|
|
2003 |
|
Galerie Yvon Lambert, Paris, France (solo) |
|
|
2003 |
|
La Nuit Americaine, Yvon Lambert, New York (NY), USA |
|
|
2003 |
|
20th Anniversary Exhibition, Gavin Brown’s enterprise, New York (NY), USA |
|
|
2003 |
|
Dust Memories, Swiss Institute, New York (curated by Emmanuel Latreille) |
|
|
2003 |
|
Love, Magazin 4 Bregenzer Kunstverein, Bregenz, Austria |
|
|
2003 |
|
Franco Noero, Turin, Italy |
|
|
2003 |
|
Fast Forward: Media Art Sammlung Goetz, ZKM, Karlsruhe, Germany |
|
|
2003 |
|
Drop Out, China Art Objects Galleries, Los Angeles (CA), USA |
|
|
2003 |
|
First Person, Mercer Union, Toronto (ON), Canada (curated by Kim Simon) |
|
|
2003 |
|
Homeland, The Whitney Independent Study Program, New York (NY), USA |
|
|
2003 |
|
Nation, Kunstverein, Frankfurt, Germany (curated by Rene Zechlin) |
|
|
2003 |
|
Parle a Mes Peres, Collection Lambert at PhotoEspana, Madrid, Spain |
|
|
2002 |
|
Just Love Me: Post-Feminist Positions of the Nineties, Staatliche Kunsthalle |
|
|
2002 |
|
Baden-Baden, travelling to Goetz Collection, Munich, Gerrmany, Bergen Art |
|
|
2002 |
|
Museum, Germany and Fries Museum Leeuwarden, Germany |
|
|
2002 |
|
The Object Sculpture, The Henry Moore Institute, Leeds, England (selected by Tobias Rehberger, Joelle Tuerlinckx and Keith Wislon, curated by Penelope Curtis) |
|
|
2002 |
|
Tableaux Vivants, Kunsthalle Wien Austria, Vienna, Austria (curated by Sabine Folie and Michael Glasmeier) |
|
|
2002 |
|
Non-Places, Frankfurter Kunstverein, Frankfurt-am-Main, Germany (curated by Nicolaus Schafhausen) |
|
|
2002 |
|
Dark Spring, Ursual Blickle Stiftung, Kraichtal-Unterowisheim, Germany (curated by Liam Gillick) |
|
|
2002 |
|
Zusammenhaenge Herstellen, Kunstverein, Hamburg, Germany (curated by Yilmaz Dziewor) |
|
|
2002 |
|
Mensaje De Texto, Galeria Helga De Alvear, Madrid, Spain |
|
|
2002 |
|
Go Vegan! Greene Naftali, New York (NY), USA (solo) |
|
|
2002 |
|
Pillow Talk, Sadie Coles HQ, London, UK (solo) |
|
|
2002 |
|
Time, Life, People: Jonathan Horowitz at Kunsthalle St. Gallen, Kunsthalle St. Gallen, St. Gallen, Switzerland (solo) |
|
|
2002 |
|
We the People, China Art Objects, Los Angeles (CA), USA (solo) |
|
|
2002 |
|
Galerie Yvon Lambert, Paris, France (solo) |
|
|
2002 |
|
In Person, Bard College Center for Curatorial Studies, Annandale-on-Hudson (NY), USA Curated by Kin Simon (solo) |
|
|
2001 |
|
4Free, BuroFriedrich, Berlin, Germany (curated by Waling Boers) |
|
|
2001 |
|
Metropolis Now, Borusan Art Gallery, Istanbul, Turkey |
|
|
2001 |
|
Casino, S.M.A.K., Ghent, Belgium (curated by Jeanne Greenberg) |
|
|
2001 |
|
The Americans, Barbican Art Centre, London, UK |
|
|
2001 |
|
Annonyme," Rencontres Internationales de La Photographie, Arles, France |
|
|
2001 |
|
Tele(visions, Kunsthalle Wien, Vienna, Austria (curated by Joshua Decter) |
|
|
2001 |
|
Third Annual Altoids Curiously Strong Collection, Los Angeles (CA), USA |
|
|
2001 |
|
Contemporary Exhibitions, Los Angeles (CA), USA |
|
|
2001 |
|
Video Mania, Migros Museum, Zurich, Switzerland |
|
|
2001 |
|
The Choice Between Anonymity and Notoriety, 32nd Rencontres |
|
|
