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Cory Arcangel (American, 1978)
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Cory Arcangel
Sweet 16 2006
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Cory Arcangel
Two Keystoned Projectors (one upside down 2007
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Biography |
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1978 |
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Born Buffalo, New York (USA) |
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2000 |
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BA of Music, Oberlin Conservatory, Oberlin, USA |
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2000 |
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Commission of New Radio and Performing Arts with funding from the Jerome Foundation, USA |
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2001 |
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NYSCA New Media Grant sponsored by Harvestworks Digital Media, USA |
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2002 |
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Artport Gate Page, Whitney Museum of American Art, USA |
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2005 |
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Jury Prize San Simon, New York Underground Film Festival, USA |
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2006 |
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Creative Capital Grant D.I.Y.W.I.K.I., USA |
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Lives and works in New York, USA |
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Collections in |
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Fonds Regional d’Art Contemporain Provence-Alpes-Cote d’Azur, Marseille, France |
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Migros Museum für Gegenwartskunst, Zürich, Switzerland |
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Whitney Museum of American Art, New York |
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Museum of Modern Art, New York |
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Miami Museum of American Art, New York |
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Albright Knox Gallery, Buffalo, New York |
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Exhibitions |
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2009 |
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University of Michigan Museum of Art, Ann Arbor, MI, USA (forthcoming December) (solo) |
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2009 |
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Montevideo, Amsterdam, The Netherlands (forthcoming August) (solo) |
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2009 |
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Tracking Traces, Kiasma, Helsinki, Finland (forthcoming August, curated by Leevi Haapala) |
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2009 |
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Pop Music as Subject for Visual Art, Kunsthaus Graz, Austria, (forthcoming, curated by DiedrichDiederischen) |
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2009 |
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Younger than Jesus, New Museum, New York, USA (forthcoming April, curated by LaurenCornell, Massimiliano Gioni and Laura Hoptman) |
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2009 |
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Abstract Cinema and Technology, Museum of Contemporary Art, Miami, FL, USA (forthcomingMarch, curated by Bonnie Clearwater with Kevin Arrow) |
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2009 |
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The First Stop on the Super Highway, Nam June Paik Art Center, GyeonGi, Korea (forthcomingMarch, curated by Tobias Berger) |
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2009 |
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Synthetic, Whitney Museum of American Art, New York, USA (curated by Carter Foster) |
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2009 |
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Saints and Sinners, Rose Art Museum, Brandeis University, Waltham, MA, USA (curated byLaura Hoptman) |
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2008 |
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The Possibility of An Island, Museum of Contemporary Art, Miami, FL, USA |
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2008 |
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Close Encounters- Facing the Future, American University Museum, Washington D.C., USA(curated by Donald Russell and Niels Van Tomme) |
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2008 |
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Occupancy by more than 6’682’685’387 persons is Dangerius and Unlawful- Pierre Bismuthand collaborators, Cosmic Galerie, Paris, France |
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2008 |
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Rock my Religion, Domus Artium O2, Salamanca, Spain (curated by Javier Panera) |
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2008 |
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Sound of Art, Museum der Moderne, Salzburg, Austria |
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2008 |
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Cory Arcangel + Olia Lialina and Dragon Espenschied,, and/ or gallery, Dallas, TX, USA |
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2008 |
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Peer to Peer, Casino Luxembourg – Forum d’art Contemporain, Luxembourg |
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2008 |
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Dennis Hopper and the New Hollywood, Cinématèque française (travelling)Superlight, San Jose Museum of Art, San Jose, CA, USA (curated by Steven Dietz,travelling to MOCA Cleveland) |
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2008 |
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Adult Contemporary, Team Gallery, New York (solo) |
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2008 |
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Galerie Thaddaeus Ropac, Salzburg, Austria (solo) |
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2008 |
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Color Chart, MOMA, New York, USA |
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2008 |
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Popshop, remixing icons of massculture, Mu Foundation, Eindhoven, Netherlands |
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2008 |
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Holy Fire. Art of the Digital Age, iMAL Center for Digital Cultures and Technology, Bruxelles, Belgium |
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2007 - 2008 |
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Northern Gallery for Contemporary Art, Sunderland, UK (forthcoming; touring to Spacex, Exeter, and Castlefield Gallery Manchester, cat.), (solo) |
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2007 - 2008 |
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Max Wigram Gallery, London, UK, (solo) |
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2007 |
