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Gillian Wearing (British, 1963)
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Gillian Wearing
Dominik 2008
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Gillian Wearing
Family History; Installation view: Regen Projects II, 2008 2006
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Gillian Wearing
Irene 2008
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![Gillian Wearing - Irene [open] (Paintings) h: 29 x w: 38.2 x d: 1 in / h: 73.7 x w: 97 x d: 2.5 cm](http://images.artnet.com/artwork_images/138064/523021t.jpg) |
Gillian Wearing
Irene [open] 2008
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Gillian Wearing
Me as Arbus 2008
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Gillian Wearing
Rowena (Closed) 2008
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Biography |
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1963 |
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Born Birmingham, United Kingdom. |
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1985 - 1987 |
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Chelsea School of Art, B.TECH Art & Design |
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1987 - 1990 |
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Goldsmiths' College, University of London, B.A. (Hons.) Fine Art |
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Currently lives and works in London |
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Awards |
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2007 Royal Academician |
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2007 Grazia o2 X Award for Art |
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2002 British Television Advertising Award, Public Service: Gold |
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1998 For 2 into 1, Oberhausen Short Film Festival |
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1998 Prize of the Ministry of Employment, Social Affairs and Urban Development, Culture and Sport |
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1997 Turner Prize 1997 |
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1993 BT Young Contemporaries |
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Exhibitions |
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2008 |
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Regen Projects, Los Angeles (solo) |
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2008 |
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History in the Making: A Retrospective of the Turner Prize, Mori Art Museum, Tokyo |
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2008 |
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EXISTENCIAS, MUSAC, León, Spain |
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2008 |
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Irish Museum of Modern Art” Obras Fundamentales, Sala Kubo-Kutxa, San Sebastian |
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2008 |
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La Collection d’art d’agnes b, JRP Ringier, Zürich |
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2008 |
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Martian Museum of Terrestrial Art, Barbican Art Gallery, London |
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2008 |
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Print the Legend: Contemporary Art and the Western, The Fruitmarket Gallery, Edinburgh |
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2008 |
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Tarantula, Fondazione Nicola Trussardi, Milan, Italy |
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2008 |
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You are my mirror 1: Je t'aime, moi non plus, Frac Lorraine, Metz, France |
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2008 |
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Worlds on video, Centro di Cultura Contemporanea Palazzo Strozzi, Firenze, Italy |
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2007 |
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Breaking step/Uraskoraku, Museum of Contemporary Art, Belgrade |
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2007 |
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Family Monument, Galleria Civica di Arte Contemporanea, Trento (solo) |
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2007 |
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Elsewhere?, Galleria Emi Fontana, Milan (solo) |
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2007 |
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Held Together with Water, MAK, Vienna |
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2007 |
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Passion Complex, 21st Century Museum of Contemporary Art, Kanazawa, Japan |
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2007 |
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Role Exchange, Sean Kelly, New York |
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2007 |
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Talking Pictures: Theatricality in Contemporary Film and Video Works, K21, Düsseldorf |
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2007 |
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The Turner Prize: A Retrospective, Tate Britain, London |
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2007 |
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Global Feminisms: New Directions in Contemporary Art, Brooklyn Museum, New York |
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2007 |
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ELSEWHERE?, Galleria Emi Fontana, Milan |
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2006 |
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Eye On Europe: Prints, Books and Multiples / 1960 to Now, The Museum of Modern Art, New York |
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2006 |
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Aftershock, Contemporary British Art 1990 – 2006, Guangdong Museum of Art, Guangzhou, China & Capital Museum, Beijing, China |
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2006 |
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Before the Camera: Remaking Reality and the Make-believe, Norton Museum of Art, West Palm Beach, Florida |
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2006 |
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Living Proof, ACCA, Australian Centre for Contemporary Art, Melbourne (solo) |
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2006 |
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Family History, in conjunction with the Film and Video Umbrella, touring exhibition: The Forbury Hotel Apartments, Reading; Ikon, Birmingham (solo) |
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2006 |
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Family History, Maureen Paley, London (solo) |
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2006 |
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Local Stories, Modern Art Oxford, Oxford |
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2006 |
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Live Screen, Lilian Baylis Theatre at Saddlers Wells, London |
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2006 |
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Of Mice and Men, Fourth Berlin Biennial for Contemporary Art, Berlin |
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2006 |
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Making History – Art and Documentary in Britain from 1929 to Now, Tate Liverpool, 2006 |
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2006 |
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Mouvement: Des Deux Côtés du Rhin, Museum Ludwig, Cologne |
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2006 |
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People, Museo D’Arte Contemporanea Donnaregina, Naples |
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2006 |
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Portrait of Artists, Luring Augustine |
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2006 |
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Me, Myself and I, Contemporary Art Center of Virginia |
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2006 |
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Shoot the Family, touring exhibition: Cranbrook Art Museum, and others |
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2006 |
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The Monty Hall Problem, Blum & Poe, Los Angeles |
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2006 |
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A Short History of Performance part IV, Whitechapel Art Gallery, London |
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2006 |
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Raconte-moi/ Tell me, Casino Luxembourg, Luxembourg |
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2005 |
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The Kyber Arts Center, Nova Scotia |
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2005 |
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The Gesture, A visual library in progress, Macedonian Museum of contemporary Art, Thessaloniki, Greece, and Quarter, Centro Produzione Arte, Florence, 2005 |
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2005 |
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New Work/New Acquisitions, MOMA The Museum of Modern Art, New York |
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2005 |
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Sculpture in the park, Durham Art Gallery & DLI Museum, England |
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2005 |
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Body: New art from the UK, Vancouver art gallery (2005), The Ottawa art gallery (2006), Oakville galleries (2006), Edmonton art gallery (2006) |
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2005 |
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Irreducible: Contemporary Short Form Video, CCAC Wattis Institute for Contemporary Arts, San Francisco, & The Bronx Museum of the Art, New York |
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2005 |
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25. Twenty-five years of the Deutsche Bank Collection, Deutsche Guggenheim, Berlin |
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2005 |
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raconte-moi, Musee national des beaux-arts du Quebec, Canada |
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2005 |
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Snapshot, Bloomberg Space, London (solo) |
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2005 |
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Outreach Award, Rencontres d’Arles Festival, Arles, France (solo) |
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2005 |
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Family Pictures – Fotografia contemporanea e Video dalla Collezione del Guggenheim Museum, Galleria Gottardo, Switzerland |
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2004 |
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Faces in the crowd – Picturing modern life from Manet to today, The Whitechapel art gallery, London, UK |
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2004 |
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With all due intent, European Biennial of contemporary art, Spain |
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2004 |
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Inaugural Show: MoMA reopening, Museum of Modern Art, New York |
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2004 |
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Social Creatures: How body becomes art, Sprengel Museum Hannover |
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2004 |
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ART NEWS: contemporary artists working with newspaper, Three Colts Gallery, London |
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2004 |
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Revolving Doors, Fundación Telefónica, Madrid |
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2004 |
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About Face, Hayward Gallery, London |
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2004 |
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Busan Biennale 2004, Seoul |
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2004 |
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Manifesta, San Sebastian |
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2004 |
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Frans Hals Museum, Haarlem, The Netherlands (solo) |
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2004 |
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Album, Regen Projects, Los Angeles (solo) |
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2004 |
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Kiasma/Museum of Contemporary Art, Helsinki (solo) |
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2003 |
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Album, Gorney Bravin+Lee, New York (solo) |
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2003 |
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Album, Maureen Paley Interim Art, London (solo) |
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2003 |
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Mass Observation, ICA Philapelphia (solo) |
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2003 |
