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Biography |
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1964 |
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Born in Cuba |
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1978 - 1980 |
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Liga de Arte de San Juan San Juan, Puerto Rico |
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1982 - 1986 |
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BS, Cornell University Ithaca, NY |
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1986 - 1989 |
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MS, University of California Berkeley, CA |
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1992 - 1994 |
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MFA, University of California Santa Barbara, CA |
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1994 |
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Skowhegan School of Painting and Sculpture Skowhegan, ME |
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Exhibitions |
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2006 |
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Splinter. Return, Greg Kucera Gallery, Seattle |
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2006 |
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Schneebett, Museum der bildenden Kunste Leipzig, Leipzig, Germany |
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2006 |
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Martinez Celaya. Early Work. Whale and Star, Delray Beach, Florida |
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2006 |
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Coming Home, Sheldon Memorial Art Gallery, Univ. of Nebraska, Lincoln, Nebraska |
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2006 |
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ohn Berggruen Gallery, San Francisco, California |
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2005 |
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Works on Paper, Oakland Museum of California, Oakland, California |
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2005 |
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Akira Ikeda Gallery, Berlin, Germany. |
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2005 |
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Brauer Museum of Art, Valparaiso, Indiana |
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2005 |
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Griffin Contemporary, Santa Monica, California. |
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2005 |
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John Berggruen Gallery, San Francisco, California. |
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2004 |
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Schneebett, Berliner Philharmonie, Berlin, Germany. |
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2004 |
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Poetry in Process, CU Art Museum, Boulder, Colorado. |
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2004 |
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Boy, Liverpool Street Gallery, Sydney, Australia. |
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2004 |
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The October Cycle, Ft. Lauderdale Museum of Art |
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2003 |
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John Berggruen Gallery, San Francisco, California |
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2003 |
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Neuberger Museum of Art, Purchase, New York |
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2003 |
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The October Cycle, Sheldon Memorial Art Gallery, Lincoln, Nebraska |
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2002 |
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Massachusetts College of Art, Boston, Massachusetts |
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2002 |
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New Directions in Contemporary Art, Sheldon Memorial Art Gallery, Lincoln, Nebraska |
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2002 |
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Griffin Contemporary |
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2001 |
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Amerika – Europa: Ein künstlerischer Dialog, Von der Heydt-Museum, Wuppertal, Germany |
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2001 |
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The Orange County Museum of Art, Newport Beach, California Enrique Martínez Celaya: 1992-2000, The Contemporary Museum, Honolulu, Hawaii |
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2000 |
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Galería Ramis Barquet, Monterrey, Mexico |
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2000 |
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Next Wave: New Painting in Southern California, California Center for the Arts Escondido, CA |
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2000 |
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Made in California, 1999-2000, Los Angeles County Museum of Art Los Angeles, CA |
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2000 |
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Griffin Contemporary Venice, CA |
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2000 |
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Galería Ramis Barquet New York, NY |
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1999 |
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Andrew Mummery Gallery London, England |
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1999 |
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ARCO, Cutting Edge Madrid, Spain |
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1999 |
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Recent Acquisitions, Los Angeles County Museum of Art Los Angeles, CA |
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1999 |
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Pequeńa Formato 98.99, Museo de las Americas San Juan, Peurto Rico |
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1998 |
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Baldwin Gallery, Aspen, Colorado |
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1998 |
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Galerie T-19 Vienna, Austria |
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1998 |
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Fredric Snitzer Gallery Miami, FL |
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1998 |
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Galerie Bäumler Regensburg, Germany |
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1998 |
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Griffin Contemporary Exhibitions Venice, CA |
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1997 |
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Burnett Miller Gallery Santa Monica, CA |
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1997 |
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Galeria Luigi Marrozzini San Juan, Puerto Rico |
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1997 |
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The Permanent Collection, The Contemporary Museum Honolulu, HI |
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1997 |
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Contemporary Arts Forum Santa Monica, CA |
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1996 |
