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Biography |
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1982 - 1986 |
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Bezalel Academy of Art, Jerusalem |
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1960 |
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Born in Haifa Israel |
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Exhibitions |
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2006 |
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Tel Aviv Museum, Israel. A retrospective (solo) |
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2004 |
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The Sydney Biennale, 2004. Australia |
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2004 |
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Wetterling Gallery, Stockholm (solo) |
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2002 |
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Wetterling Gallery, Stockholm (solo) |
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2000 |
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Galerie Anne de Villepoix, Paris (solo) |
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2000 |
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Baldwin Gallery, Aspen, CO (solo) |
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2000 |
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Marianne Boesky Gallery, New York (solo) |
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2000 |
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“Compression”, Feigen Contemporary, New York |
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2000 |
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“Telesthesia Amnescopia”,The School of The Art Institute of Chicago, Chicago, IL |
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2000 |
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“New Work: Abstraction”, Hosfelt Gallery, SF, CA |
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1999 |
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“Christmas Paintings”, Marianne Boesky Gallery, New York |
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1999 |
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“The Stroke”, Exit Art, New York, curated by Ross Bleckner |
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1999 |
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Baldwin Gallery, Aspen, CO (solo) |
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1998 |
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Galerie Anne de Villepoix, Paris (solo) |
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1998 |
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“Painting Now and Forever”, Matthew Marks Gallery and Pat Hearn Gallery, New York |
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1998 |
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“People, Places, and Things”, Marianne Boesky Gallery, New York |
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1997 |
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Marianne Boesky Gallery, New York (solo) |
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1997 |
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Mitchell-Innes & Nash, New York (solo) |
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1996 |
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Boesky & Callery, New York (solo) |
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1996 |
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"Ceremonial", Apex Art, New York, curated by Barry Schwabsky (brochure published) |
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1995 |
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"Summer Group Show", Patrick Callery, New York |
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AWARDS |
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1994 Isracard Prize, The Tel Aviv Museum of Art |
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1990The America Israel Foundation for the Arts, The Tel Aviv Museum of Art |
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1988 Kolliner Prize, The Israel Museum, Jerusalem |
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2003 The pollock- krasner Foundation grant for 2003 |
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Literature |
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Ken Johnson, “Review”, The New York Times, 24 October 1997 |
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Roberta Smith, "Review", The New York Times, 17 May 1996 |
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Helen Varola, "Review", Time Out New York, 5 - 12 June, 1996 |
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Alford Corn, "Review", Art in America, September, 1996 |
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Nico Israel, "Review", Artforum, October, 1996 |
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Barry Schwabsky, "Redressing Modernism",World Art December, 1996 |
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New Observations, “Popular Metaphysics”, Summer 1997 |
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John Zinsser, artnet.com Magazine Reviews- Painter’s Journal, 9 June, 2000 |
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Flash Art magazine. Review of the Sydney Biennale. July - August , 2004 |
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