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Biography |
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1962 |
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Born in Leicester, England |
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1980 - 1981 |
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Loughborough College of Art & Design |
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1981 - 1984 |
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Middlesex Polytechnic, BA |
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1984 - 1987 |
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Royal College of Art, MA |
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1988 - 1992 |
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Royal College of Art, Research Fellow |
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Lives and works in London |
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Exhibitions |
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2007 |
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Richard Caldicott, Galerie f56, München (solo) |
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2006 |
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Hamiltons Gallery, London (solo) |
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2006 |
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Casa Tua, Miami (solo) |
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2006 |
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Seeing the Light, Carl Solway Gallery, Cincinnati |
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2006 |
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ART ANON, in aid of Terrance Higgins Trust, London Art Fair, London |
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2006 |
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If it didn’t exist you’d have to invent it: a partial Showroom history, The Showroom, London |
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2005 |
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2x2, Rachofsky House, Dallas (catalogue) |
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2005 |
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Concrete Photography, Museum im Kulturspeicher Würzburg, Germany (catalogue) |
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2005 |
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Still Life and Stilled Lives, A Group Show, Ariel Meyerowitz Gallery, New York |
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2005 |
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Loop, Goss Gallery, Dallas, Texas (Katalog) (solo) |
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2004 |
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The Photography show, AIPAD/Ariel Mayerowitz Gallery, New York |
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2004 |
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Optic Nerve, Photofusion Gallery, London |
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2004 |
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Ariel Mayerowitz Gallery, New York (solo) |
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2004 |
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Hamiltons, London (catalogue) (solo) |
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2003 |
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Optic Nerve-Abstract Colour Photography, Wolsey Art Gallery, Ipswitch UK |
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2002 |
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Abstract Photography, Hunterdon Museum of Art, New Jersey, New York |
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2002 |
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Supercellular, Galerie Valerie Cueto, Paris |
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2002 |
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Ariel Mayerowitz Gallery, New York (solo) |
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2002 |
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Hamiltons, London (catalogue) (solo) |
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2001 |
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Paris Photo ’01, Hamiltons |
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2001 |
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Fresh, Jane Jackson Fine Art, Atlanta, Georgia |
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2001 |
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Art Brussels 2001, Hamiltons / Dorothée De Pauw Gallery |
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2001 |
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Art Chicago 2001, Finesilver Gallery |
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2000 |
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Art Basel 31. Hamiltons |
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2000 |
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Art Brussels 2000, Hamiltons / Dorothée De Pauw Gallery |
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2000 |
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ART2000, 12th London Contemporary Art Fair. Houldsworth Fine Art |
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2000 |
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The Photography Show, AIPAD/Hamiltons, New York |
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2000 |
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Hamiltons, London (solo) |
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2000 |
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Camera Work, Berlin (solo) |
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2000 |
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Finesilver Gallery, San Antonio, Texas (solo) |
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1999 |
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Hamiltons, London (solo) |
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1999 |
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Succession, London (solo) |
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1999 |
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Still, Houldsworth Fine Art, London |
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1999 |
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Vintage Show, Hamiltons, London |
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1999 |
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Art Brussels ’99. Dorothée De Pauw Gallery/Hamiltons (catalogue) |
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1999 |
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Art Basel 30. Hamiltons (catalogue) |
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1999 |
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Silent Presence: Contemporary Still-Life Photography, Staatliche Kunsthalle Baden-Baden |
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1999 |
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Travelling to Kunstverein Bielefeld, March-April 2000 (catalogue) |
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1999 |
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FIAC, Paris. Hamiltons/Dorothée De Pauw Gallery (catalogue) |
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1999 |
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Paris Photo ’99, Hamiltons |
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1999 |
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The Photography Show, AIPAD/Hamiltons, New York |
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1998 |
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Art Brussels ’98, Hamiltons, (catalogue) |
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1998 |
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Out of Frame, curated by Paul Hedge, Hamiltons, London |
