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Mark Lombardi (American, 1951-2000)
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Mark Lombardi
Global International Airways and Indian Spring State circa 1977-1983
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Biography |
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1951 |
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Born in Syracuse, NY |
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1974 |
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B.A. (Art History) Syracuse University, Syracuse, NY |
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2000 |
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Died in New York |
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Exhibitions |
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2006 - 2007 |
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Keeping Secrets, a traveling exhibition organized by Hayward Gallery, England. Curated by Richard Grayson. (solo) |
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2006 |
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Drawings: Bruce Conner, Jacob El Hanani, Mark Lombardi, Gallery Joe, Philadelphia, PA |
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2006 |
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Down By Law, Whitney Museum of American Art, New York. Curated by Bernadette Corporation. |
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2005 - 2006 |
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Building and Breaking the Grid, Whitney Museum of American Art, New York, NY |
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2005 - 2006 |
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Looking at Words: The Formal Presence of Text in Modern and Contemporary Works on Paper, Andrea Rosen Gallery, New York, NY |
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2005 |
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Museo de Arte Carrillo Gil (macg), Mexico City, Vivisección, Dibujo contemporáneo (Curated by Marisol Argüelles) |
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2005 |
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Traveling, The Art of Aggression: Iraqui Stories and Other Tales, Curated by Robert Hobbs and Jean Crutchfield:he Reynolds Gallery, Richmond Virginia |
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2005 |
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The Moore Space, Miami, FL |
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2003 - 2005 |
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Global Networks, a traveling exhibition organized by Independent Curators International, New York. Curated by Robert Hobbs. (Kat.) (solo) |
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2003 - 2005 |
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Mark Lombardi: Global Networks, a traveling exhibition organized by Independent Curators International, New York. Curated by Robert Hobbs. (Catalogue) Opening at Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY. January 2003 Other locations include: Cleveland Museum of Contemporary Art, Cleveland, OH; Jean Paul Slusser Gallery, University of Michigan, Ann Arbor, MI; The Drawing Center, NY, NY;Faulconer Gallery, Grinnell College, Grinnell, IO (solo) |
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2004 |
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Intense Focus, Elizabeth Leach Gallery, Portland, OR |
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2004 |
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American Fine Arts, Election (Organized by James Meyer) |
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2004 |
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The Whitney Museum of American Art Independent Study Program (ISP), Shifting Alliances |
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2004 |
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German Hygiene Museum, Dresden, The Ten Commandments (Curated by Klaus Biesenbach and Ellen Blumenstein) |
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2004 |
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O.K.-Centrum, Linz, Austria, Open House |
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2004 |
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South First, Brooklyn, NY |
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2003 |
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NGBK, Berlin, Germany (Kat.), World Watchers |
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2003 |
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Atrium Gallery at the University of Connecticut Storrs and University of Connecticut Stamford, Doing Business: Dysfunctional Corporate Culture |
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2003 |
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CAC (The Contemporary Arts Center), Cincinnati, OH, Somewhere better than this place (Kat.) |
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2003 |
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Palais de Tokyo, Paris, France, GNS Global Navigation System (Kat.) |
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2003 |
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The Vancouver Art Gallery, Vancourver, Canada, For the Record: Drawing Contemporary Life (Kat.) |
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2003 |
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Galerie Christian Nagel, Köln, Germany, Haupt-und Nebenwege |
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2003 |
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Axel Raben Gallery, New York, NY, Lost Worlds Apocalyptic & Utopian Visions |
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2003 |
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Marlborough Gallery, New York, NY, High and Inside (curated by Maurice Tuchman, Kat.) |
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2003 |
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Ronald Feldman Gallery, New York, NY, American Dream (Kat.) |
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2003 |
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The New Museum of Contemporary Art, New York, NY, Living Inside the Grid (Kat.) |
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2003 |
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Black & White Gallery, Brooklyn, NY, The Incredible Lightness of Being (curated by Phong Bui) |
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2003 |
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Pierogi, Brooklyn, NY, Preparatory Drawings (Kat.) (solo) |
