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Biography |
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1963 |
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Born in Hong Kong |
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1983 - 1984 |
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Croydon College of Art, London |
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1984 - 1987 |
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Goldsmiths College, London |
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1991 |
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Shortlisted for the Turner Prize, Tate Britain, London |
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1993 |
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Shortlisted for the Eliette von Karajan Prize for the Young Painters, Austria |
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2002 |
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Tate Modern Restaurant Commission, Shadowland, June 28 |
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2002 |
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Elected to Royal Academy, London |
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2003 |
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BBC Commission, Signal, installation for Art Site, BBC Broadcasting |
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2003 |
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House Public Art Programme, London, July 1–November 5 |
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2005 |
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Master Artist in Residence at Atlantic Center for the Arts, New Smyrna Beach, Florida |
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2005 |
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Appointed Tate Artist Trustee, London |
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2007 |
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Shortlisted for the Charles Wollaston Award at the Royal Academy Summer Exhibition |
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Lives and works in London |
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Selected Public Collections |
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Arts Council of Great Britain |
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Astrup Fearnley Museum of Modern Art, Oslo |
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Birmingham Museum and Art Gallery, England |
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British Council, London |
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Calouste Gulbenkian Foundation, Lisbon |
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Carré d’Art - Musée d’art contemporain, Nîmes |
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Contemporary Art Society, London |
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Corcoran Gallery of Art, Washington, D.C. |
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The Essl Collection, Klosterneuburg, Austria |
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Fondation - Musée d’Art Moderne Grand-Duc Jean, Luxembourg |
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Fonds National d'Art Contemporain (FNAC), Paris |
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Fonds Régional d'Art Contemporain d'Ile de France |
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Fonds Régional d'Art Contemporain d’Auvergne, Clermont-Ferrand |
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Fundació ‘la Caixa’, Barcelona |
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Government Art Collection, London |
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Hamburger Bahnhof - Museum für Gegenwart, Berlin SMPK. Marx Collection |
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Musée Départemental de Rochechouart, Haute-Vienne, France |
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Museum Morsbroich, Leverkusen, Germany |
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Museum of Modern Art, Sintra, Portugal. Berardo Collection |
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Sammlung Essl, Klosterneuburg, Germany |
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Southampton City Art Gallery, England |
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Stuyvesant Foundation, Amsterdam |
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Tate Collection, London |
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Walker Art Gallery, Liverpool |
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Exhibitions |
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2009 |
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Classified: Contemporary British Art from Tate Collection, Tate Britain, London |
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2009 |
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Une Place au Soleil, Galerie Nathalie Obadia, Paris |
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2009 |
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Antes de Ayer y Pasado Mañana; o lo que Puede ser Pintura Hoy, MACUF: Museo de Arte Contemporaneo Union Fenosa, La Coruna |
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2009 |
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Plastic Culture: Legacies of Pop 1986 - 2008, Harris Museum and Art Gallery, Preston; The Exchange, Penzance (cat.) |
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2009 |
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Ventriloquist, Timothy Taylor Gallery, London |
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2009 |
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Splash the Stuff Down: Painting and Revelation, Leeds City Art Gallery, Leeds |
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2009 |
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As I Run and Run, Happiness comes closer, Gallerie Nathalie Obadia, Paris (solo) |
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2008 |