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Mass Observation, Musée d'Art Contemporain de Montréal (solo) |
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2003 |
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A bigger s[lash – British art from Tate – 1960 – 2003, Pavihao lucas Nogueira Garcez – Oca Parque ibirapuera, Sao Paul & Instituto Tomie Ohtake |
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2003 |
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Contemporary British Art from the Paragon Collection, Hakodate Museum of Art, Hokkkaido, Japan |
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2003 |
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Fast Foreward, Sammlung Goetz |
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2003 |
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Strange Days, Museum of Contemporary Art, Chicago |
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2003 |
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Synopsis III - Fiction and Reality, National Museum of Contemporary Art, Athens |
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2003 |
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Happiness: a survival guide for art & life, Mori Art Museum, Tokyo |
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2003 |
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Outlook, International Art Exhibition 2003, Athens |
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2003 |
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Inaugural Exhibition, Regen Projects, Los Angeles |
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2002 |
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Face Off, Kettle's Yard, Cambridge and touring |
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2002 |
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Die Wohltat der Kunst: Post\Feministische Positionen der 90er Jahre aus der Sammlung Goetz, Staatliche Kunsthalle, Baden-Baden |
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2002 |
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Mass Observation, Museum of Contemporary Art, Chicago (solo) |
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2002 |
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A Trilogy, Vancouver Art Gallery, Vancouver (solo) |
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2002 |
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Kunsthaus Glarus, Glarus, Switzerland (solo) |
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2002 |
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Coming of Age, The New Art Gallery, Walsall |
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2002 |
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To Whom it May Concern, California College of Arts and Crafts, San Francisco |
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2002 |
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Just Love me/Die Wohltat der Kunst, Fries Museum Leeuwarden (2004), Bergen Museum of art (2003), Samnlung Goetz (2003), Staatliche Kunsthalle Baden-Baden (2002) |
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2002 |
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I promise it's political, Museum Ludwig, Cologne |
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2002 |
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Remix: Contemporary Art and Pop, Tate Liverpool |
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2002 |
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Bienal de São Paulo, Sao Paulo, Brazil |
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2002 |
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The Video Show, Centraal Museum, Utrecht |
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2002 |
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Acquisitions 2001 – Part 1: Photographs, Video Installations, Video, National Museum of Contemporary Art, Athens |
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2001 |
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Telling Tales: Narrative Impulses in Recent Art, Tate Liverpool |
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2001 |
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ABBILD recent portraiture and depiction, Landesmuseum Joanneum, Graz |
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2001 |
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Angel Row Gallery, Nottingham (solo) |
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2001 |
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Centro Galego de Arte Contemporánea, Santiago, Spain (solo) |
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2001 |
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Unspoken, Kunstverein München, Munich (solo) |
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2001 |
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Museo do Chiado, Lisbon (solo) |
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2001 |
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Sous Influence, Musée d’Art Moderne de la Ville de Paris, Paris (solo) |
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2001 |
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“la Caixa”, Madrid (solo) |
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2001 |
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Bluecoat Gallery, Liverpool (solo) |
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2001 |
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No World Without You, Reflections of Identity in New British Art, Herzliya Museum of Art, Tel Aviv |
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2001 |
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W, Centre d’Art Mobile, Besançon, France |
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2001 |
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Birmingham, Ikon Gallery, Birmingham |
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2001 |
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Inner State of Health: The Person in the Mirror of Contemporary Art, Kunstmuseum Liechtenstein |
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2001 |
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Biennale de Lyon art contemporain 2001, Lyon |
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2001 |
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Milano Europa 2001, Palazzo dellaTriannale, Milan |
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2001 |
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Confidence pour confidence, Casino Luxembourg, Luxembourg |
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2001 |
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Video Evidence, Southampton City Art Gallery, Southampton |
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2001 |
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Film Festival Rotterdam, Museum Boijmans Van Beuningen Rotterdam, Rotterdam, The Netherlands |
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2001 |
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Century City, Tate Modern, London |
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2000 |
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Regen Projects, Los Angeles (solo) |
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2000 |
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Serpentine Gallery, London, Curated by Lisa G. Corrin (solo) |
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2000 |
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Gorney Bravin+Lee, New York (solo) |
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2000 |
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Autowerke, Deichtorhallen, Hamburg |
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2000 |
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Intelligence: New British Art 2000, Tate Britain, London |
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2000 |
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Puerile ’69, The Living Art Museum, Reykjavík |
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2000 |
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Tate Modern Collection, Tate Modern, London |
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2000 |
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Contemporary Art Center, Cincinnati |
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2000 |
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Sydney Biennale, Museum of Contemporary Art, Sydney |
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2000 |
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docudrama, Bury St. Edmunds Art Gallery, Bury St. Edmunds |
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2000 |
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Tate Britain Collection, Tate Gallery, London |
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2000 |
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Let’s Entertain, Walker Art Center, Minneapolis and touring |
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2000 |
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Quotidiana, Castello di Rivoli, Turin |
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2000 |
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Makeshift, ArtPace, San Antonio, Texas |
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1999 |
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A Woman Called Theresa, Ophiuchus Collection, The Hydra Workshop, Hydra, Greece (solo) |
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1999 |
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Galerie Anne de Villepoix, Paris (solo) |
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1999 |
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Drunk, De Vleeshal, Middelburg, The Netherlands (solo) |
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1999 |
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Maureen Paley Interim Art, London (solo) |
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1999 |
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Rewind to the Future, Bonner Kunstverein, Bonn and Neue Berliner Kunstverein, Berlin |
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1999 |
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People, Le Spot, contemporary art centre, Le Harve |
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1999 |
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Hundstage, Gesellschaft für Aktuelle Kunst, Bremen |
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1999 |
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Ex-Change, La Criee-Centre d’Art Contemporain, Rennes |
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1999 |
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The Viewing Room, Kansas City Art Institute, Kansas City |
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1999 |
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This Other World of Ours, TV Gallery, Moscow |
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1999 |
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Rattling the Frame: The Photographic Space 1974-1999, SF Camerawork, San Francisco |
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1999 |
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La Coscienza Luccicante, Palazzo delle Esposizioni, Rome |
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1999 |
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6th International Istanbul Biennial, Istanbul, Turkey |
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1999 |
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Garden of Eros, Centre Cultural Tecla Sala, Barcelona |
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1999 |
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Common People, Fondazione Sandretto re Rebaudengo per l’Arte, Turin |
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1999 |
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Sweetie: Female Identity in British Video, The British School at Rome |
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1999 |
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Searchlight: Consciousness at the Millennium, The California College of Arts and Crafts, Oakland |
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1999 |
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Private Room / Public Space, Almeers Centrum Hedendaagse Kunst, Al Almere, The Netherlands |
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1998 |
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Spacex Gallery, Exeter, UK (solo) |
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1998 |
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Gallery Koyanagi, Tokyo, Japan (solo) |
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1998 |
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Centre d’Art Contemporain, Geneva, Switzerland (solo) |
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1998 |
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La Concienza Luccicante, Palazzo delle Esposizioni, Rome |
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1998 |
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In Visible Light, Moderna Museet, Stockholm |
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1998 |
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Fast Forward Body Check, Kunstverein, Hamburg |
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1998 |
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Sensation - Young British Artists from the Saatchi Collection, Museum für Gegenwart, Berlin |
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1998 |
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Contemporary British Art, The Museum of Contemporary Art, Seoul, Korea |
