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Fernando Bryce (Peruvian, 1965)
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Fernando Bryce
The Memoirs of Field-Marshal Kesselring 1998
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Biography |
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1965 |
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Born in Lima, Peru |
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1982 - 1983 |
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Universidad Católica, Artes Plasticas, Lima |
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1983 - 1984 |
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Private Studios Leslie Lee, Lima |
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1984 - 1986 |
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Université Paris VIII Arts Plastiques, Paris, France |
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1986 - 1990 |
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Ecole des Beaux Arts, with Christian Boltanski, Paris |
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2009 |
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Scholarship at the Deutsche Akademie Rom Villa Massimo, Italy |
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Lives and works in Berlin (Germany) and Lima |
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Exhibitions |
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2009 |
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Museum Het Domein Sittard, Netherlands (solo) |
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2009 |
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Pabellón de la Urgencia, Murcia. The Fear Society, curated by Jota Castro, Biennale Venezia 53rd International Art Exhibition, Italy |
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2009 |
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The end of the line: attitudes in drawing, Hayward Touring, in coll. Middlesbrough Institute of Modern Art (mima) and The Bluecoat, Liverpool, in partnership with The Drawing Room, London. Middlesbrough Institute of Modern Art, Middlesbrough; Bluecoat, Liverpool; City Museum and Art Gallery, Bristol; The Fruitmarket Gallery, Edinburgh, UK |
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2009 |
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El pasado en el presente y lo propio en lo ajeno, LABoral Centro de Arte y Creación Industrial, Gijón, Spain 10th Biennale of Havana Cuba |
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2008 - 2009 |
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Die Tropen - Ansichten aus der Mitte der Weltkugel, Martin Gropius Bau, Berlin, Germany |
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2008 |
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28th Bienal de Sao Paolo, Brazil |
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2008 |
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Brave New Worlds, Colección Jumex, Mexico |
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2008 |
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Os Trópicos /Die Tropen, Centro Cultural Banco do Brasil, Rio de Janeiro |
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2008 |
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Galerie Barbara Thumm, Germany (solo) |
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2007 - 2008 |
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Os Trópicos /Die Tropen, Centro Cultural-Banco do Brasil, Brasilia |
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2007 |
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Taking Time /Tiempo al Tiempo, MARCO, Museo de Arte Contamporánea de Vigo, Spain |
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2007 |
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Encuentro entre dos Mares,Bienal de Sao Paulo- Valencia, Spain |
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2007 |
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Made in Germany, Sprengel Museum Hannover, Kunstverein Hannover; Kestner Gesellschaft, Hannover, Germany |
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2007 |
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Poetics of the Handmade, MOCA, Los Angeles, USA |
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2007 |
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Otras Contemporaneidades, Convivencias Problemáticas, Valencia, Spain |
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2007 |
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Existencias.Colección MUSAC, MUSAC, León, Spain |
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2007 |
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Brave New Worlds, Walker Art Center, Minneapolis, USA |
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2007 |
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Trópicos,Centro Cultural-Banco do Brasil, Brasilia, Brazil |
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2006 - 2007 |
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Out of Time:A Contemporary View, Museum of Moder Art, New York, USA |
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2006 |
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Galerie Joan Prats, Barcelona, Spain (solo) |
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2005 |
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Galerie Barbara Thumm, Berlin, Germany (solo) |
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2005 |
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Konstmuseet Malmö, Malmö, Sweden (solo) |
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2005 |
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Tapiés Foundation, Barcelona, Spain (solo) |
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2004 - 2005 |
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54th Carnegie International, Carnegie Museum of Art, Pittsburgh, USA (Oct 9 - April 3, 2005) |