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Brändström & Stene, Stockholm, Sweden, (solo) |
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2007 |
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Galerie Guy Bartschi, Geneva, Switzerland, (solo) |
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2007 |
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Galerie Thaddeus Ropac, Salzburg/Paris, (solo) |
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2007 |
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Super Cinema, Solomon R. Guggenheim Museum, New York, USA (forthcoming) |
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2007 |
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Automatic Update, MOMA, New York, USA |
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2007 |
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Collection Part 1, Migros Museum, Zurich |
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2006 |
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Time Frame, P.S.1, New York, USA |
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2006 |
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Action, FRAC PACA, Marseille, France |
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2006 |
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Outside the Box: New Cinematic Experiences, University of Akron, Akron, USA |
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2006 |
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Experiments in Pop, Zentrum Paul Klee, Bern, Switzerland |
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2006 |
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Interrupted, PMK Gallery, Beijing, China |
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2006 |
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Bucolia, Galerie Thaddaeus Ropac, Salzburg, Austria |
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2006 |
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Collateral: When Art Looks at Cinema, Hangar Bicocca, Milan, Italy |
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2006 |
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Virginia Commonwealth University, Richmond Virginia, USA, (solo) |
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2006 |
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Galerie Thaddaeus Ropac, Paris, France, (solo) |
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2006 |
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Team Gallery, New York, USA, (solo) |
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2006 |
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Pioneering Video Artists, Orange County Museum Of Art, Santa Ana, USA |
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2005 |
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New York Underground Film Festival, Anthology Film Archives, New York, USA |
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2005 |
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International Film Festival, Rotterdam, The Netherlands |
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2005 |
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disassembling 48k, Brändström & Stene, Stockholm, Sweden, (solo) |
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2005 |
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Nerdzone Version 1, Migros Museum, Zurich, Switzerland (cat), (solo) |
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2005 |
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Video Cube, Galerie Thaddaeus Ropac, Salzburg, Austria, (solo) |
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2005 |
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Team Gallery, New York, USA, (solo) |
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2005 |
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Moving Pictures, Dallas Center for Contemporary Art, Dallas, USA |
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2005 |
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Collaborations, The Embassy, Edinburgh, UK |
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2005 |
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Space 1026, Philadelphia, Pennsylvania (collaboration as part of the Beige Programming Ensemble) |
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2005 |
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The Early Show, White Columns, New York, USA |
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2005 |
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Carnegie Museum of Art, Pittsburgh, USA |
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2005 |
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Artbase, New Museum of Contemporary Art, New York, USA |
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2005 |
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Vox, centre de l’image contemporaine, Montreal, Canada |
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2005 |
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Start Kapital, Standard, Oslo, Norway |
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2005 |
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Greater New York, P.S.1, New York, USA (cat.) |
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2005 |
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Growing up absurd, Herbert Read Gallery, Kent Institute of Art and Design, Canterbury, UK |
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2005 |
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Cory Arcangel/Paperrad Project, Deitch Projects, New York, USA |
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2005 |
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Summer Party Jam, Wood Street Galleries, Pittsburgh, Pennsylvania, USA |
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2005 |
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Low level All Stars (performance program co-curated with RSG), Deitch Projects, NY, USA |
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2004 |
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The Infinite Fill Group Show, Foxy Productions, New York, USA |
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2004 |
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Welcome to the infinite fill zone, FACT, Liverpool, UK, (solo) |
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2004 |
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LISTE (under the auspices of Team Gallery), Basel, Switzerland (cat), (solo) |
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2004 |
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Database Imaginary, The Banff Centre, Alberta, Canada |
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2004 |
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Expander, Royal Academy of Art at 6 Burlington Gardens, London, UK |
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2004 |
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The New York/Liverpool Project, The Liverpool Biennial, Liverpool, UK (cat.) |
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2004 |
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Pattern Playback, The Moore Space, Miami, FL, Florida |
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2004 |