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2003 |
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World Watchers, NGBK, Berlin, Germany (upcoming) (Catalogue) |
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2003 |
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Global Priority, The Herter Art Gallery at the University of Massachusetts, Amherst, MA Curated by Grady Gerbracht and Susan Jahoda |
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2003 |
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Somewhere better than this place, CAC (The Contemporary Arts Center), Cincinnati, OH (Catalogue) |
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2003 |
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GNS Global Navigation System, Palais de Tokyo, Paris, France (Catalogue) |
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2003 |
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For the Record: Drawing Contemporary Life, The Vancouver Art Gallery, Vancouver, Canada |
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2003 |
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Lost Worlds Apocalyptic & Utopian Visions, Axel Raben Gallery, New York, NY |
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2003 |
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High and Inside, curated by Maurice Tuchman, Marlborough Gallery, New York, NY |
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2003 |
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privat I öffentlich, Häusler Contemporary, München, Germany |
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2003 |
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American Dream, Ronald Feldman Gallery, New York, NY (Catalogue) |
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2003 |
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Preparatory Drawings, Pierogi, Brooklyn, NY (Catalogue) (solo) |
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2002 |
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The 8th Baltlic Triennial of International Art, Contemporary Art Centre, Vilnius, Lithuania, Center of Attraction (Kat.) |
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2002 |
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Joseph Helman Gallery, New York, NY, Overt Operation |
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2002 |
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La Plage, Neuchatel, Switzerland, Strategy |
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2002 |
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Centre d’Art Contemporain GENEVE, Switzerland, Libres Echanges / Material World |
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2002 |
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Contemporary Art Museum, St. Louis, MO, Terra Incognita: Contemporary Artist’s Maps and Other Visual Organizing Systems |
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2002 |
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Graduate Center of the City University of New York, NY, Empire / State: Artists Engaging Globalization (curated Exhibition, Whitney Museum Independent Study Program) |
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2000 |
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Sorenson Center for the Arts, Babson Park, MA, Silent Partners (solo) |
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2000 |
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Gallery Joe, Philadelphia, PA, In Memory (solo) |
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2000 |
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Silent Partners, Sorenson Center for the Arts, Babson Park, MA (solo) |
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2000 |
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In Memory, Gallery Joe, Philadelphia, PA (solo) |
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1999 |
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Vicious Circles: Drawings, Deven Golden Fine Art, New York (solo) |
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1999 |
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Deven Golden Fine Art, New York, NY, Vicious Circles: Drawings (solo) |
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1998 |
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Pierogi 2000, Brooklyn, NY, Silent Partners (solo) |
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1998 |
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Museum of Contemporary Art, Washington, D.C., Crossing the Line: 1994-8 (solo) |
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1996 |
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Lawndale Art and Performance Center, Houston, TX, Over The Line: Drawings 1994-6 (solo) |
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1996 |
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Over the Line: Drawings 1994-6, Lawndale Art and Performance Center, Houston, TX (solo) |
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Literature |
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Laura Auricchio, “Connecting the dots: Mark Lombardi unravels webs of conspiracy at the Drawing Center, Time Out NY, November 20–27, 2003. p.86 (illus.) |
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Michael Kimmelman, “Webs Connecting the Power Brokers, the Money and, Ultimately, the World,” |
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The New York Times, November 14, 2003. p.E36 (illus.) |
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Tan Lin, “Following the Money,” Art in America, November 2003. pp. 142-147, 177 (illus.) |
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Eleanor Heartney, “The Sinister Beauty of Global Conspiracies: Mark Lombardi’s Delicate Drawings Show |
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Everything’s Connected (and Not in a Good Way),” The New York Times, Sunday Arts Section, October 26, 2003. p. AR31 (illus.) |
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Elena Sorokina, “Williamsburg–das New Yorker Galerienwunder,” Junge Kunst, Nr. 56, Fall 2003. pp.22-27 (illus.) |
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Stéphane Roussel, “Polyculture de l’imaginaire,” Art Contemporain, 05-11 September, 2003. |
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Elisabeth Wetterwald, “GNS, Palais de Tokyo,” Art Press, September 2003. |
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Genevieve Breerette, “Des geographies imaginaries dominées par l’informatique,” Le Monde, 15 August, 2003. |
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