2001 |
|
Internationales de la Photographie, Arles, France (curated by Eric Mezil) |
|
|
2001 |
|
Site Co-opted, Andrew Kreps Gallery, New York (NY), USA |
|
|
2001 |
|
Desins, Ecole Regionale des Beaux-Arts, Dunkerque, France |
|
|
2001 |
|
Do You Have Time, Liebman Magnan, New York (NY), USA |
|
|
2001 |
|
Pause, Marc Foxx Gallery, Los Angeles (CA), USA |
|
|
2001 |
|
Fresh: The Altoids Curiously Strong Collection, 1998-2000, The New Museum, New York (NY), USA |
|
|
2000 |
|
New York Projects, Delfina Project Space, London, UK (curated by Luke Dowd) |
|
|
2000 |
|
Over the Edges, S.M.A.K., Ghent, Belgium (curated by Jan Hoet & Giacinto di Pietrantonio) |
|
|
2000 |
|
Pop Unlimited, International Short Film Festival - Special Program, Oberhausen, Germany |
|
|
2000 |
|
New Work from New York, Cheekwood Museum of Art, Nashville (TN), USA |
|
|
2000 |
|
The Jonathan Horowitz Show, Greene Naftali Gallery, New York (NY), USA (solo) |
|
|
2000 |
|
The Universal calendar / talking without thinking, Van Laere Contemporary Contemporary Art, Antwerp, Belgium (solo) |
|
|
2000 |
|
Making Time: Considering time as a material in contemporary film & video, Palm Beach Institute for Contemporary Art, Palm Beach (FL); UCLA Hammer Museum, Los Angeles (CA), USA (curated by Amy Cappellazzo) |
|
|
2000 |
|
Greater New York: New Art in New York Now, P.S. 1/MOMA, New York (NY), USA |
|
|
2000 |
|
Two Friends and So On…,Andrew Kreps Gallery, New York (NY), USA (curatorial project by Jonathan Horowitz & Rob Pruitt) |
|
|
2000 |
|
Achieving Failure: Gym Culture 2000, Thread Waxing Space, New York (NY), USA (curated by Bill Arning) |
|
|
2000 |
|
CAN 303s HEAL? Kiasma, Helsinki, Norway (curated by Toby Webster) |
|
|
2000 |
|
Kosmobiologie-12 Artists/12 Zodiac Signs, Bellwether, New York (NY), USA (curated by Nancy Chaikin) |
|
|
2000 |
|
Trailer, Greene Naftali Gallery, New York (NY), USA |
|
|
2000 |
|
Full Serve, presented by mixed greens & Kenny Shachter/Rove, New York (NY), US |
|
|
1999 |
|
Interplay, The Contemporary Museum of Art, Tucson (AZ), USA (curated by Caitlin Masley) |
|
|
1999 |
|
Zeitwenden - The Outlook, Kunstmuseum, Bonn, Germany; Museum Moderner Kunst Stiftung Wien, Vienna, Austria |
|
|
1999 |
|
Project Room, Van Laere Contemporary Art, Antwerp, Belgium (solo) |
|
|
1999 |
|
Project Space, Ten in One Gallery, Chicago (IL), USA (solo) |
|
|
1999 |
|
Regarding Beauty in Performance and Media Arts, 1967-1998; Program III- Icons of Beauty, Hirshhorn Museum and Sculpture Garden, Washington DC; Haus der Kunst, Munich, Germany |
|
|
1999 |
|
Exit, Chisenhale, London, UK (curated by Alison Gingeras), Interplay, Contemporary Museum of Art, Tucson (AZ), USA (curated by Caitlin Masley) |
|
|
1999 |
|
A Place Called Lovely (curated by Sima Familant), Greene Naftali Gallery, New York (NY), USA |
|
|
1999 |
|
Persuasion: Tales of Commerce and the Avant-garde, University of Buffalo Art Gallery/Research Center in Art + Culture, Buffalo (NY), USA |
|
|
1999 |
|
The Opening, S.M.A.K., Ghent, Belgium |
|
|
1999 |
|
New York Neither/Nor, Grand Arts, Kansas City (MO), USA (curated by Bill Arning) |