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Fiona Rae, Timothy Taylor Gallery, London, (Catalogue; text by Matthew Collings) (solo) |
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2008 |
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Freeze 20, The Hospital Club, London, UK |
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2008 |
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Paixons Privadas, Visions Publicas, Vigo: Museo de Arte Contemporanea de Vigo, Spain |
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2008 |
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Summer Show, Timothy Taylor Gallery, London, UK |
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2008 |
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Group Show, Gallerie Nathalie Obadiam Brussels |
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2007 |
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Twilight Musings, One in the Other, London |
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2007 |
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100 Jahre Kunsthalle Mannheim, Kunsthalle Mannheim, Germany |
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2007 |
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The 239th Royal Academy of Arts Summer Exhibition, Royal Academy, London, (Catalogue) |
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2007 |
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De leur temps (2) Art contemporain & collections privées en France, Musée de Grenoble, France, (Catalogue) |
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2006 - 2007 |
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Pictograms: The Loneliness of Signs, Kunstmuseum Stuttgart, Germany, (Catalogue) |
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2006 |
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Fiona Rae: You are the Young and the Hopeless, PaceWildenstein, New York, (Catalogue; text by Dave Hickey) (solo) |
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2006 |
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Fiction @ Love / Forever Young Land, Museum of Contemporary Art, Shanghai, January 7–March 5, 2006. Concurrent with Fiction @ Love / Twinkling Stars, Bund 18 Creative Center, Shanghai, January 7–February 17, 2006. Traveled as: Fiction @ Love / Ultra New Vision of Contemporary Art, Singapore Art Museum, (Catalogue; texts by Victoria Lu, Lim Qinyi and Kim Sunhee) |
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2006 |
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Full House: Faces of a Collection, Kunsthalle Mannheim, Germany |
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2006 |
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Hot Spring … In Autumn, Galerie Krinzinger, Vienna |
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2006 |
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VIP III: Arena der Abstraktion, Museum Morsbroich, Leverkusen, Germany |
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2005 - 2006 |
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Revelation: Reflecting British Art in the Arts Council Collection, Laing Art Gallery, Newcastle upon Tyne, United Kingdom |
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2005 |
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Lorie Peters Lauthier Collects, Leonard Pearlstein Gallery, College of Media Arts and Design, Drexel University Gallery, Philadelphia |
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2005 |
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Colours and Trips, Künstlerhaus Palais Thurn and Taxis, Bregenz, Austria, January 15–February 13, 2005. Traveled to: Museum der Stadt Ratingen, (Catalogue; text by Oliver Zybok) |
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2005 |
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Blumenstück, Künstlers Glück: vom Paradiesgärtlein zur Prilblume, Museum Morsbroich, Leverkusen, Germany, May 22–August 28 (Catalogue; texts by Gerhard Finck et al.) |
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2005 |
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Ordering the Ordinary, Timothy Taylor Gallery, London |
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2005 |
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Baroque and Neo-Baroque/“The Hell of the Beautiful,” Domus Atrium 02 (DA2), Fundación Salamanca Ciudad de Cultura, Spain, (Catalogue) |
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2005 |
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Fiona Rae: Grotto, Buchmann Galerie, Cologne, (Catalogue; text by Ralf Christofori) (solo) |
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2004 - 2005 |
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Direct Painting – Neue Kunsthalle IV, Kunsthalle Mannheim, Germany |
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2004 - 2005 |
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Le Syndrome de Babylone, Centre d'Art Contemporain de la Villa du Parc, Annemasse, France |
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2004 |
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Fiona Rae: Swag, Galerie Nathalie Obadia, Paris (Catalogue; text by Morgan Falconer) (solo) |
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2004 |
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Paranormal, Aeroplastics Contemporary, Brussels |
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2004 |
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Summer Eyes/Summarize, Jan Weiner, Kansas City |
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2003 |
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Talking Pieces: text und bild in der neuen kunst, Museum Morsbroich, Leverkusen, Germany, (Catalogue; text by Ute Riese) |
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2003 |
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Painting Pictures: Painting and Media in the Digital Age, Kunstmuseum Wolfsburg, Germany, (Catalogue; texts by Annelie Lütgens, Frank Reijnders, Walter Seitter et al) |
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2003 |