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1998 |
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Galerija Dante Marino Cettina, Umag, Croatia |
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1998 |
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UK Maximum Diversity, Galerie Krinzinger, Bregenz and Künste Wein, Vienna, Austria |
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1998 |
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A Collection in the Making, The Irish Museum of Modern Art, Dublin |
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1998 |
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Internationale Foto Triennale/Photography as Concept, Galerien der Stadt Esslingen, Esslingen, Germany |
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1998 |
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Made in London, Musea de Electricidade, Lisbon |
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1998 |
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La Sphere de L’Intime, Le Printemps de Cahors, Saint-Cloud, France |
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1998 |
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Real/Life: New British Art, Japanese Museum Tour, Tochigi Prefectural |
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1998 |
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Museum of Fine Arts, Fukuoka City Art Museum, Hiroshima Museum of Contemporary Art, Tokyo Museum of Contemporary Art |
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1998 |
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Musée du Rochechouart, (with Valerie Jouve and Rineke Dijkstra), Rochechouart, France |
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1998 |
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Videorama, Depot, Kunst und Diskussion, Vienna, Austria |
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1998 |
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White Noise, Kunsthalle Berne, Switzerland |
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1998 |
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ENGLISH ROSE in Japan (with Tracey Emin & Georgina Starr), The Ginza Artspace, Tokyo, Japan |
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1997 |
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The Turner Prize 1997, Tate Gallery, London |
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1997 |
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Private Face - Urban Space, co-organised by the Hellenic Art Galleries |
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1997 |
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Association & The Rethymnon Centre for Contemporary Art, Athens & Rethymnon, Greece |
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1997 |
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Strange days – British contemporary photography, Claudia gian ferrari arte contemporanea, Milan, Italy |
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1997 |
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Tales from the City, Stills Gallery, Edinburgh |
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1997 |
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Sensation, Saatchi Collection, Royal Academy of Art, London |
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1997 |
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Pictura Britannica: Art from Britain, Museum of Contemporary Art, Sydney, Australia, travelling to Adelaide, Australia and Wellington, New Zealand |
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1997 |
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Projects, The Irish Museum of Modern Art, Dublin |
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1997 |
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Package Holiday - New British Art in the Ophiuchus Collection The Hydra Workshop, Hydra, Greece |
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1997 |
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Splash, AAC Galerie Weimar, Germany |
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1997 |
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I.D., Nouveau Musee, Villeurbanne, France |
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1997 |
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Gillian Wearing/Barbara Visser, Bloom Gallery, Amsterdam, Holland |
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1997 |
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Galerie Anne de Villepoix, Paris |
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1997 |
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S.L. Simpson Gallery, Toronto, Canada |
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1997 |
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In Visible Light: Photography and Classification in Art, Science and the Everyday, Museum of Modern Art, Oxford |
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1997 |
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Galerie Drantmann, Brussels, Belgium (solo) |
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1997 |
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Jay Gorney Modern Art, New York (solo) |
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1997 |
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Wiener Secession, Vienna, Austria (solo) |
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1997 |
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10 - 16, Chisenhale Gallery, London (solo) |
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1997 |
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Kunsthaus Zürich, Switzerland (solo) |
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1997 |
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Emi Fontana, Milan, Italy (solo) |
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1996 - 1997 |
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Maureen Paley Interim Art, London (solo) |
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1996 |
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Wish You Were Here (Video Evenings at De Appel), Amsterdam (solo) |
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1996 |
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Le Consortium, Dijon, France (solo) |
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1996 |
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Gillian Wearing, City Projects - Prague, Part II, The British Council, Prague (solo) |
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1996 |
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Valentina Moncada, Rome (British Council) (solo) |
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1996 |
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Maureen Paley Interim Art, London (solo) |
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1996 |
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I.D., Van Abbe Museum, Eindhoven, The Netherlands |
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1996 |
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Life / Live, co - curated by Laurence Bosse & Hans-Ulrich Obrist, ARC (Musée d'Art Moderne de la Ville de Paris), France |
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1996 |
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Full House -Young British Art, Kunstmuseum Wolfsburg, Germany |
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1996 |
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Playpen & Corpus Delirium, Kunsthalle Zürich, Switzerland |
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1996 |
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a/drift: Scenes From the Penetrable Culture, curated by Joshua Decter, Center for Curatorial Studies, Bard College, New York |
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1996 |
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The Aggression of Beauty, Galerie Arndt & Partner, Berlin |
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1996 |
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Electronic Undercurrents - Art & Video in Europe, The Royal Museum of Fine Arts, Copenhagen |
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1996 |
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Private View, Contemporary Art in the Bowes Museum, Barnard Castle, County Durham, co - curated by Penelope Curtis and Veit Görner, organised by the Henry Moore Institute |
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1996 |
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The Fifth New York Video Festival, The Film Society of Lincoln Center, New York |
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1996 |
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Toyama Now '96, curated by Iwona Blazwick, The Museum of Modern Art, Toyama, Japan |
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1996 |
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The Cauldron, Henry Moore Institute, Leeds |
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1996 |
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NowHere, (Incandescent, curator Laura Cottingham), Louisiana Museum of Modern Art, Humlebaek, Denmark |
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1996 |
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Auto-reverse 2, Centre National D'Art Contemporain Grenoble, France |
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1996 |
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Traffic, CAPC Musée Contemporain Bordeaux, France |
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1996 |
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Imagined Communities, Oldham Art Gallery; John Hansard Gallery, Southampton; Firstsite, Colchester; Walsall Museum & Art Gallery; Royal Festival Hall, London; Gallery of Modern Art, Glasgow |
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1996 |
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Pandaemonium; London Festival of Moving Images, I.C.A, London |
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1995 |
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The British Art Show, National Touring Exhibitions |
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1995 |
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X/Y, Centre Georges Pompidou, Paris |
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1995 |
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Campo, Venice Biennale, curated by Francesco Bonami |
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1995 |
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Sage, Galerie Michel Rien, Tours, France |
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1995 |
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It's not a picture, Galleria Emi Fontana, Milan |
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1995 |
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Brilliant! New Art from London, Walker Art Center, Minneapolis |
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1995 |
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Brill: Works on Paper by Brilliant Artists, Montgomerie Glasgoe Fine Art, Minneapolis |
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1995 |
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British Art Show 4, touring Great Britain |
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1995 |
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Mysterium Alltag, Kampnagel, Hamburg, (with Jane & Louise Wilson, Tacita Dean, Tracey Emin) |
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1995 |
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Aperto '95, Nouveau Musée, Institut d'Art Contemporain, Villeurbanne, France |
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1995 |
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Hotel Mama (Aperto '95), Kunstraum, Wein, Austria |
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1995 |
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Make Believe, Royal College of Art, London |
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1995 |
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Mobius Strip, Basilico Fine Arts, New York |
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1995 |
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Hello! Andréhn - Schiptjenko, Stockholm |
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1995 |
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Gone, Blum & Poe, Los Angeles, (with Bas Jan Ader, Sam Durant, Rainer Ganahl) |
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1995 |
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Western Security, Hayward Gallery, London (solo) |
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1994 |
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Maureen Paley Interim Art, London (solo) |
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1994 |
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Le Shuttle, Künstlerhaus Bethanien, Berlin |
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1994 |
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3.016.026, Theoretical Events, Naples |
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1994 |
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Uncertain Identity, Galerie Analix B & L Polla, Geneva |
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1994 |
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Fuori Fase, Via Farini, Milan |
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1994 |
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Domestic Violence, curated by Alison Jacques, Gio Marconi's House, Milan |
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1994 |