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2004 |
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26th Biennial of Sao Paulo, Sao Paulo, Brazil, 2004 |
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2004 |
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Schrift-Bilder-Denken. Walter Benjamin und die Kunst der Gegenwart, Haus am Waldsee, Berlin, Germany |
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2004 |
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Based on a True History, Artists Space, New York, USA |
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2004 |
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MoMA at El Museo: Caribbean and Latin American Art of the Twentieth Century, El Museo del Barrio, New York, USA |
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2004 |
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Termite Art Against White Elephant. Actual behaviour of drawing, Museo Colecciones ICO, Fundacion ICO, Madrid, Spain |
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2004 |
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3rd Berlin Biennial for Contemporary Art, KW Institute for Cont. Art, Martin-Gropius-Bau, Berlin, Germany |
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2004 |
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Global World / Private Universe, Kunstmuseum St. Gallen, Switzerland |
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2003 |
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50th Biennial of Venice, Latin-American pavilion (with Gilda Mantilla) |
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2003 |
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Poetic Justice / Siirsel Adalet, curated by Dan Cameron, Istanbul Biennial, Istanbul, Turkey, |
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2003 |
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To be political it has to look nice, curated byPablo león de la Barra, Apexart, New York, USA |
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2003 |
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Present Perfect, GB Agency- Christophe Dabiet Théry, Paris, France |
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2003 |
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Stranger in the Village. Contemporary Drawings and Photographs from The Museum of Modern Art, New York, curated by Kevin Power, Guild Hall, East Hampton, USA; Marlborough Gallery, Madrid, Spain |
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2003 |
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Raum für Aktuelle Kunst Luzern, Switzerland (solo) |
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2002 - 2003 |
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Benjaminiana, curated by Rodrigo Quijano, Centro Cultual de Espana, Lima, Peru |
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2002 |
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Manifesta 4 - Europäische Biennale Zeitgenössischer Kunst, Frankfurt/Main, Germany (cat.) |
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2002 |
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Bienal Iberoamericana de Lima, Peru (cat.) |
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2002 |
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Vision de la Pintura Occidental, Galerie Barbara Thumm, Berlin, Germany (solo) |
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2002 |
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Turismo/El Dorado - Alemania 98, Künstlerhaus Bethanien, Berlin, Germany (solo) |
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2002 |
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Busan Biennale 2002, Seoul, South Corea (cat.) |
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2002 |
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Mallki: La Exhumacion Simbolica en el Arte Peruano 1980 - 2002, curated by Gustavo Buntinx, Centro Cultural de San Marcos, Lima, Peru (cat.) |
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2001 |
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Sala Luis Miró Quesada Garland, Lima, Peru (cat., solo) |
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1999 |
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Casa Museo José Carlos Mariátegui, Lima, Peru (solo) |
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1998 |
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Galerie Barbara Thumm, Berlin, Germany (solo) |
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1998 |
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Galeria Forum, Lima, Peru (cat., solo) |
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1998 |
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Studio Galerie, Haus am Lützowplatz, Berlin, Germany (solo) |
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1997 |
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Radhus Galleriet, Küngälv, Sweden (solo) |
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1996 |
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Galerie Trilce, Lima (solo) |
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1995 |
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Galerie Trapecio, Lima (solo) |
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1992 |
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Galerie Näke, Nürnberg, Germany (solo) |
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1992 |
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Galerie Tittel, Cologne, Germany (solo) |
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Literature |
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2008 |
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Where is Fernando Bryce, Artnet Questionnaire, artnet magazine, 4.10.2008 |
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2008 |
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Miriam Basilio, „Fernando Bryce – Drawing, Mimetic Analysis and the Archive“, Arte al dia Internacional, November 2008 |