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Paintings: Arturo Herrera, Dennis Hollingsworth, Fiona Rae, Juan Uslé, Buchmann Galerie, Cologne |
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2003 |
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A Bigger Splash: British Art from Tate 1960–2003, Pavilhão Lucas Nogueira Garcez, São Paulo, Brazil, (Catalogue) |
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2003 |
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New Abstract Painting/Painting Abstract Now, Museum Morsbroich, Leverkusen, Germany, (Catalogue; text by Ute Riese) |
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2003 |
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Fiona Rae: Hong Kong Garden, Timothy Taylor Gallery, London, (Catalogue; text by Jennifer Higgie) (solo) |
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2002 - 2003 |
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Fiona Rae, Carré d’Art, Musée d’Art Contemporain, Nîmes, France, (Catalogue; texts by Jean-Pierre Criqui and Simon Wallis; interview by Simon Wallis) (solo) |
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2001 |
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Fiona Rae: New Paintings, Galerie Bob van Orsouw, Zurich (solo) |
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2001 |
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Künsterlerräume / Sammlerräume, Kunstverein St Gallen im Kunstmuseum, Switzerland |
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2001 |
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Hybrids: International Contemporary Painting, Tate Liverpool, (Catalogue; text by Simon Wallis) |
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2000 |
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Zeitgenossen/Contemporaries: Malerei/Paintings, Galerie Edition Kunsthandel, Essen, Germany |
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2000 |
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Europe: Different Perspectives in Painting/Europa: Differenti Prospettive nella Pittura, Museo Michetti, Palazzo San Domenico, Francavilla al Mare, Italy, (Catalogue) |
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2000 |
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Aspectos de la Coleccion, Coleccion de Arte Contemporaneo, Fundación ‘La Caixa’, Madrid |
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2000 |
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Fiona Rae, Buchmann Galerie, Cologne (solo) |
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2000 |
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Fiona Rae, Galerie Nathalie Obadia, Paris (solo) |
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2000 |
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Fiona Rae, fig-1, London, (Catalogue; edited by Mark Francis, Cristina Colomar and Christabel Stewart; interview by Mark Francis) (solo) |
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1999 - 2000 |
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Colour Me Blind! Painting in the Age of Computer Games and Comics, Württembergischer Kunstverein, Stuttgart, November 13, 1999–January 16, 2000. Traveled to: Städtische Ausstellungshalle am Hawerkamp, Muenster, February 20–April 9, 2000; Dundee Contemporary Arts, Scotland, (Catalogue; text by Ralf Christofori) |
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1999 - 2000 |
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‘45-99: A Personal View of British Painting and Sculpture, Kettle’s Yard Gallery, Cambridge, November 13–January 9, 2000. Traveled to: The City Gallery, Leicester, (Catalogue; text by Bryan Robertson) |
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1997 - 2000 |
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Sensation: Young British Artists from The Saatchi Collection, Royal Academy of Arts, London, September 18–December 28, 1997. Traveled to: Hamburger Bahnhof - Museum für Gegenwart, Berlin, September 30, 1998–January 17, 1999; Brooklyn Museum of Art, New York, October 2, 1999–January 9, 2000. (Catalogue; texts by Brooks Adams, Norman Rosenthal, Richard Shone, Martin Maloney and Lisa Jardine) |
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1999 |
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Reconciliations: Elizabeth Cooper, Stephen Davis, Fiona Rae, Juan Uslé, DC Moore Gallery, New York, (Catalogue; text by Jeffrey Hoffeld). |
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1999 |
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Fiona Rae, Kohji Ogura Gallery, Nagoya, Japan, (Catalogue; text by Michael Tarantino) (solo) |
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1999 |
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Fiona Rae, Luhring Augustine Gallery, New York (solo) |
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1998 |
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UK Maximum Diversity, Galerie Krinzinger in der Benger Fabrik, Bregenz, Vienna, July 15–August 16, 1998. Traveled to: Atelierhaus der Akademie der bildenden Künste, Vienna, (Catalogue) |
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1998 |
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Up to 2000, Southampton City Art Gallery, United Kingdom |
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1998 |
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Inaugural Exhibition, Luhring Augustine Gallery, New York |
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1997 - 1998 |
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Reset: Works of the Marx Collection, Hamburger Bahnhof, Museum of Contemporary Art, Berlin |
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1996 - 1998 |
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About Vision: New British Painting in the 1990s, Museum of Modern Art, Oxford, November 10, 1996–February 23, 1997. Traveled to: The Fruitmarket Gallery, Edinburgh, April 12–May 31, 1997; The Wolsey Art Gallery, Christchurch Mansion, Ipswich, September 6–October 19, 1997; Laing Art Gallery, Newcastle-upon-Tyne. (Catalogue; includes artist statement) |
