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Sturtevant (American, 1926)
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Sturtevant
Cut and run 2005
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Sturtevant
Cut and run 2005
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Sturtevant
Cut and run 2005
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Sturtevant
Duchamp Relache 1967
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Sturtevant
Duchamp Wanted 1992
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Sturtevant
Gonzalez-Torres Untitled (Blue Placebo) 2004
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Biography |
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Lives and works in Paris |
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Exhibitions |
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2009 |
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Danish and Nordic Pavilions, Venice Biennale, Venice, Italy |
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2008 |
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Le Consortium, Dijon, France |
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2008 |
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Vertical Monad, Anthony Reynolds Gallery, London (solo) |
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2008 |
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Inventing Marcel Duchamp: The Dynamics of Portraiture, Smithsonian Institution, National Portrait Gallery, Washington DC |
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2008 |
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Exposing Flesh, III CCS BARD, New York |
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2007 |
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Higher Power, Galerie Thaddaeus Ropac, Paris, France (solo) |
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2006 |
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Cold Fear, Anthony Reynolds Gallery, London (solo) |
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2006 |
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Sturtevant, Dillinger Running Series, Site Galerie, Düsseldorf (solo) |
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2006 |
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Whitney Biennial, ‘Day for Night’, Whitney Museum of American Art, New York |
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2006 |
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Wrong, Galerie Klosterfelde, Berlin |
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2006 |
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MMK Frankfurt |
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2006 |
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Grand Palais, Paris |
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2006 |
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Galerie Mezzanin, Vienna |
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2005 |
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The Brutal Truth, MIT List Visual Arts Center, Cambridge, Massachusetts (solo) |
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2005 |
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PUSH AND SHOVE, Perry Rubenstein Gallery, New York, NY (solo) |
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2005 |
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Superstars, Von Warhol Bis Madonna, Kunsthalle, Wien |
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2004 |
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The Brutal Truth, Museum für Moderne Kunst, Frankfurt am Main, Germany (solo) |
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2004 |
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20 Jahre 20 Years, 1984- 2004, Galerie Thaddaeus Ropac, Salzburg |
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2004 |
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Before the End, Le Consortium/Usine, Dijon |
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2004 |
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Besides, popularity is a rather lumpy concept, no? (Sturtevant), SITE Magazin + Hausammeer productions, Kunsthalle, Dusseldorf |
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2004 |
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About Painting, Tang Museum, Saratoga Springs |
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2003 |
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Dark Threat of Absence, Galerie Thaddaeus Ropac, Paris, France (solo) |
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2003 |
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The Sixties. Lichtenstein, Warhol, Wesselmann, Rosenquist, Galerie Daniel Blau, Munich (solo) |
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2003 |
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Galerie Mezzanin, Vienna, Austria (solo) |
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2003 |
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Aftersock, Dickinson Roundell, New York |
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2003 |
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Das lebendige Museum, Museum für Moderne Kunst, Frankfurt am Main, Germany |
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2003 |
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Musée d’Art Contemporain, Bordeaux, France |
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2003 |
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University of Sunderland, Sunderland, United Kingdom |
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2003 |
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Contemporary Art, St. Paul, MN |
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2003 |
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The DaimlerChrysler Collection, Museum fur Neue Kunst, ZKM, Karlsruhe |
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2003 |
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Influence, Anxiety and Gratitude, List Visual Arts Center, Cambridge, MA |
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2003 |
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Site, Düsseldorf, Germany |
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2003 |
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Frac, Limoges, France |
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2003 |
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Living with Duchamp, Tang Museum, Saratoga Springs, NY |
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2003 |
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Re-Produktion 2, Georg Kargi Fine Arts, Vienna |
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2003 |
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Un Tableau dans le décor, Peintures 1970-2000, Musee du Chateaux des Duncs de Bretagne, Nantes |
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2002 |
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ShiftingMental Structures, Neuer Berliner Kunstverein, Berlin, Germany (solo) |
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2002 |
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Sturtevant. Works on Paper 1965/66/69, Galerie Daniel Blau, Munich, Germany (solo) |
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2002 |
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I Love Arlette, Galerie Thaddaeus Ropac, Paris, France (solo) |
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2002 |