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R.A.S, curated by Gianni Romano, Galerie Analix B & L. Polla, Geneva |
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1994 |
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Not Self-Portrait, Karsten Schubert, London |
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1993 |
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BT Young Contemporaries; Cornerhouse, Manchester, Orchard Gallery, Derry, The Maplin Art Gallery, Sheffield, City Museum and Art Gallery, Stoke-on-Trent, Centre for Contemporary Art, Glasgow |
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1993 |
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Okay Behaviour, 303 Gallery, New York |
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1993 |
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Mandy Loves Declan 100%, Mark Boote Gallery, New York |
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1993 |
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2 into 1, Centre 181 Gallery, London |
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1993 |
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Vox Pop, Laure Genillard Gallery, London |
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1993 |
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City Racing, London (solo) |
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1992 |
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Instruction, Marconi Gallery, Milan |
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1992 |
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British Art Group Show, Le Musee des Beaux Arts dans Le Havre, France |
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1991 |
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Piece Talks, Diorama Art Centre, London |
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1991 |
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Clove 1, The Clove Building, London |
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1991 |
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Empty Gestures, Diorama Art Centre, London |
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Literature |
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2008 |
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Velasco, David & Wearing, Gillian, Gillian Wearing, artforum.com, 11 July 2008 |
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2008 |
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Art House: Gillian Wearing, Dazed & Confused, November 2008, pp.158-159 |
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2008 |
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Beech, Dave, Include me out!, Art Monthly, April 2008, pp.1-4 |
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2008 |
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Dambrot, Shana Nys, Gillian Wearing’s Pin Up’s at Regen Projects, whitehotmagazine.com, September 2008 |
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2008 |
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Dyer, Geoff, The Lure of the Street, Guardian: Review, 31 May 2008 |
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2008 |
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LA premiere for Wearing pin-ups, Art World, August 2008, p.26 |
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2008 |
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Lehrer-Graiwer, Sarah, Gillian Wearing, Artforum, October 2008, pp.392-393 |
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2008 |
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Myers, Holly, The reality behind dreams of glamour, Los Angeles Times, 15 August 2008 |
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2008 |
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Zellen, Jody, Gillian Wearing, Artillery, September?October 2008, p.53 |
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2008 |
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Schwabsky, Barry, Turner Prize: A Retrospective 1984-2006, Artforum, January 2008, p.277 |
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2008 |
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Stiles, Kristine and Selz, Peter, Theories and Documents of Contemporary Art, University of California Press, 2008 |
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2007 |
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Innovative Ikon gets tough, Art World, December 2007, p.17 |
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2007 |
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Morris, Jane, Maureen Paley: Gallery Profile, Art World, December 2007, pp.52-55 |
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2007 |
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Marinos, Christopher, Focus Greece: Dakis Joannou, Flash Art, October 2007, pp.100-101 |
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2007 |
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Meneghelli, Luigi, Italian Landscape: Gillian Wearing, Flash Art, July 2007, p 83 |
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2007 |
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Global Feminisms: New Directions in Contemporary Art, Brooklyn Museum/ Merrell |
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2007 |
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Breaking step/U raskoraku, Museum of Contemporary Art, Belgrade |
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2007 |
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Cavallucci, Fabio & Natalicchio, Christina, Gillian Wearing: Family Monument, Work, Summer 2007, pp.39-49 |
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2007 |
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Bosco, Orian, Formato tv, Work, Summer 2007, pp.50-51 |
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2007 |
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Higgins, Charlotte, Who’s Shocking Now?, The Guardian Weekend, 8 September 2007, p.30 |
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2007 |
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Julia, Princess, Turner Prize: A Retrospective, I-D, December 2007, p.172 |
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2007 |
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Smolik, Noemi, Talking Pictures, Artforum, December 2007, p.367 |
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2007 |
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Wearing, Gillian, On The Record, Art Review, November 2007, p.214 |
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2007 |
|
Family History, Film and Video Umbrella, Maureen Paley, London (solo publication) |
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2006 |
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Living Proof, ACCA, Australian Centre for Contemporary Art, Melbourne (solo publication) |
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2006 |
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Contemporary Subject, Routledge, 2006, pp 157-9 |
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2006 |
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Briers, David, Insignificance, Art Monthly, April 2006, p7-10 |
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2006 |
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Bock, John & Wearing, Gillian, directed by Cattelan, Maurizio, Tarzan & Jane: Madness, domus, 06 June 2006, p98&99 |
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2006 |
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C, R, Making History: Liverpool, The Guardian Guide, 06 February 2006 |
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2006 |
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Clark, Robert, Gillian Wearing: Family History, Guardian Guide, 9 September 2006, p.36 |
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2006 |
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Cousins, Mark, The aesthetics of documentary, Tate ETC, March 2006 |
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2006 |
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Cripps, Charlotte, Arts Previews: These are the days of our lives, The Independent, 17 January 2006 |
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2006 |
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Crompton, Sarah, When reality TV was the real world, The Daily Telegraph, 12 July 2006, p28 |
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2006 |
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Von Mäusen und Menschen / Of Mice and Men, 4th Berlin Biennial for contemporary art, Hatje Cantz, 2006 |
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2006 |
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Ewing, William A., FACE: The New Photographic Portrait, Thames & Hudson, 2006, p. 91 |
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2006 |
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Gardiner, Juliet, Candid Culture, History Today, April 2006, p5&6 |
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2006 |
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Gray, Louise, Sex, Lies and videotape – Tea with Gillian Wearing, Blind Date, 2006, p94& 148-151 & 217 |
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2006 |
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Hruska, Libby, (editor), Eye On Europe: Prints, Books and Miltiples / 1960 to Now, The Museum of Modern Art, 2006, pp 225-6, 227, 259, 287 |
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2006 |
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Hubbard, Sue, Even artists are getting real, The Independent: extra, 2 November 2006 |
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2006 |
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James, Sarah, Documenting Documentary, Art Monthly, April 2006, p1-4 |
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2006 |
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Jefferies, Stuart, Get real, The Guardian, G2, 06 July 2006, p18-21 |
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2006 |
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Jones, Amelia, Self/ Image: Techinology, Representation and the Photographs: Kraus, Alex, Blind Date Seligenstadt, Deutsche Bank, May 2006 |
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2006 |
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Kuhn, Nicola, Zimmer mit Einsicht, Tagesspiegel, 24 March 2006 |
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2006 |
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Lack, Jessica, Gillian Wearing: Family History, Reading, Guardian Unlimited: The Guide, 03 July 2006 |
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2006 |
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Lee, David, An obsession with art, Ag, Spring 2006, p56-65 |
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2006 |
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Lippiatt, Matt, Keeping it in the family, The Times, 03 October 2006 |
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2006 |
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Lubbock, Tom, Here comes everybody…, The Independent, 06 February 2006, p44&45 |
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2006 |
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Martin, Sylvia, Video Art, Taschen, Germany |
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2006 |
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Nairne, Andrew, Local Stories, Modern Art Oxford, 2006, pp 26-31 |
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2006 |
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Nairne, Sandy & Howgate, Sarah, The Portrait Now, National Portrait Gallery Publications, 2006 |
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2006 |
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Nairne, Osterberg, Catherine, The Portrait Now, Contemporary, May 2006, p79 |
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2006 |
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Roberts, Russell, Stranger than Fiction, Source, March 2006, p48&49 |
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2006 |
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Russell Taylor, John, The poetic truth in black and white, times2, 07 February 2006, p19 |
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2006 |
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Ruyters, Domeniek, Exposed and Worse, Metropolis M, October / November, 2006, p93-95 |
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2006 |
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Schneider, Arnd, Wright, Christopher, Contemporary Art and Anthropology, Berg, 2006 |
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2006 |
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Schwan, Gary, Remaking Reality and the Make-believe, palmbeachpost.com, 22 October 2006 |
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2006 |
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Steeds, Lucy, Local Stories, Katerina Seda, Art Monthly, No. 295, April 2006, p22-23 |
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2006 |
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Walsh, Maria, Gillian Wearing, Art Monthly, No. 300, October 2006, p26&27 |
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2006 |
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Making History – Art and Documentary in Britain from 1929 to Now, Tate Publishing, 2006 |
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2006 |
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West, Esme, (editor), New Art on View, Scala, 2006, p 51 |
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2006 |
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A serious look at the world: Crossing the line between art and documentary, The Daily Post, 10 February 2006 |