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1997 |
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Fiona Rae (with Gary Hume), The Saatchi Gallery, London (Catalogue; text by Sarah Kent) (solo) |
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1997 |
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Fiona Rae: New Paintings, The British School at Rome (solo) |
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1997 |
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Fiona Rae, Luhring Augustine Gallery, New York (solo) |
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1997 |
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Treasure Island, Calouste Gulbenkian Foundation, Lisbon, Portugal, (Catalogue) |
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1997 |
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Ian Davenport, Michael Craig-Martin, Zebedee Jones, Michael Landy, Fiona Rae, Waddington Galleries, London |
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1997 |
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Paintings and Sculpture, Luhring Augustine Gallery, New York |
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1996 |
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Fiona Rae, Contemporary Fine Arts, Berlin, (Catalogue; text by Richard Shone; interview with Daniel Richter) (solo) |
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1996 |
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Nuevas Abstracciones, Museo Nacional Centro de Arte Reina Sofía, Palacio de Velázquez, Madrid, April 25–June 23. Traveled to: Kunsthalle Bielefeld, Germany, July 2–September 8; Museu d'Art Contemporani, Barcelona, (Catalogue; texts by Enrique Juncosa, Arthur C. Danto and Demetrio Paparoni) |
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1995 |
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Repicturing Abstraction: The Abducted Image, Marsh Art Gallery, University of Virginia, Richmond, January 20–February 26, 1995. (Catalogue; texts by Arthur C. Danto, Richard Waller, H. Ashley Kistler, Chris Gregson and Steven S. High.) |
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1995 |
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From Here, Waddington Galleries and Karsten Schubert, London, (Catalogue; text by Andrew Wilson) |
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1995 |
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Malerei. Sechs Bilder - Sechs Positionen/Painting. Six Pictures - Six Attitudes, Galerie Bugdahn und Kaimer, Düsseldorf |
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1995 |
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Des limites du tableau: les possibles de la peinture, Musée Départemental de Rochechouart, Haute-Vienne, France, (Catalogue; texts by Jean-Marc Prévost and Ann Hindry) |
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1995 |
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Fiona Rae, Waddington Galleries, London, (Catalogue; text by Richard Shone) (solo) |
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1992 - 1995 |
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New Voices: Recent Paintings From the British Council Collection, Centre de Conference Albert Borschette, Brussels. Traveled to: Musée National d'Histoire et d'Art, Luxembourg and throughout Europe 1995. (Catalogue) |
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1994 |
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Fiona Rae, John Good Gallery, New York, (Catalogue; text by Emma Dexter) (solo) |
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1994 |
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Fiona Rae, Galerie Nathalie Obadia, Paris, France (solo) |
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1994 |
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Unbound: Possibilities in Painting, Hayward Gallery, London (Catalogue; text by Adrian Searle) |
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1994 |
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Chance, Choice and Irony, Todd Gallery, London. Traveled to: John Hansard Gallery, The University, Southampton, United Kingdom, (Catalogue; text by Tony Godfrey et al) |
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1994 |
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Here and Now, Serpentine Gallery, London |
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1994 |
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New Painting From the Arts Council Collection, Gallery Oriel, Dublin, July 16–August 14 |
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1993 - 1994 |
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Fiona Rae, Institute of Contemporary Arts, London, December 17 –February 6 (Brochure; text by Emma Dexter) (solo) |
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1993 - 1994 |
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Hardcore (the first part), Factual Nonsense, London, November 26 –January 29 |
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1993 - 1994 |
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A Decade of Collecting: Patrons of New Art Gifts 1983–1993, Tate Gallery, London, December 13 –January 18 (Catalogue) |
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1993 |
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Moving into View; Recent British Painting, Work from the Arts Council Collection, Royal Festival Hall, London, April 6–May 23. Traveled throughout the United Kingdom. |
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1993 |
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Nancy Haynes, James Hyde, Walter Obholzer, Fiona Rae, David Row, Karin Sander, Juan Uslé Leslie Wayne, John Good Gallery, New York, June – July |
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1993 |
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Color, Pamela Auchincloss Gallery, New York |
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1992 |