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2007 |
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Roberta Smith: ‚Latin American Modernnism, the Sequel‘, The New York Times, November 23, 2007 |
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2007 |
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Taking Time - Tempo ao Tempo, (exh.cat.), MARCO, Museo de Arte Contamporánea de Vigo, Vigo, 2007 |
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2007 |
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The Tropics: views from the middle of the globe, (exh.cat.), Centro Cultural Banco do Brasil, Rio de Janeiro, 2007 |
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2007 |
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Brave New Worlds (exh.cat.), Walker Art Center, Minneapolis, 2007 |
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2007 |
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Made in Germany (exh.cat.), Sprengel Museum Hannover, Kunstverein Hannover, Kestner Gesellschaft, Hannover, Hatje Cantz Verlag, 2007 |
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2007 |
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Poetics of the Handmade, exhib.cat., Museum of Contemporary Art, Los Angeles, 2007 |
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2006 |
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Annika von Taube: Body Politic, in sleek 09, Winter 2005-2006 |
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2006 |
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Michael Borremans, Fernando Bryce, Dan Perjovschi. Zeichnungen / Drawings, Württembergischer Kunstverein Stuttgart 2006 |
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2006 |
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Fernando Bryce, Galeria Joan Prats, Barcelona 2006 |
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2006 |
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Arquivar tormentas. Coleccións ARCO e CGAC, Centro Galego de Arte Contemporanea, Santiago de Compostela 2006 |
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2005 |
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Fernando Bryce. Atlas Peru, artist book, Museo de Arte de Lima, Peru (ed.), 5 books in a box: Turismo-El Dorado, Atlas Peru 1932-1959, Atlas Peru 1960-1967, Atlas Peru 1968-1979, Atlas Peru 1980-2001, Lima 2005 |
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2005 |
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Drawing from the Modern 1975-2005, exhib. cat., The Museum of Modern Art, New York, 2005 |
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2005 |
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Urbane Realitäten: Fokus Istanbul, exhib. cat., Martin-Gropius-Bau Berlin, Künstlerhaus Bethanien GmbH, 2005 |
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2005 |
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Fernando Bryce, edited by Helena Tatay, exhib. cat., Fundació Antoni Tŕpies, essays by Rodrigo Quijano, Kevin Power, Gustavo Buntinx and Helena Tatay, Barcelona 2005 |
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2005 |
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Eindhovenistanbul ‚exhib. cat, Van Abbemuseum, Eindhoven 2005 |
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2005 |
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Monuments for the USA, exhib. cat., CCA Wattis Institute for Contemporary Art, San Francisco 2005 |
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2005 |
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Artist‘s Project: Fernando Bryce, Américas‚ Esopus Magazine, vol. 5, fall 2005 |
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2004 |
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Ken Johnson: Pittsburgh Rounds Up Work Made in Novel Ways, Art Review / Carnegie International, Nov. 4th, 2004 |
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2004 |
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54th Carnegie International, Carnegie Museum of Art, exh.cat., Pittsburgh, essay by Cuauhtémoc Medina: On the past as a treasure of images, p. 86-89 |
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2003 |
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Eleanor Heartney: Mending the Breach. 8th Istanbul Biennial, in: Art in America, Dec. 2003, no. 12, p. 77-78 |
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2003 |
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Fernando Bryce:, Thumm&Kolbe (Hg.) in collaboration with Galerie |
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2003 |
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Atlas Perú: un essayo artístíco de reconstrucción critica de la Historia de Perú. in: Humbolt 139, Goethe Institut |
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2002 |
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Manifesta 4 - Europäische Biennale Zeitgenössischer Kunst, Manifesta 4 (ed.), Ostfi ldern-Ruit |
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2002 |
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Carlo Trivelli: El sino de Benjamin, in:El Comercio, Peru, 16.2.02 |
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2001 |
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Politicas de la Diferencia. Arte Iberoamericano fi n de Siglo, exh.cat. Museo de Arte Latinoamericano de Buenos Aires, Argentina |
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2000 |
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The Power of Narration:Mapping Stories, Espai D’Art Contemporani de Castello Bienal Nacional de LimaPuntos Cardinales 2001, Jorge Villacorta, Galeria Luis Miroquesada, Lima |
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1998 |
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El Museo Hawai, Una Naturaleza Muerta de la Cultura, notas acerca de la serie The Progress of Peru, Rodrigo Quijano, Hueso Humero, no. 33, Lima |
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