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2006 |
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An Artistic Frame of Mind, liverpoolcitywise, April 2006, p22&23 |
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2006 |
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Gillian Wearing - Family History, filmlondon.org.uk, 20 June 2006 |
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2006 |
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Gillian Wearing, Phaidon 2006/2007, June 2006, p60 |
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2006 |
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Projects: Family History, Gillian Wearing, artistsinthecity.org.uk, 07 July 2006 |
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2006 |
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The glittering prizes, Art Newspaper, March 2006 |
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2006 |
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Time off: ‘Making History: Art and Documentary in Britain from 1929 to now’, Gazette, 04 February 2006 |
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2006 |
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News, Art Newspaper, March 2006 |
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2006 |
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A Short history of Performance Part IV, Whitechapel Gallery, 2006 |
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2006 |
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View from the streets, The Guardian, 14 January 2006 |
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2005 |
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Bright, Susan, Art Photography Now, Thames & Hudson, 2005, p18, 42-43 |
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2005 |
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Cotter, Holland, Art Review, Irreducible, Videos, Long and Short, That Can Really Move, The New York Times, 16 December 2005 |
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2005 |
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guardami, percezione del video, Palazzo Delle Papesse Centro Arte Contemporanea, 2005, p148-149 |
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2005 |
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Colour Photography – Fifty Postcards, The Museum of Modern Art, Nº50 |
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2005 |
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Irish museum of modern art – The Collection, The Irish Museum Of Modern Art, p180 |
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2005 |
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Burnett Craig, The Legacy of Diane Arbus, V&A MAGAZINE, Winter 2005 - 6, p43 |
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2005 |
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Cripps, Charlotte, From Gillian With Love, The Independent Magazine, 8 October 2005, pp 27 – 30 |
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2005 |
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Coleman, Sarah, Interview with Gillian Wearing, Photo Metro, Volume 16, Issue 31, March 2005, p28-31 |
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2005 |
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Dault, Julia, Body Slam, Vancovers mega-celebration of the human form holds nothing back, National Post, 07 July 2005 |
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2005 |
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De Salvo, Donna, (editor), press PLAY, contemporary artists in conversation, Phaidon Press Limited, 2005, p642 - 657 |
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2005 |
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Elwes, Catherine, Video Art, A Guided Tour, I.B. Tauris, 2005 |
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2005 |
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Field, Marcus, The Dark Art, The Sunday Review – The Independent on Sunday, 9 October, pp20 – 23 |
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2005 |
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Gessell, Paul, A body of art in your face, Ottawa Citizen, 28 November 2005, pD1-D2 |
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2005 |
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Herbert, Martin, Gillian Wearing, Bloomberg, Time Out London, Nº.1835, 16-26 October 2005, p42 |
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2005 |
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O’Reilly, Sally, Self-reflexivity, Art Monthly, Nº289, September, pp 7- 289 |
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2005 |
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O’Hagan, Sean, Put me off at the strawberry, The Observer, July 10, p10 |
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2005 |
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Malik, Amna, Faces in the crowd, Picturing Modern life from Manet to today, Art Monthly, February, Nº283, pp31-33 |
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2005 |
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Milroy, Sarah, They sing the body eclectic, National Post, 30 July 2005 |
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2005 |
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Rugoff, Ralph, Irreducible: Contemporary Short Form Video, CCA Wattis Institute for Contemporary Arts, San Francisco, p 11 |
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2005 |
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Cavalli, Roberto, Party Party Party, Tatler, September, p155-157 & 170 |
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2005 |
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Thatcher, Jennifer, Review, Gillian Wearing, Snapshot, Bloomberg SPACE, Pluk, Issue 27, November - December 2005, p34-35 |
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2004 |
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Cotton, Charlotte, The Photograph as Contemporary Art, Thames & Hudson, 2004, p30, 196 |
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2004 |
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Kent, Sarah, Visage d’or, Time Out, 8-15 December |
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2004 |
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Cornell, Frida, Stillsamma Samt, Konstperspektiv, p. 8 – 11, September |
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2004 |
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Ouroussoff, Nicolai, Art Fuses With Urbanity in an Aesthetically Pure Redesign of the Modern, The New York Times, 15 November |
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2004 |
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Bush, Kate, Young British Art: Kate Bush on the YBA sensation, Artforum, October |
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2004 |
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Fox, Dan, Manifesta 5 European Biennial of Contemporary Art, Frieze , September |
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2004 |
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Frigstad, Gard Olav, Manifesta med selvtillit, Aftenposten (Norway), August, p10 |
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2004 |
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Roos, Robbert, Een Wereld In Het Hoofd, Kunstbeeld, p. 6 – 13, September |
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2004 |
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Velde, Paola van de , Jeugdtrauma’s en familieportretten, 20 June |
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2004 |
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Cameron, Dan, I’m Deperate: Gillian Wearing’s Art of Transposed Identities, Parkett, No. 70, May 2004, p98-103 |
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2004 |
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Rabinowitz, Cay Sophie, Gillian Wearing on her Album Series (2003), Parkett, No. 70, May 2004, p124-127 |
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2004 |
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Burn, Gordon, The Encounter with Reality, Parkett, No. 70, May, p108-115 |
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2004 |
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Gilian Wearing, NRC, 20 May |
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2004 |
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Wesseling, Janneke, Wearing kijkt achter het masker, NRC, 18 May |
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2004 |
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Huygen, Frederike, Biechtstoel of peepshow, Museumtijdschrift, April May |
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2004 |
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Wetering, Geert van de, De wanhoop van Gillian Wearing, De Volkskrant, 21 April |
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2004 |
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Pagel, David, Fantasy, Reality: Wearing her Art, Los Angeles Times, 9 April |
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2004 |
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Poppe, Ine, Kunstmatige families, Mr Motley – Familie Issues, Nº2, pp54-59 |
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2004 |
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Keijer, Kees, Biechten aan de videocamera, Het Parool, 7 April |
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2004 |
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Hoore, Cees van, Het duistere innerleik van de mens, Haarlem Dagblad, 3 April |
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2004 |
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Dunn, Melissa, Gillian Wearing, Gorney Bravin + Lee, Flash Art, March - April |
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2004 |
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Kivirinta, Marja-Terttu, Tuskallisia tunnesiteitä, Helsingin Sanomat, 6 March |
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2004 |
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Taylor, John Russell, Glad Hand for a Baltic Exchange, The Times, 3 March |
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2004 |
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Schwabsky, Barry, The eyes have it: Gillian Wearing on Diane Arbus, Artforum, February |
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2004 |
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Vincent, Martin, The British Art Show, Metro, 24 November 2004 |
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2004 |
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Art Newspaper, February 2004 |
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2004 |
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Losing Face / Saving Face, About Face, 24 June 2004 |
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2003 |
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Campony, David, Art and photography, Phaidon, p128 |
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2003 |
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Sumpter, Helen, Gilian Wearing, Art Review, December 2003/January 2004 |
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2003 |
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Johnson, Ken, Gillian Wearing, ‘Album’, The New York Times, 19 December |
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2003 |
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Tebbs, Paul, Album, Gillian Wearing, Source, Winter 2003 |
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2003 |
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Mcafee, Dionne, Gillian Wearing, Canadian Art, Fall 2003 |
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2003 |
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Aletti, Vince; Blank, Gil; Neri, Louise; Traub, Charles, How have some of the questions that Meatyard was asking been approached by successive generations? Influence, Issue 1, p36-41 |
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2003 |
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O’Reilly, Sally, Gillian Wearing, Time Out, 5 – 12 November, No. 1733 |
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2003 |
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Slyce, John, That Essence Rare: Gillian Wearing’s Family Album, contemporary, 2003, p26-30 |
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2003 |
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Smee, Sebastian, The art of the matter, The Independent Magazine, 18 October |
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2003 |
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Princenthal, Nancy, Gillian Wearing, Private I, Art in America, Nº3, March |
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2002 |
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City Racing – The life and times of an artist run gallery, 1988 - 1998, Black Dog Publishing |
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2002 |
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New title – Gillian Wearing, Mass Observation, Merrell, Autumn, p13 |
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2002 |
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Gravagnuolo, Emma, Piú forte dello scandalo, Arte, November |
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2002 |
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Morton, Tom, Everyone’s a Winner, Tate, November/December 2002, p70-75 |
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2002 |
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Smith, Roberta, How Masks can Amplify as Well as Conceal, The New York Times, 3 December |