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Play Between Fear and Desire, Germans van Eck Gallery, New York |
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1992 |
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Fiona Rae, Kunsthalle Basel, (Catalogue; text by Thomas Kellein) (solo) |
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1991 - 1992 |
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John Moores Liverpool Exhibition Seventeen, Walker Art Gallery, Liverpool, (Catalogue) |
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1991 - 1992 |
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The Contemporary Art Society: Eighty Years of Collecting, The Hayward Gallery, London, December 3 –January 19. Traveled to: Maclaurin Art Gallery, Ayr, Scotland, February 1–March 14; Bristol City Museum and Art Gallery; Walker Art Gallery, Liverpool, Catalogue; texts by Judith Collins et al.) |
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1991 |
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Who Framed Modern Art or the Quantitative Life of Roger Rabbit, Sidney Janis Gallery, New York, (Catalogue; texts by Tricia Collins and Richard Milazzo) |
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1991 |
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Fiona Rae, Waddington Galleries, London, (Catalogue; essay by Stuart Morgan) (solo) |
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1991 |
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British Art from 1930, Waddington Galleries, London, (Catalogue) |
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1991 |
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Invitational, Tony Shafrazi Gallery, New York |
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1991 |
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A View of London, Salzburger Kunstverein, Salzburg, (Catalogue; text by Michael Archer) |
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1991 |
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Abstraction, Waddington Galleries, London |
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1991 |
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La Metafisica della Luce, John Good Gallery, New York, (Catalogue; text by Demetrio Paparoni) |
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1991 |
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Turner Prize Exhibition 1991, Tate Gallery, London, (Catalogue; text by Sean Rainbird) |
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1990 |
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Fiona Rae, Third Eye Centre (now Centre for Contemporary Art), Glasgow, (Artist book) (solo) |
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1990 |
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Fiona Rae, Pierre Bernard Gallery, Nice, France (solo) |
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1990 |
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The British Art Show 1990, organized by Caroline Collier. McLellan Galleries, Glasgow, January 24–March 11. Traveled to: Leeds City Art Gallery; Hayward Gallery, London, (Catalogue; texts by Caroline Collier, Andrew Nairne and David Ward; includes artist statement) |
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1990 |
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Aperto, 44th Biennale di Venezia, Venice, (Catalogue) |
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1990 |
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Voorwerk 1, Witte de With, Center for Contemporary Art, Rotterdam, the Netherlands, (Artist box) |
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1990 |
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Rudolf Fila, Tim Head, Alain Miller, Fiona Rae, Anthony Wilson, Anthony Reynolds Gallery, London |
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1989 |
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New Year, New Talent ’89, Anderson O'Day Gallery, London |
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1988 |
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Promises, promises, organized by the Serpentine Gallery, London. Traveled to: L’École de Nîmes, France, Catalogue; text by Adrian Searle) |
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1988 |
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Freeze, Surrey Docks, London, (Catalogue; text by Ian Jeffrey) |
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Literature |
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2008 |
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Paixons Privadas, Visions Publicas, (exhibition catalogue) Vigo: Museo de Arte Contemporanea de Vigo |
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2008 |
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Fiona Rae, text by Matthew Collings, London: Timothy Taylor Gallery |
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2008 |
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History in the Making: A Retrospective of the Turner Prize, text by Kondo Kenichi, Japan: Mori Art Museum |
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2007 |
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Blume, Eugene & Husch, Anette, eds., Reset: Werke aus der Sammlung Marx, Berlin: Hamburger Bahnhof - Museum für Gegenwart |
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2007 |
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Button, Virginia, The Turner Prize. Revised Edition, London: Tate Publishing |
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2007 |
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Roe, Sonia, ed. Oil Paintings in Public Ownership in the Government Art Collection, London: The Public Catalogue Foundation |
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2007 |
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De leur temps (2) Art contemporain & collections privées en France (exhibition catalogue). Grenoble: Musée de Grenoble |
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2007 |