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Galerie Mezzanin, Vienna, Austria |
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2002 |
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Paris Photo, Paris, France |
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2002 |
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Pace/Macgill Gallery, New York, NY |
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2002 |
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Nederlande Foto Institut, Rotterdam, Netherlands |
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2002 |
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Manifeste oder Egriffifenheir- Was ist das, Galerie Daniel Blau, Munich, Germany |
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2002 |
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Minimalism and After, Sammlung Daimler Chrysler, Berlin, Germany |
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2002 |
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Iconoclash, ZKM Karlsruhe, Germany |
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2002 |
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Min Marilyn, Lijevalchs Konsthall Stockholm, Sweden |
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2002 |
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Art After Art, Neues Museum Weserburg Bremen, Germany |
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2002 |
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Private/Corporate: A Dialogue, Haus Huth, Berlin, Germany |
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2002 |
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Repertoire Ce qu;il te plait 2, MAMCO, Genava |
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2002 |
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The Private Pary, Vivement 2002!, quatrieme episode, MAMCO, Geneva |
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2002 |
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Vivement 2002!, ciinquieme 20002, cinquieme episode, MANCO, Geneva |
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2002 |
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Vivement 2002!, ciinquieme 20002, sixieme episode, MANCO, Geneva |
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2001 |
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Dillinger Runing Series, Galerie Thaddaeus Ropac, Paris, France (solo) |
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2001 |
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Ca va aller, Galerie Hans Mayer, Berlin, Germany (solo) |
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2001 |
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Ornament und Abstraktion, Foundation Beyeler, Basel, Switzerland |
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2001 |
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Trade- Warren, Wege und Werte im Welthandel, Winterthur Foto Museum, Winterthur, Germany |
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2001 |
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Candice Breitz, Claude Closky, Elaine Sturtevant, Martin Walde, Erwin Wurm, Gallery Galerie Mezzanin, Vienna, Austria |
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2001 |
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Georg Kargl Fine Arts, Vienna |
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2001 |
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Frac Bretagne, La Bretagne Collectionne, Bretagne, France |
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2001 |
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La Bretagne collectionne l’at de notre temps, les 20 ans du FRAC Bretagne: Melanges, |
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2001 |
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Domaine de Kerguehennec, Centre d’art contemporain, Bigan |
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2001 |
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Galerie Mezzanin, Vienna, Austria |
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2000 |
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Copy Right/Copy Wrong, Ecole des Beaux-Arts de Nantes, France |
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2000 |
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Les 100 sourires de Mona Lisa, Tokyo, Japan |
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2000 |
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Copy without Origins: Self as Disappearence, Ecole Regionale des Beaux-Arts de Nantes (solo) |
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2000 |
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Protest and Survive, Whitechapel Gallery, London, UK |
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Literature |
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2008 |
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Rebecca Geldard, ‘Sturtevant’, Time Out London, 19-25 June |
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2008 |
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Belinda Bowring, ‘Sturtevant: On Art and Its Time’, ‘Sturtevant in Conversation with Bruce Hainley’, Afterall, 18, Summer |
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2007 |
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Daniel Baumann, “Sturtevant Reversal”, Spike 13, Autumn |
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2007 |
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Sturtevant, Elaine. Inherent Vice or Vice Versa, Tate Papers, Autumn |
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2006 |
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Colin Gleadell, ‘Cash flows for young blood’. The Daily Telegraph , 20 June |
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2006 |
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Gerhard Mack, ‘Vom Duft der grossen Dekadenz’. ZZM am Sonntag, 18 June |
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2006 |
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Bruce Hainley, “Stutervant”, Frog, Autumn, pp. 28-31 |
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2006 |
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Herbert, Martin. ‘Sturtevant”, Time Out, 28 June- 5 July |
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2006 |
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“Sturtevant debuts in London at 75”, The Saatchi Gallery Daily Magazine, June 5, online:http://blogon.saatchi-gallery.co.uk |
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2005 |
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Michael Lobel, ‘Sturtevant:Appropriation’, Parkett, Issue 75, pp. 148-153 |
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2005 |
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PUSH AND SHOVE, New York: Perry Rubenstein Gallery, New York |
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2005 |
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Orlean Mathieu. ‘Renaissance’. Numero 52, May |
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2005 |
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Bruce Hainley, 'Sturtevant', Artforum, 30 Jan 2005, pp. 177-178 |
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2004 |
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Tony Benn. ‘Certainly Thinking is a kind of Madness. Interview’, Site 7, pp. 27-33 |
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2004 |