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2002 |
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Craddock, Sacha, gillian wearing, tema celeste, No. 93, September/October |
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2002 |
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Coomer, Martin. Vogue's galleries, Time Out, Nº1675 25 Sept - 02 Oct |
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2002 |
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Frankel, David, Gillian Wearing, Artforum, XLI, No.1, September |
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2002 |
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Christophe Kihm, Les DJ Sont-Ils Modernes? briseglace, June |
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2002 |
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Calhoun, Dave. ‘Another Thing I Wanted to Tell You’ by Gillian Wearing, Another Magazine, Spring Summer |
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2002 |
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Mass Observation, Museum of Contemporary Art, Chicago (solo publication) |
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2001 |
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Broad Street, Gillian Wearing, Museu do Chiado, Lisbon (solo publication) |
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2001 |
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Gillian Wearing ‘Sous influence’, Musée d’Art Moderne de la Ville de Paris (solo publication) |
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2001 |
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Gillian Wearing, Fundacio “la Caixa”, Madrid (solo publication) |
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2001 |
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Berrebi, Sophie. Génération Sensation, Connaissance des Arts, Nº589, December |
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2001 |
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Grosenick, Uta & Burkhard Riemschneider, Icons - Art Now, Taschen, pp 170–171 |
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2001 |
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Strange, Raimer. The Public is Private, Women Artists in the 20th & 21st Century, publ. Taschen, pp536-541 |
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2001 |
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Wainwright, Jean. Can we talk about contemporary video and film art in terms of genres, PLUK, Issue 2, September October |
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2001 |
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Long, Declan. Edge of Anxiety: Artists at the City Limits, ssi newsletter, September October |
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2001 |
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Rodney, Lee. Nostalgia and Nationalism/Two London Surveys, C International Contemporary Art, Issue #70 Summer |
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2001 |
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Gualdi, Stefano. Gillian Wearing, Fundacio “la Caixa”, Madrid, tema celeste, 85, May June |
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2001 |
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Newman, Michael. The Demotic Art of Gillian Wearing, Parachute, 102 |
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2001 |
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Shreef, Zaria. Semi-detached, The Big Issue in the North, 05-11 March |
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2001 |
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Howarth, Sophie. Pretty fascinating boredom, tate, Issue 24/Spring |
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2001 |
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San Martin, Francisco Javier, Freedom under vigil. Artistic creation and criminal identity in 20th Century Art, Exit, January 2001 |
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2000 |
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Myers, Holly. Beginnings and Endings, The Los Angeles Times, 29 December |
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2000 |
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Ramos, Steve. A Cinema of Loneliness , City Beat (Cincinnati, citibeat.com), 16-22 November |
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2000 |
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Shone, Richard, London, Gillian Wearing, Burlington Magazine, November |
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2000 |
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Gleeson, David, True confessions, britart.com, November |
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2000 |
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Bishop, Claire. Uncomfortable Observations, Untitled, Nº 23 |
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2000 |
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Vogel, Carol. Inside Art: Beemer Shots, The New York Times, 13 October |
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2000 |
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Gleeson, David. True Confessions, britart.com, October |
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2000 |
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Buck, Louisa, Moving targets 2 – A user’s guide to British art now, Tate, pp 103-105 |
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2000 |
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Kent, Sarah. Drunken exploits, (Critics Choice), Time Out, Nº1572, 04-11 October |
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2000 |
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Brown, Neal. My name is Gillian. I can turn your sad life into art, The Independent on Sunday, 01 October |
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2000 |
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Molon, Dominic. Framed: Gillian Wearing, Tate: The Art Magazine, August Cork, Richard. Unmasking mystery in the mundane, The Times, Times 2, 27 September |
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2000 |
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Bishop, Claire. The pleasure in pain, The Evening Standard, 27 September |
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2000 |
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Riding, Alan. Another Opening, Another Sensation, The New York Times, 25 September |
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2000 |
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Cumming, Laura. A staggering work…, The Observer Review, 17 September |
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2000 |
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Jones, Jonathan. Down and out, The Guardian Saturday Review, 16 September |
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2000 |
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Sawyer, Miranda. Daring Wearing, Observer Life, 03 September, p10-15 |
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2000 |
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Sex & Porno, frame, 04 September/October |
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2000 |
|
Schwabsky, Barry. Gillian Wearing, Gorney Bravin + Lee, Artforum, XXXIX, Nº1, September |
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2000 |
|
Graham-Dixon, Andrew. Wearing Masks, Vogue, September |
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2000 |
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Wearing, Gillian, How I want my clothes to be seen, Dazed & Confused, September 2000 |
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2000 |
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Kent, Sarah. Brains of Britain, Time Out, Nº1560, 12-19 July |
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2000 |
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Slyce, John & Collings, Matthew. Video Art A Top Twenty, Modern Painters, Summer |
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2000 |
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K. Scott, Andrea. What They’re Wearing in Chelsea, edificerex.com, 03 May |
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2000 |
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Viveros-Faune, Christian. Fall Down, Get Up, No Problem, New York Press (nypress.com), Vol 13, Nº 19 |
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2000 |
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Basilico, Stefano. Gillian Wearing, Drunk and A Woman Called Theresa, Time Out, 11-18 May |
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2000 |
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Levin, Kim. Village Choice: Gillian Wearing, The Village Voice, 16 May |
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2000 |
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Townsend, Chris. Gillian Wearing, Hotshoe International, March April |
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2000 |
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I’OR, The new Brits on the block, Tate, March 2000 |
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2000 |
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Bishop, Claire. being boring, Untitled, Nº 21 |
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2000 |
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Müller, Katrin Bettina. Die Lust der Maschinen, taz, 26 January |
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2000 |
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Pilz, Michael. Frau Hase und der schreckliche Voyeur, Die Welt, 19 January |
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2000 |
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Lützow, Gunnar. Zugriff von allen Seiten, Berliner Morgenpost, 15 January |
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2000 |
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Mercer, Kobena. Ethnicity and Internationality, Third Text, Nº49 |
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2000 |
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Gorucheva, Tania. This Other World of Ours, Flash Art, January February |
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2000 |
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Gillian Wearing, Serpentine Gallery, London (solo publication) |
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1999 |
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Gillian Wearing Phaidon Press, London (solo publication) |
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1999 |
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A Woman Called Theresa, The Hydra Workshop (solo publication) |
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1999 |
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Dreams, Foundazione Sandretto Re Rebaudengo, Realised on the occasion of the 48º Esposizione Internationale d’Arte – The Venice Biennial of Visual Arts |
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1999 |
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The British Unveil Another World, The Russia Journal, 6-12 December |
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1999 |
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Rushton, Steve and Tozer, John. Gillian Wearing, Camera Austria International, Nº 68 |
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1999 |
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Gallez, Florence. Nukes, Lovers Get Their 15 Minutes, The Moscow Times, 19 November |
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1999 |
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Müller, Donka. Rewind to the Future, Bonner, November |
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1999 |
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Previews: Rewind to the Future, Contemporary Visual Arts, Issue 26 |
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1999 |
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Thrift, Julia. Gillian Wearing, Interim Art, Time Out, Nº1525 November 10-17 |
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1999 |
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Cumming, Laura. Gillian Wearing, Interim Art, The Observer, 07 November |
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1999 |
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Grant, Simon. All about love, The Guardian Guide, 16-22 October |
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1999 |
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Jones, Jonathan. What a scream, The Guardian Guide, Saturday Review, 23 October |
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1999 |
|
Collings, Matthew. rabble rousing, Vogue, October |
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1999 |
|
Titz, Susanne. Gillian Wearing, Art at the End of the Millennium, publ. by Taschen, Cologne |
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1999 |
|
Gladstone, Neil. Book Marks: Gillian Wearing, Nylon, Premier Issue |
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1999 |
|
Tone, Lillian. Gillian Wearing, The Museum as Muse: Artists Reflect publ. Museum of Modern Art, New York 1999, p. 168 |
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1999 |
|
Polaroid Diary, The Observer Magazine, 02 May |
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1999 |
|
Bennett, Oliver. Exhibitionist, The Independent Magazine, 01 May wears well, i-D, Nº 186, May |
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1999 |
|
Greenberg, Sarah. Gillian Wearing v. Saatchi, The artist claims the ad man stole her idea, The Art Newspaper, Nº 91, April |
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1999 |
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Takano, Yuko.‘99 What’s New?, Figaro, Japan, Nº 150 |