|
|
1999 |
|
Compromising Situations, Galerie Montenay-Giroux, Paris, France (curated by Muriel Colin-Barrand) |
|
|
1999 |
|
Conceptual Art as Neurobiological Praxis, Thread Waxing Space, New York (NY), USA (curated by Warren Neidich) |
|
|
1999 |
|
Free Coke, Greene Naftali Gallery, New York (NY), USA |
|
|
1998 |
|
Invited Exhibition of Visual Art 1998, Limerick City Gallery of Art, Limerick, Ireland |
|
|
1998 |
|
Maxell, Greene Naftali Gallery, New York (NY), USA (solo) |
|
|
1998 |
|
Bach Two Part Invention #9, Kenny Schachter/Rove, New York (NY), USA (solo) |
|
|
1998 |
|
Personal Cinema Program, Millennium, New York (NY), USA (solo) |
|
|
1998 |
|
Oriental Nights, Gavin Brown’s Enterprise, New York (NY), USA |
|
|
1998 |
|
Group Show, The Fifth International, New York (curated by Jennifer Bornstein and Chivas Clem) |
|
|
1998 |
|
Biovoid, Museum of Natural History, Lisbon, Portugal |
|
|
1998 |
|
Tune In, Lawing Gallery, Houston (TX), USA |
|
|
1998 |
|
Superfreaks: Post Pop & the New Generation - Part I: Trash, Greene Naftali Gallery, New York (NY), USA |
|
|
1998 |
|
Cambio, Museo Universitario del Chopo, Mexico City, Mexico and Sandra Gering Gallery, New York (NY), USA (curated by Kenny Schachter) |
|
|
1997 |
|
Bring Your Own Walkman, Achterzaal, Amsterdam, The Netherlands (curated by Jack Jaeger) |
|
|
1997 |
|
Thriller, 303 Gallery, New York (NY), USA (curated by Tom Borgese) |
|
|
1997 |
|
Group Show, Andrew Kreps Gallery, New York (NY), USA |
|
|
1997 |
|
Video Flash, Hohenthal und Bergen Gallery, Cologne, Germany |
|
|
1997 |
|
Screentest, Hotel 17 performance series, 192 Third Avenue, New York (NY), USA |
|
|
1996 |
|
Password: Ferdydurke, Postmasters Gallery, New York (NY), USA |
|
|
1996 |
|
The Strange Power of Cheap Sentiment, White Columns, New York (NY), USA (curated by Bill Arning) |
|
|
1996 |
|
Shit, Baron/Boisante Gallery, New York (NY), USA |
|
|
1996 |
|
Facing the Millennium, Arlington Museum of Art, Arlington (TX), USA (curated by K. Schacter) (cat.) |
|
|
1996 |
|
Sex and Drugs and Explosives, London Artforms Gallery, London (curated by K. Schachter) |
|
|
1995 |
|
Gang Warfare, Independent Art Space, London; McKinney Avenue |
|
|
1995 |
|
Contemporary, Dallas (TX), USA; The Consortium, Dijon, France (curated by Michael Corris) (cat.) |
|
|
1995 |
|
Looky Loo, Sculpture Center, New York (NY), USA (cat.) (curated by K. Schachter) |
|
|
1994 |
|
Personal Cinema Program, Millennium, New York (NY), USA |
|
|
1994 |
|
Played, Printed Matter, New York (NY), USA (curated by K. Schachter) |
|
|
1993 |
|
Arts Festival of Atlanta, Atlanta (GA), USA (cat.) |
|
|
1992 |
|
Morality Café, Postmasters Gallery, New York (NY), USA (curated by K. Schachter) |
|
|
1991 |
|
Unlearning, 142 Greene Street, New York (NY), USA |
|
|
1989 |
|
Document and Dream, Artists Space, New York (NY), USA |
|
|
Literature |
|
|
2007 |
|
Ken Johnson, "Never Mind the Map: Sometimes New York is More of an Idea." New York Times, 21 Dec. |
|
|
2007 |
|
Simon Baier, Jonathan Horowitz at Galerie Barbara Weiss, Berlin. Text Zur Kunst 68, Dec. |
|
|
2007 |
|