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Fabian Stech, ‘Der Anfang vom Ende. Before the End’. Kunstformum International 170, May- Jun, pp. 340- 342 |
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2004 |
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The Brutal Truth, Museum fur Moderne Kunst, Frankfurt am Main |
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2004 |
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Sturtevant, Elaine. The Quixote Incomplete Fragments 1970, Munich: Galerie Daniel Blau |
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2004 |
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Vahrson, Viola. Die Radikalitat der Wiederholung, Interferenzen und Paradoxien im Werk Elaine Sturtevants, PhD, Diss. Hochshule fur Bildende Kunstw, Braunschweig |
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2004 |
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Ibid., ‘Zeitlichkeit Interferenzen im Werk Elaine Sturtevants’ Momente im Prozess. Zeitlichkeit kunstlerrischer Produktion, Ed. Karin Gludovatz und Martin Peschken, Berlin: Reimer |
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2004 |
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Jorg Heiser, ‘Auratisches Toastbrot und Kunst vom Filiessband’. Suddeutsche Zeitung, 23 February |
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2003 |
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Thomas M Dish, ‘Gallery Going’. The New York Sun, 12 June 2003 |
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2003 |
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Helmut Kronthaler, ‘Aneignung- Sturtevant Ketchup Zitat’. Kunstzeitung, 69, Mai Ibid., ‘Der Verlust des Gleichgewichts’. Frankfurter Allgemeine Zeitung, 27 April |
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2003 |
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Ibid., ‘Grunes Ketchup. Elaine Sturtevant mit ‘geklonten’ Werbe-Images im Neuen Berliner Kunstverein’. Berliner Zeitung, 12 March |
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2003 |
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Buskirk, Martha. The Contingent Objects of Contemporary Art, Cambridge: MIT Press |
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2003 |
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The Sixties, Lichtenstein, Warhol, Wesselmann, Rosenquist, Galerie Daniel Blau, Munich |
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2003 |
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The DaimlerChrysler Collection, Museum fur Neue Kunst, ZKM, Karlsruhe |
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2003 |
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Ishtar, Midway Contemporary Art, St.Paul, Minnesota |
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2003 |
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Thresors Publics, 20 ans de creation dans les fonds regionaux d’art contemporain, Edition Flammarion: Paris |
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2003 |
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International 166, Aug-Oct, pp. 359-362 |
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2003 |
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Rachel Harrison, “Sturtevant talks to Bruce Hainley – ‘80s |
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2003 |
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Then – Interview,” Artforum, March |
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2003 |
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Jean-Marie Schmitt, ‘Les jurists enquetent sur l’art contemporain’, Le Journal des Arts 170,2-15, May, p.27 |
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2003 |
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Amine Haase, ‘Das Lebendige Museum: Das Geheimnis der Kunst’, Kunstforum |
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2003 |
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Bruce Hainley, ‘Sturtevant talks to Bruce Hainley’, Artforum International 41, 7, March, pp. 246-247 |
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2002 |
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Kunst nach Kunst. Ed. Peter Friese, Neues Museum Weserburg, Bremen |
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2002 |
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Iconoclash, Jenseits der Bilderkriege in Wissenschaft, Religion und Kunst, ZKM, Karlsruhe |
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2002 |
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Min Marilyn, Liljevalchs Konsthall, Stockholm |
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2002 |
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Minimalism and After, Neuerwerbungen, Damier Chrysler Contemporary, Berlin |
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2002 |
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Private/Corporate, Werke aus der Sammlung Daimler Chrysler und aus der Sammlung |
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2002 |
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Paul Maenz: Ein Dialog. DaimlerChrrysler Contemporary, Berlin |
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2002 |
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Shifting Mental Structures, Ed. Alexander Tolnay, Neuer Berliner Kunstverein, Berlin |
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2002 |
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Hainley, Bruce and John Waters. Art Works: Sex, London: Thames & Hidson LTD |
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2002 |
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Ottmann, Klaus. The Genius Decision: The Extraordinary and the Postmodern Condition, (Putnam:Spring Publications, 2004), PhD. Diss. European Graduate School, 2002 |
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2002 |
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Romer, Stefan. Kunstlerische Strategien des Fake: Kritik von Original und Falschung, Cologne: DuMont |
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2002 |
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Grosenick, Uta (Ed.). Women Artists in the 20th and 21st Century, Cologne: Taschen |
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2002 |
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Neues Museum Weimar (Ed.) Die Sammlung Paul Maenz, Band III, Zeichnungen, Aquarelle, Collagen und Verwandtes, Ostfildern-Ruit: Hatje Cantz |
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2002 |
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Helmut Kronthaler, ‘Aneignung-Sturtevant Ketchup-Zitat’, Kunstzeitung, Nr.69, May |
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2002 |
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Katchup Grünes, Feuilleton Berliner Zeitung number 60, Mar 12 |
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2002 |
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Ruthe von Ingeborg, ‘Angriff auf die Aura’, Berliner Zeitung Kunst, Mar 8 |
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2002 |
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Katrin Whitneven, “Es grünt so grün, wo tausend dollar blühn,”Der Tagesspiegel |
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2002 |
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Ingeborg Ruthe, ‘Angriff auf die Aura’, Berliner Zeitung, 8 March |
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2002 |
