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Galerie Trabant Home Artists Art Fairs Inventory Gallery Info

Julius Shulman    (American, 1910-2009)

 Julius Shulman - Albert Frey, Frey House, Palm Springs, California (Photographs) h: 75 x w: 60 cm / h: 29.5 x w: 23.6 in
Julius Shulman
Albert Frey, Frey House, Palm Springs, California
 
 Julius Shulman - Albert Frey, Loewy House, Palm Springs California (Photographs) h: 60 x w: 75 cm / h: 23.6 x w: 29.5 in
Julius Shulman
Albert Frey, Loewy House, Palm Springs California
 
 Julius Shulman - Charles Eames, Case Study House #8, Pacific Palisades, California (Photographs) h: 60 x w: 75 cm / h: 23.6 x w: 29.5 in
Julius Shulman
Charles Eames, Case Study House #8, Pacific Palisades, California
 
 Julius Shulman - Conrad Buff/Calvin Straub/Donald Hensman, Case Study House #20, Altadena, California (Photographs) h: 75 x w: 60 cm / h: 29.5 x w: 23.6 in
Julius Shulman
Conrad Buff/Calvin Straub/Donald Hensman, Case Study House #20, Altadena, California
 
 Julius Shulman - Frank Lloyd Wright, Freeman House, Los Angeles, California (Photographs) h: 60 x w: 75 cm / h: 23.6 x w: 29.5 in
Julius Shulman
Frank Lloyd Wright, Freeman House, Los Angeles, California
 
 Julius Shulman - John Lautner, Arango House, Acapulco, Mexico (Photographs) h: 75 x w: 60 cm / h: 29.5 x w: 23.6 in
Julius Shulman
John Lautner, Arango House, Acapulco, Mexico
 
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Biography
American photographer Julius Shulman's images of Californian architecture have burned themselves into the retina of the 20th century. A book on modern architecture without Julius Shulman is inconceivable. Some of his architectural photographs, like the iconic shots of Frank Lloyd Wright's or Pierre Koenig's remarkable structures, have been published countless times. The brilliance of buildings like those by Charles Eames, as well as those of his close friend, Richard Neutra, was first brought to light by Julius Shulman's photography.
The clarity of his work demanded that architectural photography had to be considered as an independent art form. Each Julius Shulman image unites perception and understanding for the buildings and their place in the landscape. The precise compositions reveal not just the architectural ideas behind a building's surface, but also the visions and hopes of an entire age. A sense of humanity is always present in his work, even when the human figure is absent from the actual photographs.

Exhibitions
2009 "Time & Place: Los Angeles, 1958-1968", Kunsthaus Zürich, Switzerland
2008 "Time & Place: Los Angeles, 1958-1968", Moderna Museet, Stockholm, Sweden
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