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Nathalia Edenmont (Ukrainian, 1970)
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Nathalia Edenmont
Eternity 2008
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Nathalia Edenmont
Family 2007
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Nathalia Edenmont
Lost 2007
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Nathalia Edenmont
Lucifer 2004
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Nathalia Edenmont
Madame Butterfly 2004
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Nathalia Edenmont
Madonna 2006
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Biography |
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1970 |
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Born in Yalta, Ukraine |
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1980 - 1984 |
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Yalta Art School for Children, Yalta, Crimea |
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1984 - 1987 |
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State Art School of Kiev, Kiev, Ukraina |
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1987 - 1991 |
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Simferopol State Art School, Simferopol, Crimea |
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1998 - 2001 |
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Forsberg's International School of Design, Stockholm, Sweden |
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Resident in Sweden since 1991 |
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Exhibitions |
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2007 |
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Nathalia Edenmont, Samuelis Baumgarte Galerie, Bielefeld |
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2006 |
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Galerie Hafenricher & Flügel, Nürnberg |
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2006 |
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Immortal, Wetterling Gallery, Stockholm |
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2006 |
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Nathalia Edenmont, Blasthaus, BOCA, San Francisco, USA (solo) |
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2005 |
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We’re blond, we’re blind, B&D Studio Contemporanea, Milan (solo) |
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2005 |
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Still About Life, Wetterling Gallery, Stockholm, Sweden (solo) |
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2005 |
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Nord Kultur, Backfabrik, Berlin, Germany (solo) |
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2005 |
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Lukasfeichtner Galerie, Vienna, Austria |
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2005 |
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About Beauty, House of World Cultures, Berlin, Germany |
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2004 |
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Wetterling Gallery, Stockholm, Sweden |
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2004 |
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Aidan Gallery, Moscow, Russia (solo) |
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2003 |
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Wetterling Gallery, Stockholm, Sweden (solo) |
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2003 |
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Still Life, Galleri Mors Mössa, Göteborg, Sweden (solo) |
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2003 |
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I Am A Curator, Chisenhale Gallery, London, UK |
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2003 |
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Wanted Dead or Alive, Winslow Garage, Los Angeles, USA |
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2003 |
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Western Project, Los Angeles, USA |
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2003 |
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Money Changes Everything, Whitney Independent Study Studio Program, New York, USA |
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Literature |
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Miscellaneous |
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Yen magazine, dec/jan 2006, p. 76-78, Australia |
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Flipper Sveriges Radio P3 (Swedish national Radio), 29 november 2003 |
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Cover for, a-n Magazine, december 2003, Newcastle-upon-Tyne, UK |
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Cover Kulturella Perspektiv, Nr 4, 2005 |
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Lantz Sveriges Radio P3 (Swedish national Radio), 26 april 2005 |
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Cover of Svenska Dagbladet, Kulturdelen, 2005, 21 april, Sweden |
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Cover of Svenska Dagbladet, Nyhetsdelen, 2005, 21 april, Sweden |
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Nord Magazin, Hesselbom, february 2005,p.30-31Nord Magazin, Hesselbom, february 2005, p.30-31 |
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Étapes magazine, april 2005, France |
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Black Book Magazine, april 2005, p. 66-67, NY, USA |
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Cover of Beaux Arts Magazine, dec. 2004 - jan 2005, France |
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Insert for TANK magazine #4, 2002, p. 180 - 185, London, UK |
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KOBRA-kultur, SVT (Swedish national television), 12 december 2003 |
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Exhibition Catalogues |
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“Still About Life”,171 pages, published by Wetterling Gallery, Stockholm, Sweden, 2005, with text by Duncan McLaren |
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“Nathalia Edenmont”, 112 pages, published by Wetterling Gallery, Stockholm, Sweden, 2003, with texts in English and Swedish: SANNA LÖGNER PÅ ETT SILVERFAT - om Nathalia Edenmonts fotografier by Lars O Ericsson, “OFF WITH HIS HEAD” by Mark Gisbourne. |
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Bibliography |
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Konst av kaniner. ”Som mat för själen.” Av Björn af Kleen, Sydsvenskan, 2 jun 2005, p.B6-B7 |
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“Edenmont flyttar lidande från döda djur till levande människor” av Jon Asp, Smålandsposten, Kultur, 9 may 2005, p.26-27 |
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“Ögonfägnad” av Sanna Björling, Dagens Nyheter, På Stan, 22 april, 2005 |
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Recension av Anders Olofsson på KONSTEN (www.konsten.net) 2005 |
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Disajn&Konstvärlden magazine, ”Skönheten & Odjuret” av Göran Hellström, may 2005, p. 62-68, Stockholm, Sweden. |
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“Edenmont flyttar lidande från döda djur till levande människor” avJon Asp, Smålandsposten, Kultur, 9 may 2005, p.26-27 |
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“Hon leker med maten” Alexandra Hernadi, Svenska Dagbladet, Kultur, 21 april, 2005 |
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‘Limb by Limb’, TANK magazine #4, 2004, p. 78-81, London, UK |
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‘Konst som skall tystas’, Daniel Poohl, Konstnären, No 1, 2004 p.5-7, Göteborg, Sweden. |
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No 15, 2003, s.12 ‘Off with their Heads’ Alex Godfrey, Bizzare Magazine, june 2004, p. 60-63, London, UK |
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‘Djurkyrkogården’, Johan Lindberg, Bon Magazine, no 15, 2003, p. 78-82, Stockholm, Sweden |
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Recension av Anders Olofsson på KONSTEN (www.konsten.net) 2003 |
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“Sex och död I konsten är ren medeltida krönika” av Ingela Lind, Dagens Nyheter, Kultur, 6 december 2003 |
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“Nathalias vackra kaninkonst” av Viggo Cavling, Dagens Nyheter, PåStan, 27 november, 2003 |
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