Sarah Lyall, "In London, Art and Commerce Scratch Backs," New York Times 13 Oct. |
|
|
2007 |
|
Adrian Searle, "Frieze Art Fair: Tenner For Your Thoughts, Dinos?" The Guardian 11 Oct. |
|
|
2007 |
|
Eliza Williames, "Collecting Overview: Vanessa Branson." Flash Art Oct. |
|
|
2007 |
|
Jörg Heiser, "Jonathan Horowitz, Galerie Barbara Weiss, Berlin, Germany." www.frieze.com, 2 Sept. |
|
|
2007 |
|
Petra Reichensperger, "Krieg und Kultur," Zitty, das Hauptstadsmagazin 19 Sept. |
|
|
2007 |
|
Brigitte Werneburg, "Kunstrundgang, Jonathan Horowitz, People Like War Movies," die Tageszeitung 5 Sept. |
|
|
2007 |
|
Raimar Stange, "Jonathan Horowitz, People Like War Movies." Spike Art Quarterly 13: 110-111. |
|
|
2007 |
|
Raimar Stange. "Reviews: Jonathan Horowitz, Galerie Barbara Weiss." Modern Painters, Nov 99 |
|
|
2007 |
|
Michael Wang, ‘Scene and Herd: Fair Game’, Artforum.com, 15 Mar |
|
|
2007 |
|
Raimar Stange, Review, ‘People Like War Movies’, Modern Painters, November 2007 |
|
|
2007 |
|
Jorg Heiser, Review, ‘People Like War Movies’, Frieze, October 2007 |
|
|
2007 |
|
Raimar Stange, Review, ‘People Like War Movies’, Spike Art Quarterly, Fall 2007 |
|
|
2007 |
|
Kara Walker & Jonathan Horowitz, ‘America’, Wrong Times, Oct |
|
|
2007 |
|
Martin Coomer, ‘Jonathan Horowitz’, Time Out, 27 Sept – 4 Oct |
|
|
2006 |
|
Eric Mezil, ‘Figures de l’acteur: Le Paradoxe du comedien’, published by Editions Gallimard, Paris. |
|
|
2006 |
|
Klaus Biesenbach, Into Me/Out of Me, Hatje Cantz, Germany |
|
|
2006 |
|
Roberta Smith, , "Menace, Glitter and Rock in Visions of Dystopia." New York Times 29 Dec. |
|
|
2006 |
|
Roberta Smith, "Critic's Notebook; Chelsea Is a Battlefield: Galleries Muster Groups." New York Times 28 July. |
|
|
2006 |
|
Klaus Biesenbach, “Into Me / Out of Me,” Flash Art , May/June 06: (ill. p 104) |
|
|
2006 |
|
Martin Coomer,. Rev. of "Rome." Time Out London 26 Sept. |
|
|
2006 |
|
Jerry Saltz, “Our Crowds: a two headed butterfly flapping its wings,” Village Voice, 6 July |
|
|
2006 |
|
The Wrong Gallery. “Tarzan and Jane: America – Kara Wallker and Jonathan Horowitz.” Interview/project. Domus 891, April |
|
|
2006 |
|
Michael Wang, “Scene and Herd: Fair Game.” Artforum.com. 15 March |
|
|
2006 |
|
Jerry Saltz, “Biennial in Babylon.” Village Voice 8 March |
|
|
2005 |
|
Ingried Brugger & Gerald Matt, Superstars: Das Prinzip Prominenz Von Warhol bis Madonna, (Hatje Cantz) |
|
|
2005 |
|
Mathew Higgs, “Best of 2005.” Artforum, Dec |
|
|
2005 |
|
Margherita Belaief, Rev. of “The New Communism.” Exibart, Nov |
|
|
2005 |
|
David Rimanelli, “Scene and Herd: The More the Scarier.” Artforum.com, 21 Oct |
|
|
2005 |
|
Akane Maekawa, Ryuko Tsushin vol. 505, July |
|
|
2005 |
|
Dominick Ammirati, "Profile: Jonathan Horowitz." Contemporary 71 |
|
|
2005 |
|
Jonathan Horowitz and Rob Pruitt, “A Peacock Hill Family Album.” Photo portfolio. Zing Magazine 20, Winter |
|
|
2005 |
|
Holland Cotter, Rev. of "Log Cabin." New York Times, 28 Jan |
|
|
2005 |
|
Zoe Gray, Rev. of "Genealogies of Glamour." Contemporary 70 |
|
|
2005 |
|
The Wonderful Fund Collection, published by The Wonderful Fund, Great Britain |
|
