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Karin Davie (Canadian, 1965)
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Karin Davie
Between my Eye and Heart #3 2003
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Karin Davie
Seeing Spots no 2 (Symptomania series) 2008
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Karin Davie
Symptomania no 2 2007
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Biography |
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1965 |
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Born in Toronto |
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MFA, Rhode Island School of Design |
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Lives in New York |
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Exhibitions |
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2007 |
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Karin Davie (to be titled), Aldrich Museum of Contemporary Art, Ridgefield, CT (solo) |
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2007 |
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Light Drawings & Sculpture, Mary Boone Gallery, New York, NY (solo) |
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2006 |
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The Body’s Mind, Wetterling Gallery, Stockholm, Sweden (solo) |
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2006 |
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Underworlds, Agnes Etherington Gallery, Kingston, Ontario, Canada (solo) |
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2006 |
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Dangerous Curves, Albright-Knox Art Gallery, Buffalo, NY (solo) |
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2005 |
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Mary Boone Gallery, New York, NY (solo) |
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2005 |
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Extreme Abstraction, Albright-Knox Art Gallery, Buffalo, NY (curated by Louis Grachos and Claire Schneider) |
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2005 |
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Big Band, Galerie Les Filles du Calvaire, Brussels, Belgium (curated by Raphael Rubinstein) |
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2004 |
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Recent Acquisitions, Albright-Knox Art Gallery, Buffalo, NY |
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2004 |
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Art on Paper 2004, Weatherspoon Art Museum, Greensboro, NC |
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2004 |
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Galleria Il Capricorno, Venice, Italy (solo) |
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2003 |
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Mario Diacono at Ars Libri, Boston, MA (solo) |
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2003 |
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Site Santa Fe, Santa Fe, NM (solo) |
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2003 |
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OnLine, Feigen Contemporary, New York, NY |
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2002 |
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Art Downtown: New York Painting and Sculpture, 48 Wall Street, New York, NY (curated by Richard Marshall) |
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2002 |
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Mary Boone Gallery, New York, NY (solo) |
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2002 |
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Until Now, Mary Boone Gallery, New York, NY (solo) |
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2001 |
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White Cube, London, UK (solo) |
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2001 |
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Against the Wall: Painting Against the Grid, Surface, Frame, Institute of Contemporary Art, Philadelphia, PA |
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2001 |
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Hypermental, Hamburger Kunsthalle, Hamburg, Germany (curated by Bice Curiger) |
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2000 |
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Group Show, Heland Wetterling Gallery, Stockholm, Sweden |
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2000 |
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Post-Pop, Susquehanna Art Museum, Harrisburg, PA |
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1999 |
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Post-Hypnotic, The Contemporary Arts Center, Cincinnati, OH |
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1999 |
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Ultra Buzz: Karin Davie, Peter Hopkins, Tom Moody, James Siena, Fred Tomaselli, Gallery of Art, Johnson County Community College, Overland Park, KN |
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1999 |
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Marianne Boesky Gallery, New York, NY (solo) |
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1999 |
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Mary Boone Gallery, New York, NY (solo) |
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1998 |
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Sassy Nuggets, Andrew Kreps Gallery, New York, NY |
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1998 |
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Group Show, Teachers Insurance and Annuity Associations, New York, NY (curated by Bea Medinger) |
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1997 |
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After the Fall: Aspects of Abstract Painting Since 1970, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, Staten Island, NY |
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1997 |
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New York/North York, Gallery of North York, North York, Canada |
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1997 |
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Turner & Runyon Gallery, Dallas, TX (solo) |
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1996 |
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Mario Diacono Gallery, Boston, MA (solo) |
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1996 |
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Works on Paper, Curt Marcus Gallery, New York, NY |
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1996 |
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Landscape Reclaimed, The Aldrich Museum of Contemporary Art, Ridgefield, CT |
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1995 |
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Gallery Artists, Fawbush Gallery, New York, NY |
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1994 |
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New York on Paper, Jim Schmidt Fine Art, Saint Louis, Missouri |
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1994 |
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Abstraction...Tradition of Collecting in Miami, Center for the Fine Arts, Miami, FL |
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1993 |
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Jacqueline Humphries, Jessica Stockholder, Karin Davie, John Good Gallery, New York, NY |
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1992 |
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The Radio Show: Unrealized Projects, Artists Space, New York, NY (curated by Janine Antoni) |
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1992 |
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Off Balance, Jason Rubell Gallery, Palm Beach, FL |
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1991 |
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In Full Effect, White Columns, New York, NY |
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1991 |
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Ornament, John Post Lee, New York, NY |
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Literature |
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Scott, Sue, Ageometry, Art News, May 1993, pp. 141 – 142. |
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Tommaney, Jim, Karin Davie at the Rubell Gallery, WIRE MAGAZINE, 17 December 1992. |
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Braff, Phyllis, Seven Artists with Bright Futures, THE NEW YORK TIMES, 13 September 1992. |
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Gomez, Edward M., Where Pluralism Rules, ART & ANTIQUES, December 1999, pp. 64 – 71. |
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Kutner, Janet, Like, wow, man, Op Art’s back, THE DALLAS MORNING NEWS, 27 June 1999, p. 1C. |
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Rubinstein, Raphael, Nine Lives of Painting, ART IN AMERICA, September 1998, pp. 90 – 99. (illus: Hysteric, Cover, p. 93, C). |
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Tone, Lilian, and Anne Umland, Projects 63: In Your Eye, MoMA MAGAZINE, May 1998, pp. 10 – 12. (illus: In Out, In Out 24/25, Cover, p. 1, C.) |
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Posner, Michael, Art World Snowbirds Nest in New York, THE GLOBE & MAIL, 29 November 1997. |
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Landi, Ann, Generation Next, ART NEWS 200, Summer 1997, pp. 28 – 40. |
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McQuaid, Cate, Joyride of a Different Stripe, THE BOSTON GLOBE, 8 February 1996. |
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Wei, Lilly, Karin Davie at Fawbush, ART IN AMERICA, October 1994, pp. 129 – 130. |
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Schwabsky, Barry, Confessions of a Male Gaze, NEW ART EXAMINER, April 1994. |
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Pagel, David, Davie’s Abstraction Offers Treat for Mind–Not Eyes, LOS ANGELES TIMES, 27 May 1993. |
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Kamholz, Roger, Karin Davie, THE BROOKLYN RAIL, June 2005, p. 21. |
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Cohen, David, Gallery-Going: Karin Davie, THE NEW YORK SUN, 5 May 2005, p. 20. |
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Staff, The Artist’s Artists: Karin Davie, ARTFORUM, December 2004, p. 85. |
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Staff, Pushed, Pulled, Depleted & Duplicated, ZING MAGAZINE, Issue 19, March 2004, pp. 210 – 225. |
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Golden, Deven, Notes on...Karin Davie, ARTCRITICAL.COM, September 2003. |
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Amy, Michael, Karin Davie at Mary Boone, ART IN AMERICA, April 2003, p. 143. |
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Staff, , THE NEW YORKER, 25 November 2002, pp. 17 – 18. |
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Valdez, Sarah, Karin Davie, PAPER, June 2002, p. 134. |
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Buck, Louisa, Louisa Buck’s Choice of London Contemporary Galleries, THE ART NEWSPAPER, February 2001, p. 63. |
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Kent, Sarah, Karin Davie, TIME OUT LONDON, 31 January 2001, p. 51 |
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