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1998 |
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Under/Exposed, XpoSeptember Stockholm Fotofestival, (catalogue) |
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1998 |
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The Discerning Eye, Mall Galleries, London |
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1998 |
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Paris Photo ’98. Hamiltons (catalogue) |
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1998 |
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Dorothée De Pauw Gallery, Brussels (solo) |
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1997 |
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On the Entity of Objects/Vom Dasein der Gegenstände (with Christopher Muller), Kunstmuseum Bonn (catalogue) (solo) |
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1997 |
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Ordinaire/Ordinary, Miller et Bertaux, Paris |
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1997 |
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Art Frankfurt, Almut Gerber Gallery, Köln |
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Literature |
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Abrahams, Charlotte. No Hang ups, The Guardian Weekend, 10.3.01, p.41–42 |
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Aletti, Vince. Richard Caldicott, Ariel Meyerowitz Gallery, The Village Voice, January 22, 2002, Vol. XLVII, No. 3 |
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Althoff, Bernhard. Verwirrspiel mit den Dingen des Alltags, BonnRundschau, 17.1.97 |
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Bauermeister, Volker. Wo sich Dinge zum Reim zusammenfinden, Badische Zeitung, 16.9.99 |
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Bell, Jonathan. Rose-Tinted Receptacles, Wallpaper, September 1999, p.153–4 |
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Bishop, Louise. Plastic Fantastic, Creative Review, May 1999, p.48–49 |
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Boecker, Susanne. Kühne Verwirrspiele mit einfachen Dingen, Kölner Stadt-Anzeiger, 18.2.97 |
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Bosetti, Annette. Die Stilleben von heute, Aachener Nachrichten, 20.1.97 |
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Braxmaier, Rainer Mitarbeiter Von. Eine Kleine Auswahl aus verschiedensten Sparten, Badisches Tagblatt, 14.9.99 |
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Brehm, Margrit. Stop Making Sense, Exh.Cat. Staatliche Kunsthalle Baden-Baden, 1999 |
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Brown, Neil. Still, Houldsworth Fine Art, London. Independent on Sunday, 30.1.2000 |
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Dannatt, Adrian. But if you try sometime you might just find, Exh.Cat. In and Out, Back and Forth, 578 Broadway NYC |
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Dannatt, Adrian. Soccer sideline, The Daily Telegraph, 2.2.94 |
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Dannatt, Adrian. Richard Caldicott-On a Series of Solid Physical Articles in the Shape of Ten Ordinary White Pages Marked by Black Print Text, Exh. Cat. Kunstmuseum Bonn, 1997 |
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Denk, Andreas. Vom geheimnisvollen Leben der Yuccapalme, General-Anzeiger, 22.1.97 |
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Dent, Nick. Kitchen Sink, Not Only black+white, No.39 October 1999, p.14 |
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Durden, Mark. Close Encounters, Creative camera, Dec. 1994, p.43 |
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Dykstra, Jean. About the Cover, Photography in New York International, January/February 2002, cover image and p.4 |
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Feeser, Mitarbeiter in Sigrid. Erlesen Abgehoben, Baden-Baden: Stilleben der Gegenwarts-Fotografie, Rheinpfalz, 24.9.99 |
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Fiedler,Tanja. Tupper lebt, Berliner Morgenpost, 18.9.2000 |
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Fischer, Joseph. Die Kunst der Stille, Kunst & Kultur, 9.99 |
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Frieze, cover image (‘paper bag’ 1992), issue 6, September-October 1992 |
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Gernsbeck, Karl. Kompositionen und zufällige “Schüsse”, Badisches Tagblatt, 13.9.99 |
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Gronert, Stefan. On the Entity of Objects, The Context of the Works of Richard Caldicott and Christopher Muller, Exh. Cat. Kunstmuseum Bonn, 1997 |
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Kemmerer, Michael. Lautlose Gegenwart, Fotografische Stillleben in der Baden-Badener Kunsthalle, Rheim-Maim Echo,15.10.1999 |
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Kilb, Andreas. Hausgötter sehen dich an, Frankfurter Allgemeine Zeitung, 20.9.2000, Nr. 219 |
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Könches, Barbara. Fokussierte Stillleben, Die “Lautlose Gegenwart”, BNN, 13.9.1999 |
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Kopp, Siegbert. Eine Schule des Sehens “Lautlose Gegenwart”: Fotografierte Stillleben in Baden-Baden, Sudkurier, 3.11.1999 |
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Lacanian ink 14, cover image (‘butter, 1997’), Spring 1999 |
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Lillington, David. Foto 1, Time Out, No.1226 February 1994, p.39 |
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Lebeck, Josef. Kunsthalle Baden-Baden: Lautlose Gegenwart, Klappe, 10.99 |
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McKay, Ian. Original Copies, Art Monthly, December 1991, p.24 |
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Miyake, Yuki. From London, Designers Workshop, 1X, No.58, December 1992, p.111 |
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Muller, Franz. Ein altes Thema in neuem Licht, Badisches Tagblatt, 27.8.99 |
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Mueller, Jessica. La Soupe de Daguerre, Exh.Cat. Staatliche Kunsthalle Baden-Baden, 1999 |
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Nab, Beate. Die Schönheit der banalen Dinge, Westfalischer Anziger Hamm, 28.3.2000 |
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Pesch, Martin. Um die Ecke Wartet die Op-art und grist, Taz, 19.2.97 |
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Pfab, Rupert. Irritierende Wechselspiele: Zur Ausstellung “Vom Dasein der Gegenstände”, Eikon 21/22, p.85, 1997 |
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Pinsent, Richard. The sensory eloquence of still-life photography, The Art Newspaper, No.92, May 1999, p.66 |
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Pramann, Willi. Kunstverein: Stillleban in der zeitgenössischen Fotografie Tod behauptet seine Gegenwart, Westfalen-Dlatt . 4./5. 3 2000 |
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Romano, Gianni. Richard Caldicott, Zoom, May/June 1993, p.46-49 |
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Rothman, Sabine. Fantastic Plastic, House & Garden(USA), October 2000, p.108 |
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Seaward, Ellie. The Perfect Portfolio, Image No: 303, Association of Photographers, December 2000, p.4,5 |
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Strecker, Manfred. Lautlose Gegenwart Bielefelds Kunstverein zeigt Stllleben zeitgenössischer Fotografie, Neue Westfälische, NR.54. Samstag.4.Marz.2000 |
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T, l. Perfekte Ästhetisierung: Promis und Tupperware schöner fotografiert als sie sind, Mäilaichn Oderzeitung, 26.9.2000 |
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Zoo, Issue 3, October 1999 |
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