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The Whitney Biennial, The Whitney Museum of American Art, New York, NY, USA (cat.) |
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2004 |
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Seeing Double: Emulation in Theory and Practice, Solomon R. Guggenheim Museum, New York, USA |
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2004 |
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New York Underground Film Festival, Anthology Film Archives, New York, USA |
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2004 |
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Premieres, The Museum Of Modern Art, New York, USA |
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2004 |
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International Film Festival, Rotterdam, The Netherlands |
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2004 |
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Art Plus Dance, Whitechapel Gallery, London, UK |
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2004 |
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Pics ‘n Clips, Arthouse, Austin, Texas, USA |
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2003 |
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Killer Instinct, New Museum of Contemporary Art, New York, USA |
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2003 |
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Throwback, Team Gallery, New York, USA |
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2003 |
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Blinky, Foxy Productions, Brooklyn, USA |
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2003 |
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New York Underground Film Festival, Anthology Film Archives, New York, USA |
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2003 |
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Blinky, Tate Britain, London, UK |
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2003 |
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Game Engine, New York Video Festival, New York, USA |
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2003 |
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Art Basel Miami Beach, Miami, Florida, USA |
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2003 |
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Another Bad Creation, Deitch Projects, NY, USA |
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2003 |
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Psych-Out 2k3 (co-curated with Seth Price), Anthology Film Archives/NYUFF, NY, USA |
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2002 |
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Digital Media, American Museum of the Moving Image, New York, USA |
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2002 |
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Unknown Pleasures, Daniel Reich Gallery, New York, USA |
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2002 |
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Rodney Graham Film Program, Whitechapel Gallery, London, UK |
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2002 |
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New York Underground Film Festival, Anthology Film Archives, New York, USA |
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2001 |
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Interface: Exploring Possibilities, Fassbender Gallery, Chicago, USA |
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Literature |
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2009 |
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Cory Arcangel / Shana Moulton / Jessica and Jacob Ciocci (Paper Rad) / Ryan Trecartin & Lizzie Fitch, Migros Museum, Zurich, Switzerland |
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2009 |
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Tracking Traces, Kiasma, Helsinki, Finland (forthcoming August, curated by Leevi Haapala) |
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2009 |
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Pop Music as Subject for Visual Art, Kunsthaus Graz, Austria, (forthcoming, curated by Diedrich Diederischen) |
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2009 |
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Younger than Jesus, New Museum, New York, USA curated by Lauren Cornell, Massimiliano Gioni and Laura Hoptman |
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2009 |
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Abstract Cinema and Technology, Museum of Contemporary Art, Miami, FL, USA (forthcoming March, curated by Bonnie Clearwater with Kevin Arrow) |
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2009 |
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The First Stop on the Super Highway, Nam June Paik Art Center, GyeonGi, Korea (forthcoming March, curated by Tobias Berger) |
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2009 |
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Synthetic, Whitney Museum of American Art, New York, USA (curated by Carter Foster) |
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2009 |
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Saints and Sinners, Rose Art Museum, Brandeis University, Waltham, MA, USA (curated by Laura Hoptman) |
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2009 |
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University of Michigan Museum of Art, Ann Arbor, MI, USA (forthcoming December) (solo) |
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2009 |
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Montevideo, Amsterdam, The Netherlands (forthcoming August) (solo) |
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2008 |
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Galerie Thaddaeus Ropac, Salzburg, Austria(solo) |
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2008 |
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Adult Contemporary, Team Gallery, New York\(solo) |
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2008 |
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The Possibility of An Island, Museum of Contemporary Art, Miami, FL, USA |
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2008 |
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Close Encounters- Facing the Future, American University Museum, Washington D.C., USA (curated by Donald Russell and Niels Van Tomme) |
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2008 |
|
Occupancy by more than 6’682’685’387 persons is Dangerius and Unlawful- Pierre Bismuth and collaborators, Cosmic Galerie, Paris, France |
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2008 |
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Rock my Religion, Domus Artium O2, Salamanca, Spain (curated by Javier Panera) |
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2008 |
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Sound of Art, Museum der Moderne, Salzburg, Austria |
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2008 |
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Cory Arcangel + Olia Lialina and Dragon Espenschied,, and/ or gallery, Dallas, TX, USA |
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2008 |
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Dennis Hopper and the New Hollywood, Cinématèque française (travelling) |