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Thomas Wuffen, ‚Der Verlush des Gleichgewichts’, Frankfurter Allgemeine Zeitung, 24 April |
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2001 |
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‘Sturtevant’, Style, n. 040, May |
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2001 |
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‘Freier Wettbewerb’, Tagespielel Berlin, Mar 21 |
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2001 |
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‘Kunst und Markt’, Tagespiegel, Mar 21 |
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2001 |
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‘Fake Sturtevant Proliterris, Zurich, N. 1 – 2001 Original” ZDF. TV emission |
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2001 |
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Dunja Stacovitz, ‘Sturtevant’, Style 40, May, pp.42-47 |
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2001 |
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Elaine Sturtevant, ‘Fake/Original’, Pro Literris Gazetta (2001), p.98 |
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2001 |
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Trade- Waren, Wege und Werte im Welthandel Heute, Ed. Thomas Seeling, Foto Museum Winterthur, Zurich, Scalo |
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2001 |
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Sturtevant, Elaine, Copy without Origins: Self as Disappearane, Unpublished essay for exhib. at Galerie Thaddaeus Ropac, Paris |
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2001 |
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Ornament und Adstraktion, Ed. Markus Bruderlin and Ernst Beyeler, Fondation Beyeler, Basel |
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2001 |
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Kerstin Stemmel, ‘Schone Neue Welt’, Neue Zuricher Zeitung, 21 June |
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2000 |
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La Petite Interlope, Ecole Regionale des Beaux-Arts de Nantes |
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2000 |
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Copy Right/ Copy Wrong, Ecole Regionale des Beaux-Art de Nantes |
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2000 |
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Prototest and Survive, Whitechapel Art Gallery, London |
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2000 |
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Frohne, Ursula. ‘Das Meisterwerk und sein Double: Sturtevants Rhetorik der Reprise am Beispiel von Beuys’ La Rivoluzione Siamo Noi’, Jenseits der Grenzen: Franzosische und Deutsche Kunst vom Ancien Regime bis zur Gegenwart, Thomas W.Gaehtgens zum 60, Geburtstag, Vol. 3, Dialog der Avantgarden, Cologne: DuMont, pp.271-288 |
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2000 |
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Bruce Hainley, ‘Best of 2002 (Special Issue).’ Artforum International 41, 4 December, pp. 106-130, 128 |
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2000 |
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Rainer Merzger, ‘Attitude und Modernitat. Aspekte des Kanonischen in der Kunst der letzten Jahrzehnte’, Kunstforum International 162, Nov-Dec, p.126 |
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2000 |
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Bruce Hainley, ‘Erase and Rewind’, Frieze, issue 53, Jun-Aug |
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2000 |
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Ursula Frohne, ‘Sturtevant Rhetorik der Reprise am Beispiel von Beuys La Revoluzione Siamo |
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2000 |
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Noi’, Jenseits der Grenzen, Bano III, Dialog der Avantgarden, DuMont, Köln |
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2000 |
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Romer Stefan, ‘Sturtevant’, Texte zur Kunst. Appropriation Now 12, 46, June, pp. 193-197 |
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2000 |
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Dillinger Running Series, Edition’, Text zur Kunst 10, 40, December, pp.104-105 |
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2000 |
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Hainley, Bruce, ‘Erase and Rewind.’ Frieze 53, Jun-Aug 2000, pp.82-87 |
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2000 |
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Johannes Salzwedel, ‘Damo der Echtheit’. Der Spiegel 45, 6 June, p.249 |
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2000 |
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Pricenthal, Nancy, ‘Apropos of Marcel’, Art in America 88, 1, January, p.112 |
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1999 |
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Sturtevant, 1225 Objects a Casino Luxembourg, Forum d’art Contemporain, Luxembourg |
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1998 |
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Sturtevant, Int./Ext. Visibilities. Photographies Recentes, Galerie Thaddaeus Ropac, Paris |
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1996 |
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Sturtevant, Ecole Regionale des Beaux-Arts du Mans, Le Mans |
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1995 |
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Sturtevant, Elaine, Powerful Reversals, Unpublished essay for exhib. at Gallerie Hans Mayer, Dusseldorf |
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1992 |
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Sturtevant, Ed. Tilman Osterworld, Wurttembergischer Kunstverein, Stuttgart |
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1991 |
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Sturtevant, Galerie Thaddaeus Ropac, Paris |
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1990 |
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Sturtevant, Rhona Hoffman Gallery, Chicago |
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1989 |
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Sturtevant, Art’89 Basel, Galerie Six Friedrich, Munich |
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1989 |
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Sturtevant, Works from 25 Years, Galerie Paul Maenz, Cologne |
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1988 |
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Sturtevant, Drawings 1965- 1988, Bess Cutler Gallery, New York |
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1987 |
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Sturtevant, Stux Gallery, New York |
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1973 |
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Studies for Warhol’s Marilyns, Beuys’ Actions and Objects, Duchamps’ etc. Including Film, Ed. Judson Rosebush, Everson Museum of Art, Syracuse, New York |
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1971 |
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Reese Palley Gallery, New York |
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1969 - 1971 |
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Sturtevant, Studies done for Beuys’ Action Objects and Drawings, New York, Paris, Germany |
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