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1998 |
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Lillington, David, Voyeuristiche Pleziertjes – Interview Gillian Wearing, Metropolis M, Nº6, December/January 1997/1998, pp51-57 |
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1998 |
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Sanger, Daniel. Declaration of Independents: Seven People who choose to be Different, Shift, December /January 1999 (cover portrait) |
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1998 |
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Allen, Vaughn. Hide and seek, The Big Issue in the North, Nº 241, 28 December 1998 - January 3 1999 |
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1998 |
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DiPietro, Monty. Artist asks, ‘What’s your sign?’, The Japan Times, 24 October |
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1998 |
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Kino, Carol. Cutting Edge, but comfy, The Atlantic Monthly, November |
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1998 |
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Stern, Edward. Translating the Big Idea into Japanese, Asashi Evening News, 22 October |
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1998 |
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Neumaier, Otto. Alles bekennen... Gespräch mit Gillian Wearing, noëma art journal, Nº 49, October/November |
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1998 |
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Gillian Wearing, Habitat Art Broadsheet, October 1998 |
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1998 |
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Picture, Frieze, Issue 42, September October |
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1998 |
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Williams, Gilda. Wah-Wah: The Sound of Crying or the Sound of an Electric Guitar, Parkett, Nº 52, p146-149 |
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1998 |
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Buck, Louisa, VW bugs Wearing, The Art Newspaper, July - August |
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1998 |
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Miles, Anna. Pictura Brittanica, Te Papa Museum, Tongewara, Artforum XXXVI Nº 10 Summer |
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1998 |
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McGann, Paul. VW ad firm stole my ideas, claims artist, The Independent, 12 June |
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1998 |
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Carol Midgley. VW ad rips of my work, says artist, The Times, 12 June |
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1998 |
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Turner Prize Winner issues legal threat to BMP over VW ads, Campaign, 12 June |
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1998 |
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Coleman, Sarah. Interview with Gillian Wearing, photo metro, volume 16, issue 149 |
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1998 |
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T. Turner, Grady. Gillian Wearing, BOMB, Spring |
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1998 |
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Del Re, Gianmarco. Why would a businessman say “I’m deperate”? A-Z of Gillian Wearing, Flash Art, Vol. XXXI Nº 199, March - April |
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1998 |
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Slyce, John. Wearing a Mask, Flash Art, Vol. XXXI Nº 199, March - April |
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1998 |
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Smith, Roberta. Art of the Moment, Here to Stay, The New York Times, Arts and Leisure, 15 February |
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1998 |
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Cork, Richard. Wearing her heart on the sleeve, The Times, 13 January |
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1998 |
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Israel, Nico. Gillian Wearing, Artforum, January |
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1998 |
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Princenthal, Nancy. Gillian Wearing, Art in America, January |
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1998 |
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Campbell-Johnston, Rachel. Wearing: her heart on her sleeve, The Times/metro, Jan. 3 - Jan. 9 |
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1998 |
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Emin, Tracey, Freedman, Carl, Starr, Georgina, Wearing, Gillian, English Rose, Le Millenium, No 23 1998 |
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1997 |
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Coleman, Sarah, London Rundown, Photo Metro, Vol15, Issue 143, 1997, p32-33 |
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1997 |
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Shand Kydd, Johnnie, Spit Fire – Photographs from the art world London 1996/97, Thames & Hudson, p68, 74, 84, 91, 187 |
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1997 |
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Riding, Alan. No Sexism, Please; They’re British, New York Times/The Arts, December 29 |
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1997 |
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Johnson, Boris. Portrait of the artist of silent nuances, The Daily Telegraph, December 8 |
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1997 |
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Fuller, Wendy. Modern art? This is worthy of Constable, The Express, December 3 |
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1997 |
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Thorncroft, Anthony. Artist brushes paint aside to win Turner Prize, The Financial Times, December 3 |
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1997 |
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Ginn, Kate. & Judd, Terri. Constable picture wins the Turner (no, not that Constable), Daily Mail, December 3 |
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1997 |
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Alberge, Dalya. Moving pictures take Turner Prize, The Times, December 3 |
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1997 |
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Lister, David. Uproar as video entry snaps up the Turner, The Independent, December 3 |
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1997 |
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Reynolds, Nigel. ‘Frozen Policemen’ video wins Turner Prize, The Telegraph, December 3 |
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1997 |
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Searle, Adrian and Serota, Nicholas, Turner Prize winner: Gillian Wearing’s arresting image, The Guardian, December 3 |
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1997 |
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Glaister, Dan. Silence is Golden for Turner winner, The Guardian, December 3 |
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1997 |
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Wearing, Gillian, Kelly and Melanie, Elle, December 1997, p84-89 |
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1997 |
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Lewis-Smith, Victor. Kylie at arm’s length as she hits topless C, The Evening Standard, 14 November |
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1997 |
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Goldberg, Vicki. The Artist Becomes a Storyteller Again, The New York Times, 9 November |
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1997 |
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Buck, Louisa. Life, Art and the Turner Women, The Evening Standard, 28 October |
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1997 |
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Buck, Louisa, Moving targets: A users guide to Brittish art now, Tate, pp93-95 |
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1997 |
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Kimmelman. Gillian Wearing, The New York Times, Art Guide, October 24 |
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1997 |
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Greene, David A. Kids, Village Voice, October 21 |
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1997 |
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Slyce, John. The Odds on the Turner Prize, Flash Art, October |
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1997 |
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Jobey, Liz. A rat race?, The Guardian Weekend, 4 October |
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1997 |
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Collings, Mathew, Blimey, 21, p126 |
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1997 |
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Collings, Matthew. The New Establishment, The Independant Sunday Review, 31 August |
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1997 |
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Murphy, Fiona. A shopping sensation, The Guardian Weekend, 27 September |
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1997 |
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Wiener Secession 1997, Gillian Wearing , (catalogue) |
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1997 |
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Kimmelman, Michael, Gillian Wearing at Jay Gorney, The New York Times, 26 September 1997 |
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1997 |
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MacMillan, Ian, Signs of the Times, Modern Painters. Autumn 1997 |
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1997 |
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Hoge, William, Arriving in New York After Taking Off in London / Video Maker with a Taste for Secrets. The New York Times, 14 Sept. 1997 |
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1997 |
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Ronson, Jon, ORDINARILY SO. Jon Ronson on documentary film-making and Gillian Wearing, frieze, Issue 36 September-October 1997 |
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1997 |
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Feldman, Melissa E., Gillian Wearing at Interim Art, Art in America, July 1997. p. 102 |
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1997 |
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Fiedler, Peter- Alexander. Diesen Sommer baden wir in der virtuellen welt, TLZ Treffpunkt, Nº 672, 26 July |
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1997 |
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Schierz, Kai Uwe, Verführung der Kirschtorte, Thüringen, Nº 30 26 July |
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1997 |
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Laws, Roz, The art of making a £10,000 video |
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1997 |
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The ‘failure’ from Brum who made it to the top. Sunday Mercury, Birmingham, July 13 1997 p. 13 |
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1997 |
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Dahan, Eric & Lefort, Gerard, Par dela le corps gay et lesbien, Liberation, 28-29 Juin Cahier Europride |
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1997 |
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Buck, Louisa, Three cheers for art that shatters complacency. The Express, June 19 1997 |
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1997 |
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Alberge, Dalya, All-women shortlist takes Turner by suprise. The Times, June 18 1997 |
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1997 |
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Reynolds, Nigel, The Turner shortlist is for women only. Daily Telegraph, 18 June 1997 |
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1997 |
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Glaister, Dan, A woman’s place - in the gallery. The Guardian, 18 June 1996 |
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1997 |
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Stringer, Robin, The all woman Turner Prize and not a painting in sight. The Evening Standard, 17 June 1997 |
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1997 |
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Blazwick, Iwona, City nature, Art Monthly, No. 207, June 1997, P. 10 |
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1997 |
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Dorment, Richard, Out of the mouths of babes, The Daily Telegraph, May 21 1997 |
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1997 |
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Coomer, Martin, Gillian Wearing, Time Out, Nº 1396, May 21-28 1997 |
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1997 |
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Wearing their heart on her sleeve, The Art Newspaper, Nº 70 May 1997 |
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1997 |
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Searle, Adrian, Bring on the naked dwarf, The Guardian, May 6, 1997, G2 P. 14 |
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1997 |
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Lyttelton, Celia, Indecent Exposures, Esquire, May 1997, P. 34 |