|
2005 |
|
Alison Gingeras, “Purple News.” Purple Fashion No. 3, Spring/Summer |
|
|
2005 |
|
Matthew Higgs, ‘Best of 2005’, ArtForum, Dec |
|
|
2005 |
|
Domenick Ammirati, ‘Jonathan Horowitz’, Contemporary 21, no. 71 |
|
|
2005 |
|
Alison M. Gingeras, ’13 Critics and Curators Look at the Year in Art’, ArtForum, Best of 2004 |
|
|
2005 |
|
Tirdad Zolghadr, ‘The Future Has a Silver Lining’, Frieze, Nov - Dec |
|
|
2005 |
|
Domenick Ammirati, ‘Jonathan Horowitz’, Artforum, Oct |
|
|
2005 |
|
Evence Verdier, ‘Jonathan Horowitz at Galerie Yvon Lambert, Paris’, Art Press, Feb |
|
|
2003 |
|
Craig Garrett, ‘Rob Pruitt and Jonathan Horowitz’, Flash Art, No. 232, Oct |
|
|
2003 |
|
Steve Lafreniere, ‘Rob Pruitt and Jonathan Horowitz with Steve Lafreniere’, Index, Sep / Oct |
|
|
2003 |
|
Linda Yablonsky, ‘Review of Dust Memories’, Time Out New York, 19 June |
|
|
2003 |
|
Kim Levin, ‘Surreal Estate by Jonathan Horowitz and Rob Pruitt at Gavin Brown’s Enterprise, New York’, Village Voice, 11 June |
|
|
2003 |
|
Ken Johnson, ‘Art in Review, Rob Pruitt and Jonathan Horowitz, Surreal Estate at Gavin Brown’s Enterprise’, The New York Times, 6 June |
|
|
2003 |
|
Maria Schwendener, ‘Surreal Estate’, www.artforum.com |
|
|
2003 |
|
Keith Mulvihill, ‘American Gothic’, Time Out New York, 29 May |
|
|
2003 |
|
‘Focus Video and Film: Contemporary Video Art (Part II), Flash Art, March-April |
|
|
2003 |
|
Chris Hammonds, ‘Pillow Talk’, Tema Celeste, Feb |
|
|
2003 |
|
‘Most Underrated Artist’, Time Out New York, 27 Feb |
|
|
2003 |
|
Roy Exley, ‘Pillow Talk at Sadie Coles HQ’, Flash Art, No. 36 Jan-Feb |
|
|
2003 |
|
Karen Rosenberg, ‘Dust Memories at the Swiss Institute, New York’, Frieze, No. 78 |
|
|
2003 |
|
Love (Bregenz, Austria: Magazin 4 Bregenzer Kunstverein) |
|
|
2003 |
|
Stephan Urbaschek, Fast Forward: Media Art Sammlung Goetz (Munich, Germany: Kunstverlag Ingvild Goetz G.m.b.H, Sammlung Goetz, AutorInnen und KünstlerInnen) |
|
|
2003 |
|
Karen Rosenberg, Rev. of "Dust Memories." Frieze Oct.: 126-7. |
|
|
2003 |
|
Yablonsky, Linda. Rev. of "Dust Memories." Time Out New York 19 June: 60. |
|
|
2003 |
|
"Focus Video and Film, Contemporary Video Art (Part II): Jonathan Horowitz." Flash Art Mar.-Apr.: 94. |
|
|
2003 |
|
Roy Exley,. Rev. of "Pillow Talk." Flash Art Feb.: 114. |
|
|
2003 |
|
Chris Hammonds, Rev. of "Pillow Talk." Tema Celeste 95, Feb.: 96. |
|
|
2003 |
|
Ken Johnson, Rev. of "Surreal Estate." New York Times 6 June. |
|
|
2003 |
|
Steve Lafreniere, "Rob Pruitt and Jonathan Horowitz with Steve Lafreniere." Interview. Index Sept.-Oct |
|
|
2003 |
|
Kim Levin, "Short List: Jonathan Horowitz and Rob Pruitt." Village Voice 11 June |
|
|
2003 |
|
"NYC: Overrated and Underrated." Time Out New York 20 Feb 11 |
|
|
2003 |
|
Keith Mulvihill, "American Gothic." Time Out New York 29 May |
|
|
2003 |
|
Maria Schwendener,. Rev of "Surreal Estate." Artforum.com, 4 June |
|
|
2002 |
|
Rainald Schumacher, Matthias Winzen, Die Wohltat der Kunst: Post\Feministiche Positionen der neunziger Jahre aus der Sammlung Goetz (Cologne, Germany: Walther König) |
|
|
2002 |
|