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2008 |
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Superlight, San Jose Museum of Art, San Jose, CA, USA (curated by Steven Dietz, travelling to MOCA Cleveland) |
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2008 |
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Color Chart, MOMA, New York, USA (curated by Ann Temkin, traveling to Tate Liverpool, with catalogue) |
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2008 |
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Peer to Peer, Casino Luxembourg – Forum d’art Contemporain, Luxembourg |
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2008 |
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Popshop, remixing icons of massculture, Mu Foundation, Eindhoven, Netherlands |
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2008 |
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Holy Fire. Art of the Digital Age, iMAL Center for Digital Cultures and Technology, Bruxelles, Belgium |
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2007 |
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Super Cinema, Solomon R. Guggenheim Museum, New York, USA |
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2007 |
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Automatic Update, MOMA, New York, USA |
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2007 |
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Collection Part 1, Migros Museum, Zurich |
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2007 |
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Max Wigram Gallery, London, UK |
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2007 |
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Northern Gallery for Contemporary Art, Sunderland, UK (touring to Spacex, Exeter, and Castlefield Gallery Manchester, cat.) |
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2007 |
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Brändström & Stene, Stockholm, Sweden |
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2007 |
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Galerie Guy Bartschi, Geneva, Switzerland |
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2007 |
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Galerie Thaddeus Ropac, Salzburg/Paris |
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2006 |
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Roberta Smith, Turning Games Into a New Kind of Art, The New York Times, January 21, p.B9. |
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2006 |
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Barbara London, Best of 2006 Film (8 BIT), Artforum, Dec, p. 58 |
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2006 |
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Julia Cosgrove, Digital Underground, ReadyMade, June/July, pp. 62-65 |
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2006 |
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Susan Corrigan, Cory Arcangel: Fallen from Grace, i-D, June, p.36 |
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2006 |
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Mark Tribe, Cory Arcangel: An Interview, UOVO, Issue 11, pp.252-63 |
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2006 |
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Sophie, Fels, “Time Frame”, TimeOut NY, September, 7-13, p.147 |
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2006 |
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Marc Speigler, Game Art, Departures, May/June |
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2006 |
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Emily Weiner, Motivational Speaker, TimeOut NY, May 18-24, p.80 |
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2006 |
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Nicolas Trembley, L’ange Techno, Numero, Spring, pp.38-40 |
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2006 |
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Anne Dugan, The air we breathe: Cory Arcangel, Code, Winter, pp.12-15 |
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2006 |
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Stephanie Murg, Walking the Green Carpet, ArtNews, February |
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2005 |
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Gair Boase, Future Greats 2005, Art Review, London, December Issue, pp. 66-70 |
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2005 |
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Nick Stillman, Cory Arcangel Hack Man, Flash Art International, issue XXXVIII, May-June, pp. 116-117 |
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2005 |
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Brian Sholis, Cory Arcangel: Team Gallery/Cory Arcangel/Paper Rad: Deitch Projects, Artforum, April, p190-1 |
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2005 |
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Roberta Smith, Last Chance: Cory Arcangel, The New York Times, February 11, E28 |
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2005 |
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Roberta Smith, Cory Arcangel/Cory Arcangel and Paper Rad, The New York Times, February 4, E39 |
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2005 |
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Charlie Finch, The Museum Comes to Us: Art in 2050, Artnet.com, February 3 Martha Schwendener, Cory Arcangel & Beige, TimeOut, February 3-9, p 60 |
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2005 |
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Danielle Nussbaum, hacker's delight, Nylon, February, p 89 |
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2005 |
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Nick Stillman, Critics’ Picks: Cory Arcangel, Artforum.com, January 21 |
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2005 |
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Caitlin Jones, “My Art World Is Bigger Than Yours”, The Believer, December/January, P.3- 12 |
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2005 |
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Mark Stevens, “Best Emerging Artist: Cory Arcangel”, New York, December 19, p.59- 60 |
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2005 |
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Roberta Fallon, “Screen Play”, Philadelphia Weekly, December 17 |
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2005 |
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Arne Ehmann, “Cory Arcangel: Historische Compuiertechnologie”, PARNASS, September – October, p. 140 - 1 |
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2005 |
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Sarah Valdez, “Open Source Art”, Art in America, September, p. 146, 175 |
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2005 |
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Sarah Boxer, “Web Works That Insist on Your Full Attention,” The New York Times, June 28, p E1, E7 |
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2005 |
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Kimberly Chun, “Fault-line Transmissions,” San Francisco Bay Guardian, May 11-17 |