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1997 |
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Higgie, Jennifer, Gillian Wearing, Frieze, Issue 33, March - April 1997, P. 80 |
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1997 |
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Ebner, Jorn, Tramdeutung und Befragen, neue bildende kunst Februar - Marz 1997, P. 80 |
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1997 |
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Williams, Gilda, New Work, Art Monthly No. 203, Feb. 1997 P. 26 - 27; Gibbs, Michael, ID - An International Survey on the notion of Identity in Contemporary Art, Art Monthly No. 203, Feb. 1997 P. 34 - 36 |
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1997 |
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Judd, Ben, Interview with Gillian Wearing, Untitled No. 12, Winter 1996/7, p4-5 |
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1997 |
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Signs that say what you want them to say and not Signs that say what someone else wants you to say Maureen Paley Interim Art (solo publication) |
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1996 |
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Lyttleton, Celia, The now art book, Korinsha Press, pp168-169 |
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1996 |
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Wearing, Gillian, guest: Gillian Wearing, Documents sur l’art, Nº9, pp41-66 |
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1996 |
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Muir, Gregor, Sign Language, Dazed & Confused Issue 25, P. 52 - 55 |
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1996 |
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Kent, Sarah, New Work, Interim Art, Time Out, Dec 11-18 |
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1996 |
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ID, 125 page catalogue with text on Gillian Wearing by Gregor Muir, published by Stedelijk Van Abbemuseum, Eindhoven, P. 95 - 97 |
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1996 |
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Muir, Gregor, Sign Language , Dazed and Confused, No. 25, P. 52 - 55 |
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1996 |
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Artisti britannici a Roma, 82 page catalogue, published by Umberto Allemandi & C, Torino , Italy |
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1996 |
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The Henry Moore Institute, Leeds. The Cauldron (catalogue) published by The Henry Moore Institute, Leeds |
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1996 |
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Private View - Contemporary Art at the Bowes Museum, (catalogue) |
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1996 |
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Simmons & Simmons, London, Made in London, (catalogue) |
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1996 |
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NowHere, 3-volume catalogue, Louisiana Museum of Modern Art, Denmark |
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1996 |
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Garner, Lesley, Cops on top in Cauldron, Daily Express, August 2, P. 40 |
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1996 |
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Usherwood, Paul, The Cauldron, Art Monthly, July / Aug, Nº 198, P. 30 - 31 |
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1996 |
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Hall, James, Letter From London - Towers of London, Artforum, Summer issue, P. 31 - 33 |
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1996 |
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Buck, Louisa, Silver Scene, Artforum, Summer issue, P. 34 - 36 |
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1996 |
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Bang Larsen, Lars, Traffic, Flash Art, Summer issue, Nº 189, P. 126 -127 |
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1996 |
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Walters, Guy, State of the Art, The Times Magazine on Saturday, 20 July |
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1996 |
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Bickers, Patricia, The Young Devils, Art Press, June, Nº 214, P. 34 - 35 |
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1996 |
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Traffic, catalogue by CAPC Musée D'Art Contemporain Bordeaux |
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1996 |
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Le Shuttle, 150 page catalogue, published by Künstlerhaus Bethanien |
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1996 |
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Imagined Communities (catalogue) National Touring Exhibitions, Hayward Gallery and Arts Council Collection |
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1996 |
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Photography and styling: Tillmans, Wolfgang, Traffic, Switch, Vol 14, No. 3, April 1996 |
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1996 |
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Imagined Communities, Blueprint |
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1996 |
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Masterson, Piers, Imagined Communities, Art Monthly, March, Nº 194 |
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1995 |
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Januzczak, Waldemar, Cool Britannia, The Sunday Times-Culture Section, 3 Dec |
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1995 |
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These are the Rising Stars of 96', Independent-Weekend Section, 30 Dec |
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1995 |
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Cork, Richard, Forthcoming Attractions, The Times Magazine, 18 Nov |
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1995 |
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Corrigan, Susan, Get the Picture, British Art's Next Superstars, I-D Magazine, December |
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1995 |
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Kastner, Jeffrey, Brilliant, Art Monthly, Dec / Jan 1996 |
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1995 |
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Garnett, Robert, The British Art Show, Art Monthly, Dec / Jan 1996 |
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1995 |
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Tomkins, Calvin, London Calling, The New Yorker, 11 December |
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1995 |
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Smith , Roberta, Some British Moderns Seeking to Shock, New York Times, December |
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1995 |
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MacRitchie, Lynn, Shock Artists, Financial Times,17 Nov |
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1995 |
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Patrizio, Andrew, Hayward Shoot Out, Galleries Guide, September Hall, James, Butterfly Ball, Guardian, 14 Nov |
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1995 |
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Searle, Adrian, British Art with Attitude, Independent, 14 Nov |
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1995 |
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Feaver, William, Where Theres a Wilt…, Observer Review, 19 Nov |
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1995 |
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Barratt, David, Hayward Gallery, Art Monthly, Nov |
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1995 |
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Gayford, Martin, Youth, formaldehyde and the spirit of the age, The Telegraph Magazine, 11 Nov |
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1995 |
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Currah, Mark, Group Show; Interim Art, Time Out, 11 Oct |
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1995 |
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Morrish, John, Wildlife, Martyrs to their art, Telegraph Magazine, 7 Oct |
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1995 |
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Searle, Adrian, Faces to Watch In The Art World, Independent, 26 Sept |
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1995 |
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Hall, James, Western Security, Guardian, Sept |
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1995 |
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Currah, Mark, Action Replayed, Time Out, 20 Sept |
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1995 |
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Harvey, Will, Bodies of Work, Observer Life Magazine, 9 Sept |
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1995 |
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Cavendish, Dominic, Gallery Gunslingers on a Shoot to Thrill, Independent,11 September, P. 6 |
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1995 |
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Wearing, Gillian, Homage to the Woman with the Bandaged Face who I saw Yesterday Down Walworth Road, Blocnotes, Numero 9, P. 18 - 19 |
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1995 |
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A Short Love Story by Gillian Wearing, Nummer 3, Sept, P. 81 |
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1995 |
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Bonaventura, Paul, Profile: Wearing Well, Art Monthly, March, Nº 184 |
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1995 |
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Faure Walker, Caryn, Signs of the Times, Creative Camera, Feb. / March |
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1995 |
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Cosmo Landesman & Simon Rogers, Talking Pictures, The Big Issue, 6 - 12 Feb, Nº 116, P. 12 - 14 |
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1995 |
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Kent, Sarah, Make Believe, Time Out, 22 Feb - March, P. 46 |
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1995 |
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British Art: Don't Knock It, Independent Weekend, 24 June, P. 1 & 4 |
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1994 |
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Lillington, David, Real Life in London, Paletten, April, Nº 219, P. 12 |
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1994 |
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Searle, Adrian, Frieze Magazine, Sept / Oct, issue 18, P. 61 - 62 |
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1994 |
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Muir, Gregor, World Art Magazine, Inaugural U.S Edition, November, P. 117 |
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1994 |
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Jaio, Miren, Cinco Artistas Inglesas: Voces En El Espacio, Lapiz, Oct / Nov, Nº 106, P. 12 - 19 |
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1994 |
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Currah, Mark, Time Out, Nº 1245, 29 June - 6 July, P. 50 |
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1994 |
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Craddock, Sacha, The Times, 14 June |
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1994 |
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Savage, Jon,Vital Signs, Artforum, March issue, P. 60 - 63, Bush, Kate, Vox Pop, Untitled, London |
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1994 |
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Harpers Magazine, Vol. 288, Nº. 1728, P. 21 |
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1994 |
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Searle, Adrian,Vox Pop, Time Out, January 5 - 12, P. 42 |
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1993 |
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Feaver, William.Treasures in the Wendy House of the Lost Boys, The Observer, 4 July, Arts 4 / P. 59 |
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1993 |
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Guha,Tania.Time Out |
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1993 |
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Archer, Michael. O Camera O Mores, Art Monthly |
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1993 |
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Stallabass, Julian. Power to the People, Art Monthly |
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1993 |
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Graham-Dixon, Andrew. That Way Madness Lies, The Independent Flash Art, Italy |
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1993 |
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Milner, Catherine. Positive Exposure for New Talent, The Saturday Times |
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1992 |
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Hype, The Face, No. 51, December |
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1992 |
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The Independent on Sunday, 27 December |
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