Dziewior Yilmaz, Zusammenhaenge Herstellen (Hamburg: Kunstverein Hamburg) |
|
|
2002 |
|
Tobias Rehberger, Joelle Tuerlinckx, Keith Wilson and Penelope Curtis, The Object Sculpture (Leeds: The Henry Moore Institute) |
|
|
2002 |
|
Liam Gillick and Nicholas Schafhausen, Dark Spring (Germany: Ursula Blickle Stiftung) |
|
|
2002 |
|
Sabine Folie and Michael Glasmeier, Tableaux Vivants: Lebende Bilder und Attituden in Fotografie, Film und Video (Wien: Kunsthalle Wien) |
|
|
2002 |
|
Uta Grosenick, Art Now (New York: Taschen) |
|
|
2002 |
|
Chivas Clem, Rev. of "Go Vegan!" Time Out New York, 5 Dec |
|
|
2002 |
|
Martin Herbert, Rev. of "Pillow Talk." Time Out London, 30 Oct |
|
|
2002 |
|
Ken Johnson, Rev. of "Go Vegan!" New York Times, 13 Dec |
|
|
2002 |
|
David Colman, "House of 8 Gables, Back in Black." New York Times 31 Oct |
|
|
2002 |
|
Frank Keil, "Schwimmtofu an Schweineportrat." Rev. of "Zusammenhaenge Herstellen." Frankfurter Rundschau, 7 Aug |
|
|
2002 |
|
Veronika Schone, "Diat im Kontext." Rev. of "Zusammenhaenge Herstellen." Szene Hamburg, Aug |
|
|
2002 |
|
Anna Dezeuze, Rev. of "The Object Sulpture." Art Monthly July-Aug |
|
|
2002 |
|
Petra Schellen, "Nach dem Mull-clash." Rev. of Zusammenhaenge Herstellen." Tageszeitung, 2 July |
|
|
2002 |
|
Tom Lubbock, "Colourvision." Rev. of "The Object Sculpture." Independent Review 4 June |
|
|
2002 |
|
Harald Fricke, Rev. of "4FREE." Artforum, Mar |
|
|
2002 |
|
Alex Farquharson, Rev. of "The Americans: New Art." Artforum, Mar |
|
|
2002 |
|
Katie Kitamura, ‘Jonathan Horowitz: Pillow Talk’, Contemporary, Dec. |
|
|
2002 |
|
Chivas Clem, ‘Go Vegan! By Jonathan Horowitz at Green Nafalti Gallery, New York’, Time Out New York, 5 Dec |
|
|
2002 |
|
Ken Johnson, ‘Jonathan Horowitz, Go Vegan! At Green Nafalti Gallery’, The New York Times, 13 Dec |
|
|
2002 |
|
David Colman, ‘House of 8 Gables, Back in Black’, New York Times: House & Home, 31 Oct |
|
|
2002 |
|
Martin Herbert, ‘Jonathan Horowitz’, Time Out (London), 30 Oct.-6 Nov. |
|
|
2002 |
|
Mark Wilsher, ‘Jonathan Horowitz: Pillow Talk’, What’s On, 6 Nov. |
|
|
2002 |
|
Joelle Tuerlinckx, ‘The Object Sculpture at The Henry Moore Institute, Leeds’, Art Monthly, July/August |
|
|
2002 |
|
Harald Fricke, ‘4Free at Bureu Friedrich, Berlin’, Artforum, March |
|
|
2001 |
|
Caoimhin Mac Giolla Leith, ‘The Americans: New Art’, Modern Painters, Winter Matthew Rose, ‘the unexplained explained…sort of…’, art: the magazine - letter from Paris, May |
|
|
2001 |
|
Charles-Arthur Boyer, ‘Jonathan Horowitz/Slater Bradley’, Art Press, vol. 269 |
|
|
2001 |
|
Mark Von Schlegell, ‘Luis Gispert, Jonathan Horowitz, John Williams’, Artext, May-July |
|
|
2001 |
|
Illustrations, Issue 5, Spring, vol. 1, no. 5 |
|
|
2001 |
|
Bill Arning, ‘Defeating the Universal Spectator’, NU: The Nordic Art Review, vol. III, no. 1/01 |
|
|
2001 |
|
Holland Cotter, ‘’Fresh’: Altoids Curiously Strong Collection’, The New York Times, 19 Jan |
|
|
2001 |
|
Kim Levin, ‘Jonathan Horowitz’, The Village Voice, 25 April |
|
|
2001 |
|
Kim Levin, ‘Voice Choices: Achieving Failure - Gym Culture 2000’, The Village Voice, 12-18 April |
|
|
2001 |
|