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2005 |
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Daniel Perlin, “Technarchy,” XLR8R, May, p.60 - 5 |
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2005 |
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Eli Sudbrack, “Assume Vivid Astro Focus and Cory Arcangel,” Tokion, March/April, p. 56- 7 |
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2005 |
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Paul Underwood, “Joysticking it to the Man”, Spin, March, p.39 |
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2004 |
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Ed Halter, Midtown Rushes: Premieres, Village Voice, November 17-23, p 60 |
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2004 |
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Sarah Valdez, Last Night, An Artist Saved My Life, Paper, November, p 62-4 |
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2004 |
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Sarah Douglas, London Letter, Artnet.com, October 27 |
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2004 |
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Karen Rosenberg, Last Shot: The Matrix Reloaded, New York, August, p 75-77 |
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2004 |
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Kim Levin, The Infinite Fill Group Show, Village Voice, August 18-24, p c46 |
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2004 |
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Merrily Kerr, The Infinite Fill Show, TimeOut, August 12-19, p 53 Smith, Roberta, The Infinite Fill Group Show, The New York Times, August 6, E32 |
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2004 |
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Roberta Smith, “The Infinite Fill Show”, The New York Times, August 6, p. E32 |
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2004 |
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Walter Robinson, Weekend Update, Artnet.com, August 2 |
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2004 |
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Lisa Delgado, Cory Arcangel's Pizza Party, Res, July/August |
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2004 |
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Clive Thompson, Pac is Back, New York, July 19, p 48-9. |
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2004 |
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Dominique Moloun, Une Instantane des arts numerique a New York, Images, Issue #5, pp. 88-93 |
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2004 |
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Simon Houpt, “FranckenArt: The mix and mash future,” The Globe and Mail, May 14 |
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2004 |
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CBS, “What’s Bizarre at the Whitney?”, CBS News Sunday Morning, May2 |
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2004 |
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Nick Stillman, 2004 Whitney Biennial, The Brooklyn Rail, April, p16 |
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2004 |
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Ben Sisario, Internet Art Survives, but the Boom is Over, The New York Times, March 31, p. 13 |
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2004 |
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Ed Halter, Mind the Gap, The Village Voice, March 17-23, p 62 |
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2004 |
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Jerry Saltz, The OK Corral, The Village Voice, March 17-23, p 80 |
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2004 |
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Michael Kimmelman, Touching All Bases At The Biennial, The New York Times, March 12, p. 38 |
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2004 |
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Peter Plagens, Art's 'Star Search, Newsweek, March 22, p 61 |
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2004 |
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Matt Wolf, Killer Instinct, Flash Art, March-April, p. 62 |
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2003 |
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James Gardner, Art of the game, New York Post, December 22, p 42 |
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2003 |
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Deborah Solomon, The 3rd Annual Year in Ideas: Video-Game Art, The New York Times Magazine, December 14, p 105 |
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2003 |
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A.O. Scott, Video Artists Escape Hollywood Sensibility to Explore Their Inner Worlds, The New York Times, July 23, E3 |
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2003 |
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Marisa S. Olson, Hacktivist: Cory Arcangel, Planet, Spring, p 13 |
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2003 |
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Misha Davenport, “Old Chips, but new music”, Cicago Sun-Times, March 23 |
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2003 |
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Holland Cotter, “Doing Their Own Thing, Making Art Together,” The New York Times, January 19, p. E1, 36 |
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2003 |
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Angela Gunn, “The personal Touch,” Time Out, January 9 – 16, p.44 |
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2003 |
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Misha Davenport, Old Chips, but new music, Chicago Sun-Times, March 23 |
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2003 |
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Holland Cotter, Doing Their Own Thing, Making Art Together, The New York Times, January 19, p E1, 36 |
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2003 |
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Angela Gunn, The Personal Touch, Time Out, January 9-16, p 44 |
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2002 |
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Holland Cotter, THE CRITICS/10 MOMENTS, The New York Times, December 29 |
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2002 |
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Holland Cotter, A Document made by Paul Thek and Edwin Klein, New York Times, December 20 |
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2002 |
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Holland Cotter, Art In Review: 'Unknown Pleasures ‘, The New York Times, May 17 |
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2002 |
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Reena Jana, KOPy Cats, Artforum, March |
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2002 |
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3Kyle Gann, Pop Goes the Composer, Village Voice, April 10 |
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2001 |
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Vinyl Richie, Make The Music With Your Mouse, Life Sucks Die, Winter, pp. 28-29 |
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return to artnet.com