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Montagu, Jemima, ed. Open Space: Art in the Public Realm in London 1995–2005. London: Arts Council England and Central London Partnership |
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2007 |
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Woodrow, Bill, ed. Royal Academy Illustrated 2007 (exhibition catalogue). London: Royal Academy of Arts: 37, illustrated. |
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2006 |
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Fiction @ Love (exhibition catalogue). Texts by Victoria Lu, Lim Qinyi and Kim Sunhee. Shanghai and Singapore: Museum of Contemporary Art; Singapore Art Museum |
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2006 |
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Morris, Frances, ed. Tate Modern: The Handbook. Texts by Michael Craig-Martin, Andrew Marr and Sheena Wagstaff. London: Tate Publishing |
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2006 |
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New Art on View. London: Scala Publishers, Ltd. |
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2006 |
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Piktogramme: Die Einsamkeit der Zeichen / Pictograms: The Loneliness of Signs (exhibition catalogue). Texts by Marion Ackermann, Pirkko Rathgeber, Theodora Vischer, Hadwig Goez, Cara Schweitzer, Daniela Stöppel, Wolf Tegethoff, Ulrich Wilmes, Georges, Didi-Huberman, Tanja Zimmermann. Munich and Berlin: Deutscher Kunstverlag |
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2006 |
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Richer, Francesca and Matthew Rosenzweig, eds. No. 1: First Works by 362 Artists. New York: D.A.P./Distributed Arts Publishers, Inc.: 304, illustrated. |
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2006 |
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Fiona Rae: You are the Young and the Hopeless (exhibition catalogue). Text by Dave Hickey. New York: PaceWildenstein |
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2005 |
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Baroque and Neobaroque: The Hell of the Beautiful (exhibition catalogue). Salamanca, Spain: DA2 Domus Atrium |
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2005 |
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Blumenstück Künstlers Glück, Vom Paradiesgärtlein zur Prilblume (exhibition catalogue). Texts by Gerhard Finck, Gerhard Graulich, Alexandra Kolossa, Julia Lenz, Ute Riese. Leverkusen, Germany: Museum Morsbroich |
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2005 |
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Colours and Trips (exhibition catalogue). Text by Oliver Zybok. Bregenz: Kunstlerhaus Palais Thurn and Taxis |
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2005 |
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Fiona Rae: Grotto (exhibition catalogue). Text by Ralf Christofori. Cologne: Buchmann Galerie |
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2004 |
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Fiona Rae: Swag (exhibition catalogue). Text by Morgan Falconer. Paris: Galerie Nathalie Obadia |
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2004 |
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Tate Women Artists. Text by Alicia Foster. London: Tate Gallery Publishing: 237, illustrated |
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2003 |
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A Bigger Splash: Arte Britânica da Tate 1960–2003 (exhibition catalogue). São Paulo: Connects Cultura |
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2003 |
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Art at Regent’s Place. Text by Andrea Schlieker. London: The British Land Company |
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2003 |
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Eliasch, Amanda. British Artists At Work. Texts by Gemma de Cruz, Kay Hartenstein-Saatchi and Martin Maloney. New York: Assouline Publishing |
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2003 |
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Fiona Rae: Hong Kong Garden (exhibition catalogue). Text by Jennifer Higgie. London: Timothy Taylor Gallery |
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2003 |
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New Abstract Painting/Painting Abstract Now (exhibition catalogue). Text by Ute Riese. Leverkusen, Germany: Museum Morsbroich |
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2003 |
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Painting Pictures: Painting and Media in the Digital Age (exhibition catalogue). Texts by Annelie Lütgens, Frank Reijnders, Walter Seitter, Knut Ebeling, Ludwig Seyfarth, Raimar Stange, Wolf Jahn, Holger Broeker. Bielefeld: Kerber Verlag |
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2003 |
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Talking Pieces: text und bild in der neuen kunst (exhibition catalogue). Text by Ute Riese. Leverkusen, Germany: Museum Morsbroich |
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2002 |
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Adams, Dennis. Acquisitions 1992–2001. [Rochechouart]: Musée départemental d'art contemporain de Rochechouart |
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2002 |
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Fiona Rae (exhibition catalogue). Texts by Jean-Pierre Criqui and Simon Wallis. Interview by Simon Wallis. Nîmes, France: Carré d’Art–Musée d’Art Contemporain |
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2001 |
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de Corral, Maria and Josep Vilarasau ed. Catalogo E La Colleccion De Arte Contemporaneo Fundación ‘La Caixa’. Barcelona: Fundación ‘La Caixa’ De Pensiones |
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2001 |
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Francis, Mark, Cristina Colomar and Christabel Stewart, eds. Fig-1: 50 Projects in 50 Weeks (exhibition catalogue). Interview by Mark Francis. London: fig-1 2000 Ltd. and Spafax Publishing |