David Hunt, ‘Pumping Iron’, Time Out, 13-20 April, p.69 |
|
|
2001 |
|
Mark Sladen, The Americans (London: Barbican Art Centre) |
|
|
2001 |
|
Jeannne Greenberg, Casino (Ghent, Belgium: S.M.A.K.) |
|
|
2001 |
|
Joshua Decter, Tele(visions) (Wien: Kunsthalle Wien) |
|
|
2001 |
|
Waling Boers, 4Free (Berlin: Buro Friedrich) |
|
|
2001 |
|
Help Name My Cat, (St Gallen: Kunsthalle St. Gallen) |
|
|
2001 |
|
Mac Giolla Leith, Caoimhin. Rev. of "The Americans. New Art." Modern Painters Winter |
|
|
2001 |
|
Matthew Rose, "The Unexplained Explained ... Sort Of..." Interview. art-the magazine, May |
|
|
2001 |
|
Charles-Arthur Boyer, Rev. of Jonathan Horowitz and Slater Bradley at Galerie Yvon |
|
|
2001 |
|
Lambert. Art Press, issue 269 |
|
|
2001 |
|
Mark Von Schlegell, "Luis Gispert, Jonathan Horowitz, John Williams." Rev. of "Pause." Artext, May-July |
|
|
2001 |
|
Reproduced artwork. Issue 5 |
|
|
2001 |
|
Bill Arning, "Defeating the Universal Spectator." NU: The Nordic Art Review, vol. lll, no. 1 |
|
|
2001 |
|
Laura Moffatt, Rev. of "New York Projects." Art Monthly, Sept |
|
|
2001 |
|
Martin Coomer, Rev. of "New York Projects", TimeOut London, 23 Aug |
|
|
2001 |
|
Ursula Eagly, Rev. of "The Jonathan Horowitz Show", Art News, Summer |
|
|
2001 |
|
Christian Haye, "Not Afraid of Love." Reproduced artwork, Dutch May-June: 26-7 |
|
|
2001 |
|
Sarah Schmerler,. Rev. of "The Jonathan Horowitz Show." TimeOut New York, 27 Apr |
|
|
2000 |
|
Christian Holler, Pop Facades: Apparatuses and Codifications Oberhausen International Short Film Festival |
|
|
2000 |
|
Jan Hoet & Giacinto Di Pietrantonio, Over the Edges (Ghent, Belgium: S.M.A.K.) |
|
|
2000 |
|
Amy Cappellazo, Making Time: Considering Time as a Material in Contemporary Video & Film (Palm Beach (FL): Palm Beach Institute of Contemporary Art) |
|
|
2000 |
|
Zeitwenden-Ausblick (Bonn, Germany: Kunstmuseum Bonn) |
|
|
2000 |
|
Saul Anton, "Openings: Jonathan Horowitz." Artforum Nov.: 142-3. |
|
|
2000 |
|
Bruce Hainley, "Blow Up." Reproduced artwork. Frieze May: 72. |
|
|
2000 |
|
D avidHunt, "Pumping Iron." Rev. of "Achieving Failure: Gym Culture 2000." |
|
|
2000 |
|
TimeOut NY 13 Apr |
|
|
2000 |
|
Kim Levin, Rev. of "The Jonathan Horowitz Show." Village Voice, 25 Apr. |
|
|
2000 |
|
Anton, Saul. Rev. of "The Jonathan Horowitz Show." Citysearch.comOnline. Apr. |
|
|
2000 |
|
Mendelsohn, Meredith. "Weekend Update." Artnet.com, Online. 4 Apr |
|
|
2000 |
|
Skelton, Carl. "Bewitched." Rev. of "A Place Called Lovely." dART International |
|
|
2000 |
|
Saul Anton, editorial profile, “The Jonathan Horowitz Show”, Citysearch.com, April |
|
|
2000 |
|
Meredith Mendelsohn, ‘Weekend Update’, Artnet.com |
|
|
2000 |
|
Carl Skelton, ‘Bewitched’, d’Art International, Winter, p.36 & 46 |
|
|
2000 |
|
Saul Anton, ‘Openings: Jonathan Horowitz’, Artforum, Nov., pp.142-3 |
|
|
2000 |
|
Laura Moffatt, ‘New York Projects’, Art Monthly, Sept. |
|
|
2000 |
|
Martin Coomer, review, Time Out (London), 23-30 Aug. |
|
|
2000 |
|
Ursula Eagly, review, Art News, Summer, p.210 |
|
|
2000 |
|
Christian Haye, ‘Not Afraid of Love’ Dutch, illustrations, May/June |