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Bronx Museum of the Arts, Bronx, New York |
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1996 |
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Rena Bransten Gallery, San Francisco, California |
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Literature |
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2004 |
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Marie Luise Knott, Künstler dieser Ausgabe: E.M. Celaya. Le Monde Diplomatique. November; |
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2004 |
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Turner, Elisa. The Prince of Darkness. The Herald, 7 March:3M, 5M; |
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2004 |
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Damian, Carol. Enrique Martínez Celaya. ArtNexus, No. 53 Vol. 3:129-130; |
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2004 |
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Becker, Lisa Tamiris. Enrique Martínez Celaya: Poetry in Process. Colorado University Art Museum Bulletin, Volume II:1(photo), 3; |
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2004 |
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Rakow, Mary. Looking for a Context for Martínez Celaya’s Work. works + conversation, Number 9:October:14-19; |
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2004 |
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Whittaker, Richard. A Conversation with Enrique Martínez Celaya, Self & Beyond Self. works + conversation, Number 9:October:2-13; |
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2004 |
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Gilbert, James. Enrique Martínez Celaya. Flaunt, No. 54:86-89; |
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2004 |
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Oksenhorn, Stewart. Winter's child. Aspen Times Weekly, 21-22 February; |
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2004 |
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Hassebroek, Ashley. Artist, curator collaborate for exhibition now at Sheldon. Omaha World-Herald, January 12; |
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2004 |
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Turner, Elisa. Critic's Pick. The Herald, 20 February:31; |
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2004 |
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Mclellan, Marian. The Birds. The New Orleans Art Review, March/April:26-29; |
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2003 |
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Genocchio, Benjamin. An Ethereal World, Explored Breath by Breath. New York Times, 14WC; |
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2003 |
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Ollman, Leah. In A Silent Season. Art in America, May:132-113; |
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2003 |
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Douglas, Sarah. Enrique Martínez Celaya: All the Field is Ours. The Art Newspaper, No.140:9; |
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2003 |
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Siedell, Daniel A. The October Cycle, 2000-2002. Pages 13-29 in The October Cycle, 2000-2002. Seattle, Washington: Marquand; |
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2003 |
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McEvilley, Thomas. Martínez Celaya: No Horizon Line. Pages 5-10 in All the field is ours. Santa Monica, California: Griffin Contemporary; |
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2003 |
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Rosenberg, Jeremy. Griffin On the Move. Art and Auction, November:161; Exhibition Highlights of the Coming Season, Art in America, August; |
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2003 |
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Scott, Carolyn Patricia. A colorful new Martínez Celaya. Los Angeles Times, 18 November:E60; |
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2003 |
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Wolgamott, L. Kent. Top 10 art shows of 2003. Lincoln Journal Star, 28 December. |
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2002 |
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Leah Ollman, 'Primal Emotions Evoked in Black,' Los Angeles Times, November 1, p. E27 |
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2002 |
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Guide, Whale and Star and William Griffin Editions, Los Angeles, California |
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2002 |
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Sketches of Landscapes: Philosophical Explorations, Whale and Star Press, Los Angeles, California |
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2001 |
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Carl Heyward, Art Papers, May/June, p. 53 |
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2001 |
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Tom Breidenbach, Art Forum, February, p. 15 |
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2001 |
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October, Cinubia, Amsterdam, The Netherlands |
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2001 |
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Leah Ollman, 'Insight Within Arm’s Reach,' Los Angeles Times, November 26, p. F2 |
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2001 |
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Peter Kirby, Enrique Martínez Celaya: Studio Days, (video) Media Art Services, Venice, California |
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2001 |
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Abigail Solomon-Godeau, Charles Merewether, Howard Fox, Jay Jensen (ed), Enrique Martínez Celaya 1992-2000, Wienand, Cologne, Germany |
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2000 |
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Collette Chattopadhyay, 'Enrique Martínez Celaya at Griffin Contemporary,' Art Week, July/August, pp20-21 |
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2000 |
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Eva Forgacs, Art Issues, January/February, p. 49 |
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2000 |
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Christopher Knight, 'Catching the 'Next Wave' of Painters,' Los Angeles Times, June 20 |
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2000 |
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Leah Ollman, 'Poetry in Pictures,' Los Angeles Times, May 26, p. F-21 |
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1999 |
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Leah Ollman, 'Enrique Martínez Celaya at Griffin Contemporary Exhibitions,' Art in America, May, p. 166 |
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1999 |
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Walter Browning, 'Terminal Thoughts,' Hampstead and Highgate Express, November 5 |
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1999 |
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Anne Trueblood Brodzky, Unbroken Poetry: The Work of Enrique Martínez Celaya,Whale and Star Press, Los Angeles, California |
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1999 |
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Peter Frank, ArtNews, February, p. 123 |
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1998 |
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Abigail Solomon-Godeau, Peter Frank and M.A. Greenstein, Berlin, The Fragility of Nearness, Griffin Contemporary, Venice, California |
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