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2001 |
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Hybrids: International Contemporary Painting (exhibition catalogue). Text by Simon Wallis. Liverpool: Tate |
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2000 |
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Europe: Different Perspectives in Paintings (exhibition catalogue). Francavilla al Mare, Italy: Museo Michetti |
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2000 |
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Sinclair, Nicholas. Portraits of Artists. Text by Ian Jeffrey and Nicholas Sinclair in conversation with Robin Dance. Aldershot, Hampshire: Lund Humphries |
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1999 |
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'45–99: A Personal View of British Painting and Sculpture (exhibition catalogue). Text by Bryan Robertson. Cambridge: Kettle’s Yard Gallery |
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1999 |
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Artists. Photographs by Gautier Deblonde. Text by Mel Gooding. London: Tate Gallery Publishing, Ltd. |
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1999 |
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Color Me Blind! Painting in the Age of Computer Games and Comics (exhibition catalogue). Text by Ralf Christofori. Stuttgart: Württembergischer Kunstverein |
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1999 |
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Fiona Rae (exhibition catalogue). Text by Michael Tarantino. Nagoya, Japan: Kohji Ogura Gallery |
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1999 |
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Reconciliations: Elizabeth Cooper, Stephen Davis, Fiona Rae, Juan Uslé (exhibition catalogue). Text by Jeffrey Hoffeld. New York: DC Moore Gallery |
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1999 |
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Reconciliations: Elizabeth Cooper, Stephen Davis, Fiona Rae, Juan Uslé (exhibition catalogue). Text by Jeffrey Hoffeld. New York: DC Moore Gallery |
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1999 |
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Stallabrass, Julian. High Art Lite: British Art in the 1990s. London and New York: Verso |
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1998 |
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Muller, Brian, ed. UK Maximum Diversity (exhibition catalogue). Austria: Galerie Krinzinger |
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1997 |
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Buck, Louisa. Moving Targets: A User’s Guide to British Art Now. London: Tate Gallery Publishing |
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1997 |
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Button, Virginia. The Turner Prize. London: Tate Gallery Publishing |
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1997 |
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Collings, Matthew. Blimey! From Bohemia to Britpop, the London Artworld from Francis Bacon to Damien Hirst. Cambridge, United Kingdom: 21 Publishing |
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1997 |
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Confrontation (exhibition catalogue). Paris: Galerie Nathalie Obadia |
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1997 |
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Fiona Rae/Gary Hume (exhibition catalogue). Texts by Sarah Kent. London: Saatchi Gallery |
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1997 |
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Sensation: Young British Artists from The Saatchi Collection (exhibition catalogue). Texts by Brooks Adams, Norman Rosenthal, Richard Shone, Martin Maloney and Lisa Jardine. London: Thames and Hudson in association with the Royal Academy of Arts |
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1997 |
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Shand Kydd, Johnnie. Spit Fire: Photographs from the Art World, London, 1996/7. London and New York: Thames and Hudson; Violette Editions |
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1997 |
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Treasure Island (exhibition catalogue). Lisbon: Fundação Calouste Gulbenkian |
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1996 |
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About Vision: New British Painting in the 1990s (exhibition catalogue). Includes artist statement. Oxford: Museum of Modern Art |
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1996 |
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Díaz de Rábago, Belén, ed. Nuevas Abstracciones (exhibition catalogue). Texts by Enrique Juncosa, Arthur C. Danto and Demetrio Paparoni. Madrid and Barcelona: Museo Nacional Centro de Arte Reina Sofía; Museu d’Art Contemporani de Barcelona |
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1996 |
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Made In London: A Collection of Works by London Based Artists Made in the 1990s. London: Simmons and Simmons |
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1996 |
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Morgan, Stuart. “Fiona Rae: Playing for Time.” In What the Butler Saw. Edited by Ian Hunt. London: Durian Publications |
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1996 |
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Schmitz, Britta. “Fiona Rae” In Sammlung Marx. Edited by Heiner Bastian. Berlin: Hamburger Bahnhof - Museum für Gegenwart |
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1996 |
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Chadwick, Whitney. Women, Art, and Society. 2nd ed., rev. and expanded. London: Thames and Hudson |
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1995 |
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Art and Design: British Art - Defining the 90s. London: Academy Editions |