|
|
2000 |
|
Sarah Schmerler, review, Time Out, 27 April-4 May, p.70 |
|
|
2000 |
|
Bruce Hainley, ‘Blow Up’, Frieze, May, p.70-5 |
|
|
1999 |
|
Anne Ellegood, ‘A Place Called Lovely’, NY Arts, Oct. |
|
|
1999 |
|
Bernadette Van-Huy & John Kelsey, ‘Tea No. 2: Rob Pruitt and Jonathan Horowitz’, Made in U.S.A., Fall/Winter |
|
|
1999 |
|
Jan Hoet, ‘Creating Space for Looking’, The Collection-Museum of Contemporary Art Ghent, (cat.) |
|
|
1999 |
|
Alice Thornson, ‘But Seriously…Or Not’, The Kansas City Star, 4 July |
|
|
1999 |
|
Sue Spade, ‘Seeing Eye-Conceptual Art as Neurobiological Praxis’, Village Voice, 27 April |
|
|
1999 |
|
Jos van der Hamsvoord, ‘American Contemporary Artists’, Artnet academy, March, vol. 3, p.37 |
|
|
1999 |
|
Roberta Smith, review, ‘Free Coke’, The New York Times, 26 Feb. |
|
|
1999 |
|
Bill Arning, review, ‘Maxell’, Art in America, Jan., pp.98-9 |
|
|
1999 |
|
Jan Hoet, Ingrid Commandeur, Steven Jacobs & Els Roelandt, The Collection (Ghent, Belgium: S.M.A.K) |
|
|
1999 |
|
the Universal calender (Bonn: Kunstmuseum Bonn) |
|
|
1999 |
|
Bach Two Part Invention #9 (audio CD, self-published) |
|
|
1998 |
|
Markus Muller and Ulrike Groos, Make It Funky: Crossover between Music, Pop and Avant-Garde (Koln) |
|
|
1998 |
|
David Fahl, Rev. of "Tune In." Artlies 19. |
|
|
1998 |
|
Sarah Schmerler, Rev. of "Superfreaks-Post Pop & the New Generation." |
|
|
1998 |
|
TimeOut New York 12 Mar. |
|
|
1998 |
|
Kenny Schachter, et. Al, Cambio, published by The Mexican Cultural Institute of New York, New York, NY |
|
|
1998 |
|
David Barrett, ‘Sex and Drugs and Explosives’, Art Monthly, #196 |
|
|
1998 |
|
David Fahl, review, ‘Tune In’, Artlies, Summer |
|
|
1998 |
|
Sarah Schmerler, review, ‘Superfreaks: Post Pop & the New Generation - Part I: Trash’, Time Out (New York), 12-19 March |
|
|
1998 |
|
Markus Muller & Ulrike Groos, ‘Make It Funky: Crossover between Music, Pop & Avant-Garde’ |
|
|
1998 |
|
Howard the Duck, project for Zing Magazine, Autumn/Winter |
|
|
1997 |
|
J Schulz, review ‘Password: Ferdydurke’, World Art, no. 12 |
|
|
1997 |
|
J. Rev Schulz, of "Password: Ferdydurke." World Art |
|
|
1997 |
|
Stairmaster Anthology (New York: self-published) |
|
|
1997 |
|
Susan Hapgood, ‘Shit’, Art in America, March, p.109 |
|
|
1996 |
|
Charles Dee Mitchell, ‘Eastern Seaboard’, Dallas Morning Star, 28 Nov. |
|
|
1996 |
|
Kim Levin, ‘Voice Choice: Password Ferdydurke’, 12 Nov. |
|
|
1996 |
|
Ellen Pall, ‘The New Dealers’, The New York Times Magazine, 1 Sept. |
|
|
1996 |
|
Charles Dee Mitchell, "Eastern Seaboard." Rev. of "Facing the Millenium." Dallas Morning Star 28 Nov. |
|
|
1996 |
|
Kim Levin, Rev. of "Password: Ferdydurke." Villiage Voice, 12 Nov |
|
|
1995 |
|
David Barrett, Rev. of "Sex and Drugs and Explosives.", Art Monthly May |
|
|
1995 |
|
David Barrett, review ‘Sex and Drugs and Explosives’, Art Monthly, May |
|
|
1995 |
|
Jennifer Borum, review, ‘Looky Loo, High Anxiety’, Artforum, Dec. |
|
|
1995 |
|
Geoffrey Young, ‘Looky Loo’, (cat.) |
|
|
1989 |
|
Dan Walworth, ‘Document and Dream’, Artists Space catalog essay |
|
|
return to artnet.com
