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Biography |
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1953 - 1957 |
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St Martin’s School of Art |
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1957 - 1960 |
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Royal Academy Schools |
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1960 - 1962 |
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British Schools in Rome |
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Exhibitions |
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2008 |
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Selected Works by Gallery Artists, Anthony Reynolds Gallery, London |
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2007 |
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Anthony Reynolds Gallery, London (solo) |
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2006 |
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Wondering Stars, Gana Art Center, Seoul, Korea (cat.) |
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2005 |
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Anthony Reynolds Gallery, London (solo) |
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2002 |
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Apparition: the Action of Appearing, Arnolfini and Kettle’s Yard, Cambridge |
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1998 |
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Galerie Jamar, Antwerp (with Werner Feiersinger) |
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1997 |
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Anthony Reynolds Gallery, London (solo) |
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1996 |
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Dhondt-Dhaenens Museum, Deurle Ghent (solo) |
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1994 |
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Ad Usum Fabricae, L’Aquila Museum sperimentale d’Arte Contemporanea, L’Aquila |
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1990 |
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Multiples, Anthony Reynolds Gallery, London |
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1987 |
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Anthony Reynolds Gallery, London (solo) |
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1985 |
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John Hansard Gallery, Southampton (solo) |
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1985 |
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Anthony Reynolds Gallery, London |
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1983 |
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Goldsmiths Gallery, London (solo) |
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1982 |
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Mai Gallery, London (solo) |
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1982 |
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Colazione Inglese, Venice |
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1976 |
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British Painting, Burlington House, London |
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1972 |
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Greenwich Gallery, London (solo) |
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1963 |
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Green Gallery, New York (solo) |
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1962 |
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Rowan Gallery, London (solo) |
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1961 |
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Rowan Gallery, London (solo) |
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1961 |
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Abbot Hall Gallery, Kendal (solo) |
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1961 |
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British Pop Art. I.C.A., London |
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1961 |
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Young British Artists, Arthur Tooths, London |
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1960 |
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Rowan Gallery, London (solo) |
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1960 |
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Green Gallery, New York (solo) |
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1960 |
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Young Contemporaries, A.A. Galleries, London |
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Literature |
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2006 |
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How to Read a Modern Painting: Lessons from the Modern Masters, Abrams, New York |
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2006 |
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Outsiders come in, Macdonald Fiona, Metro, 3 May (ill.) |
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2006 |
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The Alpine Fantasy of Victor B; and Other Stories, Unique Collection of Fiction by Contemporary British Artists, edited by Jeremy Akerman and Eileen Daly, Serpent's Tail, London |
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2005 |
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Jon Thompson, Ann Fielding, Time out, 10 March – 6 April (ill.) |
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2005 |
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Jon Thompson, Ian Hunt, Art Monthly, May (ill.) |
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1998 |
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Piero Manzoni, catalogue essay, Serpentine Gallery |
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1997 |
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Steve McQueen, catalogue essay, Van Abbemuseum, Eindhoven and Portikus, Frankfurt |
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1996 |
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Richard Deacon, Monograph and main critical essay. Phaidon Press, London |
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1996 |
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Towards A Theory of the Image, Editor and author of the theoretical introduction to essays by Regis Debray, Dick Hebdidge, Benoit Hermans, Martine Joly, Scott Lash, Harald Lemcke, Heinz Paetzold, Yahuda Safran, and Richard Wollheim. Jan van Eyck Akademie and Rosbeck, Nuth |
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1996 |
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Image and Object in the work of Annelies Oberdanner, catalogue foreword for her exhibition at the Buchsenhausen, ausstellgsraum Innsbruck |
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1996 |
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Pieter Rogiers and The New Mannerism, catalogue essay for the exhibition ‘Groene Pasen’ Curated by Bart Cassiman for the Deurle Museum, Gent |
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1995 |
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Catalogue essays for Mark Wallinger at Ikon Gallery, Birmingham and Serpentine galleries, London |
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1995 |
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Realism, Pop and Poverty, catalogue foreword for ‘Revolution: Art of the Sixties from Warhol to Beuys’, Museum of Modern Art, Tokyo |
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1994 |
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Fiction is more truthful than History, moral Tale included in the anthology ‘And Justice For All..’ edited by Ole Bouman, Rosbeek, Nuth |
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1994 |
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A Comical Introduction to Ping Pong, by Anke Schaefer. The Candy T.V. Company, Amsterdam |
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1993 |
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Arbeit am Objekts, the work of Pepe Maier, catalogue foreword for the Galerie de Stifterhaus, Linz |
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1993 |
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Un Impicato Femmina, “Duchamp Dopo Duchamp”, a collection of recent essays on Marcel Duchamp edited by Arturo Schwarz; with Craig Adcock, Achille Bonito Oliva, Massimo Cacciari, Donald Kuspit, Demetrio Paparoni and Robert Rosenblum. Prisma Books, Siracusa, Italy |
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1993 |
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New Times, New Thoughts, New Sculptures, catalogue foreword for Gravity and Grace: the Changing Condition of Sculpture 1965-75 at the Hayward Gallery, London. Published by the South Bank Board |
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1993 |
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Blowing Cold and Hot; New Sculpture by Werner Feiersinger, catalogue foreword for Galerie Annick Ketele, Antwerp |
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1993 |
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Barry Flanagan: Artist of Unreason |
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1993 |
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Catalogue foreword for the Fundacion ‘La Caixa’ Madrid and the Musee des Beaux Arts de Nante. Retrospective Exhibition of Flanagan curated by Enrique Juncosa |
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1993 |
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The Aesthetics of the Open Field, for ‘Avant-Garde and the Public Sphere’ - a Reader edited by Jeanne van Heeswijk and including writings by Hugues Boekraad, Hauke Brunkhorst, Stuart Ewan, Andrea Fisher, Elizabeth Lenk, Martin Lucas and Heinz Paetzold. Published by the Jan van Eyck Akademie, Maastricht |
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1992 |
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In the Groves of Philadelphia, a Female Hanging, Tema Celeste International, special Duchamp edition, Feb 1992. Revised and republished in “de-, dis-, ex-” Vol 1 - Ex- cavating Modernism, Backless Books, London (1996) |
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1991 |
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Deadly Prescriptions: Jannis Kounellis in Moscow, Artscribe No.88, September |
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1990 |
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Stephen McKenna; The Pompeian Pictures, For Volkenkratz, no. 31, Autumn, 1988. Republished in a collection of essays on painting edited by Max von Faust for the University of Wuppertal Press |
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1987 |
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Of Sameness and Difference, . Catalogue foreword for the exhibition, “A Disquieting Suggestion” at the John Hansard Gallery, University of Southampton |
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1987 |
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The Warning Hand: Stephen McKenna’s History Painting, catalogue foreword for the Raab Gallery, Berlin |
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1987 |
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Thinking the Object: Recent Works by Tony Carter, published by the Gallery |
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1986 |
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Mr Kurt, he Dead, Catalogue foreword for “Falls The Shadow” at the Hayward Gallery, London. Published by the South Bank Board |
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1985 |
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Ars Universitas: The Ricinulus Fragments- with the sociologist and critic Michael Phillipson. John Hansard Gallery and the University of Southampton, 1985. |
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