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Jimi Dams (1968)
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Jimi Dams
'hello' 1994
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Biography |
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1968 |
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Born, Mortsel, Belgium |
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Lives New York, NY |
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Exhibitions |
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2003 |
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‘Phantom Of Desire’, Neue Galerie Am Landesmuseum, Graz. Austria (catalogue) |
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2003 |
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‘The Armory Show’, Torch, New York, USA (catalogue) |
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2003 |
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‘Voorbij de grens’, De Brakke Grond, Amsterdam, The Netherlands |
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2003 |
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‘Killing Time’, Gallery S&H De Buck, Ghent, Belgium |
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2002 |
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‘Guide to Trust no.2’, Yerba Buena Center for the Arts, San Francisco, CA, USA (catalogue) |
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2002 |
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‘Look At Me, What Do You See?’, Gracie Mansion Gallery, New York, NY, USA |
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2002 |
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‘Snapshot’, the Aldrich Museum of Contemporary Art, CN, USA (catalogue/CD-rom) |
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2002 |
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‘Gardening With Artists II’, W#AK, Vlissingen, The Netherlands |
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2001 |
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‘Not a. Lear’, Allston Skirt, Boston, MA, USA |
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2001 |
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‘Not a. Lear’, Gracie Mansion Gallery, New York, NY, USA |
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2001 |
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‘What Did You Do This Summer’, Allston Skirt, Boston, MA, USA |
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2001 |
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‘Snapshot’, Beaver College Art Gallery, Glenside, PA, USA; curated by Adam Lerner (catalogue/CD-rom) |
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2001 |
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‘Blondies and Brownies’, Aktionsforum, Munich, Germany; curated by Rafael von Uslar (catalogue) |
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2001 |
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‘Snapshot’, Contemporary Museum, Baltimore, USA (catalogue/CD-rom) |
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2001 |
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‘Melancholia’, Gallery S&H DeBuck, Ghent, Belgium (brochure) |
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2001 |
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‘Surrender. I wanna give you devotion, Nimm hin es ist mein Geist und Sinn’, Aeroplastics Contemporary Gallery, Brussels, Belgium (brochure) |
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2001 |
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‘Not A. Lear’, Art Process, Paris, France |
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2001 |
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‘It Rains Even Harder Now’, Gracie Mansion Gallery, New York, NY, USA |
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2000 |
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‘Not A. Lear’, Torch Amsterdam, The Netherlands |
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2000 |
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Art Miami 2000, Gracie Mansion NYC |
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2000 |
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‘3ness’, Museum Dhondt-Dhaenens, Ghent, Belgium (catalogue) |
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2000 |
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‘City Projects’ Artomatic+, London, Great Britain |
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2000 |
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‘City Projects’, Torch, Amsterdam, The Netherlands |
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1999 |
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The New Museum NYC |
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1997 |
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Galerie Sanguine Paris, France |
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1995 |
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, Galerie S & H De Buck Ghent, Belgium |
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1993 |
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Galerie OZ Paris, France |
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1993 |
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Galerie Parbleu Antwerpen, Belgium |
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1992 |
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Galerie S8 Berlin, Germany |
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1988 |
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Tels Quels Brussels, Belgium |
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1987 |
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Harrods London, U.K. |
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1986 |
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Jordaenshuis Antwerpen, Belgium |
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Literature |
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Fiers, Els, ‘Jimi Dams, Killing Time’, Knack, 15 January 2003; p.85 |
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Wyffels, Pieter, ‘Killing Time’, ZIZO, issue nr. 56, January/February 2003; p.49 |
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Charley01, art project magazine; curated by Maurizio Cattalan, September 2002 |
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Kaufman, Hayley, “Glam Not Gone”, The Boston Globe, 2 November 2001; p.C2 |
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Cotter, Holland, “Not a. Lear”, The New York Times, 12 October 2001; p.E37 |
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McCormick, Carlo, “Jimi Dams Masters the Art of Anguish”, Paper, May 2001; p.38 |
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Levin, Kim, “Voice Choices”, The Village Voice, 23 May 2001 |
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Wehr, Anne, “Art”, Time Out New York, 3 May 2001 |
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Van Keymeulen, Karel, “Amanda Lear zweeft tussen Dada en Dali”, De Gentenaar, April 2001 |
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Verhoeven, Hans, “Not a. Lear”, Bonanza, April 2001 |
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Shave, Stuart; Alemany Eloise; Mair , Avril; “You Must Curate”, i-D (the gallery issue), April, p. 204-205 |
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Fröhlich, Tina, Review: Blondies and Brownies: weiß weiß bin auch ich, Artechock Magazin, 21 March, p. 1-2 (reproduction of art work) |
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Ivy, Angus, “ANP”, Zingmagazine, spring 2001, p. 209-212 |
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Carlier, Sico, “François-Xavier Courrèges”, Butt, spring 2001, p.60-65 |
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Ryan, Julie, “The Paris Alternative”, ArtNet, 22 March 2001 (reproduction of art work) |
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