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1995 |
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Fiona Rae (exhibition catalogue). Text by Richard Shone. London: Waddington Galleries |
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1995 |
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From Here (exhibition catalogue). Text by Andrew Wilson. London: Waddington Galleries and Karsten Schubert |
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1995 |
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Des Limites du Tableau: Les Possibles de la Peinture (exhibition catalogue). Texts by Jean-Marc Prévost and Ann Hindry. Rochechouart: Musée Départmental du Rochechouart |
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1995 |
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Repicturing Abstraction (exhibition catalogue). Texts by Arthur C. Danto, Richard Waller, H. Ashley Kistler, Chris Gregson and Steven S. High. Richmond, Virginia: Anderson Gallery, Virginia Commonwealth University: 43, illustrated. |
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1994 |
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Chance, Choice and Irony (exhibition catalogue ). Texts by Tony Godfrey et al. London: Todd Gallery and John Hansard Gallery |
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1994 |
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Shark Infested Waters: The Saatchi Collection of British Art in the 90s. Text by Fiona Rae. London: Zwemmer Publishing |
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1994 |
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Unbound: Possibilities in Painting (exhibition catalogue). Text by Adrian Searle. London: Hayward Gallery, The South Bank Centre |
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1993 |
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A Decade of Collecting: Patrons of New Art Gifts 1983–1993 (exhibition catalogue). London: Tate Gallery |
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1993 |
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Fiona Rae (exhibition brochure). Text by Emma Dexter. London: Institute of Contemporary Arts |
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1992 |
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The Contemporary Art Society: Eighty Years of Collecting (exhibition catalogue). Texts by Judith Collins et al. London: Herbert Press in association with the Contemporary Art Society |
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1992 |
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Fiona Rae (exhibition catalogue). Text by Thomas Kellein. Basel: Kunsthalle Basel |
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1992 |
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New Voices: New Works for the British Council Collection (exhibition catalogue). London: British Council |
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1991 |
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British Art from 1930 (exhibition catalogue). London: Waddington Galleries |
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1991 |
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Fiona Rae (exhibition catalogue). Text by Stuart Morgan. London: Waddington Galleries |
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1991 |
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John Moores Liverpool Exhibition Seventeen (exhibition catalogue). Liverpool: National Museums and Galleries on Merseyside; Walker Art Gallery |
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1991 |
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La Metafisica della Luce (exhibition catalogue). Text by Demetrio Paparoni, translated from the Italian by John Stezka. New York: John Good Gallery |
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1991 |
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Turner Prize Exhibition 1991: An Exhibition of Work by Shortlisted Artists: Ian Davenport, Anish Kapoor, Fiona Rae [and] Rachel Whiteread (exhibition catalogue). Text by Sean Rainbird. London: Tate Gallery Publications |
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1991 |
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A View of London (exhibition catalogue). Text by Michael Archer. Salzburg: Salzburger Kunstverein |
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1991 |
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Who Framed Modern Art or The Quantitative Life of Roger Rabbit (exhibition catalogue). Text by Tricia Collins and Richard Milazzo. New York: Sidney Janis Gallery |
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1990 |
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Aperto (exhibition catalogue). Venice: La Biennale di Venezia |
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1990 |
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The British Art Show 1990 (exhibition catalogue). Texts by Caroline Collier, Andrew Nairne and David Ward; includes artist statement. London: South Bank Centre: 92–93, illustrated |
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1990 |
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Contemporary London. Cologne: Nordstern Versicherungen AG |
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1990 |
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Fiona Rae (artist book). Glasgow: Third Eye Centre |
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1990 |
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Voorwerk 1 (artist box). Rotterdam: Witte de With, Center for Contemporary Art |
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1989 |
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Promises, promises (exhibition catalogue). Text by Adrian Searle. London: Serpentine Gallery |
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1988 |
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Freeze (exhibition catalogue). Text by Ian Jeffrey. London: s.n. |
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